SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Welch or Scotch country girl"/1) | (@(roleclean,performerclean) "Welch or Scotch country girl")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1466 matches on Performance Title, 668 matches on Performance Comments, 315 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Burgomaster Trick'd

Performance Comment: As17371119, but Country Lads and Lasses, Tabor, Pipe-Miss Harwood, Miss _Edwards.
Event Comment: DDaily Advertiser, 4 Oct.: The French Company of Comedians newly arriv'd from Paris, it's said, consists of seventy Persons. It seems to be a little unnatural that French Strollers should have a Superior Privilege to those of our own Country

Performances

Event Comment: Benefit Short. Mainpiece: Written by Colley Cibber, Esq; Poet Laureat. Afterpiece: Alter'd from Hob; or, The Country Wake. [Tickets at Short's House, Little Ormond Street, near Bedford-Row, Holborn.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Flora

Song: I: Genius of England-Salway; III: Roberts

Dance: II: Comic Ballet-Villeneuve, Miss Oates; IV: La Badinage de Provence-Poitier, Mlle Roland; V: Grand Ballet-Glover, Mlle Anne Roland

Music: End Afterpiece: A preamble on the Kettle Drums-Woodbridge; followed by Handel's Water Musick-

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Perseus and Andromeda; or, The Cheats of Harlequin

Ballet: GGrand Dance in Momus. Fawns-Richardson, Dupre, Desse, Delagarde; Country Lasses-Mrs Rogers, Mrs LeBrun, Mrs Villeneuve, Mrs Ozanne; and Sailor's Dance-Villeneuve, Miss Oates

Performance Comment: Fawns-Richardson, Dupre, Desse, Delagarde; Country Lasses-Mrs Rogers, Mrs LeBrun, Mrs Villeneuve, Mrs Ozanne; and Sailor's Dance-Villeneuve, Miss Oates.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Sham Conjurer

Performance Comment: Dick Shamwell-Leveridge; Tom Dingle-Salway; Jamey Dingle-Bencraft; Innkeeper-Mullart; Bell Banter-Mrs Lampe; With Chorus of Singers-; Dancers-; in the Masque Les Matelots-Mechell, Mlle Mechell; Concluding with a new Country Dance-.

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Sham Conjurer

Performance Comment: As17410421 but a new Country Dance-_.

Dance: II: Minuet-Destrade, Mlle Mechel; III: Two Pierots-Richardson, Destrade; IV: Peasants de Bordeaux-Destrade; V: Minuet-Dupre, Mlle Ozanne

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17420105, but Ceres-Mrs Wright; Proserpine-Mrs Lampe; Jupiter-Rebour; Mercury-Reinhold; 2nd Sylvan-Mrs Wright; 3rd Sylvan-Mrs LeBrun; 4th Sylvan-Mrs Moudet; 5th Sylvan-Mlle LeFont; Demons-Villeneuve, Richardson, Delagarde; Old Man-Smith; Old Woman-Mlle Fabres; Country Lads, Lasses-Dupre, Lestrande, Davenport, Mlle Maudet, Mlle Renos, Miss Short; Gardeners-Davenport, Destrade; Elements Earth-Richardson, Mrs Wright; Aior-Villeneuve, Mlle Fabres; Fire-Mlle Auguste [alone]; Water-Picq, Mlle Bonneval.

Performances

Mainpiece Title: The Rehearsal

Event Comment: In a short time will be perform'd at the Theatre in the Hay-Market, a Concert of Music; and the Tragedy of Othello, Moor of Venice. The character of Othello will be new dress'd agreeable to the Manner and Custom of his own Country. As both these entertainments will be perform'd by a set of Gentlemen for their own Diversion, no Money will be taken, nor any person admitted but by printed Tickets; which (by order of the Gentlemen) will be deliver'd gratis by Mr Machlin, at his House in Bow-Street, Covent Garden; where Ladies, by sending their Servants, may take Places for the Boxes.--Daily Advertiser

Performances

Mainpiece Title: None

Event Comment: A Concert of Musick, after which will be acted Gratis the Tragedy. The Character of Othello will be new dress'd after the Custom of his Country. No Money will be taken at the Doors, nor any Person admitted but by printed Tickets, which will be deliver'd by Mr Macklin, at his House in Bow St., Covent Garden. 6 p.m

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: Will be acted, by a set of Gentlemen for their own diversion, the tragedy of Othello, being the last time of their performing that play; the character of Othello will be new dress'd, agreeable to the custom of his own Country.-Daily Advertiser, 28 Feb

Performances

Mainpiece Title: Othello

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Performances

Mainpiece Title: The Maid's Tragedy

Afterpiece Title: The Rape of Proserpine; with the Birth and Adventures of Harlequin

Performance Comment: Ceres-Mrs Wright; Proserpine-Mrs Lampe; Jupiter-Roberts; Mercury-Reinhold; Followers of Proserpine-Sga Campioni, Mrs Duval, Mrs LeBrun, Mrs Villeneuve, Mrs Ozane; Followers of Ceres-Mrs Delagarde; Pluto-Leveridge; Demons-Villeneuve, Delagarde, Dupre, Destrade; Harlequin-Woodward; Yeoman-Bencraft; Colombine-Mrs Kilby; Clodpole-Hippisley; Old Man-Smith; Old Woman-Mrs Delagarde; Gardeners-Destrade, Dupre; Country Lads, Lasses-Delagarde, Dupre, Destrade, Mrs Villeneuve, Miss Jackson, Mrs Vaughan; The Elements: Earth-LaLauze, Mrs Duval; Air-Villeneuve, Mrs Delagarde; Fire-Picq, Mrs LeBrun; Water-Cooke, Sga Campioni.
Event Comment: [Covering all three columns of the front page of the Daily Advertiser is a letter defending the opera as an institution. The writer states that suggestions were made to close the theatres during the Jacobite Rebellion, that the cost of presenting operas during a season is #14,000, that about #2,000 of this is carried out of the country by the singers.

