SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Walsh Porter"/1) | (@(roleclean,performerclean) "Walsh Porter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 895 matches on Performance Comments, 110 matches on Event Comments, 39 matches on Author, 1 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Belle's Stratagem

Performance Comment: Doricourt-Lewis; Sir George Touchwood-Murray; Flutter-Fawcett; Saville-Betterton; Villers-Whitfield; Courtall-Claremont; French Valet-Klanert; Porter-Gardner; Dick-Farley; Silver Tongue-Simmons; Gibson-Atkins; Hardy-Munden; Mrs Racket-Mrs Mattocks; Lady Touchwood-Miss Murray; Miss Ogle-Mrs Chapman; Kitty Willis-Miss Cox; Letitia Hardy-the LateMiss Betterton [i.e. now Mrs Glover].i.e. now Mrs Glover].
Cast
Role: Porter Actor: Gardner

Afterpiece Title: Two Strings to Your Bow

Performance Comment: Lazarillo-Munden; Borachio-Davenport; Octavio-Mansel; Ferdinand-Claremont; Don Pedro-Waddy; Don Sancho-Thompson; Drunken Porter-Rees; Waiters-Abbot, Curties; Leonora-Miss Sims; Maid-Miss Leserve; Donna Clara-Mrs Mills.
Cast
Role: Drunken Porter Actor: Rees

Dance: In IV: a Grand Masquerade-; Minuet-the LateMiss Betterton, Platt

Event Comment: Account-Book: Tickets delivered by Furkins, Bishop, Doe, Strahan, Warwhick, Thompson, Berecloth, Williams, Robson (music porter), Creswell, Simmons will be admitted. Receipts: #296 18s. 6d. (44.10.0; 5.3.0; tickets: 247.5.6)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Irish Mimic

Cast
Role: Porter Actor: Thompson
Event Comment: Pepys, 7 March, refers to a new play at the King's Theatre. Possibly it was Thomas Porter's The Carnival, published in 1664, with no actors' names, no prologue, no epilogue, and announced in The Intelligencer, 2 May 1664

Performances

Event Comment: Pepys, Diary: With my wife to the King's house, but there found the bill torn down and no play acted.... Here [at lif; see below] met with Mr Rolt, who tells me the reason of no play to-day at the King's house. That Lacy had been committed to the porter's lodge for his acting his part in the late new play [see 15 April], and that being thence released he come to the King's house, there met with Ned Howard, the poet of the play, who congratulated his release; upon which Lacy cursed him as that it was the fault of his nonsensical play that was the cause of his ill usage. Mr Howard did give him some reply, to which Lacy [answered] him, that he was more a fool than a poet; upon which Howard did give him a blow on the face with his glove; on which Lacy, having a cane in his hand, did give him a blow over the pate. Here Rolt and others that discoursed of it in the pit this afternoon did wonder that Howard did not run him through, he being too mean a fellow to fight with. But Howard did not do any thing but complain to the King of it; so the whole house is silenced, and the gentry seem to rejoice much at it, the house being become too insolent

Performances

Event Comment: Newsletter: Lacy, the famous comedian, is at length, by great intercession, released from his durance under the groom porter, where he stood committed by His Majesty's order for having 'on his own head' added several indecent expressions in the part he acted in a late play called The Change of Crowns, written by Mr Edward Howard (HMC, Fleming MSS, 12th Report, Part VII [1890], p. 47)

Performances

Event Comment: The King's Company. Pepys, Diary: All alone to the King's playhouse, and there did happen to sit just before Mrs Pierce, Mrs Knepp, who pulled me by the hair; and so I addressed myself to them, and talked to them all the intervals of the play, and did give them fruit. The play is Brenoralt, which I do find but little in, for my part. Here was many fine ladies--among others, the German Baron, with his lady, who is envoye from the Emperour, and their fine daughter, which hath travelled all Europe over with them, it seems; and is accordingly accomplished, and indeed, is a wonderful pretty woman. Here Sir Philip Frowde, who sat next to me, did tell me how Sir H. Belasses is dead, and that the quarrel between him and Tom Porter, who is fled, did arise in the ridiculous fashion that I was first told it, which is a strange thing between two so good friends. The play being done, I took the women, and Mrs Corbett, who was with them, by coach, it raining, to Mrs Manuel's, the Jew's wife, formerly a player, who we heard sing with one of the Italians that was there; and, indeed, she sings mightily well, and just after the Italian manner, but yet do not please me like one of Mrs Knepp's songs, to a good English tune, the manner their ayre not pleasing me so well as the fashion of our own, nor so natural

