SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4810 matches on Event Comments, 3422 matches on Performance Comments, 607 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for R. Palmer. 2nd piece [1st time; SAT 1, by John Peter Roberdeau. Larpent MS 1080; not published]. "This piece found the audience in so ill a humour that it was soon put an end to by a general condemnation of it" (European Magazine, June 1795, p. 414). [3rd piece: Prologue by the elder George Colman.] Morning Chronicle, 20 May: Tickets to be had of R. Palmer, No. 28, Eaton-street, Pimlico. Receipts: #334 17s. 6d. (111.17.0; 44.10.0; 23.19.0; tickets: 154.11.6) (charge: #212 1s. 7d.)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Saint Andrews Festival or The Game at Goff

Afterpiece Title: Bon Ton

Event Comment: No Money to be returned. Places for the Boxes to be had of Brandon (only) at the office in Hart-street. Boxes 6s. 2nd price 3s. Pit 3s. 6d. 2nd price 2s. Gallery 2s. 2nd price 1s. Upper Gallery 1s. The Doors to be opened at 5:30.To begin at 6:30 [see 2 Nov.]. Many complaints having been made respecting the taking and securing Places in the Boxes, the following Regulations it is humbly presumed will effectually prevent all such Misconduct in future. Servants admitted to keep Places as usual, and Ladies and Gentleeen are requested to order them to attend at the Theatre not later than Five o'Clock. For such Places as are ordered to be kept by the Place-Keepers of the Theatre, One Shilling is to be paid at the Time of taking them, and no Place-Keeper or Box-Keeper is to demand, or to receive any further Gratuity on any pretence whatever. Every Place-Keeper to wear a Number. It is respectfully desired that Information may be given to Brandon, at the Box-office, of any Irregularity or Imposition, which will be immediately redressed. Receipts: #267 3s. (261.7; 5.16)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Farmer

Performance Comment: Jemmy Jumps-Munden; Valentine-Johnstone; Rundy-Townsend; Col. Dormant-Hull; Fairly-Thompson; Farmer Blackberry-Richardson; Farmer Stubble-Powel; Flummery-Rees; Waiters-Ledger, Abbot; Molly Maybush-Mrs Martyr; Louisa-Mrs Mountain; Landlady-Mrs Platt; Betty Blackberry-Mrs Mattocks.
Cast
Role: Molly Maybush Actor: Mrs Martyr

Song: Mainpiece: Vocal Parts-Johnstone, Incledon, Bowden, Haymes, Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Mrs Mountain, Mrs Davenport, Miss Stuart, Mrs Lloyd, Mrs Follett, Mrs Castelle, Miss Kirton, Mrs Masters, Miss Ives, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Martyr

Event Comment: Benefit for Miss Wallis [whose 1st appearance as Lady Eleanor Irwin was at Bath, 2 May 1793, and as Lady Bab Lardoon also at Bath, 15 Mar. 1791]. 2nd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Morning Herald, 18 Apr.: Tickets to be had of Miss Wallis, No. 76, Gower-street, Bedford-square. Receipts: #377 15s. 6d. (182.16.6; 10.3.0; tickets: 184.16.0)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Arrived at Portsmouth

Cast
Role: Apollo Actor: Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Hercules Actor: Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Diana Actor: Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Orion Actor: and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: and Cupid Actor: Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Persians Actor: Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Parthian Actor: Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Scythian Actor: Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Ethiopian Actor: Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Amazonian Actor: Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Grecian Actor: Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Thracian Actor: Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lycian Actor: Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: representing the Landing of Julius Caesar Actor: Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Saxon Archer Actor: Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Danish Archer Actor: Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Norman Archer Actor: English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: English Archer Actor: Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn

Afterpiece Title: The Maid of the Oaks

Dance: In 2nd piece: a New Dance-Holland, Platt, Mrs Watts

Song: In 2nd piece: As in 3rd piece, 12 Apr., but The Sea Storm-_; Old Towler-_; New Song-_

Event Comment: Benefit for Bensley, being the Last Time of his Appearing on the Stage. Bensley's defects (chiefly Nature's) were to a stranger disgusting, but on a further acquaintance, hi merit (all his own) not only gained favour, but covered all his faults" (Monthly Magazine, May 1796, p. 320). Morning Herald, 23 Apr.: Tickets to be had of Bensley at his house, No. 21, Charlotte-street, Bloomsbury. Receipts: #595 9s. (271.2; 63.14; 6.2; tickets: 250.10; odd money: 4.1) (charge: #232 7s. 6d.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Romp

