SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4446 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Extra night] Benefit for the Widow Fearon, and her Eight Orphan Children. Tickets to be had of Mrs Fearon, No. 6, Spur-street, Leicester-Fields; and of Brandon, at the Theatre, where Places for the Boxes may be taken. [Fearon had died 30 Sept. 1789.] Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Quaker

Event Comment: Edwin still continuing unable to perform, The Battle of Hexham [advertised on playbill of 26 June] is obliged to be deferred. [Bannister Jun.'s 1st appearance as Trudge was at dl, 28 May 1789.

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Try Again

Event Comment: [As afterpiece the playbill announces The Follies of a Day, but "In consequence of an accident to Miss Farren The Follies of a Day was unavoidably postponed, in lieu was represented The Liar [which is also listed in the Account-Book]. Mrs Kemble being indisposed, Miss Collins personated Miss Grantham in a manner which greatly added to Miss Collins's reputation" (Diary, 11 Oct.). And see 10 May 1791.] Receipts: #289 7s. 6d. (239.15.0; 48.7.6; 1.5.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Liar

Event Comment: Benefit for Palmer. Mr Palmer most respectfully informs the Publick, the Lord Chamberlain having given Permission, Mr Colman having liberally granted the use of the Theatre, and his Brethren kindly consented to perform, that [there] will be presented...[as above. This benefit had originally been arranged for 20 Sept., but because of the death of the Duke of Cumberland, the theatre on that night was dark.] Tickets to be had of Palmer, No. 3, London Road, St. George's Fields; and of Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son in Law

Entertainment: Monologues. End: The Lecture upon Heads-Palmer; After which: Liberty; or, Two Sides of the Water-Bannister Jun

Event Comment: "Although [Mrs Esten] is rather under-hung, her face may fairly be pronounced pretty, and her figure engaging. Her voice, in the pathetic tones, resembles that of Mrs Siddons, but is more clear and articulate' (Diary, 21 Oct.). Receipts: #182 14s. 6d. (180.12.0; 2.2.6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Provocation

Dance: End I: The Irish Lilt-Mr Ratchford, Mrs Ratchford; In V: Dance of Forresters-

Event Comment: 1st piece: Acted but Once [on 5 May 1790]. With new Scenes and Dresses. A Procession, representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Husband. [This was included in all subsequent performances.] The Music by Stevens. [Prologue by William Thomas Fitzgerald. Epilogue by Richard John Hughes Starke.] Receipts: #231 14s. 6d. (230.6.6; 1.8.0)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: A Divertisement

Afterpiece Title: Hob in the Well

Dance: In 2nd piece: Byrn, Miss Blanchet (of dl)

Event Comment: 2nd piece: Never [previously] acted in this Kingdom [by Robert Jephson, altered by the author from his The Hotel; or, The Servant with Two Masters, which was based on Il Servitore di due Padroni, by Carlo Goldoni, and on Arlequin Valet de deux Maitres, by Jean Pierre de Ours de Mandajors, and 1st acted at Smock Alley Theatre, Dublin, 8 May 1783]. Oracle, 18 Mar. 1791: This Day is published Two Strings to Your Bow (1s). Receipts: #210 3s. 6d. (205.17.0; 4.6.6)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Two Strings to Your Bow

Afterpiece Title: A Divertisement

Dance: As17901123

Event Comment: A Grand Serious Opera; the music by Sacchini, with additions and alterations [by Andreozzi and Mazzinghi]. Under the direction of Mazzinghi. The dresses executed from original drawings of Bartolozzi and Tresham, by Lupino. With dances analogous to the Opera. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. There are a number of green boxes which may be taken on application to Lee, at the Theatre; the entrance to which, and to the Gallery, will be in Oxford-street. Subscriptions will be received by Messrs Wright and Co., Henrietta-street, Covent-garden (only) where tickets are delivering daily; and such Ladies as have not compleated their subscriptions to their boxes are intreated to send their names to the office, in order to have the tickets prepared, as no person can be admitted without producing a ticket. The Nobility and Gentry are intreated to give particular orders to their coachmen to set down and take up with their horses' heads towards Hyde-park. The Doors in Blenheim-mews for chairs only. By Command of His Majesty no person can be admitted behind the scenes during the performance. "We fear that [the Pantheon as converted into a theatre] will gratify only the eye. It must undergo still more changes before the ear will be satisfied. Whether it is that the dome is too high and disproportioned to the breadth, or that the orchestra is sunk too low beneath the audience we cannot tell, but the sound does not swell and spread in equal volume; and it is the most inaudible in the best parts of the Theatre: the Pit and the first and second tier of Boxes hear very indistincly...We found this to be the complaint of every judge of music in the place" (Morning Chronicle, 18 Feb.). "The Pantheon has opened, and is small, they say, but pretty and simple; all the rest ill-conducted, and from the singers to the scene-shifters imperfect; the dances long and bad, and the whole performance so dilatory and tedious, that it lasted from eight to half an hour past twelve" (Walpole [18 Feb. 1791], XIV, 377) [and see 19 Feb.]

