SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4810 matches on Event Comments, 3422 matches on Performance Comments, 607 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The last time but one of performing this Season. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Catherine and Petruchio

Dance: End Opera: The Humours of the New@Market Races, as17760503

Event Comment: Last time of the company's performing this season. The 75th night for the mainpiece; the 15th night for the afterpiece. Doors open half past 5. To begin half past 6 o'clock. [The manager miscounted the number of performances of the afterpiece, which was actually 14.

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Dance: End Opera: The Humours of the New@Market Races, as17760503

Performances

Mainpiece Title: The Cozeners

Performance Comment: Parts-Foote, Edwin (first time that stage), Aickin, Bannister, Griffith, Stephens, Parsons, Baddeley, Burton, Jackson, Miss Sherry, Miss Platt, Mrs Love, Mrs Jewell.

Afterpiece Title: The Lyar

Dance: The Merry Lasses-

Performances

Mainpiece Title: The Miser

Performance Comment: Miser-Shuter; Clerimont-Davis; Ramilie-Goss; Decoy-Lloyd; Furnish-Francis; Sparkle-Walters; Lawyer-Dyell; James-Jackson; Fredrick-a Gentleman; Harriet-Miss Essex; Mrs Wisely-Mrs Bishop; Wheedle-Miss J. Essex; Lappet-Mrs Gardner; Mariana-Miss Weller (a pupil of Dr Arne's, first time in that character).

Afterpiece Title: Midas

Entertainment: Before: An Address to the Town, with Imitations-Master Russell , a child but 6 years of age; End II: Bucks Have at ye all-Master Russell; End IV: Imitations-Decastro; End: The Cries of London-Shuter (By Desire); Jo Haine's Epilogue-Shuter riding on an Ass

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Duke and no Duke

Performance Comment: Trappolin-Palmer (first time in that character); Lavinio-L'Estrange; Mago-Fearon; Brunetto-R. Palmer; Alberto-Chaplin; Barberino-Griffith; Officer-Stevens; Puritan-Parsons; Duchess-Miss Platt; Prudentia-Miss Essex; Flammetta-Mrs Gardner.

Entertainment: End Opera: The Cries of London-Shuter

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Scrub (By Particular Desire and for that night only)-Shuter; Aimwell-a Gentlemen; Sir Charles-R. Palmer; Foigard-Jackson; Gibbet-Brown; Boniface-Griffiths; Sullen-Lloyd; Archer-Palmer; Cherry-Miss Essex; Lady Bountiful-Mrs Palmer; Gipsey-Mrs Love; Dorinda-Miss J. Essex; Mrs Sullen-Mrs Gardner; first time. Epilogue (spoken on an Ass)-Shuter.

Afterpiece Title: The Mayor of Garratt

Entertainment: End II: The Cries of London-Shuter; II: Imitations-Master Russell; IV: Scene of Lady Pentweazle (from Taste) Lady Pentweazle -Mas. Russell; End: Interlude from the Register Office-Lloyd, Miss Francis, Mrs Gardner

Event Comment: By Authority of the Lord Chamberlain. Benefit for Walker. Afterpiece [1st time; F 2]: by a Gentleman from Edinburgh [unidentified. Larpent MS 433; not published. Authors of Prologues unknown. Mrs Moss is identified on playbill of 22 Apr. 1777]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Walker, No. 4, New Round-court, Strand; of McIntosh, the King's Head, near Marybone-street; at the St. Andrew, Wapping; at the Mount-street Coffee-house, Grosvenor-square

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Prejudice of Fashion

Song: End: The Birks of Invermay-the Lady who performs Peggy

Event Comment: [As afterpiece Public Advertiser announces The Rival Candidates, but see Hopkins Diary, 12 Oct.] The Managers met again to-day, but nothing settled. Hamlet was given out. I saw Mr Sheridan, he told me that Mr Lacy and he had agreed that no Play should be given out, nor any Bills put up, till they had settled this Affair, which was to be done to-Morrow at Mr Wallis's (the Attorney's) where they were all to dine. I waited on Mr Lacy, who agreed to the same, and no Bills or Paragraph were sent to the Papers. All the Business of the Theatre is at a Stand, and no Rehearsal called. Wed. 16th--Mr Sheridan, Dr Ford and Mr Linley dined today by Appointment with Mr Wallis where Mr Lacy was to have met them; about four o'clock he sent a verbal Message that he could not come to Dinner, but would wait upon them in the Evening, and about nine o'clock he came, and everything was settled to the Satisfaction (of them all) and a Paragraph sent to the Papers, and the Hypocrite and Christmas Tale was advertised for Friday, but no Play was to be done on Thursday--Covent Garden did not play on Friday (Hopkins Diary). Public Advertiser, 16 Oct., summarizes the proprietors' dispute: the Drury Lane patent had been purchased [in 1747] by David Garrick and James Lacy. On his death Lacy had devised his half-share to his son, Willoughby Lacy; on his retirement from the stage Garrick had sold his half-share to Sheridan, Ford and Linley. The original agreement between Garrick and Lacy, as recited in a document retained by the attorney Albany Wallis was that, in case of the sale of either share of the patent, or any part of either share, the seller was obligated to offer the first refusal to purchase to the other partner, and that this was to be done only when the theatre was closed for the summer. In selling one half of his share to Robert Langford and to Edward Thompson, Willoughby Lacy was--so argued his three partners--acting illegally: he had not offered to them the first refusal, and he was negotiating the sale at a time when the theatre was open. Public Advertiser, 17 Oct.. prints a statement from Lacy saying that he did not feel himself bound by the original agreement between his father and Garrick, but that, in the interest of the business of the theatre, he had asked Langford and Thompson to withdraw their claim to partnership, to which request they had acceded. Receipts: #130 9s. 6d