Event Comment: Benefit for Harley [whose 1st appearance as Shylock was at cg, 6 Nov. 1789]. 1st piece: Not acted these 6 yexrs. 2nd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Morning Herald, 12 May: Tickets to be had of Harley, Castle-street, Bloomsbury. Receipts: #219 12s. 6d. (102.13.0; 2.11.6; tickets: 114.8.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Arrived at Portsmouth

Cast
Role: Apollo Actor: Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Hercules Actor: Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Diana Actor: Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Orion Actor: and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: and Cupid Actor: Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Persians Actor: Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Parthian Actor: Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Scythian Actor: Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Ethiopian Actor: Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Amazonian Actor: Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Grecian Actor: Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Thracian Actor: Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lycian Actor: Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: representing the Landing of Julius Caesar Actor: Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Saxon Archer Actor: Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Danish Archer Actor: Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Norman Archer Actor: English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: English Archer Actor: Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn

Afterpiece Title: The Irish Mimick

Dance: As17960420

Song: In Evening: a Hunting Song [Old Towler]-Incledon; 2nd piece: We've bade the restless seas adieu-; O why to be happy, as17960412; Here we laugh and work together-; With pride we steer'd for England's coast, as17960412; When love was a stranger, as17960412; Hearts of Oak-Incledon, Chorus

Event Comment: Benefit for Suett. Afterpiece [1st time; F 2, by John Grubb. Larpent MS 1132; not published. Author of Prologue unknown]. Morning Herald, 16 May: Tickets to be had of Suett, No. 19, Martlet-court, Covent-Garden. Receipts: #403 13s. 6d. (152.10.0; 57.5.0; 4.16.0; tickets: 187.10.0; odd money: 1.2.6) (charge: none listed). [Account-Book: Suett to have #100 of Tickets and half those above that sum which he brings in; of which due him #43 15s.

Performances

Mainpiece Title: Mahmoud

Cast
Role: Hassan Actor: Dignum

Afterpiece Title: Alive and Merry

Event Comment: Benefit for Bannister. 3rd piece [1st time; M. INT 1]. Morning Herald, 10 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. Receipts: #188 6s. 6d. (120.9.6; 61.1.0; 2.17.6; tickets: none listed; odd money: 3.18.6) (charge: #218 11s. 2d.)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: The Devil to Pay

Afterpiece Title: A Musical Olio

Event Comment: Servants admitted to keep Places as usual, and Ladies and Gentlemen are requested to order them to attend at the Theatre not later than Five o'Clock. For such Places as are ordered to be kept by the Place Keepers of the Theatre. One Shilling is to be paid at the time of taking them, and no Place Keeper or Box Keeper is to demand, or to receive, any further Gratuity on any pretence whatever. Every Place Keeper to wear a Number. It is respectfully desired that Information may be given to Brandon. at the Box-office, of any Irregularity or Imposition, which will be immediately redressed. Receipts: #125 17s. (124.11; 1.6)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Farm House

Event Comment: A New, Grand, Serious Opera, with Chorusses (1st time [in London; 1st performed at Paris, 1788, as Arvire et Evelina]). The Music by Sacchini (being his last Work). With entirely new Scenes (painted by Greenwood), Dresses and Decorations. Books of the Opera may be had at the Office of the Theatre

Performances

Mainpiece Title: Evelina

Dance: End I: Divertissement-Didelot, Mme Rose, Mlle Parisot; End Opera: Apollon Berger-Mlle Parisot, Didelot, Mme Hilligsberg, Gentili, Mme Rose

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text; although Boaden, Jordan, I, 286 says the Epilogue was by Samuel Rogers, being the same as that spoken on 27 Apr. 1795)]: With new Scenes, Dresses, and Decorations. [Afterpiece in place of No Song No Supper, advertised on playbill of 18 Apr.] Morning Herald, 29 Apr. 1797: On Monday [1 May] will be published The Will (2s.). Account-Book: Reynolds to receive #33 6s. 8d. for every night of The Will. Receipts: #413 4s. (344.12.6; 63.16.6; 4.15.0)