Performances

Event Comment: Benefit I. Sparks. Tickets deliver'd out by Lloyd, Mason, Caustin, &c will be taken, and tickets deliver'd out by Brooks, Bride, Mrs Barclay, Mrs Fenn, and others for the Country Wife for Thursday last will be taken this night. Being the last time of the Company's performing this season. [The advance notice of this night had included the Musical Entertainment of Neptune and Amphitrite (compos'd by Arne), but this is omitted from the notice of the day.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Tragedy of Tragedies

Dance: Mechel, Mlle Mechel

Song: CCantata-Lowe

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Garrick; Aimwell-Cashell; Sullen-Bridgwater; Gibbet-Chapman; Foigard-Morris; Bonniface-Marten; Scrub-Hippisley; Sir Charles-Anderson; Dorinda-Mrs Hale; Cherry-Miss Hippisley; Gipsey-Miss Young; Mrs Sullen-Mrs Pritchard; To conclude with a Country Dance-the characters of the Play to the Tune of Whap'em Aw Wully.

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Garrick; Aimwell-Delane; Sullen-Winstone; Scrub-Macklin; Gibbet-Neale; Bonniface-Berry; Foigard-Barrington; Sir Charles Freeman-Blakes; Dorinda-Mrs Mills; Lady Bountiful-Mrs Cross; Cherry-Mrs Green; Mrs Sullen-Mrs Woffington; to conclude with a Country Dance-the characters.

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Polly-Mrs Storer (1st appearance on that stage); Player-Anderson; Beggar-James; Mat@o@Mint-Stoppelaer; Filch-Collins; Ben Budge-Bencraft; Jenny Diver-Miss Allen; Mrs Slammekin-Miss Hippisley; Mrs Coaxer-Miss Ferguson; Peachum-Rosco; Mrs Peachum-Mrs Dunstall; Lockit-Dunstall; Lucy-Mrs Vincent; The opera to conclude with the original Country Dance-; Hornpipe-as usual.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Garrick; Brazen-Macklin; Sylvia-Mrs Woffington; Rose-Mrs Green; Ballance-Winstone; Kite-Berry; Worthy-Havard; Bullock-Taswell; Welsh Collier-Blakes; Scale-Simpson; Scruple-Usher; Recruits-Neale, Ray; Melinda-Mrs Mills; Lucy-Mrs Bennet; to conclude with the last New Country Dance-the characters of the play.

Song: New Sailor's Song-; Chorus call'd Tit for Tat-

Dance: New Ballet, call'd %The Gardner's Revels-Cooke, Mathews, Leviez, Pelling, Shawford, Royer, Mrs Addison, Miss Thompson, Mrs Shawford, Miss Cole

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17471116, but Country Dance-_.

Dance: II: Grand Ballet, as17471102; IV: Dutch Dance, as17471128

Song: SSailors Rendezvous, as17471117

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17470917, but also Player-Bransby; Beggar-Winstone; Mrs Slammekin-Mrs Green; Sukey Tawdry-Mrs Yates; Jenny Diver-Miss Royer; Molly Brazen-Miss Minors; Polly-Mrs Cibber; in Act III, Hornpipe-Mathews; Occasional Prologue-_; Epilogue-_; whole to conclude with a Country Dance-Characters.

Dance: I: Grand Ballet, as17471102; II: Dutch Dance, as17471128

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17471205, but Country Dance-; no longer called Ranger's Frolick-_.
Cast
Role: Country Dance Actor:

Afterpiece Title: The Dragon of Wantly

Performances

Mainpiece Title: The Miser

Afterpiece Title: The What D'ye Call It

Performance Comment: Parts-Yates, Neale, Taswell, Arthur, Mrs Bennet, Mrs Yates, Mrs Clive; to conclude with a Country Dance-.

Dance: II: Gondoliers-Cooke; V: Savoyards, as17471219

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: The Author's Farce

Performance Comment: Luckless (the Author)-Cibber; Witmore-Bridges; Bookweight-James; Player-Anderson; Jack Pudding-Dunstall; Mrs Moneywood-Mrs James; Harriet-Miss Haughton; Wherein will be introduc'd an Operatic Puppet Show, call'd The Pleasures of the Town: Punch-Dunstall; Joan-Collins; Charon-Stoppelaer; Poet-Paddick; Sailor-Barnard; Robgrave-Smith; Don Tragedio-Storer; Dr Orator-Cushing; Signior Opera-Mrs Dunstall; Mrs Novel-Miss Copin; Goddess of Nonsense-Miss Young; With the Restoration of the King of Bantum, and the Foundlings Found Out: Murdertext-Morgan; Constable-Hacket; Bantomite Governor-Anderson; Bantomime Courier-Barnard; Foundlings-Cibber, Dunstall, Collins, Miss Haughton; Concluding with the Last New Grand Country Dance, call'd The Mouse Trap, or Foot's Vagaries: Miss in her Teens-La Petite Parisienne; Sg Piede-Villeneuve; Maitre de Ballet-Bencraft; Councillor-Morris; Lady Autumn-Oates; Rout, Drum Hunters-Delagarde, Anderson, Paddick, Mrs Dunstall, Mrs Gondou, Mrs Daniel, Mrs Villeneuve.

Song: I: Go lovely Rose-Beard; II: Tis Liberty-Mrs Storer; III: Sper il Fostore-Miss Faulkner; IV: Smiling Liberty-Miss Faulkner

Dance: V: Drunken Peasant-Philips