SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr Cape"/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr Cape")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7172 matches on Event Comments, 2005 matches on Performance Comments, 607 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [See Cross note under dl.] Mainpiece: By Particular Desire. Receipts: #74 15s. Paid Stede a Bill for writing Parts, #6 15s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Cheats of Scapin

Dance: JJovial Coopers, as17571107

Event Comment: Receipts: #155 6s. Paid Barry one third of the surplus of the night's receipts above the #80 allow'd for the charge: #25 2s. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Contrivances

Event Comment: Receipts: #106 11s. Paid Barry one third of surplus above the #80 allow'd for charges: #8 17s. (Account Book). [House, after meeting Saturday's payroll, is #205 3s. 2d., in the red again.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Cheats of Scapin

Event Comment: Receipts: #98 3s. 6d. Paid Barry his one third of surplus above the #80 allow'd for charges: #6 1s. 2d. (Account Book)

Performances

Mainpiece Title: Othello

Performance Comment: As17571116, but Othello-Barry; Desdemona-Mrs Bellamy.

Afterpiece Title: TheLover His Own Rival

Dance: FFingalian Dance, as17571013

Event Comment: Receipts: #109 14s. (Account Book). [Barry paid his one-third of the surplus above the #80 house charge: #9 18s.

Performances

Mainpiece Title: Theodosius Or The Force Of Love

Afterpiece Title: The Englishman Returned from Paris

Dance: Granier, Mrs Granier

Event Comment: Mainpiece: By Desire. Receipts: #87 10s. 6d. (Account Book). [Barry paid his one third of surplus of receipts above #80 house Charges: #2 10s.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17571207, but Minuet-_; The vocal parts-Mattocks.

Afterpiece Title: Damon and Phillida

Event Comment: Benefit for a Family Under Misfortunes (Public Advertiser). Benefit for Mrs Lewis. Receipts: #54 3s. 6d. Income from Tickets #82 17s. (boxes 195; pit 146; gallery 122). Charges #84. Paid Hardgreaves (Smith) for grates, &c. for the dancing room, #6 11s. 6d. (Account Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Englishman Returned from Paris

Dance: FFingalian Dance, as17571013

Event Comment: Receipts: #146 17s. 6d. Paid Barry his one third of surplus above the #80 House Charges: #22 5s. 10s. (Account Book)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Related Works
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Afterpiece Title: The Devil to Pay

Cast
Role: Butler Actor: Holtom

Dance: FFingalian Dance, as17571013

Event Comment: Receipts: #122 7s. 6d. Paid Barry his his one third of surplus above the #80 House Charges: #14 2s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: A Duke and no Duke

Event Comment: Receipts: #109 9s. 6d. Paid Barry his one third surplus above the #80 House Charges: #9 16s. 6d. (Account Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Contrivances

Dance: FFingalian Dance, as17571013

Event Comment: Receipts: #110 6s. 6d. Paid Barry his one third of surplus above the #80 House Charges: #10 2s. 2d. (Account Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17571008, but Hamlet-Barry; Bernardo-Bencraft.

Afterpiece Title: The Mock Doctor

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Mainpiece [by Elijah Fenton]: Not acted these 10 years. [See 12 March 1745.] Receipts: #110 15s. 6d. Paid Barry his one third of the surplus above the #80 House Charges: #10 5s. 2s. (Account Book)

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The Contrivances

Event Comment: By Command of the Prince of Wales. Present the Prince and Princess of Wales, Prince Edward, Lady Augusta, and Princess Elizabeth. Receipts: #219 1s. 6d. Paid Barry his one third of the surplus above #80 House Charges: #46 7s. 2d. Gave the yeoman of the Prince and Princess #1 1s. (Account Book)

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The Knights

Ballet: The Judgment of Paris. As17571217

Dance: As17571217

Event Comment: Receipts: #184 17s. 6d. Paid Thos Luppino for dancing dresses for Dioclesian, #25 14s. (Account Book)

Performances

Mainpiece Title: The Prophetess

Event Comment: Receipts: #112 13s. 6d. Barry's 1!3 of profits came to #10 17s. Paid Wm. Blackmore for sundries for Dioclesian, #11 18s. (Account Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Contrivances

