SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Widow and Children of Christian Steffkins"/1) | (@(roleclean,performerclean) "Widow and Children of Christian Steffkins")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 860 matches on Performance Title, 629 matches on Performance Comments, 433 matches on Event Comments, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. Pepys, Diary: With my wife and girle to the King's house, and there saw The Mad Couple, which is but an ordinary play; but only Nell's and Hart's mad parts are most excellently done, but especially her's: which makes it a miracle to me to think how ill she do any serious part, as the other day [26 Dec.], just like a fool or changeling; and, in a mad part, do beyond all imitation almost. It pleased us mightily to see the natural affection of a poor woman, the mother of one of the children brought on the stage: the child crying, she by force got upon the stage, and took up her child and carried it away off of the stage from Hart. Many fine faces here today

Performances

Mainpiece Title: All Mistaken Or The Mad Couple

Event Comment: Post Man, 5-8 Sept. 1696: At Mr Barns's Booth in Southwark Fair, near St Georges Church, will be seen the only English, Dutch, Spanish, High German and Indian Companies of Rope-Dancers, who are all five joined together, and will perform such variety of Dancing, Walking, Vaulting and Tumbling; the like was never seen in England before. 1st, You will see the famous Indian Woman and her Company. 2. You will see the High German Company. 3. You will see the Spanish Company dance excellently well on the Low Rope. 4. You will see the two famous Dutch Children, who are the wonder and admiration of all the Rope Dancers in the World of their Sex and Age. 5. You will see the two famous Englishmen, Mr Edward Barns of Rederiff, and Mr Appleby, who are the only two Master Ropedancers and Tumblers in the old world; also you may see Mr Edward Barnes dance with a Child standing on his shoulders, and with 2 children at his Feet, in Jack-boots and Spurs, and cuts Capers a yard and a half high, and dances a Jig on the Rope with that variety of steps, that few, or no Dancing Masters can do the like on the ground: He likewise walks on a slack Rope no bigger than a penny Cord, and swings himself 6 or 7 yards distance. Afterwards you will see the famous Indian Woman Vault the High Rope with great dexterity. Likewise you will see the famous Mr Appleby, who is the only Tumbler in all Europe, fling himself over 16 mens heads, through 12 Hoops, over 14 Halbards, over a Man on Horseback, and a Boy standing upright on his Shoulders. You will likewise the entertained with good Musick. The merry Conceits of Harlequin and his Son Punch. You will see the English and Dutch Flag on the top of the Booth. Vivat Rex. We shall play in this place 12 days

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: Vertue Betrayd Or Anna Bullen

Song: Leveridge, Ramondon, Mrs Lindsey, the Boy

Dance: As17051227

Event Comment: At 3 p.m. and 6 p.m., by reason of the Children's Playing twice a Day

Performances

Mainpiece Title: Thyrsis Or The Lost Shepherdess

Performance Comment: To be perform'd by little Children; A Prologue-a child, age four; a Comical Epilogue by way of Dialogue-a boy, girl.

Song:

Dance:

Event Comment: Afterpiece: A Masque (in three parts) [by George Colman] never perform'd, in which will be introduc'd the Principal Solemnities at the Installation of the Knights of the Garter. With New Music, composed by Dr Arne, Habits, Decorations and Scenes. Books of the Masque to be had at the Theatre. Receipts: #220 10s. 6d. (Account Book). The greater part is borrowed with some variation from Ben Jonson [Masque of Oberon]. The same liberty has been taken with a few passages of Shakespeare, and a Chorus of the late Gilbert West, Esq. The final chorus is from Dryden...an effort to entertain the public by the combined powers of the most eminent proficients in the arts of Music, Painting and Poetry (Adv. to Printed Edn., Colman's Dramatic Works, IV, London, 1777)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Fairy Prince with Installation of Knights of the Garter

Performance Comment: Parts-Mattocks, DuBellamy, Phillips, Reinhold, Baker, Fox, Two Children (1st time on any stage), Mrs Baker, a Gentlewoman; Dances-Fishar, Aldridge, Sga Manesiere. Silenus-Reinhold; +1st Satyr-Mattocks; +2nd Satyr, Echo-DuBellamy; +3rd Satyr-Phillips; +4th Satyr-Baker; +5th Satyr-Fox; +Sylvan-Owenson; +Principal Fairies-Mas. Wood, Miss Brown (two children, their 1st appearance on any stage); +Nymphs-Mrs Baker, a Gentlewoman ($Mrs Woodman); The Dances-Fisher, Aldridge, Sga Manesiere (Edition in Colman's Works, IV, London, 1777).

