Event Comment: By Particular Desire. Paid Mr Pope for a wig for Lear, ditto for Grandchamps #1 19s. (Treasurer's Book). [This wigmaker was Miss Pope's father, according to a MS note in the Treasurer's Book make presumably by W. H. Oxberry, 1848. Pope, the wig-maker, also rented space from dl annually, for his shop.] Receipts: #120 (Cross); #112 8s. (Treasurer's Book)

Event Comment: A Concert, etc. As translated into French from The Beggar's Opera. [According to the Daily Advertiser of 17 Feb. the play was performed. N.B. Mrs Knight played three parts.

Event Comment: Benefit for Mrs Clive. Afterpiece [written by Mrs Clive]: A new farce partly singing, part speakg. Went off well (Cross). Music by Dr Boyce. Five rows of Pit &c. [Stage arranged as on 10 March. The framework for financial analysis of receipts appears in Treasurer's Book, but the figures are missing. The parts for The Rehearsal, according to the Larpent MS 86, were: Mrs Hazard, Nelly, Tom, Witling, Mr Cross; Miranda-$Miss Norris; Corydon-$Beard; Marcella, Miss Giggle, Sir Albany Odelove, Miss Sidell, Miss Daudle.] Receipts: #240 (Cross); charges, #60 (Treasurer's Book)

Event Comment: Benefit for Bennet, Driscoll, Ross, Banks, Trott (Lobby door-keeper). [Fifteen had tickets. See below. The House amounted to #214 6s. and took half, distributing the rest according to the tickets delivered.] @Tickets Box Pit Gallery Value 1!2 Value@Bennet 8 83 67 #21 3s. #10 11s. 6d.@Driscol 1 87 83 #21 12s. #10 16s.@Ross 7 35 34 #10 8s. #5 4s.@Ruby 164 79 35 #56 7s. #28 3s. 6d.@Bancks 5 176 180 #45 13s. #22 16s. 6d.@Elliot ... 23 58 #9 5s. #4 12s. 6d.@Barr 7 - ... #1 15s. 17s.@Barnard 2 19 20 #5 7s. #2 13s. 6d.@Mrs Hales ... 20 20 #5 #2 10s.@Hanmore 4 8 16 #3 16s. #1 18s.@Griffiths 1 12 18 #3 17s. #1 18s. 6d.@Cautherly 5 11 20 #4 18s. #2 9s.@Martin ... 2 13 #1 12s. 16s.@Mason 1 5 6 #1 12s. 16s.@Elrington 10 ... ... #2 10s. #1 5s.@Total 215 560 570 #194 15s. #97 7s. 6d.@ 1,345 tickets given out. Advanced to Servandoni #5 5s. Receipts: #19 11s

Event Comment: At Yeates and Warner's Great Til'd Booth, Bowling Green, Southwark. Interspers'd with the Comical Humours of the Nurse to the Princess Miriam, and her foolish son Zekel, as likewise the Humourous Scene between Captain Bluster, his Man Didymo, and the Witches. [Jeptha-Morrel, instead of Jeptha-$Carr, according to the Daily Advertiser.] To begin each day at Twelve o'clock, during the time of the Fair

Event Comment: [T+The Anatomist, as 10 Sept., instead of A Duke and no Duke, according to the General Advertiser.] Receipts: #120 (Cross)

Event Comment: The Third Day. A Concert, &c. The House will be lighted by Wax Lights. [The performance was given, according to the Daily Advertiser of the following day.

Event Comment: For a Public Benefaction. [Perhaps for the Society for the Propagation of the Gospel in Foreign parts, to which Young gave #1,000 on 14 March, according to the Public Advertiser.] Tickets for the Benefaction to be had of Mr Dodsley, in Pall Mall; Mr Miller in the Strand and at the Stage Door. Receipts: #160 (Cross)

Event Comment: At Phillips's Great Theatrical Booth, facing the Great Til'd Booth, Bowling Green, To begin at Twelve noon during the time of the Fair. Boxes 2s. 6d. Pit 1s. 6d. Upper seats 6d. [For security Phillips has erected no Gallery. Presumably the Patent Theatres were demanding more rigid enforcement of the Licensing Act as indicated in the notice from the Daily Advertiser 18 Sept.: Whereas the Fair called Lady Fair...in the Borough of Southwark...any person or persons..who person..(who ) shall act and exhibit any Droll or Shew (after 20 Sept.) shall be prosecuted and punished according to Law.'

Event Comment: A New Opera. [The first performance in England; text by Metastasio. The Musick composed by Sg Hasse (by Perez according to the Public Advertiser of 26 April).

Event Comment: fterpiece probably Mercury Harlequin, according to published advertisements.] Receipts: #140 (Cross)

Event Comment: Benefit for the Author. [Last time of performing it this season, according to the advance notice for 27 April.

