SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Tom Arne"/1) | (@(roleclean,performerclean) "Tom Arne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 943 matches on Performance Comments, 805 matches on Author, 573 matches on Performance Title, 363 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: By Command of their Majesties. With the latest improvement by Mr Handel. Pit and boxes to be put together. Tickets will be deliver'd that day, at the Office in the theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at Half an Hour past Four. Pit and Boxes at Five. To Begin at Half an Hour after Six (Public Advertiser, 4 March). [N.B. This is an Advance notice. No notice occurs on this day, but the following: This Day publish'd Esther: An Oratorio, with the last improvements by Mr Handel. To be performed, by Their Majesties Command at the Theatre Royal in Covent Garden. Price 1s.] Went into the First Gallery at Covent Garden to hear the Oraortio, Esther, composed by Handel. The Stage was formed into an orchestra, like one side of an amphitheatre divided by an organ, atop of which was a head of Handel in a radiated frame. In the front sat the vocal performers, Champney, Vernon, Mrs Arne, Mrs Pinto, Miss Young, and Mrs Frasi. Stanley played on the Organ but retired after the 1st or 2nd act. The house was not much crowded, tho the King and Queen, those idols of fools, were there (Neville MS Diary). Charges: #35 (Account Book)

Performances

Mainpiece Title: Esther

Music: CConcerto on Organ-Stanley

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: A Fairy Tale

Performance Comment: As17661028, but Characters-_Castle, Ackman. [Miss Wright is now Mrs Arne.]Miss Wright is now Mrs Arne.]

Dance: End: Hearts of Oak, as17670212

Event Comment: Benefit for Mr and Mrs Baddeley. House charges #67 9s. 6d. [Profits to Baddeley family 16s. plus tickets.] Tickets deliver'd for this night will be taken. Paid Palmer of Bath for Spermecetti candles #128 4s. Paid Mr Deeble (chorus singer) omitted 3 nights 15s.; Chorus singers 1 night #2 10s. 6d.; Salary list #435 19s. (Treasurer's Book). Receipts: #68 5s. 6d. (Treasurer's Book). I find ye corner of ye orchestra is ye best place to stand in...Holland played Iago very well, and Mrs Baddeley Desdemona pretty well, being her 1st appearance in that character...End of ye play Baddeley spoke a composition of his own, called "Search after Scrubs," to hear which Garrick came into ye orchestra. He looks healthy and strong, and should oftener entertain ye Public to which he owes so much. Entertainment Daphne and Amintor. Daphne (for ye first time) Mrs Baddeley, who does not shine in the singing part, as Mrs Arne does (Neville MS Diary)

Performances

Mainpiece Title: Othello

Afterpiece Title: Daphne and Amintor

Dance: IV: The Irish Lilt, as17670430

Entertainment: End: the Particulars of a Humorous Descriptive Search After Scrubs-Mr Baddeley

Event Comment: Benefit for Fox, Mrs Cross, Miss Simson. By Particular Desire. House charges #64 7s. [Profit to actors #1 2s. 6d. plus tickets. Received Mr Dickinson's deficiency #54 14s.] Rec'd of Clutterbuck #100. Paid French on account #40. Paid Florio for 7 nights in Cymon #7 7s.; Chorus singers #2 10s. 6d.; Rec'd repayment of Arne's note #50 and of Hopkins' note #28; Stopages #2 3s. (Treasurer's Book). Receipts: #65 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Register Office

Dance: End: A Double Hornpipe, as17670511; End I Farce: The Louvre and Minuet-Giorgi, Miss Simson

Event Comment: MMaster Brown's Night. A comic Interlude of Two Acts; Music by Dr Arne. N.B. A light shower or two will not put off the Performance; but if heavy Rain should fall, it must necessarily be deferr'd till further Notice, on account of the Fireworks. Books containing both performances may be had of the Booksellers and at the Gardens at 6d. each

Performances

Mainpiece Title: Capochio And Dorinna

Entertainment: last Aast Act: a Burlesque Ode-by the late Bonnel Thornton, in banter of the Odes written on St Cecilias Day, set to music by an eminent master; The whole to conclude with: Grand Fireworks-

Event Comment: Benefit for Phillips. Dr Arne having granted it only on this Occasion, the comic Interlude of Two Acts which met with the highest Approbation and Applause on Master Brown's Night. Preceded by Entertainments of songs

Performances

Mainpiece Title: Capochio And Dorinna

Entertainment: As17680728 but a Burlesque Ode-_

Event Comment: TThe Padlock deferred. Mrs Arne Ill

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Elopement

Event Comment: Afterpiece: By Particular Desire. Mrs Arne being ill, Miss Radley made her First appearance on this stage in Leonora in the Padlock, and was well received (Hopkins Diary)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Padlock

Dance: II: The Lilliputian Camp, as17680922

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Philips, from Theatre Royal, Edinburgh, his first appearance upon this Stage (a Scholar of Dr Arne's); Thomas-DuBellamy; Dorcas-Saunders; Sally-Mrs Jewell.