Performances

Mainpiece Title: The Will

Afterpiece Title: The Purse

Ballet: The Scotch Ghost. As17961221

Event Comment: Mainpiece [1st time; CO 3, by Prince Hoare. Larpent MS 1159; not published; synopsis of plot in Universal Magazine, May 1797, p. 364]: Overture and rest of Music composed and selected by Shield. Harp by Weippert. The new Scenery by Richards. Books of the Songs to be had in the Theatre. Receipts: #172 10s. 6d. (169.6.6; 3.4.0)

Performances

Mainpiece Title: Italian Villagers

Performance Comment: Principal Characters-Quick, Incledon, Munden, Fawcett, Murray, Knight, Hull, Farley, Simmons, Abbot, Gray, Mrs Mountain, Mrs Clendining, Mrs Henley, Mrs Castelle, Mrs Martyr. Cast from Airs (T. Rickaby, 1797): Saveall-Quick; Lorenzo-Incledon; Jeremy Maythorn-Munden; Valentine-Fawcett; Duke of Urbino-Murray; Hilary-Knight; Octavio-Hull; Marco-Farley; Premiss-Simmons; Moro-Abbot; Lawyer's Clerks-Gray, Street, Linton; Isabel-Mrs Mountain; Lucilla-Mrs Clendining; Rodriga-Mrs Henley; Flora-Mrs Castelle; Annetta-Mrs Martyr; Chorusses-Gray, Linton, Street, Thomas, Oddwell, J. Linton, Everett, Lee, Curties, Blurton, Mrs Gilbert, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Norton, Mrs Blurton, Mrs Masters, Mrs Lloyd, Miss Walcup, Miss Burnett, Miss Owen, Miss Gray.
Cast
Role: Jeremy Maythorn Actor: Munden

Afterpiece Title: The Farm House

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; ENT 1, by John Cartwright Cross (see Monthly Mirror, June 1797, p. 370). Larpent MS 1166; not published]; With a striking Representation of the Conflagration of the Spanish Fleet in the Gulph of Pariav, the Island's Capitulation and the Departure of its Garrison, Prisoner of War [on 18 Feb. 1797]. True Briton, 1 May: Tickets to be had of Mrs Martyr at her house, No. 16, Martlett Court, Bow-street, Covent-Garden. Receipts: #359 14s. (185.5; 8.2; tickets: 166.7)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Surrender of Trinidad or Safe Moord at Last

Afterpiece Title: The Irishman in London

Song: End I: The Storm-Incledon; In course 2nd piece: Black@Ey'd Susan-Incledon; Beauty at her Levee-Munden; Jack at the Windlass-Fawcett; The Wolf-Bowden; Oh why to be happy-Incledon; The Row-Johnstone; Bravura Song-Mrs Clendining; a new Negro Song (composed by Shield)-Mrs Martyr; Rule Britannia-

Event Comment: 2nd piece [1st time; M. INT 1, by John Rose. Larpent MS 1167; not published]: A Mask, in honour of the approaching Royal Nuptials [the Marriage of Charlotte Augusta, Princess Royal of Great@Britain to Frederick William, Prince of Wurttemberg, on 18 May]. The Musick entirely new by Attwood. The Scenes, Dresses, and Decorations entirely new. Books of the Interlude to be had in the Theatre. Receipts: #254 15s. (166.15.0; 84.6.6; 3.13.6)

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: The Fairy Festival

Afterpiece Title: Lodoiska

Dance: In 2nd piece: Dances incidental to the Piece, composed by Gentili. Principal Dancers-Gentili, Master Menage, Sga Bossi DelCaro, Mrs Wild

Event Comment: Benefit for Fawcett. 1st piece: Not acted some years [acted 30 Oct. 1790]. 2nd piece [1st time: ENT 1]. 3rd piece: By Permission of George Colman, Esq., and for that Night only. Tickets and Places to be had of Fawcett at his house, No. 10, Golden Square, and of Brandon, at the Theatre. "To the Public, May 16, 1797. In consequence of repeated Forgeries of Tickets on Benefit Nights, particularly those of Miss Wallis, Mr Incledon, Mr Holman, and Mrs Mattocks, it has been found necessary to offer a large Reward for the Discovery of the Person or Persons concerned in this unjust and cruel Practice. Mr Fawcett, therefore, thinks it his Duty to warn his Friends and the Public from purchasing Tickets for his Night of Strangers, especially those Persons who sell them in the Avenues of the Theatre, as all such will be stopt at the Doors, and if forged the Persons offering them for Admittance will be drawn into a disagreeable dilemma" (printed slip attached to Kemble playbill). Receipts: #462 5s. (189.12; 8.13; tickets: 264.0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: An Entremets

