SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Town Hall Newbury"/1) | (@(roleclean,performerclean) "Town Hall Newbury")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 580 matches on Performance Comments, 544 matches on Event Comments, 161 matches on Performance Title, 33 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [1st piece in place of Summer Amusement, advertised on playbill of 10 July.] 3rd piece [1st time; F 2, ascribed by Town and Country Magazine, July 1789, p. 327, to George Colman ynger. Prologue by the author (see text)]. Public Advertiser, 19 Aug. 1789: This Day is published The Family Party (1s.)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Flitch of Bacon

Afterpiece Title: The Family Party

Dance: As17890708

Event Comment: [The playbilll retains Bannister as Diego, but he, "whose absence from Covent-Garden Theatre on Thursday evening was represented to the audience as the effect of indispostion, appeared that night at the Ranelagh Masquerade. We can remember no instance of disrespect from a performer to the town equal to this" (Gazetteer, 14 Feb.). The name of his substitute is not given.] Receipts: #196 11s. (189.0; 7.11)

Performances

Mainpiece Title: The School For Arrogance

Afterpiece Title: The Padlock

Event Comment: Benefit for Mrs Wells. Mainpiece [1st time: C 5, by Simon. Prologue by John Henniker (Town and Country Magazine, June 1791, p. 281). Larpent MS 906; not published; synopsis of plot in Morning Post, 11 May]. "Scarcely [any] performer in the piece thought it worth while to charge their memories with words, that they would wish afterwards, if they had, to forget as fast as possible...The imitations were some tolerably true, and a few excellent. Siddons and Storace were outrageous caricatures. Mrs Wells once came infinitely nearer the former. She is now deficient in tone and emphasis--all is shiver and sob. Mrs Crawford, Mrs Jordan and Mrs Abington were worthy her talents in the mimetic art" (Oracle, 11 May). Public Advertiser, 27 Apr.: Tickets to be had of Mrs Wells, No. 12, Weymouth-street, Portland-place. Receipts: #313 3s. (148.15; 8.7; tickets: 156.1)

Performances

Mainpiece Title: National Prejudice

Afterpiece Title: The Poor Soldier

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

Event Comment: The Nobility and Gentry are respectfully acquainted that, on account of the absence from town of many Subscribers, there will be no Opera at the above Theatre until Saturday next, January 7

Performances

Mainpiece Title: None

Event Comment: ["Mara pretended illness and ruin'd herself with the Town" (Kemble Mem.). To what this refers is not clear; she performed, as announced, on 10 Nov., and there is no indication that she was supposed to appear on this present night.] Receipts: #173 10s. 6d. (122.7.6; 49.0.0; 2.3.0)

Performances

Mainpiece Title: At King's King Richard The Third

Afterpiece Title: Richard Coeur de Lion

Event Comment: Genest, VII, 88: On this evening there was not any play performed, from respect to the memory of the unfortunate monarch, Louis 16th, who was murdered in Paris on that day [sic] -Kemble, without consulting Sheridan, closed the theatre -Sheridan, who was out of town, arrived late that evening, and finding there was no play, was highly incensed at the shutting up of the theatre upon such an occasion; for, he said, it was an invariable maxim with him, that neither politics nor religion should be taken notice of in his playhouse, yet no man deplored the tragical event more sincerely than he did. (Kelly, Reminiscences, II, 37). [The playbill of 23 Jan. advertises Cymon and The Ghost for this present evening.