Performances

Mainpiece Title: Brenoralt; Or, The Discontented Colonel

Event Comment: The King's Company. Pepys, Diary: With Sir Philip Carteret to the King's playhouse, there to see Love's Cruelty, an old play, but which I have not seen before and in the first act Orange Moll come to me, with one of the porters by my house, to tell me that Mrs Pierce and Knepp did dine at my house to-day, and that I was desired to come home. So I went out presently, and by coach home, and they were just gone away; so, after a very little stay with my wife, I took coach again, and to the King's playhouse again, and come in the fourth act; and it proves to me a very silly play, and to everybody else, as far as I could judge. But the jest is, that here telling Moll how I had lost my journey, she told me that Mrs Knepp was in the house, and so shews me to her, and I went to her, and sat out the play.... I could not but observe that Sir Philip Carteret would fain have given me my going into a play; but yet, when he come to the door, he had no money to pay for himself, I having refused to accept of it for myself, but was fain; and I perceive he is known there, and do run upon the score for plays, which is a shame.... In the pit I met with Sir Ch. North

Performances

Mainpiece Title: Love's Cruelty

Event Comment: The True News; or, Mercurius Anglicus, 4-7 Feb. 1679@80: On Munday night last happened a great dispute in the Duke's Play-house, some Gentlemen in their Cupps entring into the Pitt, flinging Links at the Actors, and using several reproachfull speeches against the Dutchess of P. and other persons of Honour, which has occasioned a Prohibition from farther Acting, till his Majesties farther pleasyre. A letter written by the Dowager Countess of Sunderland to Henry Sidney, dated 6 Jan. 1679@80 [possibly misdated] refers to disorders which are similar to those recorded in The True News: You must needs hear of the abominable disorders amongst us, calling all the women whores and the men rogues in the playhouses--throwing candles and links--calling my Lord Sunderland traitor, but in good company; the Duke of York?, rascal; and all ended in "God bless his Highness, the Duke of Monmouth. We will be for him against the world." I am told they may be fined a great deal if they are prosecuted. Two of these are knights of shires, Sir Scroope How, and my Lord Wharton's@eldest son; the only sufferer yet is Porter. They are ashamed, I hear, and afraid (R. W. Blencowe, Diary of the Times of Charles the Second by the Honourable Henry Sidney [London, 1843], I, 237)

Performances

Event Comment: Benefit Mrs Willis and Mrs Porter. Mainpiece: Written by the famous Beaumont and Fletcher [sic]

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Acis and Galatea

Song: Comical Songs from Wonders in the Sun-; particularly a Song-Mrs Willis , representing one of Queen Elizabeth's Dames of Honour

Dance: Comical Dances from Wonders in the Sun-

Event Comment: Benefit Mrs Porter, who is on her Recovery from a severe Feaver. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Amorous Widow

Performances

Mainpiece Title: The Heroick Daughter

Performance Comment: edition of 1719 lists: Don Ferdinand-$Mills; Don Alvarez-$Cibber; Don Gormaz-$Booth; Don Carlos-$Wilks; Don Alonzo-$Thurmond; Don Sanchez-$Elrington; Don Garcia-$Boman; Ximena-$Mrs Oldfield; Belzara-$Mrs Porter; Epilogue-Ximena.
Cast
Role: Belzara Actor: Mrs Porter
Event Comment: Benefit Mrs Porter. And at the Desire of several Ladies of Quality the Pit and Boxes will be put together, and no Persons to be admitted but by printed Tickets...at 4s. N.B. The Tickets delivered out for the Pit, will be taken at the Gallery, and accounted for, at the Price of the Gallery

Performances

Mainpiece Title: The Distrest Mother

Event Comment: Benefit Mrs Porter. Admission to Pit and Boxes by printed ticket only, at the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Careless Husband

Event Comment: Benefit Mrs Porter. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Love's Last Shift

Song: Turner; particularly an English Cantata by Dr Pepusch-

Dance: As17151122

Event Comment: Benefit Mrs Porter. By Their Royal Highnesses' Command. Pit and Boxes put together at 5s. by Seal'd Tickets. Galleries: 2s., 1s