Afterpiece Title: Peeping Tom

Performance Comment: Peeping Tom of Coventry (with The Little Farthing Rushlight)-Fawcett; Crazy-Knight; Mayor of Coventry-Waddy; Count Louis-Claremont; Earl Mercia-Haymes; Harold (with an additional song)-Incledon; Emma-Mrs Mountain; Mayoress of Coventry-Mrs Davenport; Lady Godiva-Mrs Gilbert; Maud-Mrs Martyr.
Event Comment: Benefit for Miss Leak. 3rd piece [1st time: BO 2, author unknown. Larpent MS 1170; not published]: The Overture and Musick entirely new, by Dr Arnold, Composer to His Majesty. True Briton, 20 May: Tickets to be had of Miss Leak, Upper Mews-Gate, Castle-street, Leicester-Fields. Receipts: #364 6s. 6d. (65.9.0; 59.13.0; 2.6.0; tickets: 236.18.6; (charge: #213 10s. 2d.)

Performances

Mainpiece Title: Rosina

Afterpiece Title: A Trip to Scarborough

Afterpiece Title: The Hovel

Song: In: Sweet Echo-Miss Leak; the Echo-Master Welsh

Event Comment: Benefit for Mlle Parisot. Times, 14 May: Tickets to be had of Mlle Parisot, No. 9, Haymarket. Receipts: #409 11s. (198.3.6; 73.5.6; 1.5.6; tickets: 136.16.6) (charge: #245 2s. 10d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Blue Beard

Dance: Two Pas Seulsincidental to the Ballet-Mlle Favre Guiardele (for that night only); In afterpiece: a new Pas Seul-Mlle Parisot

Ballet: End II: a New Ballet (for that night only), Kitty and Jemmy. Jemmy-Mlle Parisot; Kitty-Sga Bossi DelCaro; the Other Characters-Fialon (for that night only), Master Menage, Miss Menage, Roffey, Whitmell, Wells, Male, Garman, W. Banks, Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining

Performance Comment: Jemmy-Mlle Parisot; Kitty-Sga Bossi DelCaro; the Other Characters-Fialon (for that night only), Master Menage, Miss Menage, Roffey, Whitmell, Wells, Male, Garman, W. Banks, Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining.
Event Comment: Benefit for Whitfield. Times, 10 May: Tickets to be had of Whitfield, No. 10, Clifford's Inn. Receipts: #343 6s. 6d. (60.6.0; 3.16.0; tickets: 279.4.6)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Hooly and Fairly

Cast
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

Afterpiece Title: Lock and Key

Dance: In 2nd piece: Highland Reel, as17980428

Song: End III 1st piece: Black Ey'd Susan-Incledon

Event Comment: Benefit for Miss Leak. Afterpiece: With a Sea Fight. Times, 17 May: Tickets to be had of Miss Leak, Upper Mews Gate, Castle-street, Leicester-fields. Receipts: #500 6s. 6d. (104.10.0; 74.7.6; 3.4.6; tickets: 318.4.6) (charge: #220 14s. 7d.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Critic or A Tragedy Rehearsed

Dance: In II: Masquerade-; with Dancing-Mlle Parisot, Sga Bossi DelCaro

Song: In Masquerade: Sigh no more Ladies (composed by Stevens)-Sedgwick, Dignum, Mrs Bland, Miss DeCamp; End IV: Little Taffline-Mrs Bland; In course of Evening: Ally Croaker, Little Bess the Ballad Singer (composed by Dr Arnold)-Miss Leak

Event Comment: Benefit for Hull, Mrs Litchfield & Waddy. 1st piece [1st time; C 5, by Thomas Hull. Larpent MS 1215; not published]: Altered from [The Bashful Lover, by] Massinger. [In it the playbill assigns Hortensio to Pope, but he was ill, and in his "stead Johnston read the part of Hortensio" (European Magazine, June 1798, p. 396). Prologue by John Taylor Poems (I, 60).] Morning Herald, 29 May: Tickets to be had of Hull, Duke's Court, Dean's-yard, Westminster; of Mrs Litchfield, James-street, Covent-Garden; of Waddy, No. 214, opposite Southampton-street, High Holborn. Receipts: #261 2s. 6d. (53.9.6; 4.16.6; tickets: 202.16.6; of which Hull took #72 7s.; Mrs Litchfield #60 17s., Waddy #69 12s. 6d.)

