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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8853 results for: Keyword - Weston</i>, but changed (<i>Winston MS 10</i>). Paid $Mr <span class=
We found 7165 matches on Event Comments, 1877 matches on Performance Comments, 585 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

3151
11 April 1760 @ Covent Garden

Event Comment: Receipts: #118 14s. Mr Poitier Sr had tickets. Received #50 9s. (Boxes 133; Pit 78; Gallery 55). Owed to the House 1!2 value of these, or #15 4s. 6d. Paid Pattinson (tallow chandler) 5 bills amounting to #60

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17600407 but Earth-Terrier, Mrs Jansolin.

Dance: I: A Shepherdess-Miss Wilford , Scholar to Poitier Sr; II: The Pygmalion Dance-Poitier Jr, Miss Wilford; End: A Minuet-Poitier Jr, Miss Wilford

3152
22 April 1760 @ Covent Garden

Event Comment: Benefit for Miss Hilliard. Tickets of Miss Hilliard at Mr Pervil's, Auctioneer, upper end of Bow St., Covent Garden; and of Sarjant at the Stage Door of the Theatre, where places for Boxes may be taken. Tickets sold at the Doors will not be admitted. Receipts: #24 2s. 6d. in cash. Charges #64 5s. Deficit to Miss Hilliard #40 0s. 6d., coverd by income from tickets #79 17s. (Boxes 101; Pit 278; Gallery 129). Paid for 7 doz. wax candles at 24s. per dozen #8 8s

Performances

Mainpiece Title: Othello

Performance Comment: As17591219, but Iago-Sparks; Brabantio-Gibson.

Afterpiece Title: The Miller of Mansfield

Dance: I: Fingalian Dance-Miss Hilliard; II: Comic Dance-Granier, Miss Hilliard; III: The Milk Maid's Holiday-Miles, Miss Hilliard; End: By Desire, a Minuet-Leppie, Miss Hilliard

3153
25 November 1760 @ Covent Garden

Event Comment: Boxes #18 10s. Bought of Mr Ledley 10 doz. candles at 31s. per-#15 10s. Paid 12 months subscription to St George's Hospital #5 5s. (Account Book). Receipts: #123 14s. (Account Book)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Catherine and Petruchio

Dance: As17601014

3154
10 December 1760 @ Covent Garden

Event Comment: Boxes #23. Paid to Mr Redhead & Co (silk mercers) sundry Bills from Feb. last. #208 11s. (Account Book). Receipts: #97 14s. (Account Book)

Performances

Mainpiece Title: King John

Afterpiece Title: Thomasand Sally

3155
06 January 1761 @ Covent Garden

Event Comment: Benefit for a Gentleman under Misfortunes. Receipts: #74 4s. plus #72 17s. from tickets. [Profits to Mr Bull, the gentleman under misfortunes, #63 1s.] Paid Rich on Account #300 (Account Book). Charges: #84 (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Feignwell-Shuter; Modelove-Dyer; Periwinkle-Collins; Obadiah-Gibson; Tradelove-Dunstall; Freeman-Clarke; Sackbut-Marten; Simon-Costollo; Aminadab-Bennet; Betty-Miss Mullart; Mask'd Wowan-Mrs White; Mrs Prim-Mrs Pitt; Ann Lovely-Mrs Hamilton.
Cast
Role: Sackbut Actor: Marten

Afterpiece Title: Lethe

Dance: AA Scaramouche-Philips; Les Charboniers, as17601216

3156
07 March 1761 @ Covent Garden

Event Comment: Boxes #60. Paid to Mr Forrest Sr [attorney?] of a Bill deliver'd ending Christmas last #100 (Account Book). Receipts: #180 3s. 6d. (Account Book)

Performances

Mainpiece Title: Comus

Afterpiece Title: Catherine and Petruchio

3157
13 November 1762 @ King's Theatre

Event Comment: A new Comic Opera, music by several celebrated Composers. With new Cloaths, new Decorations, and new Dances. Pit and Boxes put together, and no Persons to be admitted without Tickets, which will be delivered that Day, at half a Guinea each. Gallery 5s. By Their Majesties Command no Persons whatsoever to be admitted behind the Scenes, nor into the Orchestra. Gallery, Pit and Boxes will be opened at Five; To begin at 6:30. [Prices, terms of admission, and time repeated in subsequent bills.] Subscription Money to be paid to Andrew Drummond and Co. Bankers, or to Mr Crawford, Treasurer, for Silver t ickets. Signor Giardini the principal serious singer has arrived, and serious opera will begin as soon as possible (Public Advertiser). [Signora Mattei was again the promoter of Operas this season; Crawford the Treasurer.