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan, King of Scotland-Bensley; Malcolm-C. Kemble [1st appearance in London]; Donalbain-Master De Camp; Macbeth-Kemble; Banquo-Wroughton; Macduff- Palmer; Lenox-Whitfield; Rosse-Barrymore; Fleance- Master Gregson; Siward-Aickin; Seyton-Benson; Physician-Packer; Officer-Banks; Serjeant-Caulfield; Murderers-Phillimore, Webb; Armed Head- Jones; Bloody Child- Master Harlowe; Crowned Child-Master Chatterley; Hecate-Bannister; Witches-Moody, Dodd, Suett//Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell. Apparitions of Eight Kings; Lords; Ladies; Attendants and Soldiers. Occasional Prologue spoken by Kemble. Occasional Epilogue spoken by Miss Farren . Lords; Ladies; Attendants and Soldiers. Occasional Prologue spoken by Kemble. Occasional Epilogue spoken by Miss Farren .
Cast
Role: , King of Scotland Actor: Bensley

Afterpiece Title: THE VIRGIN UNMASKD

Performance Comment: Goodwill-Packer; Blister-Suett; Coupee-Bannister Jun.; Quaver-Dignum; Thomas-Benson//Miss Lucy-Mrs Bland .

Song: Mainpiece: With the original Music of Matthew Locke, and Accompaniments by Dr Arne and Linley. Chorus of Witches and Spirits by Mrs Crouch, Mrs Bland, Miss Leak, Miss Arne, Miss Menage, Miss Granger, Miss Chatterley, Miss Redhead, Miss Gawdry, Mrs Bramwell, Mrs Butler, Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Biggs, Trueman, Evans, Lyons, Maddocks, Welsh, Danby. C0MMENT. Mainpiece [with alterations by John Philip Kemble. Prologue by the Rt. Hon. Richard Fitzpa

Performance Comment: Chorus of Witches and Spirits by Mrs Crouch, Mrs Bland, Miss Leak, Miss Arne, Miss Menage, Miss Granger, Miss Chatterley, Miss Redhead, Miss Gawdry, Mrs Bramwell, Mrs Butler, Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Biggs, Trueman, Evans, Lyons, Maddocks, Welsh, Danby. C0MMENT. Mainpiece [with alterations by John Philip Kemble. Prologue by the Rt. Hon. Richard Fitzpa.

Performances

Mainpiece Title: Macbeth

Cast
Role: , King of Scotland Actor: Bensley

Afterpiece Title: THE VIRGIN UNMASKD

Song: As17940421

Event Comment: Afterpiece [1st time; BALL. P 2]: Composed by Charles? Farley; Founded chiefly on a principal Episode ["The History of Don Raymond," Vol. I, chaps. III, IV] in the Romance of The Monk [by Matthew Gregory Lewis]. With entire new Music, Scenes, Dresses, and Decorations. The Music by Reeve. The Scenery designed by Phillips, and executed by him, the assistance of Hollogan, Blackmore, Thorne, Byrn, &c. The Machinery by Cresswell and Sloper. The Dresses and Decorations by Dick, Goostree and Mrs Egan. Books of the Songs and Chorusses [T. N. Longman, 1797] to be had at the Theatre. Receipts: #377 17s. (364.3.6; 13.13.6)

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Simmons, Waddy, Thompson, Hawtin, Mrs Mattocks, Miss Chapman, Miss Wallis. [And see17970304 .And see17970304 .