Performances

Mainpiece Title: The Amorous Widow

Event Comment: A riot caused the acting of Cato to cease in Act IV. See The Weekly Packet 1 March, The Evening Post 22-25 Feb., The Post Boy 22-25 Feb. The most complete account appeared in Read's Original Weekly Journal, 1 March: The Night before had been the Third Night of a New Comedy, written by a young Gentleman of good Interest, and well respected, and the Boxes were bespoke for Monday Night, but a certain Ruler of that House, remarkable for Ill-Nature and Immorality, stop'd the Run of the Play, and caus'd the Tragedy of Cato to be given out...and tho' he was earnestly expostulated with on the Injustice of such a Proceeding, yet he obstinately persisted in his Resolution, which the Friends of the Author of the New Play very much resented: But this was not all, for when Cato came to be play'd, Mr Wilks, Mrs Oldfield, and Mrs Porter, who have principal Parts had given them to some of the inferior Players, which was look'd on as Riding the Audience, who would no longer Brook what they look'd on as an Insult, but with their hisses, Catcalls, &c. deafen'd the House, and drown'd the Shrill Pipes of the Actors; insomuch that the loudest Rant in Lee or Shakespear had been no more to be prefer'd to it, than the Noise of a Flagelot to the whistling of a Tempest; till the End the Players were obliged to retreat to their Fastnesses, unable any longer to Stand their Assaults; for they were storm'd with Orange-Peals, &c. as well as bombarded with Hisses Huzzas and Catcalls. Nor wou'd the Audience suffer them to Capitulate or receive any Offers of Submission, but calling for a Dance, put an End to the Play, in the middle of the 4th Act

Performances

Mainpiece Title: Cato

Afterpiece Title: The Loves of Mars and Venus announced, but possibly not acted

Event Comment: Benefit Mrs Porter. Pit and Boxes by tickets only at 5s. Servants may keep places in Boxes only. All Persons that have not Places kept, are desired to come to the Pit Doors. Gallery 2s

Performances

Mainpiece Title: The Way Of The World

Dance: Shaw, Wade, Topham, Mrs Santlow, Mrs Bicknell, Miss Younger, Miss Lindar

Event Comment: Benefit Mrs Porter. At the Desire of several Ladies of Quality. As it was alter'd by the late Duke of Buckingham. Pit and Boxes together at 5s. Note, to prevent the Company's waiting, none but the Gallery Doors will be opened till 5 a Clock

Performances

Mainpiece Title: The Chances

Dance: Shaw, Wade, Thurmond Jr, Topham, Mrs Santlow, Mrs Bicknell, Mrs Tenoe, Miss Lindar

Event Comment: Benefit Mrs Robinson. Boxes and Pit by tickets only at half a guinea. Tickets for The Man of Mode taken. [An order of the Lord Chamberlain's Office, 5@157, p. 284, directs the managers not to allow any benefit before those for Mrs Oldfield and Mrs Porter.

Performances

Mainpiece Title: The Old Batchelor

Song: Between the Acts: Singing-

Event Comment: Benefit Mrs Porter. The Front Boxes railed into the Pit at 5s. N.B. To prevent the Ladies Waiting, none but the Gallery Doors will be opened till 5 a Clock

Performances

Mainpiece Title: The Lady's Last Stake

Event Comment: Benefit Mrs Porter. By Their Royal Highness's Command. Admission to Pit and Boxes by Tickets only. Tickets for The Orphan taken or the Money returned

Performances

Mainpiece Title: Love's Last Shift

Dance: Shaw, Denoyer, Thurmond Jr, Lally, Mrs Booth, Mrs Bicknell, Mrs Younger, Mrs Tenoe

Event Comment: Benefit Mrs Porter. By Their Royal Highnesses' Command. [Theodosius advertized, but Booth's illness deferred it. Daily Courant lists The Man of Mode, but Rich's Register lists The Earl of Essex.

Performances

Mainpiece Title: The Man Of Mode or The Earl Of Essex

Performances

Mainpiece Title: The Rover

Dance: DDrunken Peasant-Roger; Polonese-Rainton, Miss Robinson; Whitsun Holiday-Boval, Mrs Mills

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Momus Turned Fabulist; or, Vulcan's Wedding

Performance Comment: Momus (Merry Andrew)-Mullart; Jupiter (A Rake)-Bridgwater; Neptune (Waterman)-Aston; Apollo (Ballad Singer)-Stoppelaer; Mars (Sergeant of Grenadiers)-Walker; Plutus (Pawnbroker)-Hippisley; Vulcan (Blacksmith)-M. Stoppelaer; Mercury (Ticket Porter)-Clarke; Minister of Destiny (Hangman)-Bencraft; Juno (Oyster Woman)-Mrs Mullart; Venus (Lady of Pleasure)-Miss Norsa; Aegle (Parish Girl)-Miss Rogers .

Dance: Two Pierrots by Nivelon and Lalauze. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

Event Comment: [Because of Mrs Porter's accident, she can act only every other day; The Rival Queens, therefore, will be given on alternate evenings.

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: The Fall of Phaeton

Dance: In IV: Muilment