Performances

Mainpiece Title: Il Tutore E La Pupilla

3158
11 October 1766 @ Drury Lane Theatre

Event Comment: [R+Rich's Register lists The Hermit as afterpiece.] Paid salary list 5 days at #72 6s. 8d. per diem, #361 13s. 4d.; Atkins not on list #1 7s. 6d.; Rollet on note #7 7s.; Vernon on note per order Mr L, #12 12s.; Bill for 2 suit Men's cloathes #15 15s. (Treasurer's Book). [See engagement contract for Guidetti (Private Correspondence of David Garrick, II, 454) arranged for in Paris by Jean Monnet in early August 1766. He was engaged as Premier Danseur and composer of Ballets at 150 Guineas a year plus "300 Livres argent de France" for travelling expenses. He was to dance for no other theatre without explicit permission from Garrick.] Receipts: #130 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Polly Honeycombe

Performance Comment: As17660925 (MacMillan). [The Gazetteer lists no afterpiece but Entertainment of Dancing by Sg Guidetti.]

Dance: II: A New Comic Dance call'd The Vintage-Sga Giorgi, Sg Guidetti (his first appearance in England); End: A New Entertainment of Dancing call'd The Italian Bakers-Guidetti, Mrs King

3159
09 December 1766 @ Drury Lane Theatre

Event Comment: N.B.: The Cunning Man is oblig'd to be deferr'd. Rec'd Condell's first [fruit concession] payment #20; Paid French on account #20; Mr John Palmer on his note #10. (Treasurer's Book). Receipts: #127 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

3160
16 January 1767 @ Drury Lane Theatre

Event Comment: For the author. No Prologue or Epilogue. Paid Reynolds (oyl) bill #48 11s.; Powney (stationers) #8 17s. 5d.; Inns of Court their Christmas box #3 1s. 6d.; Mr Bibb (sword cutler) 3 bills #13 1s.; Vaughan (Haberdasher) #21 7s.; Mrs Amy Vaughan #1 11s. 6d. (Treasurer's Book). [This day at Noon will be publish'd. Price 2s. The Kellyad, or a critical examen into the merits of Thespis. By Louis Stamma. Who steals my purse..." Also publish'd this day The Anti-Thespis; or, a vindication of the principal performers belonging to Drury Lane Theater, from the false criticisms, illiberal abuse, and gross misrepresentations of the Author of Thespis. Players are the abstracts and brief chronicles of the times..."] Receipts: #73 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: As17661213, but Prologue-_; Epilogue-_.

Afterpiece Title: The Musical Lady

3161
24 February 1767 @ Covent Garden

Event Comment: The Third Day. For the Author. [Designated in the Account Book at Mr Bickerstaff's Night.] Charges #67 3s., Balance to Bickerstaff #68 18s. An extra charge this night was paid for the use of the Organ, 2s. 6d. (Account Book). Receipts: #136 1s. (Account Book)

Performances

Mainpiece Title: Love In The City

3162
02 April 1767 @ Drury Lane Theatre

Event Comment: Rec'd of Mr Banks 1 year's rent to Lady Day last #3; Paid Gastrill (mercer) 2 Bills #83 3s. (Treasurer's Book). Receipts: #153 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Dido

Afterpiece Title: The Devil to Pay

Dance: End: The Lilliputian Camp, as17670227

3163
02 April 1767 @ Covent Garden

Event Comment: The Maid of the Mill oblig'd to be deferr'd on account of indisposition of a principal performer. Rec'd of Mr Leverton (bricklayer), for overdrafts on the theatre #67 18s. 6d. and of Sarjant for Timber used at the houses in Bow St. and Hart St., charged to the Theatre account #16 14s. Paid Sarjant for part of a #5 2s. 6d. bill for Ironmonger's work done for the house in Bow Passage #1 12s. (Account Book). Receipts: #148 1s. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Sackbut Actor: Buck

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: As17670101, but short bill for The Dances-Arnauld, Miss Valois, Fishar.