Performances

Mainpiece Title: At King's None

Event Comment: ["Dorion Sen. absent from this Evening's Performance" (Powell).] Powell: Bon Ton rehearsed at 11 (Tittup's Scenes); My Grandmother at 11:30 (Vapour's Scenes; Barrymore not being in Town, the rehearsal was dismiss'd); Liar at 12; Children in the Wood at 1 (last Scene). Receipts: #179 4s. (111/5; 64/1; 3/18)

Performances

Mainpiece Title: The Children In The Wood

Afterpiece Title: BON TON

Afterpiece Title: LODOISKA

Event Comment: Benefit for Mrs Gibbs. 3rd piece [1st time; M. ENT 2, by James Roberts]: End of Act I A Grand View of the British Fleet and the French Prizes entering Portsmouth, and an appropriate Procession. The Piece to conclude with a representation of the Town, &c. of Portsmouth, as illuminated on the glorious occasion. With a Transparency of Earl Howe. [These were included in all subsequent performances.] The selected Musick by Mornington, Handel, Dr Arne, Boyce, Pleyel, &c. A Naval Overture, and the new Musick, by Dr Arnold. The Scenery by Rooker. Books of the Songs to be had at the Theatre. Morning Chronicle, 24 Oct. 1794: This Day is published RULE BRITANNIA! (1s.)

Performances

Mainpiece Title: Heigho For A Husband

Afterpiece Title: MISS IN HER TEENS

Afterpiece Title: RULE BRITANNIA

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Town before You, advertised on playbill of 9 Dec.] Receipts: #446 5s. (439.1; 7.4)

Performances

Mainpiece Title: Grief A-la-mode [i

Afterpiece Title: Hercules and Omphale

Event Comment: [Mainpiece in place of The Town before You, advertised on playbill of 21 Jan.] Receipts: #111 17s. 6d. (105.15.6; 6.2.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Mago and Dago

Event Comment: Benefit for Bernard. 3rd piece [1st time; MF 2, by John Bernard. Larpent MS 1084; not published]: To conclude with a View of the Town of Portsmouthv on a Rejoicing Night, embellished with Grand Illuminations. [This was included in all subsequent performances.] The Music by Attwood. Morning Chronicle, 27 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton-Garden. Receipts: #253 6s. 6d. (70.8.0; 12.4.6; tickets: 170.14.0)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: Doctor Last's Examination before the College of Physicians

Afterpiece Title: The Poor Sailor; or, Little Ben and Little Bob

Performance Comment: Lieut. Battledor (the Poor Sailor)-Incledon; Compass-Harley; Bumbo-Bernard; Freakish-Townsend; O'Daub-Rock; Lieutenant of a Press Gang-Williamson; Capt. Battledor-Munden; Little Bob-Master Standen a Child only six years old; Miss Ann Battledor-Mrs Davenport; Nancy-Miss Cornelys; Eliza alias Little Ben (for that night only)-Miss Poole.

Dance: In 3rd piece: Double Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I: Black Eyed Susan-Incledon

Event Comment: Benefit for Munden. 4th piece: To conclude as 15 Apr. Morning Herald, 12 Apr.: Tickets to be had of Munden, No. 77, corner of Long Acre, and at Prospect-Place, Kentish Town. Receipts: #454 11s. 6d. (148.15.0; 7.16.0; tickets: 298.0.6)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Irish Mimick

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Point at Herqui

Dance: In 4th piece: a new incidental Dance, as17960415

Song: In III 1st piece: a song (in character)-Mrs Clendining; In 4th piece: The Mid Watch, as17960415; Tippy Bob, as17960415; The Waiter, as17960415; Irish Song, as17960415; New Loyal Song, as17960415; Rondo, as17960415; Ye Gentlemen of England, as17960415; Rule Britannia, as17960415

Event Comment: Notice on playbill of 13 May: Mrs Siddons having consented, at the desire of many Ladies and Gentlemen who were disappointed of Places for the New Tragedy, to delay her departure from Town [see 2 May] His Majesties' Company will perform Almeyda on Monday next. Being positively the Last Night of Mrs Siddons's Appearance this Season. Receipts: #448 16s. 6d. (377.14.0; 68.19.0; 2.0.6; ticket not come in: 0.3.0)

Performances

Mainpiece Title: Almeyda

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Married Un-Married; or, The Widow'd Wife

Performance Comment: O'Blarney (with In my Father's Mud Cabin and Paddy O'Blarney)-Johnstone; Jacky Item (with Jacky and the Cow)-Fawcett; Tim Tingle (with The Town Crier)-Suett; Sam Surge (with Lovely Nan)-Wathen; Jack Junk (with a new Sea Song)-Burrows (1st appearance); Nancy (with two new ballads)-A Young Lady (1st appearance on any stage [unidentified]).unidentified]).