Afterpiece Title: Raymond and Agnes or The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Performances

Mainpiece Title: Love In A Tub

Performance Comment: [See16640300 The Prologue-; The Epilogue-the Widow?, Wheadle?; Lord Beanford-Betterton?; Colonel Bruce-Smith?; Lovis-Morris?; Sir NicholasCully-Nokes?; Palmer-Underhill?; Wheadle-Saunford?; Graciana-Mrs Betterton?; Aurelia-Mrs Davies?; Widow-Mrs Long?; Sir Frederick Frolick-Harris?; Dufoy-Price?.
Cast
Role: The Epilogue Actor: the Widow?, Wheadle?
Role: Widow Actor: Mrs Long?
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this performance is the premiere, but as the play was licensed for printing on 9 Jan. 1676@7, this performance may well be the first one. Downes (Roscius Anglicanus, pp.9-10) lists the same cast except for the ommission of Letice. It is not certain which Mrs Knight played Letice. Possibly it was Frances Maria Knight (see Wilson, All the King's Ladies, where she is tentatively listed for that role), but the presence of Mrs Ursula Knight on an undated L. C. list, 3@24, with the date of her swearing into the company given as 12 March 1676@7, it is quite likely that she played this role. (I owe this reference to Ursula Knight to Professor John Harold Wilson.) John Dennis: And when upon the first representations of the Plain Dealer, the Town, as The Authour has often told me, appeard Doubtful what Judgment to Form of it; the foremention'd gentlemen [The Duke of Buckingham, Earl of Rochester, Earl of Dorset, Earl of Mulgrave, Savil, Buckly, Sir John Denham, Waller] by their loud aprobation of it, gave it both a sudden and a lasting reputation (Defense and Defects of Dramatick Poetry, 1725, in The Works of John Dennis, ed. Hooker, II, 277)

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: Edition of 1677: Prologue-; Epilogue-Widow-Blackacre; Manly-Hart; Freeman-Kynaston; Vernish-Griffin; Novell-Clark; Major Oldfox-Cartwright; Lord Plausible-Haines; Jerry Blackacre-Charlton; Olivia-Mrs Marshall; Fidelia-Mrs Boutell; Eliza-Mrs Knep; Letice-Mrs [Ursula or Frances] Knight (see below); Widow Blackacre-Mrs Cory.
Cast
Role: Epilogue Actor: Widow-Blackacre
Role: Widow Actor: Blackacre
Role: Widow Blackacre Actor: Mrs Cory.
Event Comment: At Hippisley's and Chapman's Great Theatrical Booth in the George-Inn Yard. Afterpiece: A new Comic Interlude. While the Booth is filling the Company will be entertained by the surprising little Posture-Boy, a Scholar of Mr Ferguson's, lately arrived from Paris. Books of the Droll will be sold in the Booth

Performances

Mainpiece Title: The Devil Of A Duke Or The Conjurors Bastard With The Comical Humours Of Captain Tipple

Performance Comment: Conjuror's Bastard-Chapman; Duke Lavinio-Winstone; Mago-Cross; Prince Brunetto-Ware; Barberino-Bembridge; Alberto-Richards; Captain-Spackman; Clout-Gray; Flout-Clough; Isabella-Mrs Cross; Prudentia-Miss Ferguson; Flametta-Miss Dodson; 1st Widow-Mrs Taylor; 2d Widow-Mrs Powel; Miss Sol@Fa-Mrs Booth; Drunken Captain-Hippisley.
Cast
Role: 1st Widow Actor: Mrs Taylor
Role: 2d Widow Actor: Mrs Powel

Afterpiece Title: The Matrimonial Squabble or A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

Event Comment: TTony Aston's program as 26 Feb., but Widow Motteux as Widow as in scene from Plain Dealer. Benefit Widow Motteaux

Performances

Event Comment: [See Minutes of the Society for Promoting Christian Knowledge in Secretan, p. 107: "1703. Dec. 16: Also that at the bottom of the said paper a query might be put, whether acting the 'Tempest' upon the next Wednesday after the late dreadful storm, at the new play-house in Little Lincoln's Inn Fields, was proper or reasonable." See also The Terrible Stormy Wind and Tempest (1705), p. 24.