Event Comment: Benefit for Holland. [The additions, according to the Larpent MS 146, consist of a Scene between Master and a Beauv , wherein the Master's reflections are sound and moral, whilst the Beau's are frivolous and fatuous.] Receipts: #200 (Cross)

Event Comment: This is a farce of Macklin's Writing, it went off very greatly-he play'd Shylock too (Cross). Receipts: #190 (Cross). [Garrick and Lacy had contracted with Macklin for this Farce two weeks before this performance, according to the following document (BM Add. MS 27925): Memorandum of an Agreement relating to Mr Macklin's Farce and his Playing & performing in the said Farce, with such plays as shall be performed on which the said Farce shall be acted as aforesaid as follows: Imprimis: The said Farce to be publicly performed before Christmas, otherwise not this season on account of the Managers other engagements. Item: Mr Macklin to have for his performing in the said plays and Farce a Fifth part of the profits of the first five nights after deducting sixty-three pounds for the charges of each night during the said five nights-and the sixth night to be for the Benefit of Mr Macklin, he paying the usual charges of sixty-three pounds. Item: The Managers to have it in their power to stop the performances of the said Farce at the end of Six nights on account of their other engagements,-and in case the Receipt of any one night of the said nights on which the said Farce shall be performed as aforesaid shall fall short of One Hundred pounds. Then the Managers to have it in their power to stop the performance of said Farce as the Receipt does not amount to One Hundred pounds. Item: The said Six nights for the said Farce & plays in which Mr Macklin shall perform as aforesaid not to be played immediately succeeding one another, but alternately with such plays as the Managers shall think Convenient. Lastly: That if the said Farce shall meet with the disapprobation of the Publick, that then it shall be in the Power of Discretion of the Managers to stop the performance thereof. Dated this 28th day of November, 1759. S@ James Lacy, D. Garrick. Witness: R. Cross, Geo. Garrick.

Event Comment: Benefit for Vaughan, Condell, Green (boxkeepers). Receipts: #18 18s. in cash. Charges #64 5s. Deficit to each #17 0s. 8d. covered by tickets: Condell #74 12s. (Boxes 132; Pit 212; Gallery 98); Vaughan #71 2s. (Boxes 151; Pit 147; Gallery 113); Green #73 13s. (Boxes 206; Pit 119; Gallery 456). Total income #238 9s. Paid Kemp #8 6s.; Paid Pattinson (Tallow chandler) 6 bills to 8 May #100 14s. 6d.; Advanced to Barrington #21. [The house is now, according to the books, showing a deficit of #634 14s. 6d.

Event Comment: Mainpiece: Not acted this season. [The Ode, by Robert Lloyd and A. Murphy (according to J. P. Kemble's note on the playbill), combines an Elegy on the death of George II with a compliment on the accession of George III.

Event Comment: Benefit of Mattocks and Hull. Tickets deliver'd for The Busy Body will be taken. No Building on Stage. [Playbill suggests Beard and Mattocks took the parts of Sailor and Squire for the 1st time this night. According to Genest they had performed them since 28 Nov. 1760, i.e., for 23 times this season. Possibly their parts were originally reversed.] Receipts: #79 17s. 6d. plus income from tickets: Mattocks #40 6s. (Box 37; Pit 159; Gallery 72); Hull #42 1s. (Box 80; Pit 111; Gallery 54) (Account Book). Charges: #64 6s. (Account Book)

Event Comment: Full Prices. [Young Gentleman-Bridges according to Genest, IV, 634.]

Event Comment: [H$Hogan and MacMillan list Mrs Bradshaw. Mrs Havard according to the Public Advertiser.

Event Comment: Benefit for Hull. Mainpiece: Hull's "Alteration with Additions" to Shakespeare's Comedy of Errors. Not acted these 30 years. [See 9 Oct. 1734, according to Genest, IV, 653.] No Building on Stage. [This alteration acted but once, not printed. Done again 1779, and printed in 8vo 1793 under title Comedy of Errors. [See Hogan, II, 151.)

Event Comment: Mainpiece: Not acted this season. Afterpiece: A New Pantomime (2 scenes excepted). Paid one Year's assurance at the Royal Exchange for #3000 to 15 Dec. 1767, #6. Paid Duke of Bedford's half year's ground rent for theatre due Mich. last #50 minus half year's land tax of #8 6s. 8d.; total #41 13s. 4d. Paid ditto for the New Buildings adjoining the theatre #15 minus half year's land tax of #2 10s. Total #12 10s. (Account Book). [The newness of the pantomime seems, according to the Larpent MS 259, to have consisted in three new songs.] Receipts: #191 7s. (Account Book)

Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Event Comment: Mainpiece: A tragedy by Hall Hartson, never performed here before. [According to The Theatrical Monitor, No IX (19 Dec. 1767), the mainpiece was at that time in rehearsal. The Monitor requested that every expense possible be laid ott upon it, and puffed the abilities of Barry and Mrs Dancer highly.