Dance: TThe Cowkeeper-Master West, Miss West

Event Comment: marly Benefit for Bannister. A new Burletta (music-Piccini, Arne, Arnold, Burney, Dibdin, &c.) in which will be introduced a variety of imitations by Mr Bannister

Performances

Mainpiece Title: The Madman

Dance: marly (By particular desire that night only) Hornpipe by Mrs Thompson. music, 1st Violin and Solo by Barthelemon

Event Comment: A Musical Dialogue composed by Dr Arne. [Most of the program is devoted to tumbling acts by Maddox.

Performances

Mainpiece Title: Love And Resolution

Dance: A new Ballad Dance-Leppi

Event Comment: Afterpiece: A Masque (in three parts) [by George Colman] never perform'd, in which will be introduc'd the Principal Solemnities at the Installation of the Knights of the Garter. With New Music, composed by Dr Arne, Habits, Decorations and Scenes. Books of the Masque to be had at the Theatre. Receipts: #220 10s. 6d. (Account Book). The greater part is borrowed with some variation from Ben Jonson [Masque of Oberon]. The same liberty has been taken with a few passages of Shakespeare, and a Chorus of the late Gilbert West, Esq. The final chorus is from Dryden...an effort to entertain the public by the combined powers of the most eminent proficients in the arts of Music, Painting and Poetry (Adv. to Printed Edn., Colman's Dramatic Works, IV, London, 1777)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Fairy Prince, with Installation of Knights of the Garter

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): Thomas Arne
Event Comment: Mainpiece: By Desire. Paid Dr Arne for composing the Music for the Fairy Prince #120 (Account Book). Receipts: #230 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Fairy Prince

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): Thomas Arne
Event Comment: Mr Colman's Night for the Fairy Prince. Charges #84. Profit to Colman #125 15s. 6d. Paid Messrs Schneider & Otto (furriers) #7 3s.; Paid Dr Arne for composing additional Music for the Fairy Prince #1 11s. 6d. (Account Book). Receipts: #209 15s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Fairy Prince

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): Thomas Arne
Event Comment: Benefit for Condell, Potter and Evans (box-keepers). Charges #81 5s. Deficit to the Box Keepers #14 7s. 6d. apiece, cover'd by income from tickets: Condell #67 3s. (Box 169; Pit 116; Gallery 75); Potter #56 (Box 116; Pit 102; Gallery 117); Evans #83 13s. (Box 151; Pit 228; Gallery 117). Paid Cooper (printer) #33 10s. 6d.; Paid Richards (painter) as per bill #6 16s. 6d.; Paid Dr Arne for composing two songs one in Comus, the other in Twelfth Night #6 6s. (Account Book). Receipts: #38 2s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Upholsterer

Dance: IV: The Lilt, as17720326

Event Comment: Mainpiece: Not acted these 3 years. [See 7 Oct. 1768.] Mr Clinch made his first appearance in the part of Alexander tolerable figure & Voice a Little too much upon the Brogue, he is very wild & Aukward-but was receiv'd with Applause (Hopkins Diary). [Macmillan note from Kemble differs slightly.] Paid Dr Arne as per order #31 8s.; Mr Stacie for drawing leases, #3 3s. Tallow chandler's first bill #29 13s. 3d.; Mr Jefferson on note, #200 (Treasurer's Book). [Reviewer for Town and Country Magazine more favorable to Clinck's performance than is Hopkins.] Receipts: #149 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: The Mayor of Garratt

Event Comment: Mainpiece: With proper Scenes, Dresses and Other Decorations (playbill). Miss Venables (a pupil of Mr Michl Arne) made her first appearance on the Stage in Philadel. She is very Short, & has a mean appearance a tolerable Voice-but little applause Miss Younge Emmeline (first time) So, so (Hopkins Diary). [Macmillan's note from Kemble slightly expanded. Reviewer for Town and Country Magazine (Theatre XL) writes of Miss Venables, She displayed but very moderate talents for the stage. She will doubtless improve under so good a master and when she has gained a greater share of maturity will probably do honor to her tutor.'] Receipts: #140 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): Thomas Arne
Related Work: Arthur and Emmeline Author(s): Thomas Arne

Afterpiece Title: Wits Last Stake

Event Comment: Mainpiece: A Dramatic Poem, Never Performed [written on the model of a Greek Tragedy by William Mason]. The Overture and all the Music entirely New Composed by Dr Arne. With New Scenery, Dresses, and Decorations (playbill). Altered by Colman to Mason's distress. (Biographia Dramatica). Books of the Chorus to be had at the Theatre. Rec'd from Bensley on account of Cash advanc'd last season #100 (Account Book). Receipts: #201 12s