Performances

Mainpiece Title: The Tempest

Event Comment: Benefit Michael Christian Festing. Tickets 5s. 7 p.m

Performances

Mainpiece Title: Concert

Music: With several Pieces on the Chamber Horn-

Event Comment: Benefit John Christian Schickhard, lately arrived from Germany. In the Great Room at the Three Tuns and Bull-Head. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Event Comment: Benefit Christian. By particular Desire of several Gentlemen and Ladies. Tickets 2s. 6d. 6:30 P.M. The Hampstead Song is printed, and will be given gratis at the Place of Performance

Performances

Mainpiece Title: Concert

Performance Comment: music . The Vocal Parts by Gentlemen, particularly a new Hampstead Song, compos'd by Mr Seedo, for two French Horns, Violins, Hautboys, &c. The Instrumental by the best Hands. The Violin Concertino by Capt Dupar, Scholar to the late celebrated Signor Corelli, and late Musick Master to his present Highness the Prince of Orange. With several Pieces of his own composing, for the Violin and Harpsichord. The Concert will consist of three Acts .
Event Comment: To Macklin the Player: The Laity as well as Priests of all Religons are the same. Macklin, Thou mayst remember when thou wert learning the part of Shylock in the Merchant of Venice, thou camest daily to the Change, and artfully dids't introduce thyself into my company, till thou hads't stolen my Face, my Looks, and not content with the Index, thou did'st turn over the volume of my Mind, as it if thy Author had been wanting in the manner of his character, and dids't show me on the stage to the Disgrace of my Tribe, for which we wish thee not in Abraham's Bosom, thou may'st be sure. Now if thou hast a mind to compromise the Affair, and serve thyself at thy Benefit time, publicly delcare what Place thou did'st frequent, and what set of Christians thou did'st herd with, before thou playd'st the part of Iago in the Moor of Venice; Comply and our Rancor to thee will be turn'd into Love and Service. s@Zorobabel. PS I will call to thee tonight at thy Synagogue in the Hay-market, about the sixth Hour, as you players reckon, for intelligence.-Daily Advertiser

Performances

Mainpiece Title: Othello

Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Jovial Crew

Cast
Role: Randal Actor: Morgan
Role: Hillyard Actor: Moreland

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Event Comment: Benefit for Waltz. Pit and Boxes put together at 5s. Gallery 2s. 6d. To begin at exactly Half an Hour after six

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Vocal Parts-Sga Sybilla, Miss Young, Waltz, Hague, Messing Jr; Act I: The overture in Otho-; A Concerto of Geminiani-; A Solo on the German Flute-Balicourt; Powerful Guardians, Come ever Smiling Liberty by Handel-Sga Sybilla; Concerto on the Bassoon-Miller; Solo on the Violincello-Jones; First Trumpet-Snow; A Grand Concerto with Trumpets French Horns, and four Kettle Drums-John Mitchell Axt; who has had the honour to perform before several Sovereigns and English General Officers with great applause. Between the Acts: Preamble on Kettle Drums-Axe; a piece of music-six of the best French Horns; in England, never attempted before. Act II: The Music on the Thanksgiving Day-; compos'd by John Frederick Lampe, as it was perform'd on Thursday the 9th day of October 1746, in the Savoy. The words oy Christian Benjamin Schlaiblin, dedicated to the Duke of Cumberland. Concluding with the Water Music of Handel-;accompanied with four kettle drummers-.
Cast
Role: Handel Actor: Sga Sybilla
Role: and four Kettle Drums Actor: John Mitchell Axt
Role: Handel Actor:
Event Comment: At the New Theatre in the Haymarket (where Mr Foote lately appeared), an Orator's head will be dissected secundum artem. The Orators will be shewn lying in state with Heiroglyphicks and Monumental Inscriptions. The Question will be whether they will be allow'd Christian burial? If t'is granted, a funeral Oration will be pronounced by Martinus Scriblerus. Places for the Boxes to be taken at the theatre. Thus orator to orator succeeds@Another and another after him@and the last.