Dance: JJovial Coopers, as17571107

Event Comment: [B$Barry's one-third of surplus came to #40 16s. 4d. The fourteen Renters who received payments on 23 Feb. were New Renters (i.e., they had purchased shares only since the beginning of the current season). The Hutchison Mure Esq Account (See cg 1757 Estimate of Constant Expenses) lists forty shares outstanding for Old Renters at 2 shillings per night. Rich, during the next thirty days, sold new shares until by 27 March 1758 he had on his books forty-five New Renters in addition to the 40 old ones. Their names will appear as they bought in. On this night (25 Feb.) George Wolley purchased one share. This was an appropriate time to sell stock in the theatre since Rich could now show a favorable balance on his nightly Account Books of #620 3s. 9d. with all bills paid, including interest to Old Renters.] Receipts: #202 9s. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Related Works
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Afterpiece Title: A Lover His Own Rival

Dance: JJovial Coopers, as17571107

Event Comment: Receipts: #135 16s. Paid Col. Philip Honywood one night's rent of one share commencing this day 2 shillings (Account Book)

Performances

Mainpiece Title: The Prophetess

Event Comment: Mainpiece: By Desire. Last Time of performing it. Receipts: #153 14s. 6d. Barry's 113 of surplus came to #24 11s. 6d. Paid George Lambert (scene painter) 3 months' salary #25. The following additional Renters came in this night at 1 share each: Thomas Fludyer, John Calcraft, Charles Lanoe, and Samuel Berkeley. Richard Vincent Sr bought in at 2 shares (Account Book)

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The Knights

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Costollo and Mrs Green. Tickets sold at the Doors will not be admitted. Receipts: #56 0s. 6d. Charges: #63. Deficiency of #3 9s. 9d. each covered by income from tickets: Costollo, #92 17s. (boxes 72; pit 367; gallery 198); Mrs Green, #37 7s. (boxes 55; pit 106; gallery 77). Paid Robertson for working the Ostridge in [Harlequin] Sorcerer 6 nights at 2s. 6d. per night, 15s. (Account Book)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17571215, but Occasional Prologue-_; Young Bevil-Barry; Cimberton-Costollo; (A song in Character for Tom;) Phillis-Mrs Green; Indiana-Mrs Bellamy; Singing-Mrs Chambers.

Afterpiece Title: Harlequin Statue

Performance Comment: As17580421 but Farmer-Costollo.

Dance: A Tambourine-Miss Vallois

Event Comment: Benefit for Dunstall and Miss Ferguson. Tickets sold at the doors will not be admitted. Receipts: #37 1s. Charges: #63. Dunstall paid the whole deficiency of #25 19s. from his tickets: #140 5s. (boxes 108; pit 685; gallery 105). Miss Ferguson cleared from her tickets #20 15s. (boxes 1; pit 68; gallery 103) (Account Book)

Performances

Mainpiece Title: The Amorous Widow

Performance Comment: As17580311 but Comic Prologue-_.

Afterpiece Title: The Englishman Returned from Paris

Dance: A Tambourine-Miss Vallois; a Comic Ballet-Guerin, Lucas, Rochford, Dumay, Gosly, Miss Dawson, Miss Viviez, Mrs Guerin, Mlle Jansolin

Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Double Disappointment

Performance Comment: As17581004, but Jeremy-R. Smith.

Dance: As17581016

Event Comment: Receipts: #73 11s. 6d. Paid Sarjant 3 months salary to Mich. last #10. [His annual salary as Housekeeper was #40. No further record will be made of these quarterly payments.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman Returned from Paris

Dance: As17591010

Event Comment: Receipts: #115 1s. 6d. Sent Mrs Ward by order of Rich #10; Paid for a Pompadour Cloath Coat & Breeches, Waistcoat button holes & binding gold #10 10s.; for a suit embroider'd with silver #8 8s.; for a Blue coat for Hull #1 3s.; for a Coat and waistcoat loop'd and bound with gold #7 7s. Advanc'd to Beard #60

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Lying Valet

Dance: As17591017

Event Comment: Receipts: #144 6s. Paid Gom for capenters from 22-29 Sept. 1759, #9 4s. 2d

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Catherine and Petruchio

Dance: As17591017

Event Comment: Receipts: #108 8s. Paid Jacob Hewetson for the dress of a Knight of the Garter compleat. #31 10s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Duke and no Duke

Dance: As17591023