Afterpiece Title: A Mogul Tale

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: England's Glory; or, The Defeat of the Dutch Fleet by the Gallant Admiral Duncan on the Memorable Eleventh of October

Performance Comment: Scene I. The Deck of a Dutch Man of Warv. The Manner of Boarding it by the British Tars--the Striking of the Dutch Flag, and the Hoisting of the British. Hearts of Oak-Incledon, Chorus; Scene II. A Short Engagement between British and Dutch Sailorsv. Scene III. A Perspective View of the General Engagementv. The Defeat of the Dutch Fleet, with the Bringing Home of the Captured Ships. Scene IV. A View in Portsmouth. The Return of the British Tars. We've bade the restless Seas adieu (composed by Shield)-Incledon, Linton, Street, Gray; With pride we steer'd for England's Coast (composed by Shield)-Incledon; Scene V. The Town of Portsmouthv. With an Illumination. To conclude with Rule Britannia, with two Additional Verses,-Incledon, Townsend, Full Chorus.

Dance: In Scene V 3rd piece: a Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .

Music: As17980214

Event Comment: "Salomon led the band for the first time these two years, in place of Viotti, who has been sent out of the country, under the authority of the Alien Bill. He left town yesterday" (Times, 5 Mar.)

Performances

Mainpiece Title: Cinna

Dance: As17971230

Event Comment: Benefit for King. [This was Smith's last appearance on the stage, from which he had officially retired on 9 June 1788.] Broadside in Kemble playbills announcing this benefit: Mr King most respectfully informs the Public that his Night is fixed for Friday the 18th of May, when will be presented The School for Scandal. Mr King has the pleasure to add that Mr Smith, who was so long and so worthily applauded by the Public, and was the original performer of Charles Surface in the above, distinguished Comedy, at the particular request of Mr King, backed by a strong assurance from many admirers and encouragers of the Drama that it will not only add to Mr King's emolument but highly gratify the Town, has kindly consented to return to the Theatre for one night, and resume his favourite Character. "We had been told that Smith pourtrayed the Manners of a finished gentleman with more delicacy and characteristic propriety than any actor of his day; but this did not appear to us to be his particular excellence; he stands too wide to be graceful, and his deportment gains no advantage from a perpetual application of his hand to the lower part of the waist. These habits are far from elegant. His Charles, however, is a favourable specimen of that sort of acting which commonly falls under the denomination of the old school: light, airy, and natural; which excites applause without any anxious endeavour to produce it; which suffers the points to tell of themselves, and does not place them as so many traps to ensnare the injudicious part of the audience" (Monthly Mirror, May 1798, p. 299). "He was received with the most heart-felt gratulations by an audience who did not expect any apology for such acting, though he saw fit to deliver one at the conclusion of the play" (Monthly Visitor, May 1798, p. 72). Times, 4 May: Tickets to be had of King at his house, New Store-street, Bedford-square. Receipts: #674 6s. (388.0.6; 55.17.6; 2.0.0); tickets: 228.8.0) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Son-in-Law

Song: In III 1st piece: song-Dignum

Event Comment: Benefit for Barrymore and Sedgwick. Times, 22 May: Tickets to be had of Barrymore, Judd Place West, Sommer's Town; of Sedgwick, No. 18, Clement's Inn. Receipts: #518 17s. (88.2.0; 67.11.0; 1.19.6; tickets: 361.4.6) (charge: #213 12s. 3d.)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Anacreontic Society Revived [i

Afterpiece Title: The Flitch of Bacon

Event Comment: Benefit for Twaits, Ives, Hallam, Brown & Mrs Brooks. Pit 2s. Gallery 1s. Back Seats 6d. The Doors to be opened at 6:00. To begin at 7:00. The above Performers, with the utmost Deference and Respect, inform the Ladies and Gentlemen of Greenwich, they have selected those Entertainments which they flatter themselves will meet their Approbation; being compelled to answer their Engagements in another Town, they jointly solicit their Patronage on this occasion, the honour of which will ever be remembered with the most lively effusions of gratitude