Performances

Mainpiece Title: Armida

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

Event Comment: "Last night the Proprietors of this undertaking saw company to the number we imagine of Four Thousand Persons...Davide, in the Opera of Pirro, engrossed the whole of the applause that so matchless a singer may well merit" (Oracle, 11 Mar.)

Performances

Mainpiece Title: Pirro

Dance: Divertisement, Orpheus and Eurydice-Vestris Jun., Mlle Hilligsberg [and see17910326

Event Comment: Benefit for Mrs Mattocks. [Epilogue by Miles Peter Andrews (Oracle, 5 May).] Public Advertiser, 28 Apr.: Tickets to be had of Mrs Mattocks, No. 7, King-street, Covent Garden. Receipts: #272 18s. 6d. (170.11.6; 4.3.0; tickets: 98.4.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Soldiers Festival or The Night before the Battle

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for Suett. Oracle, 5 May: Tickets to be had of Suett, No. 21, King-street, Bloomsbury-square. Receipts: #279 17s. (76.3; 21.8; 1.12; tickets: 180.14) (charge: #116 7s. 2d.)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Devil to Pay

Song: End: Cou'd a Man be secure-Dignum, Sedgwick

Event Comment: Benefit for R. Palmer. The Public is respecfully inform'd that the Prelude of The Hop formerly advertised for Mr Palmer's Benefit is on a very particular account withdrawn from the Theatre. Oracle, 7 May: Tickets to be had of R. Palmer, No. 14, East Place, Lambeth. Receipts: #292 5s. 6d. (77.13.0; 30.15.6; 2.6.0; tickets: 181.11.0) (charge: #117 0s. 7d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: No Song No Supper

Entertainment: Monologue. End: The Picture of a Play@House, or, Bucks have at ye all-R. Palmer

Event Comment: Benefit for Miss Brunton. [Address by Robert Merry (Oracle, 16 May).] Oracle, 27 Apr.: Tickets to be had of Miss Brunton, No. 35, Gerrard-street, Soho. Receipts: #202 19s. (133.16.6; 7.12.6; tickets: 61.10.0)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Flitch of Bacon

Dance: After monologue: The Jockies, as17910507

Entertainment: Monologue. End: an Occasional Address-Miss Brunton

Event Comment: Benefit for Dignum. Part of the Pit will be laid into the Boxes. Public Advertiser, 14 May: Tickets to be had of Dignum, No. 23, New North-street, Red Lion-square. Receipts: #56 16s. (43.1.0; 11.8.6; 2.6.6; tickets: none listed) (charge: #121 6s. 4d.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Citizen

Song: End I: My Poll and my Partner Joe (composed by Dibdin)-Dignum

Event Comment: Benefit for Blanchard. Morning Chronicle, 16 May: Tickets to be had of Blanchard, No. 29, Bow-street, Covent Garden. Receipts: #334 11s. 6d. (118.6.0; 8.16.6; tickets: 207.9.0)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Follies of a Day

Dance: As17910428

Song: End: Catches and Glees: When Arthur first in court began, Jack thou'rt a toper-Incledon, Reeve, Blanchard; To be jovial and gay-Johnstone; The Siege of Troy (Dibdin)-Johnstone; Goody Groaner (Dr Harington)-Incledon, Reeve, Blanchard; Sir you're a comical fellow-; Let's sing old Rose and burn the Bellows-

Event Comment: Benefit for Sedgwick. Morning Chronicle, 14 May: Tickets to be had of Sedgwick, No. 66, St. Martin's-lane. Receipts: #100 16s. 6d. (65.11.0; 31.9.0; 3.16.6; tickets: none listed) (charge: #117 13s. 8d.)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Court of Apollo i

Performance Comment: e.. The Sons of Anacreon]. In which The Anacreontic Song-Sedgwick; Glorious Apollo-(Webbe); Now is the Month of Maying-(Morley); Fill the bowl with rosy wine-(Dyne); Here's a health to all good Lasses-; My Poll and my Partner Joe-Dignum; [a favourite Duett-Dignum, Sedgwick.
Cast
Role: Now is the Month of Maying Actor:

Afterpiece Title: The Pannel

Event Comment: Benefit for the Author [i.e. compiler of the entertainment, identified in Oracle, 21 May, as LeTexier]. The Tickets, engraved by Bartolozzi, will be delivered in Lisle-street [LeTexier's home address] only, and no where else

