Event Comment: Subscribers' Boxes will be kept for them, and their tickets admitted as usual, without being accounted a Subscription Night

Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; C 5, author unknown. MS not in Larpent; not published. Authors and speakers of Prologue and Epilogue unknown]. Afterpiece [1st time; F2 (?),author unknown. MS not in Larpent; not published]

Event Comment: Benefit for Wright and Spencer. Receipts: #219 16s. (41/7; 12/17; 0/0; tickets: 165/12) (charge: #115 10s.)-

Event Comment: There will be no Play this Evening [The Grecian Daughter, also Belphegor had been announced on playbill of 16 May], on Account of the Indisposition of Mrs Siddons. The Money received for Tickets issued for this Night will be returned at Fosbrook's Office

Event Comment: By Permission [of the Lord Chamberlain]. 1st piece [1st time; c 5, author unknown. Authors and speakers of Prologue and Epilogue unknown]. 2nd piece [1st time; m.int i, author unknown]. 3rd piece [1st time; f 2, by Walley Chamberlain Oulton, altered from The Letter Writers, by Henry Fielding. MSS of none of these pieces in Larpent; none of them published]. The Doors to be opened at 5:30. To begin at 6:30

Event Comment: Afterpiece [1st time; P 2, author unknown. MS not in Larpent; synopsis of action in Public Advertiser, 8 and 9 Jan.]: With new Scenes, Dresses and Decorations. To conclude with a Representation of the Repulse of the Spaniards before the Rock of Gibraltar [on 13 Sept. 1782; this was included in all subsequent performances]. The Music partly new [by William Shield, with overture by Carl Friedrich Baumgarten] and partly compiled from the best Masters. The Scenes designed and executed by Greenwood. Nothing under Full Price will be taken. Books of the Pantomime to be had at the Theatre. Account-Book, 4 June: Paid the Author of Harlequin Junior a Compliment on the Success #30. Receipts: #261 5s. 6d. (257/10/0; 3/8/0; tickets not come in: 0/7/6)

Event Comment: Grimaldi being extremely ill, and it being uncertain when he may be able to perform, Wright has undertaken to supply his Character of the Clown, and Hamoir that of the Old Harlequin, and hope the Public will accept them with their usual kind Indulgence. In afterpiece: Repulse of the Spaniards, as 7 Jan. Receipts: #219 16s. (213/17; 5/4; tickets not come in: 0/15)

Event Comment: By Command of Their Majesties. Tickets to be had and Places for the Boxes to be taken of Fosbrook, at the Stage Door, for Half a Guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Event Comment: By Command of Their Majesties. Public Advertiser, 6 Mar.: In 1st piece Love in her Eyes was sung by Norris; O ruddier than the cherry by Reinhold; Consider, fond shepherd by Mrs Kennedy; Heart, thou seat of soft delight by Miss George. The concerto consisted of "two Movements made up of common Ballads."

Event Comment: Benefit for Brandon, box-book and housekeeper. Tickets delivered for She Would and She Would Not will be admitted. Receipts: #291 16s. 6d. (61/18/6; tickets: 229/18/0) (charge: #105)

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Performer, thirty years a Servant of the Publick at Covent-garden and Haymarket Theatres [unidentified]. Mainpiece: Written by the ingenious Mrs Behn, with Alterations by a Gentleman well known in the Dramatick World and Republick of Letters. The Characters new dressed in the Habits of the Times. [Writers and speakers of Prologue and Epilogue unknown.] Afterpiece: Altered from Sir John Vanbrugh. The Doors to be opened at 5:00. To begin at 6:00

Event Comment: Benefit for Mrs Pinto (formerly Miss Brett). [And see 26 Apr. 1785.]

Event Comment: Benefit for Mr and Mrs Waldron. The last Night of performing this Season. [The above is an advance notice on playbill of 5 Aug.]

Event Comment: [Mainpiece in place of The Grecian Daughter, advertised on playbill of 12 Oct.] Afterpiece: As originally Performed. With new Dresses, the Original Music, Scenery and Decorations. "When the hissing began there was an attempt by the Clown to put the audience in humour, by rolling over and over across the stage with a woman, or a man dressed in women's clothes. If this were a coup d'oeil for the Galleries, it was certainly an insult to the Boxes...We are glad to say that obscenity failed to rescue folly" (World, 16 Oct.). Receipts: #262 4s. (261.3; 1.1)

Event Comment: [As mainpiece the playbill announces Love in a Village, but "Mrs Billington was taken ill & Rule a Wife was substituted" (MS annotation on BM playbill: cg, Vol. VI); as afterpiece St. Patrick's Day, but in the Account-Book (which also notes the change of mainpiece) it is deleted, and Three Weeks after Marriage substituted.] Receipts: #141 16s. (135.15.6; 6.0.6)

Event Comment: [The playbill announces The Beggar's Opera (in place of The Maid of the Mill, advertised on playbill of 3 Dec., but "deferred on account of the Indisposition of Johnstone") and The Touchstone. But "Mrs Billington was taken ill & The Merry Wives of Windsor with The Deserter & Devil on Two Sticks were substituted for B. Opera & Touchstone" (MS annotation on BM bill: cg, Vol. VII). World, 5 Dec., states that The Mayor of Garratt was the afterpiece, but the Account-Book lists The Devil upon Two Sticks.] Receipts: #126 18s. (115.0.6; 11.17.6)

Event Comment: Principal Violoncello by C. Ashley. Double Drums by R. Ashley. Trumpets by Sariant, Cantelo, Purney. Among the other Principal Instrumental Performers are Foster, Mahon, Boyce, Flack, Lavenu, John Sharp, Simpson, Gwilliam, Monro, Mich. Sharp, Wood, Warren, Wm. Sharp, Cobham, Cornish, Jenkinson, F. Sharp, Shutze, Lord, Woodham, J. Sharp, Franks, &c. With a Complete Set of Chorus Singers. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Places to be had of Brandon at the Box Office in Hart-street. Books of the Performance, 6d. each, may be had at the Theatre. The Directors' Books have these words at the bottom of each title-page: "Printed by H. Madeish, Recorder-Office, Duke's-Court, Drury-lane."

Event Comment: Medonte announced, but Morning Chronicle, 17 Dec.: By the sudden indisposition of Madame Banti, there was no opera on Saturday night. Ibid, 18 Dec.: Bills were posted up all over London in the forenoon, and a respectful card sent to the house of each subscriber. Morning Herald, 18 Dec., carries a statement signed by Pere Elisee saying that "about two o'clock, Saturday morning last, I was called out of my bed by a message that Mrs Banti was taken dangerously ill," that she so continues, and that as her physician he is "of opinion it will not be safe for her to quit her sick bed for several days yet to come.

Event Comment: p Comic Opera; the music by Paisiello. 2nd ballet: Originally composed by D'Auberval, and brought out with new Episodes and Dances by D'Egville [with music by Bossi], The Doors to be opened at 6:15. To begin at 7:15 [same throughout opera season]. Single tickets for the night, for pit or gallery, to be had at the office of the Theatre. [Sga Bolla was from the opera, Milan. Sga Clara's name is not in the playbill, but "The second comic opera singer, Sga Clara, was also new...There is much sweetness and delicacy in her voice, and perhaps it may be owing to her evident timidity that it did not seem to possess strength and compass in proportion" (Monthly Visitor, Jan. 1800, p. 71). Deshayes was from the Opera, Madrid.