Performances

Mainpiece Title: Disinterested Love

Afterpiece Title: Starboard Watch

Afterpiece Title: The Highland Reel

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman

Event Comment: Benefit for Wathen. [Longley is identified in Monthly Mirror, June 1798, p. 369. For his 1st appearance see 25 Nov. 1797.] Times, 30 May: Tickets to be had of Wathen, No. 2, Frith-street, Soho. Receipts: #294 7s. (55.13.6; 44.13.6; 0.9.0; tickets: 193.11.0, of which Wathen to pay for one half brought in over #100)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Eleventh of June

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: Grand Selection 0 Of Music From The Works Of handel boyce arne And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Concerto, opera quarto (Avison)-; Come ever smiling liberty-Miss Capper; The Lord worketh wonders-Bartleman (Judas Maccabaeus); The many rend the skies-Chorus (Alexander's Feast); Return, O God of hosts-Miss Waters (Samson); Sweet bird-Mme Mara; accompanied on the violin-G. Ashley (L'Allegro); May no rash intruder-Chorus (Solomon); Scene from Joshua: The Falling of the Walls of Jericho-; 'Tis well, six times-Incledon; Glory to God-Incledon; Grand March-; The strong cemented walls-Chorus.
Cast
Role: May no rash intruder Actor: Chorus
Role: six times Actor: Incledon

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time: M. INT 1]. 3rd piece: As it was originally performed upwards of 50 nights in the Year 1789. Being a Selection of favorite Scenes form the following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Druids, Friar Bacon, Harlequin Freemason, Omai, Magic Cavern, and Harlequin Rambler. The machinery of the Peacock by Sloper. With the original Scenery painted by Lambert, Dall, Carver, Hodgins and Richards. The Music selected from Dr Arne, Dr Arnold, Dr Fisher, M.? Arne, Vincent, Dibdin and Shield. Morning Chronicle, 4 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #399 19s. 6d. (205.18.0; 16.4.6; tickets: 177.17.0)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: An Egeirophadron

Afterpiece Title: Harlequins Chaplet

Performance Comment: Harlequin-Bologna Jun.; Lover-Simmons; Pantaloon-Hawtin; Farmer (with a song in character)-Street; Shepherd and Shepherdess (with duet, Cast my Love thine eyes around)-Mrs Martyr, Mrs Atkins; Bricklayers-Thompson, Jones; Carpenter-Lee; Sportsmen-Klanert, Claremont; Gardner-Wilkins; Serjeant-Whitmore; Recruits-Abbot, Findlay; Woodcutter-Dyke; Mandarine-Wilde; Lover's Servant-Rees; Monkey-Rayner; Clown-Farley; Principal Witches-Linton, Street [i.e. doubled Farmer]; Miss Mitchell, Mrs Chapman; Columbine-Mrs Wybrow.
Cast
Role: Clown Actor: Farley

Dance: II: Negro Dance-Bologna Jun., Platt, King

Song: End I: Black Ey'd Susan-Incledon

Event Comment: Benefit for Whitfield. Afterpiece [1st time; F 2, by John Till Allingham]. Morning Chronicle, 14 May: Tickets to be had of Whitfield, No. 10, Clifford's-inn. Ibid, 26 July 1799: This Day is published Fortune's Frolic (price not listed). Receipts: #394 13s. 6d. (79.15.0; 5.0.0; tickets: 309.18.6)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Fortunes Frolic

Performance Comment: Principal Characters by Fawcett, Knight, Clarke, Emery, Simmons, Abbot, Mrs Davenport, Miss Sims, Mrs Martyr. Cast from text (James Ridgway, 1799), and Genest, VII, 441: Robin Roughead-Fawcett; Rattle-Knight; Mr Frank-Clarke; Snacks-Emery; Clown-Simmons; Servant-Abbot; Margery-Mrs Davenport; Miss Nancy-Miss Sims; Dolly-Mrs Martyr.
Cast
Role: Clown Actor: Simmons

