SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr Cape"/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr Cape")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7172 matches on Event Comments, 2005 matches on Performance Comments, 607 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mortimer, Tomlinson, West, Lings. House charges #84. [Deficit to actors #60 4s.] Received Mr Evans and Miss Roger's deficiency #28 18s. 6d. Paid Ann Collett for a gold brocaided silk #10 10s. (Treasurer's Book). Receipts: #23 16s. (Treasurer's Book). Went into ye Pit...Vernon is an excellent MacHeath. I don't like Yates as Peachum so well as Shuter, and Parsons is not so good a Filch as Holborn. Bransby ye Lockit and Mrs Abington Lucy pretty well...Polly-$Mrs Vincent, who is now too old for ye character, and I think wants feeling...One Tomlinson, who had a 4th of the Benefit, spoke an Epilogue in the character of a Beggar, but by one party hissing and a greater clapping, could not hear it.--At Covent Garden a Hurdy-Gurdy man and girl play in the whore's scene, and as the Highwaymen march out, one returns and kisses MacHeath, and Shuter says some things Yates did not, but perhaps they are additions of his own (Neville MS Diary)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17661013, but Player-Lings; Epilogue as Beggar-Tomlinson; Polly-Mrs Vincent; Hornpipe-Miss Tetley.

Afterpiece Title: The Register Office

Event Comment: Benefit for Brereton. [Afterpiece not printed. Larpent MS lists characters: Widow Watchem, Harriet, Maria, Bluster, Swallow, Truman, Juggle (MacMillan).] This Farce was written by Mr Andrews it was receiv'd with Applause (Hopkins Diary). Paid tallow chandler's 8th Bill #37 13s. 2d.; half years Land & Window Tax to Lady Day last for St Martin's #38 4s. 4d.; Easter Offering 10s. 6d.; Chorus 2 nights (this incl.) #3 11s. (Treasurer's Book). Receipts: #216 8s. Charges: #67 6s. 6d. Profits to Brereton: #149 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Theodosius

Performance Comment: As17731203, but Theodosius-Brereton; Atticus-J. Aickin.

Afterpiece Title: The Conjuror

Dance: V: The Mountaineers, as17730930

Event Comment: Mainpiece: Not acted these 4 years [acted 28 Dec. 1787. Toms is identified in Morning Herald, 22 Sept. 1795: A Mr Toms made a probationary essay last night in the character of Romeo. The bills erroneously announced it as his first appearance on this stage [cg]; for his unsuccessful attempt in Young Norval [i.e. Douglas], about five years ago, on the same boards, is perfectly within our recollection. London Chronicle, 22 Sept. 1795, also refers to Toms as Douglas. European Magazine, Oct. 1790, p. 305, gives the name as Turner, but in Oct. 1795, p. 273, states that Toms performed on one night only "a few years since."]. Afterpiece [1st time; BALL. P 2 (?), by James Byrne, based partly on his Nootka Sound, and in May 1793 agin altered as The Shipwreck; or, French Ingratitude. Not in Larpent MS; not published; synopsis of action in Diary, 5 Oct.]: A Ballet Pantomime, with new Scenes, Dresses, and Decorations. The Overture and Music compiled by Byrne, from Haydn, Rochefort, Pleyel, Gyrowetz, Reeve, Pieltain, Dibdin. The new Music by Shield. On account of some Scenes which are introduced from the Entertainment of Nootka Sound (performed last Season [on 4 June 1790]) Half Price will be taken. [This alludes to the custom of not llowing half-price during the run of entirely new pantomimes.] Paid Brodie, for Stoves for the Theatre, #19 8s. Receipts: #207 8s. 6d. (201.16.0; 5.12.6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Provocation

