SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Tom Crawford"/1) | (@(roleclean,performerclean) "Tom Crawford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 747 matches on Performance Comments, 415 matches on Performance Title, 139 matches on Event Comments, 9 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Disinterested Love

Performance Comment: Hortensio-read by Johnston; Gonzaga (Duke of Mantua)-Murray; Uberti (Prince of Parma)-Toms; Alonzo-Whitfield; Bellario-Clarke; Octavio-Hull; Manfroy-Davenport; Ambassador-Powel; Alberto-Claremont; Bernardo-Thompson; Lorenzo (Duke of Tuscany)-Holman; Ascanio-Mrs Litchfield; Beatrice-Mrs Platt; Gentlewoman-Miss Leserve; Matilda (Princess of Mantua)-Mrs Pope.
Cast
Role: Uberti Actor: Toms

Afterpiece Title: Starboard Watch

Afterpiece Title: The Highland Reel

Cast
Role: Juan Actor: Toms

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman

Performances

Mainpiece Title: The Rivals

Performance Comment: Sir Anthony Absolute-Munden; Capt. Absolute-Toms; Faulkland-Holman; Sir Lucius O'Trigger-Johnstone; David-Townsend; Fag-Farley; Coachman-Thompson; Acres-Knight; Julia-Mrs Pope; Mrs Malaprop-Mrs Davenport; Lucy-Miss Leserve; Maid-Mrs Norton; Lydia Languish-Miss Betterton.
Cast
Role: Absolute Actor: Toms

Afterpiece Title: Reformed in Time

Cast
Role: Captain Manly Actor: Toms

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Waterman

Performance Comment: As17980420, but Tom Tug (with Young William)-Incledon.
Cast
Role: Tom Tug Actor: Incledon.

Afterpiece Title: The Witches Revels; or, The Birth of Harlequin

Song: In III 1st piece: song in character-Mrs Henley; Old Towler-Incledon

Entertainment: Vaudeville.As17980528; In 2nd piece: new Imitations-Rees

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: High Life below Stairs

Performance Comment: As17980830, but added: Coachman-Ledger; Tom-Waldron Jun.; Cook-Mrs Hale; Cloe-Mrs Haskey.
Cast
Role: Tom Actor: Waldron Jun.

Dance: In II afterpiece: As17980830

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-C. Kemble; Freeman-Trueman; Philip-Hollingsworth; Tom-Maddocks; Coachman-Webb; Kingston-Fisher; Robert-Evans; Duke's Servant-R. Palmer; Sir Harry's Servant-Russell; Kitty-Miss Pope; Cook-Mrs Maddocks; Cloe-Mrs Roffey; Lady Bab's Maid-Miss Tidswell; Lady Charlotte's Maid-Miss Heard.
Cast
Role: Tom Actor: Maddocks

Dance: In II afterpiece: Mock Minuet-R. Palmer, Miss Pope

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Lacy; Major Oakly-Wilmot Wells; Charles-Macready; Mrs Oakly-Mrs Abington; And, with Permission of the Proprietors of the Theatre Royal, Drury-Lane: Russet-Hollingsworth; Sir Harry Beagle-R. Palmer; Lord Trinket-Russell; Captain O'Cutter-Caulfield; Paris-Wewitzer; William-Ryder; John-Surmont; Tom-Webb; Lady Freelove-Mrs Sparks; Harriet-Miss Heard; Toilet-Mrs Cuyler.
Cast
Role: Tom Actor: Webb

Afterpiece Title: Between II and III of the above,Sylvester Daggerwood

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Dowton; Freeman-Surmont; Philip-Sparks; Tom-Ryder; Duke's Servant-R. Palmer; Sir Harry's Servant-Russell; Kitty-Miss Pope; Cook-Mrs Coates; Cloe-Mrs Mills; Lady Bab's Maid-Miss Tidswell; Lady Charlotte's Maid-Miss Heard.
Cast
Role: Tom Actor: Ryder

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Performances

Mainpiece Title: The Secret

Afterpiece Title: High Life below Stairs

Performance Comment: As17980920, but Kitty (1st time)-Miss Mellon; Tom-_; Coachman-_; Kingston-_; Robert-_; Cook-_; Cloe-_.
Cast
Role: Tom Actor: Maddocks

Dance: As17980920, but Mock Minuet-Miss Mellon in place of Miss Pope

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: High Life below Stairs

Performance Comment: As17980920, but Kitty-Miss Mellon; Tom-_; Coachman-_; Kingston-_; Robert-_.
Cast
Role: Tom Actor: Maddocks

Dance: As17990309

Performances

Mainpiece Title: Pizarro

Afterpiece Title: High Life below Stairs

Performance Comment: As17980920, but Tom-_; Coachman-_; Kingston-_; Robert-_.
Cast
Role: Tom Actor: Maddocks