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): Thomas Arne

Afterpiece Title: The Mock Doctor

Dance: End: The Recruits, as17721117

Event Comment: Both pieces By Command of their Majesties. Present their Majesties. Gave Yeomen of Guard #2 2s. Paid one year's Assurance on #3000 in Royal Exchange to 15 Dec. 1773, #6. Paid Raban & Kime (coal merchants) #91 10s. Paid Dr Arne for the Music for Elfrida #90 (Account Book). Receipts: #233 11s

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): Thomas Arne

Afterpiece Title: Man and Wife

Dance: End: The Recruits, as17721117

Event Comment: A New Pantomime of Mr Messinks went off with great Applause (Hopkins Diary). Music By Dibdin. New Scenes, Habits, and Machines. Nothing under Full Prices will be taken. [Repeated.] Paid 4 days salary list at #85 12s. 11d., #342 11s. 8d.; Miss Mansell on acct #5 5s.; Mr Clinch ditto, #6 6s.; Dr Arne for Mrs Bradley 2 nights per order #5 5s.; Stopages nil (Treasurer's Book). [Full description of the New Pantomime is given in the Westminster Magazine (January 1773): Harlequin born to the Pigmies comes to manhood, gets a job from the Register Office in a Nobleman's family where he meets Colombine. They love, and elope, a chase ensues through several noted places in London, which are detailed in the review. The union of the lovers is finally consended to, and all closes with dancing. "Some of the paintings in the scenery are well executed; and the generality of Mr Dibdin's music deserves equal praise." In it Mrs Wrighten gives a ludicrous imitation of Miss Catley's manner of singing. The reviewer's general thesis about the London stage of this period, given first in the preliminary number, 1 Jan. 1773 continues: "The Stage seems now buried in universal darkness...The Publick for several weeks, has been fed with the lean carcass of two villainous pantomimes."] Receipts: #162 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Pigmy Revels; or, Harlequin Foundling

Event Comment: Oratorio composed by Dr Arne. Not performed these eight years. Boxes 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Tickets and places for the boxes to be taken of Mr Sarjeant (only) at the Stage Door. Books of the Oratorio to be sold at the theatre. Doors opened at Five o'clock. To Begin at Half past Six. [Note on prices, time, and books repeated each performance this season.] Charges: #35

Performances

Mainpiece Title: Judith

Music: I: Solo on Violin-Barthelemon; II: Concerto on French Horn-Sg Spandau

Event Comment: Sacred Oratorio composed by Dr Arne. Charges #35

Performances

Mainpiece Title: The Death Of Abel; Judith

Music: I: Concerto on French Horn-Spandau; II: Violin Concerto-Barthelemon

Event Comment: Sixth Night. For the Author. Charges #64 5s. Profit to author #171 17s. Rec'd for the use of Organ this season in Oratorios #21 and for Coals burnt in Oratorios #2 2s. Paid Garton 11 Oratorio Nights for the Renters #110. Paid Dr Arne for Music for Alzuma #15 15s. (Account Book). Receipts: #236 2s

Performances

Mainpiece Title: She Stoops To Conquor

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: Love In A Village

Performance Comment: Woodcock-Shuter; Hawthorn-Reinhold; Young Meadows-Mattocks; Sir W. Meadows-Baker; Eustace-Dyer; Hodge-Dunstall; Deborah-Mrs Pitt; Margery-Mrs Baker; Lucinda-Mrs Mattocks; Rosetta-a Young Lady (Pupil of Dr Arne) first appearance any stage [Miss Jameson]; [With a Dance [incidental to the opera-.

Afterpiece Title: The Intriguing Chambermaid

Dance: The Fingalian Dance-Mas. Blurton, Miss Besford; Double Hornpipe-Mas. Blurton, Miss Besford. [See17720921.

Event Comment: Mainpiece: Not acted these 16 years. [See 19 April 1751.] New Scenes, Machines, Decorations &c. The Characters dress'd in The Habits of the times. This Masque is very well got up with New Scenes & Decorations particularly a Representation of the Grand Naval Review design'd by Mons DeLoutherberg & vastly well Executed had great Applause the piece is very dull (Hopkins Diary). [Macmillan's note from Kemble differs slightly in wording.] Paid five day's salary at #86 13s. 10d. per diem, #433 9s. 2d.; Miss Younge 6 days not on the list #1; Mr Courtney 3 days not on list 7s. 6d.; Mr J. French on Act #10 (Treasurer's Book). The Songs, Chorusses, &c. in the Masque (in the order they are now performed) to be had at the Theatre. The Music by Dr Arne and other masters (playbill). Receipts: #158 12s. (Treasurer's Book)

Performances

Mainpiece Title: Alfred

Related Works
Related Work: Alfred the Great, King of England Author(s): Thomas Arne

Afterpiece Title: Miss in Her Teens