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Lewis (1st appearance in that character); King-Clarke; Ghost-Aickin; Horatio-Hull; Laertes-Whitefield; Ostrick-Lee Lewes; Polonius-Quick; Player King-L'Estrange; Marcellus-Fearon; Bernardo-Booth; Francisco-Wewitzer; Rosencraus-Robson; Guildenstern-Thompson; Gravediggers-Dunstall, Jones; Ophelia-Mrs Mattocks; Player Queen-Mrs Poussin; Queen (1st time)-Mrs Jackson.

Afterpiece Title: The Golden Pippin

Event Comment: [Afterpiece in 3 acts, altered from Garrick's original 5 acts by Richard Brinsley Sheridan.] The Music composed by Dibdin. With New Dresses. The Scenes, Machines, &c. invented by DeLoutherbourg. The Christmas Tale reduced to three Acts (by R. B. Sheridan esq.) was performed for the first time as a Farce--was received with very great Applause--it is too long, and must be shortened (Hopkins Diary). Public Advertiser, 22 Oct. 1776: This Day at Four o'Clock will be published A Christmas Tale (1s.) [For Baker see 28 Sept.] Receipts: #241 14s

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: A ChristmasTale

Event Comment: This Play (Medea) was performed the first time for the Managers-Mrs Yates was fine in her Character; but the Play is too heavy and will not do (Hopkins Diary). Receipts: #142 5s

Performances

Mainpiece Title: Medea

Afterpiece Title: A ChristmasTale

Song: Azure God-Mrs Wrighten

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-King; Stockwell (1st time)-Aickin; Major O'Flaherty-Moody; Capt. Dudley-Packer; Charles Dudley-Brereton; Fulmer-Baddeley; Varland-Parsons; Lady Rusport-Mrs Hopkins; Louisa Dudley-Mrs Baddeley; House@keeper-Mrs Bradshaw; Lucy-Mrs Love; Mrs Fulmer-Miss Sherry; Charlotte Rusport-Mrs Abington; The original Epilogue-Mrs Abington.

Afterpiece Title: A ChristmasTale

Event Comment: Grist Axalla--some Hisses (+Hopkins Diary). [Prologue by Nicholas Rowe.] Receipts: #193 15s. 6d

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Palmer; Axalla (1st time)-Grist; Dervise-Bransby; Omar-Hurst; Prince of Tanais-Wrighten; Moneses-Reddish; Stratocles-Farren; Zama-Wright; Mirvin-Norris; Haly-Chaplin; Bajazet-Smith; Selima-Miss Hopkins; Arpasia-Miss Younge; The usual Prologue-Reddish.

Afterpiece Title: A ChristmasTale

Song: In IV: To Thee Oh gentle sleep-Miss Abrams

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17761104, but Myrtle (1st time)-Whitefield; Humphrey-_; Daniel-_.

Afterpiece Title: Three Weeks after Marriage

Dance: End III: The Merry Sailors-Aldridge; End: The Enchantress, as17761031

Song: As17761104

Event Comment: Mainpiece: With a New Scene and New Dresses. Afterpiece [1st time; CO 2, by Charles Dibdin and Edward Thompson. Thompson's name does not appear on the title-page of the text; it has been added by J. P. Kemble on the half-title of his copy now in the Huntington Library]: The Music chiefly composed by Dibdin [Public Advertiser, 15 Nov.: Three of the airs and the finale were composed by Samuel Arnold; one air by John Abraham Fisher]. With New Scenes [ibid: by Dall, Richards, and Carver], Dresses and Decorations. Books of the Songs to be had at the Theatre. Account-Book, 7 Feb. 1777: Paid Dibdin in full for copyright of the Seraglio #20; ibid, 2 June 1777: Received of Cooper for Songs & Books sold of The Seraglio #19 10s. 9d. [Mrs Ward was from the Birmingham theatre]. Receipts: #221 11s. 6d. (219.7.0; 2.4.6)