Event Comment: Benefit for Holman. 1st piece [1st time; C 5, by Benjamin Hoadly, based partly on L'Ecole des Femmes, by Moliere. Larpent MS 1160; not published. Prologue by John Taylor; Epilogue by Edward Jerningham (European Magazine, May 1797, p. 342)]: Mr Holman having been favored by the Family of Doctor Hoadly, Author of the Suspicious Husband, with a Manuscript Comedy in Five Acts, the production of that celebrated Writer, he most respectfully informs the Public that it will be presented under the Title of The Tatlers. True Briton, 1 May: The Play was given to Holman by Dr Hoadly Ashe, Hoadly's nephew. Ibid, 10 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Account-Book: Paid Insurance and Duty on #10,000 for one year from 16th Inst. at the Royal Exchange Fire Office #136 17s; ditto on #10,000 for one year from Lady Day at the Phoenix Fire Office #112 10s. Receipts: #290 11s. 6d. (143.16.0; 10.11.6; tickets: 136.4.0)

Performances

Mainpiece Title: The Tatlers

Afterpiece Title: Cross Purposes

Performance Comment: As17970223, but Mrs Grub-Mrs Davenport; Harry Bevil-_.

Afterpiece Title: Netley Abbey

Performance Comment: As17961006, but added to Capt. Oakland: A Sail on our Lee Bow-Incledon.
Event Comment: Income from Boxes #19. Paid salary list as usual #245 12s. with the additions of 3 Oct. LaLauze re-entered at 12s. Per day. Miss Miller and Miss Twist added at 5s. and 3s. 4d. respectively. Paid Lupino for making dance dresses #12 14s. 11d. Bought a crimson water'd Tabby gown and coat trimmed with silver at #30. Receipts: #72 15s. (Winston Theatrical Record)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Chaplet

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: Income from Boxes #17 6s. Paid subscription to St George's Hospital one year #5 5s. Paid Foote one-quarter part of #89 2s., being the surplus above #60, allow'd for charge as per agreement #22 5s. 6d. Receipts: #149 2s. (Winston Theatrical Record)

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Contrivances

Dance: LLes Charboniers, as17611012

Event Comment: [No analysis of Box income.] Expenses #46 16s. 5d. Paid Bill for velvet and White sattin for their Majesties' and the Prince of Wales's Box #138 10s. Bill for Crimson Duchess Velvet & White Sattin used in Coronation #107 16s. Paid Linen Draper's Bill [for 11 April 1759-14 Nov. 1761) #106. Receipts: #231 6s. (Winston Theatrical Record)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Quin, but see17340118 With the Original Prologue and Epilogue .

Dance: Scotish Dance, as17341004 Shepherd and Shepherdess by Malter and Mlle Salle. The Nassau, as17340311 Pigmalion, as17340114

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17450207, but Lothario-Mills.

Afterpiece Title: The Lying Valet

Dance: II: New Grand Dance-Muilment; III: New Dance-Muilment; V: Muilment

Song: IV: Gentle Shepherd-Mrs Arne

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Stage Coach

Event Comment: Mainpiece: By Particular Desire. Mr Holland but coolly receiv'd in Oakly, at first. The last Scene in the Genii the Wings did not change on Account of the Barrel being broke (Hopkins). Oakly by Mr Holland, First time (Cross Diary). Receipts: #124 18s. 6d. (MacMillan)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Genii

Performances

Mainpiece Title: Oroonoko

Performance Comment: As17690417 but Oroonoko-Younger; Imoinda-Miss Ward; J. Stanmore-Fox; Widow Lackit-Mrs Pitt; Charlotte-Mrs DuBellamy; Lucy-Miss Helme; Daniel-Shuter; Hotman-_.

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Wapping Landlady, Double Hornpipe, as17690408

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Elopement

Dance: III: The Irish Fair, as17730918

Event Comment: Afterpiece [1st time; BALL. P 1, by James Byrne. MS of Songs only: Larpent MS 919; synopsis of action in Universal Magazine, Oct. 1791, p. 308]: Taken from Ossian. With new Music, Airs, Chorusses, new Scenery, Dresses, and Decorations. The Ballet composed by Byrne. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. The Scenery by Richards, Hodgins, Pugh, &c. &c. The Dresses by Dick. Books of the Songs, &c. to be had at the Theatre. [For Harp and Pipes see 24 Oct.] Account-Book, 22 Nov.: Paid Byrne for Oscar & Malvina #50; 8 Dec.: Paid Mad. St.Amand expenses from Paris to London #14 6s. 8d. Receipts: #182 16s. 6d. (177.13.6; 5.3.0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Oscar and Malvina or The Hall of Fingal

Song: II: song-Incledon

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Performance Comment: As17850917, but Gillian-Mrs Forster [i.e. formerly Miss Field] .i.e. formerly Miss Field] .