Dance: As17980920

Song: As17990529

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakley-Pope; Major Oakley-Aickin; Charles-Clarke; Russet-Davenport; Sir Harry Beagle-Fawcett; Lord Trinket-Palmer; Captain O'Cutter-Johnstone; Paris-Caulfield; William-Ledger; John-Abbot; Tom-Chippendale; Lady Freelove's Servant-Lyons; Lady Freelove-Mrs Harlowe; Harriet-Miss Heard; Toilet-Miss Leserve; Chambermaid-Mrs Jones; Mrs Oakley-Mrs Mattocks (1st appearance on this stage, and in that character).
Cast
Role: Tom Actor: Chippendale

Afterpiece Title: Fortune's Frolick

Entertainment: Monologue End: Epilogue pourtraying Characteristick Jealousies of the Spaniard the Italian the Dutchman the Frenchman and the Englishman [by Garrick]-Mrs Mattocks [see cg, 1 May 1798]

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: As17990622 but William-_; John-_; Tom-_; Lady Freelove's Servant-_; Toilet-_; Chambermaid-_.
Cast
Role: Tom Actor: Chippendale

Afterpiece Title: The Jew and the Doctor

Entertainment: Monologue As17990622

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: As17990622 but William-_; John-_; Tom-_; Lady Freelove's Servant-_.
Cast
Role: Tom Actor: Chippendale

Afterpiece Title: My Grandmother

Entertainment: Monologue. As17990622

Performances

Mainpiece Title: The Red-cross Knights

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-C. Kemble; Freeman-Trueman; Philip-Caulfield; Duke's Servant-Palmer; Sir Harry's Servant-J. Palmer; Coachman-Ledger; Tom-Clarke; Kitty-Miss DeCamp; Cook-Mrs Hale; Cloe-Mrs Haskey; Lady Bab's Maid-Mrs Edward; Lady Charlotte's Maid-Miss Heard.
Cast
Role: Tom Actor: Clarke

Dance: In II afterpiece: Mock Minuet-Palmer, Miss DeCamp

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Naval Pillar

Performance Comment: Characters by Incledon, Johnstone, Munden, Fawcett, Emery, Townsend, Linton, Street, Hawtin; Mrs Martyr, Mrs Chapman, Miss Sims, Miss Wheatley, Mrs Sydney. [Cast from text (J. Barker, 1799): Ben Bowsprit-Incledon; Dennis-Johnstone; Habakuk-Munden; Sam Spritsail-Fawcett; Tom Tackle-Emery; Firelock-Townsend; Kitty-Mrs Martyr; Britannia-Mrs Chapman; Nancy-Miss Sims; Susan-Miss Wheatley; Jane-Mrs Sydney [in text: Mrs Gilbert]; unassigned-Linton, Street, Hawtin.
Cast
Role: Tom Tackle Actor: Emery

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: High Life below Stairs

Performance Comment: As17991001, but added: Tom-Maddocks; Coachman-Webb; Kingston-Fisher; Robert-Evans; Cook-_; Cloe-_.
Cast
Role: Tom Actor: Maddocks

Afterpiece Title: Rosina

Ballet: In 2nd piece: The Scotch Ghost. As17991202, but Glaude-Fisher

Performances

Mainpiece Title: Entertainment

Performance Comment: A Dialogue between Tom a Countryman and Dick a Londoner (sung to the Tune, I'll never love thee more).
Event Comment: The Diurnal of Thomas Rugg, ed. Sachse, p. 71: 13 April 1660: His Excellency [Monk] with the Councill of State dined att on of the Halls in London [Fishmongers], and now by this time haveing dined att 9 of the cheifest Halls in London; and att every Hall theire were after diner a kind of a stage play and many prety anticks, som the citizan and soldier, others the country Tom and citty Dick [see 28 March 1660], att many Halls were dancing and singing, many shapes and ghostes and the like

Performances

Event Comment: The King's Company. Pepys, Diary: Tom and I and my wife to the Theatre, and there saw The Silent Woman. The first time that ever I did see it, and it is an excellent play. Among other things here, Kinaston, the boy, had the good turn to appear in three shapes: first, as a poor woman in ordinary clothes, to please Morose; then in fine clothes, as a gallant, and in them was clearly the prettiest woman in the whole house, and lastly, as a man; and then likewise did appear the handsomest man in the house

Performances

Mainpiece Title: The Silent Woman

Event Comment: The Duke's Company. Pepys, Diary: Mrs Pierce and her husband and I and my wife to Salisbury Court, where coming late he and she light of Col. Boone that made room for them, and I and my wife sat in the pit, and there met with Mr Lewes and Tom Whitton, and saw The Bondman done to admiration

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. Pepys, Diary, 20 Oct.: Young Killigrew did so commend The Villaine, a new play made by Tom Porter, and acted only on Saturday at the Duke's house, as if there never had been any such play come upon the stage. The same yesterday was told me by Captain Ferrers; and this morning afterwards by Dr Clerke, who saw it. Downes, p. 23: Written by Major Thomas Porter; this Play by its being well perform'd, had Success extremly beyond the Company's Expectation....It Succeeded 10 Days with a full House, to the last. [Downes especially praises Price. The edition of 1663 has a Prologue but no actors' names and no epilogue.