Dance: The Highland Lovers [see17990423]-; with Un Pas de Trois-Bologna, Miss E. Cabanel, Miss H. Cabanel; Un Pas Seul Serieux-Miss H. Cabanel; Un Pas Seul de Demie Caractere-Miss E. Cabanel, Platt

Song: End II: The Death of Admiral Benbow-Incledon; End IV: Black Ey'd Susan-Incledon; The Tight Little Island-Townsend

Event Comment: Mainpiece: Not acted these 4 years. Afterpiece [1st time; P 2 (?). Not published; Songs: Larpent MS 1272]: Invented by T. Dibdin, & produced under the Direction of Farley. To conclude with an Allegorical Procession of the Seasons, Months and Hours, to the Temple of Domestic Happiness. With entire new Music, Scenery, Machinery, Machinery, Dresses and Decorations. The Overture and Music composed by Moorehead. The Dances by Bologna Jun. The Scenery by Phillips, Lupino, Hollogan, Wilkins, Bromley, the two Whitmores, Powell. The Machinery by Cresswell, Sloper, Goostree, C. Dibdin Jun., &c. The Dresses by Dick and Mrs Egan. Books of the Songs [J. Barker, 1799] to be had in the Theatre. "The opening scene of the new pantomime is highly interesting. The representation of the Volcanov, and the fight in the air between Floridel and Cratero, may with justice claim the epithet of grand and magnificent" (Dramatic Censor, I, 13). Account-Book, 6 Feb, 1800: Paid Moorehead for music in Volcano #25. Receipts: #366 7s. (344.17; 21.10)

Performances

Mainpiece Title: The Earl Of Essex Or The Unhappy Favorite

Afterpiece Title: The Volcano or The Rival Harlequins

Performance Comment: Harlequin Whitesword-Bologna Jun.; Harlequin Blacksword-King; Clown-Bologna; Infernal Spirit-Delpini; Colombine's Father-Whitmore Jun.; Old Beau-Hawtin; Hermit-Lewiss; Colombine-Mrs Parker; The Other Pantomime Characters-Wilde, Blurton, Platt, Abbot, T. Cranfield, Powers, Vials, Howell, L. Bologna, Klanert, Atkins, Mills, Wilkins, Webb, Letteney, Griffiths, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs D'Egville, Miss Cox, Miss Coombs; Vocal Characters Cratero (Daemon of the Mountain)-Denman; Ballad Singers-Emery, Simmons; Irish Ship@builder-Macartney; Principal Daemon-Linton; 2nd Daemon-Street; Chorus of Infernal Spirits-Gardner, Thomas, Oddwell, Smith, J. Linton, Kenrick, Sawyer, Tett; Floridel (Spirit of the Air)-Miss Wheatley; Attendants on Floridel-Ms Sims, Ms Iliff, Ms Gilbert, Ms Leserve, Ms Norton, Ms Masters, Ms Sydney, Ms Blurton, Mrs Castelle.
Cast
Role: Clown Actor: Bologna
Event Comment: Benefit for Mrs Martyr. [In 1st piece the playbill retains Mrs Martyr as Dolly, but "Dolly was undertaken at a short notice, by Mrs Chapman, upon the sudden indisposition of Mrs Martyr" (Monthly Mirror, June 1800, p. 366). "In consequence of Mrs Martyr's accouchement...the part of Dolly was sustained by Miss Sims" (Dramatic Censor, II, 140).] 2nd piece [1st time; M. INT 1, author unknown. Not in Larpent MS; not published]: To conclude with a Representation of the Storming the City of Acrev by the French [17 Mar.-20 May 1799], and the Heroic Defence made by the Turkish Troops led on by the British Sailors [under the command of Sir Sidney Smith]. Morning Chronicle, 23 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent Garden. Receipts: #333 4s. 6d. (118.3.6; 11.16.6; tickets: 203.4.6)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Siege of Acre

Afterpiece Title: The Jew and the Doctor

Song: End I 1st piece: The Last Shilling (composed by Dibdin)-Incledon; (in the Course of the Evening) Old Towler-Incledon; In Scene I 2nd piece: by Permission of Dibdin, his following popular songs: The Sailor's Journal-Incledon; The Anchor Smiths-Townsend; All Hands to the Anchor-Fawcett; Jacky and the Cow-Munden; The Advantage of Toping-Townsend; A Comic Irish Song-Johnstone