3164
23 April 1767 @ Drury Lane Theatre

Event Comment: Benefit for Miss Young and Mr Rooker. House charges #65 1s. Paid for two practices for Alexander #1 16s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Performance Comment: As17661029, but Cordelia-Mrs Baddeley.

Afterpiece Title: Flora

Dance: End: Hearts of Oak, as17670212

3165
24 April 1767 @ Covent Garden

Event Comment: Benefit for Gibson. Mainpiece: Not acted these 25 years. Written originally by Shakespeare, and reviv'd and adapted to the stage by Mr Theobald. Charges #66 5s. [Profit to Gibson #37 18s. 6d. plus #30 15s. from Tickets (Box 79; Pit 74).] Paid one year's Rector's Rate for the Theatre #8 6s. 8d., and for House in Bow Passage, due at Lady Day 8s. 4d. (Account Book). [Neville attended, noted the information contained in the playbill, but could not hear well from his 2s. seat in the Gallery.] Receipts: #104 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Double Falsehood Or The Distrest Lovers

Afterpiece Title: Midas

Dance: III: The Sicilian Peasants, as17670411

3166
08 May 1767 @ Covent Garden

Event Comment: Benefit for Morris and Tindal. Tickets delivered out by the deceas'd Mr Anderson will not be admitted. Morris paid half the charges #32 15s. which deducted from half the ready money gave him a profit of #4 12s. plus #83 15s. from his tickets (Box 23; Pit 270; Gallery 375). Tindall bore no expense, but turned over half the value of the tickets he delivered. His total ticket value was #23 2s. (Box 31; Pit 87; Gallery 23) so his profit came to #11 11s.] (Account Book). Receipts: #74 14s. (Account Book)

Performances

Mainpiece Title: Loves Last Shift

Performance Comment: As17661014, but Elder Worthy-Hull; Narcissa-Mrs Burden; Amanda-Mrs Vincent.

Afterpiece Title: Harlequin Dr Faustus

3167
23 November 1767 @ Covent Garden

Event Comment: Mainpiece: Never acted there. Mr Colman's Night. Paid for Licensing the True Born Irishman #2 2s. (Account Book). [See The Irish Fine Lady 28 Nov.]. Receipts: #230 6s. 6d. (Account Book)

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Oxonian in Town

Dance: II: A Serious Dance, as17670916; III: The Sicilian Peasants-Sga Manesiere, Mrs Bulkley. [See17641001.

3168
26 May 1768 @ Covent Garden

Event Comment: Benefit for Stoppelaer. Tickets for The Way of the World will be taken. Charges: 1!2 charge for House #31 10s.; 1!2 charge for candles 12s. 6d.; 1!2 charge Tabor & Pipe 5s. 3d.; 1!2 value of tickets #57 16s.: Total #90 3s. 9d. minus 1!2 Receipts #20 14s. equals #69 9s. 9d. deficiency to Stoppelaer. Covered by #115 12s. from tickets (168 Box; 370 Pit; 181 Gallery) and #20 14s. from Receipts. Profit to Stoppelaer was #86 16s. 3d. Paid to Mr Shropshire for 20,000 brushes #4 10s. Receipts: #41 8s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17680505, but Margery-Mrs Stephens; Rosetta-Mrs Mattocks; Lucinda-Mrs Baker.

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17680507, but Drudge-Morgan.