Performances

Mainpiece Title: Douglas; Or, The Noble Shepherd

Performance Comment: Douglas (the Noble Shepherd)-Brown; Glenalvon-Twaits; Lord Randolph-Ives; Officer-Humphreys; Old Norval-Hallam; Anna-Mrs Humphreys; Lady Randolph-Mrs Brooks.

Afterpiece Title: Sylvester Daggerwood; or, A Trial for a London Engagement

Performance Comment: Fustian-Twaits; Servant-Hallam; Sylvester Daggerwood-Brown.

Afterpiece Title: The Waterman

Song: Between acts: Twaits, Master Seabrook

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: An Harmonic Jubilee

Performance Comment: A new comic song (never performed), The United Englishmen-Munden; A new comic song (never performed in London), A Dish of all Sorts-Munden; The Town Crier, in character,-Suett; Brave Betty was a Virgin Queen-Johnstone; Boxing the Compass-Fawcett; Imitations-Caulfield.

Afterpiece Title: The Honest Thieves

Event Comment: Lover's Vows. In Consequence of the Approbation which the above Play has received from the Town, various Translations, or pretended Translations of the work from which it was taken, have been offered for publication to some eminent Booksellers, who honourably declining such purchase, have given Information to the Manager of the attempted Imposition. The Public are therefore respectfully acquainted that the Play, as now performing at this Theatre, was rewritten from a literal Translation, sold to the Proprietor by an Agent of the German Author, and has been adapted to the English Stage by considerable Alterations in Plot & Incidents. The Piece will not be published till the 20th Night of its representation, when it will be submitted to the Reader, with the Name of Mrs Inchbald prefixed to the Publication. Receipts: #432 18s. 6d. (426.4.6; 6.14.0)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Spoil'd Child

Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger]: With new Musick, Scenery, Machinery, Dresses and Decorations. The Musick entirely new, composed by Kelly with an overture by Dussek]. The Scenes designed and executed by Greenwood? Jun, with the assistance of Chalmers and Banks. The Machinery, Decorations and Dresses designed and under the direction of Johnston, and executed by him, Underwood and Gay. The Female Dresses designed and executed by Miss Rein. Books of the Songs to be had at the Theatre. "We have to congratulate the town on the acquisition of three admirable dramatic writers, in the persons of Johnston, Greenwood, and Miss Rein, who have here exhibited a specimen of the Sublime and Beautiful which it will be difficult, indedd, to surpass" (Monthly Mirror, Jan. 1799, p. 47). [This piece is "an exhibition of music and dialogue, pantomime and dancing, painting and machinery, antique dresses and armour, thunder and lightning, fire and water, illumination, processions, banquets, battles, sieges, explosions, and everything that can surprize, enchant or terrify the spectators" (Morning Chronicle, 21 Jan.). Morning Chronicle, 16 Feb. 1799: This Day is published Feudal Times (1s. 6d.). Receipts: #483 15s. 6d. (381.10.6; 100.6.6; 1.18.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Feudal Times; or, The Banquet Gallery

Event Comment: Benefit for Barrymore and Wathen. 3rd piece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Morning Chronicle, 8 Apr.: Tickets to be had of Barrymore, No. 20, Judd-place, Somers Town; of Wathen, No. 2, Frith-street, Soho. Receipts: #640 5s. 6d. (181.1.0; 53.7.0; 0.3.0; odd money: 14.17.0; tickets: 390.17.6) (charge: #212 6s.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Village Lawyer

Event Comment: Benefit for Barrymore. [Afterpiece in place of Fortune's Frolick, advertised on playbill of 19 Aug.] Morning Chronicle, 19 Aug.: Tickets to be had of Barrymore, No. 20, Judd-place, Somers Town

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Peeping Tom