Performances

Mainpiece Title: A New Kind Of Concert

Performance Comment: PART I A New Divertisement-Mlle Dorival, Mlle St.Amand, Mlle Provert, other Dancers; [to introduce the Animated Pictures-; [A new Hunting Song, Chorusses (composed by Philidor)-Albertarelli; A Hunting Symphony by Haydn-; [some favourite Airs with Variations on the Piano Forte-Master Hummel; Italian Song-Sga Sestini; Concerto on the Violin-Master Clement; [at the Harpsichord [the new Song [by Haydn (composed for his Benefit) [see17910512]-Davide; A Divertisement-all the Principal Dancers; [with the charming Pas de Deux-Vestris? Jun, Mlle Hilligsberg; the Pas Russe-Vestris? Jun, Mlle Hilligsberg; [PART II A Comic Duetto-Albertarelli, Sga Sestini; A new Overture [in the Tragic Style, with an entire new Cantata (both composed by Federici,)-Davide; Catches and Glees-the best English Singers; Orpheus and Eurydice-[see17910331.see17910331.
Event Comment: Benefit for Incledon [who had 1st acted Young Meadows at Bath, 24 Oct. 1789]. Oracle, 2 May: Tickets to be had of Incledon, No. 19, Martlet-court, Bow-street. Receipts: #278 0s. 6d. (126.11.0; 3.18.0; tickets: 147.11.6)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Catherine and Petruchio

Song: Probably at end: Black Eyed Susan-Incledon; Wine cannot cure the Pain I endure for my Chloe-Johnstone, Incledon

Music: Between Acts afterpiece: the favourite air of Moggy Lauder (on the Union Pipes)-the celebrated Courtney

Event Comment: By Command of Their Majesties. [Opera in place of Idalide, advertised in Morning Post, 20 May.] 2nd ballet: With new Scenes, and considerable additions, since the first representation, by Moench

Performances

Mainpiece Title: La Molinarella

Dance: End I: La Fille Mal Gardee, as17910430

Ballet: End Opera: Le Siege de Cythere. As17910517

Event Comment: The Public is respectfully informed, that the Cave of Trophonius performed with universal applause for the Benefit of Mrs Crouch [on 3 May], is now undergoing some Alterations, and will be produced in the early part of next Season [see 15 Oct.]. Receipts: #161 15s. 6d. (125.13.0; 35.2.6; 1.0.0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Spoild Child

Event Comment: Benefit for Harley. Mainpiece: As altered from Beaumont and Fletcher by the Duke of Buckingham and D. Garrick, Esq. Not acted these 7 years. Morning Chronicle, 20 May: Tickets to be had of Harley, No. 22, Great Queen-street, Lincoln's-inn-fields. Receipts: #242 1s. 6d. (84.10.6; 7.5.0; tickets: 150.6.0)

Performances

Mainpiece Title: The Chances

Afterpiece Title: Love in a Camp

Dance: As17901204

Song: End I: The Group of Lovers-Munden; End II: a favourite Sea Song-Incledon

Event Comment: Paid Johnston's bill #7 10s. 6d.; Supernumeraries #6 12s.; Chorus by R. Shaw #10; Mantuamaker #13 5s. 4d.; Foulis for Music Copying #2 8s.; Land Tax 1 Yr. #79 12s. 6d.; Billstickers #3 6s.; Booth, tailor, #14 13s. 1d. "Mrs Jordan has a voice, the tones of which are infinitely more musical and sweet than those of any professional singer we have. There is also an interest about her singing, arising not from what may be called musical feeling, but the impression of the subject. Thus, though sometimes a little untrue, we love her songs, and forbear to weigh them in the diatonic or chromatic scales" (Oracle, 3 Oct.). Receipts: #450 3s. (393.2; 56.3; 0.18)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The Rivals

Afterpiece Title: The Spoild Child

Event Comment: Afterpiece: Written by the Author of No Song No Supper [Prince Hoare]; performed but once [on 3 May 1791]. The Music composed principally by Storace. Receipts: #464 15s. (377.4; 85.15; 1.16)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Cave of Trophonius

Event Comment: By Permission of the Lord Chamberlain. Benefit for Berry. Afterpiece: Written by the late Samuel Foote, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at Mrs Richman's@Masquerade@Warehouse, Oxford-street; of Berry, at the George in the Haymarket; and of Rice at the Theatre, where Places for the Boxes may be taken. No Money to be returned

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Taste or Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Event Comment: [Afterpiece in place of The Cave of Trophonius, advertised on playbill of 27 Oct.] "In one particular there may be praise given [to Comus]: the revellers of the son of Circe were in number fifty, and really produced a fine effect" (Oracle, 31 Oct.). Receipts: #298 9s. (241.15; 52.14; 4.0)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Comus