Performances

Mainpiece Title: The Villain

Event Comment: The King's Company. Pepys, Diary: Thence to the King's play-house, and there saw Bartholomew Fayre, which do still please me; and is, as it is acted, the best comedy in the world, I believe. I chanced to sit by Tom Killigrew, who tells me that he is setting up a Nursery; that is, is going to build a house in Moorefields, wherein he will have common plays acted. But four operas it shall have in the year, to act six weeks at a time; where we shall have the best scenes and machines, the best musique, and every thing as magnificent as is in Christendome; and to that end hath sent for voices and painters and other persons from Italy

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The Duke's Company. This play should not be confused with Heraclius Emperour of the East by Lodowick Carlell. Pepys, Diary: My wife and I out to the Duke's playhouse, and there saw Heraclius, an excellent play, to my extraordinary content; and the more from the house being very full, anand great company; among others, Mrs Steward, very fine, with her locks done up with puffs, as my wife calls them: and several other great ladies had their hair so, though I do not like it; but my wife do mightily--but it is only because she sees it is the fashion. Here I saw my Lord Rochester and his lady, Mrs Mallet, who hath after all this ado married him; and, as I hear some say in the pit, it is a great act of charity; for he hath no estate. But it was pleasant to see how everybody rose up then my Lord John Butler, the Duke of Ormond's son, come into the pit towards the end of the play, who was a servant to Mrs Mallet, and now smiled upon her, and she on him. I had sitting next to me a woman, the likest my Lady Castlemayne that ever I saw anybody like another; but she is a whore, I believe, for she is acquainted with every fine fellow, and called them by their name, Jacke, and Tom, and before the end of the play frisked to another place. Mightily pleased with the play

Performances

Mainpiece Title: Heraclius

Event Comment: Pepys, Diary: By and by with Lord Bruncker by coach to his house, there to hear some Italian musique: and here we met Tom Killigrew, Sir Robert Murray, and the Italian Signor Baptista, who hath composed a play in Italian for the Opera, which T. Killigrew do intend to have up; and here he did sing one one of the acts. He himself is the poet as well as the musician.... This done, T. Killigrew and I to talk: and he tells me how the audience at his house [Bridges St.] is not above half so much as it used to be before the late fire. That Knipp is like to make the best actor that ever come upon the stage, she understanding so well: that they are going to give her #30 a-year more. That the stage is now by his pains a thousand times better and more glorious than ever heretofore. Now, wax candles, and many of them; then, not above 3 l6s. of tallow: now, all things civil, no rudeness anywhere; then, as in a bear-garden: then, two to three fiddlers; now, nine or ten of the best: then, nothing but rushes upon the ground, and every thing else mean; and now, all otherwise: then, the Queen seldom and the King never would come; now, not the King only for state, but all civil people do think they may come as well as any....That he hath gathered our Italians from several Courts in Christendome, to come to make a concert for the King, which he do give #200 a-year a-piece to: but badly paid, and do come in room of keeping four ridiculous gundilows, he having got the King to put them away, and lay out money this way; and indeed I do commend him for it, for I think it is a very noble undertaking. He do intend to have some times of the year these operas to be performed at the two present theatres, since he is defeated in what he intended in Moorefields on purpose for it; and he tells me plainly that the City audience was as good as the Court, but now they are most gone

Performances

Event Comment: The King's Company. Pepys, Diary: All alone to the King's playhouse, and there did happen to sit just before Mrs Pierce, Mrs Knepp, who pulled me by the hair; and so I addressed myself to them, and talked to them all the intervals of the play, and did give them fruit. The play is Brenoralt, which I do find but little in, for my part. Here was many fine ladies--among others, the German Baron, with his lady, who is envoye from the Emperour, and their fine daughter, which hath travelled all Europe over with them, it seems; and is accordingly accomplished, and indeed, is a wonderful pretty woman. Here Sir Philip Frowde, who sat next to me, did tell me how Sir H. Belasses is dead, and that the quarrel between him and Tom Porter, who is fled, did arise in the ridiculous fashion that I was first told it, which is a strange thing between two so good friends. The play being done, I took the women, and Mrs Corbett, who was with them, by coach, it raining, to Mrs Manuel's, the Jew's wife, formerly a player, who we heard sing with one of the Italians that was there; and, indeed, she sings mightily well, and just after the Italian manner, but yet do not please me like one of Mrs Knepp's songs, to a good English tune, the manner their ayre not pleasing me so well as the fashion of our own, nor so natural

Performances

Mainpiece Title: Brenoralt; Or, The Discontented Colonel

Event Comment: For performances in Sept. 1667 preceding this date, see the season of Pepys, Diary: I fell in talk with Tom Killigrew about musick, and he tells me that he will bring me to the best musick in England (of which, indeed, he is master), and that is two Italians and Mrs Yates, who, he says, is come to sing the Italian manner as well as ever as he heard any: says that Knepp won't take pains enough, but that she understands her part so well upon the stage, that no man or woman in the House do the like!

Performances