Performances

Mainpiece Title: Ethelinda Or The Royal Convert

Afterpiece Title: The Seraglio

Performance Comment: Principal Characters by Mattocks, Reinhold, Quick, Dunstall, Leoni, Miss Dayes, Mrs Green, A Young Lady (who never appeared on any stage) (Miss Wewitzer), Miss Brown. Cast from text (T. Evans, 1776): Abdallah-Mattocks; Reef-Reinhold; Venture-Quick; Goodwill-Dunstall; Frederick-Leoni; Hassan-Baker; Gunnel-Bates; Williams-Thompson; Polly-Miss Dayes; Curtis-Mrs Green; Elmira-Miss Wewitzer; Lydia-Miss Brown.
Cast
Role: Hassan Actor: Baker

Music: V: the Original Music for the Sacrifice by Purcell-

Event Comment: Mainpiece: Not acted these 10 years [not acted since 20 Apr. 1765]; in [it] will be introduced a Grand Triumphal Entry of Publiusv, with the original Music composed by Boyce. [This was included in all subsequent performances.] This is the first Time that Mrs Yates played since the Paper Quarrel between the Managers and her. Before the Play began Mrs Yates went on, and made the following apology, "Ladies and Gentlemen, I hope what has been already published has been sufficient to satisfy the Publick that I did not intend to affront or insult them. I have only to add, that it ever has (been) and ever shall be my Study and Endeavour to please that Publick from (whom) I have received so many Favours." The Audience applauded, and the Play went on--Mrs Yates played finely and had great applause (Hopkins Diary). Receipts: #145 2s. 6d

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: A ChristmasTale

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Polly Honeycombe

Performance Comment: Mr Honeycombe-Quick; Scribble-Lee Lewes; Ledger-Booth; Mrs Honeycombe-Mrs Pitt; Nurse-Mrs Poussin; Polly Honeycombe (1st time)-Mrs Wilson.

Dance: As17761031

Event Comment: Afterpiece [1st time; F 2, by Thomas Vaughan, based on Il Servitor di due Padroni, by Carlo Goldoni. Prologue by the author (Town and Country Magazine, Dec. 1776, p. 663)]: With New Dresses. Public Advertiser, 2 Dec. 1776: This Day at Noon is published The Hotel (1s.). Receipts: #182 1s

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Hotel or The Double Valet

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Performance Comment: As17761029, but Sir Callaghan O'Brallaghan (1st time)-Booth.

Dance: End III: The Pilgrim, as17761009; End IV: The Frolick, as17761120

Performances

Mainpiece Title: The Drummer Or The Haunted House

Performance Comment: Tinsel-Dodd; Sir George Trueman-Aickin; Vellum-Parsons; Fantome-Packer; Gardener (1st time)-Baker; Butler-Baddeley; Coachman-Moody; Lady Trueman-Mrs Hopkins; Abigail-Miss Pope.

Afterpiece Title: The Hotel

Dance: In: The Irish Fair, as17761031

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: Evander-Barry; Philotas(1st time)-Ward; Arcas-Fearon; Dionysius-Clarke; Herald-L'Estrange; Melanthon-Hull; Officer-Booth; Calippus-Whitefield; Phocion-Wroughton; Erixene-Miss Ambrose; Euphrasia-Mrs Barry.

Afterpiece Title: The Padlock

Event Comment: In order to give Time to the Serious Singers to get ready in Trajetta's New Opera [Germondo (see 21 Jan. 1777)], La Fraschetana will be performed on Saturday, on which Account there will be no Opera To-morrow

Performances

Mainpiece Title: None

Event Comment: Afterpiece [1st time; MD 3, by Sir George Collier, based on Zemire et Azor, by Jean Francois Marmontel]: The Music [by Thomas Linley Sen., adapted from Gretry], Scenes, Dresses, and Decorations entirely New. The Scenes, &c., designed by DeLoutherbourg. The Words of the Songs, &c. to be had at the Theatre. The Entertainment is splendidly got up--The Music by Thomas Linley Jun. [sic] was very well received (Hopkins Diary). Public Advertiser, 7 Dec. 1776: This Day is published the Songs in Selima and Azor (6d). [Text 1st published by J. Bell, 1784.] Receipts: #218 7s

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Selima and Azor

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17761012, but Richmond (1st time)-Brereton; Lord Stanley-Wrighten.
Cast
Role: Lord Mayor Actor: Griffiths

Afterpiece Title: Selima and Azor

Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031