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Orpheus and Eurydice

Dance: Desnoyer, Signora Barberini

Event Comment: [As mainpiece the playbill announces Love in a Village, but "Mrs Billington was taken ill & Rule a Wife was substituted" (MS annotation on BM playbill: cg, Vol. VI); as afterpiece St. Patrick's Day, but in the Account-Book (which also notes the change of mainpiece) it is deleted, and Three Weeks after Marriage substituted.] Receipts: #141 16s. (135.15.6; 6.0.6)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Performances

Mainpiece Title: The Female Adventure Or Stop Her Who Can

Afterpiece Title: Cymon

Performance Comment: As17900322but Cymon (for that night only)-Mrs Wells; Shepherds-_; Dorcas-_; Shepherdesses-_.
Cast
Role: 900322but Cymon Actor: Mrs Wells

Dance: Following Imitations at end: As17891021; In afterpiece: Dances, as17900409

Entertainment: End II: Tragic Imitations [of Mrs Siddons in Belvidera's 1st scene in Venice Preserved, I.i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells

Event Comment: [The playbill announces King Henry the Fifth and The Cave of Trophonius, but "The performances at this Theatre were changed last night on account of the indisposition of Kemble. Henry the Fifth gave way to The Siege of Belgrade, and The Cave of Trophonius was also superseded, as it was impossible for the vocal performers to sustain the whole effort of the night" (Morning Post, 18 Oct.). A MS annotation on Kemble playbill gives the name of the substitute afterpiece.] Receipts: #234 8s. (183.1; 49.18; 1.9)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: All the Worlds a Stage

Event Comment: Mainpiece: Not acted these 10 years [not acted since 2 Oct. 1780]. [As afterpiece the playbill announces The Sultan, but "On Account of the Sudden Indisposition of Barrymore [it] was put off and the Devil to Pay substituted in its stead" (MS annotation on Kemble playbill) "The Sultan was changed to The Devil to Pay, and as Jordan remained, the matter was rather mended" (Oracle, 8 Nov.).] Receipts: #195 14s. (168.1; 26.3; 1.10)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: King Henry-Bensley; Prince of Wales-Wroughton; Duke of Lancester-Bland; Earl of Worcester-Aickin; Earl of Northumberland-Packer; Hotspur-Kemble; Earl Douglas-Caulfield; Sir Richard Vernon-assigned to Barrymore, but see below; Earl of Westmoreland-Fawcett; Sir Walter Blunt-Whitfield; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill-Cooke; Peto-Benson; Bardolph-Alfred; Francis-Bannister Jun.; Carriers-Moody, Burton; Sheriff-Maddocks; Traveller-Lyons; Messenger-Banks; Lady Percy-Mrs Powell; Mrs Quickly-Mrs Hopkins.

Afterpiece Title: The Devil to Pay

Event Comment: [As afterpiece the playbill announces Richard Coeur de Lion, but "On acct. of Mrs Jordan's Indisposition [it] was put off and The Humourist substituted in its stead" (MS annotation on Kemble playbill). Kemble Mem. lists The Humourist, and notes "Mrs Jordan sent word she cd not act in Coeur de Lion, and forced me to change the Farce."] Receipts: #198 9s. (155.6; 36.19; 6.4)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Humourist

Event Comment: [As afterpiece the playbill announces The Doctor and the Apothecary, but "On Acct. of the sudden Indisposition of Miss Hagley [it] was put off and the Virgin Unmask'd substituted in its stead" (MS annotation on Kemble playbill). Kemble Mem. notes the same change.] Receipts: #218 14s. 6d. (181.6.6; 34.14.0; 2.14.0)

Performances

Mainpiece Title: The Fugitive

Performance Comment: As17920420, but Mrs Rachel Cleveland-Mrs Booth; Prologue-_; Epilogue-_.

Afterpiece Title: The Virgin Unmaskd

Performances

Mainpiece Title: Comment Continued