Dance: II: A Hornpipe-Miss Besford, 2nd time

3169
09 November 1768 @ Drury Lane Theatre

Event Comment: MMr Aickin hissed for being imperfect.--This night was introduced at the end of the Pantomime a Grand Masquerade in imitation of that given by the King of Denmark at the Opera House, and lighted up after the same manner--Every performer belonging to the House was on, even Mr Garrick and his brother.--The dresses were very elegant, and the whole very striking,--and gave pleasure to the Audience (Hopkins Diary). [The masquerade remained a part of Queen Mab and was also attached to Fortunatus. It evoked the following verse in Lloyd's Evening Post, Nov. 21-23]: One night last week a merry blade,@Who'd seen the Royal Masquerade,@And paid ten guineas for admission,@Began to damn the imposition;@His friend reply'd, "You may complain,@For I last Night at Drury Lane,@Saw full as much for eighteen pence,@As you got at such vast expence."-- G.S. C y

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Queen Mab

Performance Comment: As17681011, but Puck-Mas. Cape; to Conclude with a Masquerade-.

3170
01 October 1771 @ Drury Lane Theatre

Event Comment: Mrs Barry's first appearance this season in Rosalind. Mrs Hunt Daughter of Mr Dunstall made her first appearance in Leonora a tolerable Voice figure & face, So, So, --pretty well receiv'd (Hopkins Diary). Paid 2 Housekeeper's Bills #17 6s. 9d.; Black Lyon Bill #1 16s. 11d. (Treasurer's Book). [These were constant weekly items. The housekeeper's bills averaged #3 6s. per week or #122 for the season. The Black Lyon Tavern bill averaged #3 per week or #108 for the season. No further itemizing of these items will be made.] Receipts: #249 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Padlock

Dance: I: Comic Dance, as17710921

3171
29 November 1771 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Mr King being Ill Mrs Reddish play'd Belcour (not the thing) (Hopkins Diary). Paid Tallow Chandler's Bill (2nd) #42 6s. (Treasurer's Book). Receipts: #171 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Performance Comment: As17711116, but Belcour-Reddish, 1st time.

Afterpiece Title: The Institution of the Garter

3172
30 November 1771 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Paid Whitefield for cloaths bought #34 7s. (Account Book). All the differences between the managers of Covent Garden Theatre are settled. They met together without the interposition of any other person, shook hands, dined at Mr Colman's, and put a final stop to all the proceedings at law (Gentleman's Magazine, XLI, 520). Receipts: #186 18s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17711116, but the Original Epilogue in the character of Marplot will, by desire, be spoken-Woodward.

Afterpiece Title: The Fairy Prince

3173
14 December 1771 @ Drury Lane Theatre

Event Comment: Afterpiece: An alteration by Cumberland from his Summer's Tale (Genest, V, 321). Theatrical Review, 14 Dec.: We confess we pitied the situation of the performers, who all exerted their utmost efforts to support it in the representation; but it is not the eminent abilities of a Vernon, a Parsons, a Hunt, or a Fitzgerald, that can render a piece worthy of notice, which has nothing interesting in it, and is absolutely devoid of merit. Paid Salary list, #501 3s. 6d.; Mr S. French 6 days #1 10s.; Mrs Abington for cloaths #2; Rec'd stopages #13 18s. 6d. (Treasurer's Book). Receipt2: #128 17s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Amelia

3174
16 December 1771 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Paid Mrs Price for Women's cloaths #20; Mr Vernon on note #40; Dr Boyce's Overtures #4 14s. 6d. (Treasurer's Book). Receipts: #252 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Amelia

Dance: V: The Sailors Revels, as17711008

3175
04 January 1772 @ Drury Lane Theatre

Event Comment: Miss Rusport by Miss Young So-So (Hopkins Diary). Paid salary list #502 3s. 6d.; Mrs Abington's cloaths acct #2; Mr S. French 6 days #1 10s.; Rec'd stopages #11 16s. 6d. (Treasurer's Book). Receipts: #208 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Performance Comment: As17711207, but to avoid confusion full cast listed. Belcour-King; Stockwell-Aickin; O'Flaherty-Moody; Capt. Dudley-Packer; Charles Dudley-Cautherly; Fulmer-Baddeley; Varland-Parsons; Stukely-Wrighten; Sailor-Wright; Lady Rusport-Mrs Reddish; Louisa Dudley-Miss Rogers; Mrs Fulmer-Mrs Egerton; Lucy-Mrs Love; Housekeeper-Mrs Bradshaw; Charlotte Rusport-Miss Younge, 1st time.

Afterpiece Title: The Witches