SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow Banks"/1) | (@(roleclean,performerclean) "Widow Banks")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 657 matches on Performance Comments, 443 matches on Performance Title, 361 matches on Event Comments, 237 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for a Widow in Distress, with Four Children (Public Advertiser). Benefit for Mrs Calvert. Receipts: #57 7s. Income from tickets #112 13s. (boxes 113; pit 318; gallery 361). Charges #84 (Account Book). [The Account Book shows a profit again of #31 9s. 6d.

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Devil to Pay

Dance: JJovial Coopers, as17571107

Event Comment: Benefit for a Widow Gentlewoman in great Distress. To begin at half an hour past Six. A greater number of Tickets being disposed of than Mr Hickford's Room can contain, makes it necessary to remove the performance to Dean St. Books of the Serenata will be sold at the place of performance

Performances

Mainpiece Title: Acis And Galatea

Music: First Violin-Brown; Second Violin-Froud; First Violoncello-Gordon; Harpsichord-Cooke; Between I and II: a Concerto on Hautboy-Vincent

Event Comment: Benefit for increasing the Fund for Support of Decay'd Musicians, or their Families. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s. Doors open at Five. Gallery at Four, to begin at Half an Hour after Six. None to be admitted without tickets. Tickets delivered to Subscribers to this Charity will admit one person into any part of the House. Subscribers tickets may be had of Richard Dawson at his house near Henry the VII's Chapel, Westminster, who is empower'd by the Society to deliver them, and to receive the subscriptions. The Governors beg leave to inform the Nobility and Gentry to whom this Charity is so much oblig'd, that from June 1756 to June 1757 they have necessarily laid out for decay'd musicians and their families, widows of decay'd musicians, and in maintaining and educating orphans who are left in distress, and in putting them Apprentice, and for Physic, Burials, and other incidental charges #532 13s. 7d. The Books are open and may be inspected by subscribers the first Sunday in every month at a meeting of the Governors, at the Turk's Head in Greek Street, Soho. All expenses attending the meetings of the Governors, Court of Affidavits Committee for managing of this Concert, are defrayed by themselves

Performances

Mainpiece Title: Concert

Event Comment: Benefit for a Distressed Widow with 4 small children. Receipts: #190 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: TheFrenchified Lady

Dance: TThe Italian Peasants, as17571004

Event Comment: Benefit for a Widow in Distress. By Desire of several Persons of Quality

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Contrivances

Dance: As17581016

Event Comment: Author's Night. Tancred and Sigismunda, for the Benefit of Widow Jona and her Children, is obliged to be deferr'd till further Notice

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Lottery

Dance: As17581111

Event Comment: Benefit for the Widow Jona and Her Children

Performances

Mainpiece Title: The Earl Of Essex

Related Works
Related Work: The Unhappy Favourite; or, The Earl of Essex Author(s): John Banks

Afterpiece Title: The Contrivances

Dance: As17581111

Event Comment: Benefit for a Widow in Distress

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Ballet: TThe Feast of Bacchus. As17581116

Event Comment: Benefit for Mrs Cross, Widow of the late Prompter, and Moody

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Queen Mab

Event Comment: Benefit for Widow Cross and Wood (sub-treasurer). Mainpiece: For last time this season. No Building on Stage

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Love a-la-Mode

Event Comment: Benefit for a Widow Gentlewoman, at the Great Room, Dean St., Soho. Pit 10s. 6d. Gallery 5s. To begin at 7:00 p.m

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Benefit for Roberts, Widow Lampe, Miss Young. Afterpiece: For the last time this season

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: The Dragon of Wantly

Dance: III: The Taylors, as17620107

Music: II: A Piece upon the Welch Harp-Evans

Event Comment: Benefit for Wood, sub-treasurer and Widow Cross. No building on Stage. Mainpiece: Not acted these 7 years. [See 5 Dec. 1755.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Apprentice

Dance: II: Hornpipe-Vincent; IV: Hearts of Oak, as17620421

Song: III: Miss Young; End: Mrs Vincent

Event Comment: Benefit for Smith, Cridland, Dalton, Widow Dunbar. Doors open half past 4. Play to begin exactly at half past 6 o'clock

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Englishman in Paris

Dance: IV: Hearts of Oak, as17620421

Event Comment: Benefit for Mr Wilford and Ross (Pit door-keepers); A Widow in distress; Trott (lobby door-keeper). No building on Stage Tickets deliver'd by Slater, Darby, Dimmock, Mislebrook, and others will be taken

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Contrivances

Dance: III: The Pleasures of Spring, as17620212; End Play: The Taylors, as17620107