Performances

Mainpiece Title: A Course Of Comic Lectures

Performance Comment: George Alexander Stevens.
Event Comment: Benefit for Burton and Philips. Last time of performing the Afterpiece this season. Tickets deliver'd by Mr Hayes will be taken. Mainpiece: Not acted these 6 years. [See 2 Feb. 1753.] This month was published An Answer to that Important Question Whether it is lawful for the Professors of the Christian Religion to go to plays (32 pp.) [Advises members of the Congregation to read Scriptures instead.] Also published A Letter of Abuse to David Garrick. Receipts: #160 (Cross)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Tamer Tamd

Song: I: Miss Young

Dance: II: A Comic Dance [dancers unspecified]-; III: A Hornpipe-Harrison; IV: A New Comic Dance-

Event Comment: Did I tell you that the Archbishop tried to hinder the Minor from being played at Drury Lane? For once the Duke of Devonshire was firm, and would only let him correct some passages, & even of those the Duke has restored some. One that the Prelate effaced was 'You snub-nosed son of a bitch.' Foote says he will take out a license to preach Sam Cant against Tom Cant. (Walpole to Montagu, 24 Nov.). [See also Duke of Devonshire's statement to Garrick concerning the alteration of some lines, Private Correspondence, ed. Boaden, I, 120. See Gentlemen's Magazine, p. 502: Extracts from Christian and Critical remarks on a droll or interlude, call'd the Minor, said to be acted by authority; and Mr Foote's answer. Ten columns of alternate attack and justification.

Performances

Mainpiece Title: The Minor

Cast
Role: Sir Geo Wealthy Actor: Holland

Afterpiece Title: A Duke and no Duke

Dance: I: The Colliers, as17601024; II: The Mad Doctor, as17601014

Event Comment: [This year was published The Companion to the Playhouse; or, An historical account of all the Dramatic Writers, and their works that have appeared in Great Britain and Ireland to the year 1764. Composed in the form of a Dictionary. for the more readily turning to any particular author or performance. Two vols. Dedicated to Garrick. (Who receives eleven and one-half columns of comment, more than any other dramatist.) This is the beginning of the Biographia Dramatica. This year was published Essays on Important Subjects intended to establish the Doctrine of Salvation by Grace, by John Witherspoon (President of Princeton). Vol. II, contained a Serious Enquiry into the nature and effects of the Stage," being an attempt to show that contributing to the support of a Public Theatre is inconsistent with the character of a Christian (112 pp).

Performances

Mainpiece Title: The London Merchant

Performance Comment: George Barnwell-Holland; Thorogood-Love; Trumen-Packer; Uncle-Burton; Blunt-Fox; Lucy-Mrs Bennet; Maria-Miss Plym; Millwood-Mrs Hopkins; In Act I, a Song-Mrs Vincent.
Cast
Role: George Barnwell Actor: Holland

Afterpiece Title: Queen Mab

Dance: III: The Medley, as17641120

Event Comment: Went into the Pit...to see Tamerlane. Havard is too old and wants power for the character of Tamerlane, Moneses by Reddish, Dervis by Bransby. Holland excels in Bajazet and was the only character in proper dress. It hurt me to see Tartars in ancient Greek dresses with ridiculous modern periwigs, and Greek christians in English habits. Mrs Dancer as Arpasia, was as great (particularly in the last scene) as in any character in which I ever saw her and received that distinguished applause she deserved. The Entertainment was Harlequin's Invasion (Neville MS Diary)

Performances

Mainpiece Title: Tamerlane

Cast
Role: Bajazet Actor: Holland

Afterpiece Title: Harlequins Invasion

Event Comment: By Particular Desire. Before the King of Denmark. To being at 7:00 p.m. London Evening Post: Died Mrs Pritchard 20 August after an illness of 10 days. The pains she endured which were great indeed she bore with a fortitude and resignation which the true Christian could only support. She actually obtained a victory over Death, expressing in her last moment the utmost composure, felicity and firmest hope of a lofty change in life and death. She was in all a pattern of worthy immitation

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick; Jack Meggot-Woodward; Clarinda-Mrs Bellamy; Bellamy-Wilkes; Tester-Weston; Strictland-Love; Frankly-Aickin; Mrs Strictland-Mrs Hopkins; Milliner-Miss Matthews; Lucetta-Mrs Love; Jacintha-Mrs Jeffries.
Cast
Role: Strictland Actor: Love
Role: Mrs Strictland Actor: Mrs Hopkins

Afterpiece Title: Daphne and Amintor