Event Comment: Benefit for Lewis, Redman, Gardner, Widow Collins. Tickets deliver'd by Rawlins, Mrs Gould, Mrs Griffiths, Mrs Paddic, Mrs Gwinn, a Gentlewoman under Misfortunes, &c. will be taken. Afterpiece: Not acted these 2 years. [See 22 April 1760.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Miller of Mansfield

Dance: II: The Jealous Woodcutter, as17621023

Event Comment: Benefit for Weller, Lewis and Gardner. Tickets deliver'd by Rawlins, Mrs Gould, Mas. Besford, and Trott's Widow, &c. will be taken

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Old Maid

Dance: III: A Hornpipe-Miss Pitt; End: The Dutch Skippers, as17640509

Event Comment: Benefit for Anderson; R. Smith, Widow Marten. None admitted behind scenes

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Miss in Her Teens

Dance: III: A Hornpipe-Miss Pitt; End of Play: Rural Love, as17641212

Event Comment: Benefit for an Ancient Widow Gentlewoman and her Daughter (in great distress); Rawlins, Potter, Waylin. None admitted behind scenes. Tickets delivered by Mas. Besford, and Mrs Naylor, &c. will be taken

Performances

Mainpiece Title: The Royal Convert

Afterpiece Title: Lethe

Dance: End: Rural Love, as17641212

Event Comment: Pit and Boxes laid together. No admittance to Pit but through the boxes and with tickets. Towards raising a fund for the relief of those who from their infirmities shall be oblig'd to retire from the stage. This fund having been begun by a voluntary contribution among the performers improved by a proportionable weekly deduction on their salaries and intended as a reciprocal provision for them, their widows and children in sickness and infirmity, it is humbly hoped an appeal to the generosity of the public will not be taken amiss &c. (Winston MS 9)

Performances

Mainpiece Title: Every Man In His Humor

Afterpiece Title: The Devil to Pay

Event Comment: Paid Widow Hunter by order #2 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan Of China

Afterpiece Title: Queen Mab

Event Comment: Benefit for Love. House charges #66 7s. [Profit to Love #84 19s.] Paid Manager's subscription to Widow Nimmo #2 2s; Paid French on acct #20; Rec'd Stopages #3 3s. Paid salary list #435 19s. (Treasurer's Book). [Neville attended and commented that Bayes was well done by Love, We had Hearts of Oak, Bayes's Horse, & and a Concerto on the Harpsichord by Master Love, who was much applauded.'] Receipts: #151 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: High Life below Stairs

Dance: II: Hearts of Oak, as17670212

Music: End: Concerto on Harpsichord- as17670212Burney Jun

Event Comment: Benefit for Widow Vincent. House charges #64 15s. 6d. [Deficit Mrs Vincent #20 3s. 6d.] Rec'd by draft on Mr Clutterbuck #200, and from Sinking Fund #287; Paid Blandford (tallow chandler) #27 18s. 11d.; and French on account #12 12s. (Treasurer's Book). Fifteen minutes past 5 went to the 2s. gallery...(Widow Vincent's voice pleases me much. Holland did Oakly,-he imitates Garrick, but is very inferior to him (Neville MS Diary). Receipts: #44 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Contrivances

Dance: End: Comic Dance, as17670430

Event Comment: Benefit for Parsons, Real, Miss Cokayne, Mas. Besford, Francis. Both pieces By Particular Desire. Tickets deliver'd by Wild, Bassan, Pullin, Mrs Griffiths, Mrs Paddick, Mrs Walters, and Widow Trott will be taken. [House took half value of tickets in addition to ready money.] @Tickets Box Pit Gallery Value Half Value@Parsons 17 76 73 #22 19s. #11 9s. 6d.@Real 19 9 12 #7 6s. #3 13s.@Miss Cokayne 10 25 42 #10 9s. #5 4s. 6d.@Mas. Besford 1 32 49 #9 19s. #4 19s. 6d.@Francis - 41 18 #7 19s. #3 19s. 6d.@Wylde 5 18 29 #6 17s. #3 8s. 6d.@Bassan 14 53 56 #17 1s. #18 10s. 6d.@Pullin - 34 83 #13 8s. #6 14s.@Mrs Griffiths - 32 46 #9 8s. #4 14s.@Mrs Paddick 6 26 26 #8 #4@Mrs Walters 2 13 31 #5 11s. #2 15s. 6d.@Widow Trott 28 4 17 #9 6s. #4 13s.@Total 102 363 482 #128 3s. #64 1s. 6d.@ Receipts: #80 17s. 6d. (Account Book)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Dragon of Wantly

Dance: III: New Pantomime Ballet(third time)-Mas. Blurton, Miss Besford, as17670427 End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Perseus and Andromeda