SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Three eldest Princesses"/1) | (@(roleclean,performerclean) "Three eldest Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1260 matches on Event Comments, 484 matches on Performance Title, 175 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Text by Haym.] Admission as 30 Nov. 1725. The King and the three Princesses present

Performances

Mainpiece Title: Elisa

Event Comment: By His Majesty's Command.Written by the late Sir John Vanbrugh. The King, Queen, Prince William, and three Princesses present

Performances

Mainpiece Title: The Provok'd Wife

Event Comment: By Command of his Royal Highness. The Prince and three Princesses present. Receipts: #159 16s. Probable attendance: boxes, 175 paid and 26 orders; stage, 17 paid; pit, 294 paid and 5 orders; slips, 24 paid and 31 orders; first gallery, 401 paid and 1 order; second gallery, 138 paid

Performances

Mainpiece Title: The Prophetess

Event Comment: Receipts: #74 7s. 6d. Probable attendance: boxes, 66 paid and 31 orders; stage, 2 paid; pit, 167 paid and 23 orders; slips, 5 paid and 19 orders; first gallery, 218 paid and 9 orders; second gallery, 127 paid and 2 orders. Prince and Three Princesses present

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rape of Proserpine

Event Comment: [Prince of Wales and Princess Amelia present.] Lord Hervey to Henry Fox, 2 Nov.: No place is full but the Opera; and Farinelli is so universally liked, that the crowds there are immense. By way of public spectacles this winter, there are no less than two Italian Operas, one French play house, and three English ones. Heidegger has computed the expense of these shows, and proves in black & white that the undertakers must receive seventy-six thousand odd hundred pounds to bear their charges, before they begin to become gainers. Ilchester, Lord Hervey and his Friends, p. 211

Performances

Mainpiece Title: Artaxerxes

Event Comment: Mainpiece: Written by the late Mr Congreve. [Duke and three Princesses present.]

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Harlequin Restor'd

Dance: II: By Mlle Anne Roland. In III: Dance of Sailors proper to the play. IV: Grand Ballet, as17351125

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales [who were present]. Mainpiece: Written by Beaumont and Fletcher. Afterpiece: Written by the Author of the Toy Shop. [For a letter on the disputes between the footmen and the gentlemen, see Grub St. Journal, 17 March.] [There is in the Bennett Collection, I, 93, in the Birmingham Library, an exceptionally curious advance notice for a performance to be given at Drury Lane soon after Easter of The Conscious Lovers and The Devil to Pay, with no cast for either play in the bill. The announcement appears to refer to the spring of 1737 and presumably appeared around the middle of March. It is intended for the benefit of a Widow under Misfortunes and the bill bears the heading: Gift and Pleasure. According to the announcement, the widow has been left Italian pictures, antiqees, jewels, and precious stones; and she intends, for the encouragement of her benefactors, to make a gift of all the objects, which will be placed in three hundred parcels. Tickets for the performance are advertised at five shillings, and no one is to be admitted without a ticket. The pit and boxes are to be put together at two tickets for each person, and the first and second galleries are placed together at one ticket for each spectator. The tickets are not to be left with the door-keepers as usual, but only shewn and kept. On the day following the benefit a raffle will be held, by Mr Foubert's Patent Mathematical Machine, at Hickford's Great Room in Brewers Street, Golden Square, and only holders of tickets will be admitted to the raffle, After this entry was set, an advertisement was found in the Daily Advertiser, 18 April 1738, announcing this performance for 13 May 1738. The Daily Advertiser on 5 May 1738, however, announced that the proposed performance had been cancelled.

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: By Command of His Royal Highness the Duke, and Their Royal Highdesses the Princesses Amelia, Caroline, Mary and Louisa. Benefit Glover. Three Rows of the Pit will be laid into Boxes. [Tickets at Glover's, Chandos Street, near cg.

Performances

Mainpiece Title: All For Love

Dance: I: Comic Dance-Villeneuve, Miss Oates; II: Two Pierots-Lalauze, Desse; III: Grand Ballet as performed in the Opera of Pastor Fido-Glover, Mlle Roland; IV: Scots Dance-Glover, Mlle Roland; V: The Louvre (a Ball Dance), including The Minuet-Glover, Mlle Roland

Event Comment: Benefit Mrs Porter. By Command of their Royal Highnesses the Prince and Princess of Wales. Stage enclos'd and form'd into an amphitheatre. Send servants by three o'clock

Performances

Mainpiece Title: Albion Queens

Dance: CCharacters of Dancing, as17421025; Dutch Skipper, as17421025

Event Comment: Written by Mr Dryden. Benefit Quin. By command of their Royal Highnesses the Prince and Princess of Wales. For the better accomodation of the ladies, the stage will be enclos'd and form'd into an Amphitheatre, where servants will be allow'd to keep places. Ladies send servants by three

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Event Comment: Benefit Beard. Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. Afterpiece: By Command a Ballad Farce not acted these 3 years [see 30 Nov. 1742]. Amphitheatre on Stage. Send servants by three. Tickets to be had of Beard in Red Lion Square

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Damon and Phillida

Song: II: New Song by Handel-Beard; IV: To Arms, Britons Strike Home-Leveridge, Beard, Reinhold

Dance: III: Scotch Dance, as17431124; V: Ballet-Cooke, Mlle Domitilla

Event Comment: By Command. Ladies desired to send servants to keep places by three o'clock (General Advertiser). Present the Prince and Princess of Wales (Account Books, Egerton 2268). Receipts: #192 4s

Performances

Mainpiece Title: The Fair Penitent

Event Comment: Benefit Barry. By Command of their Royal Highnesses the Prince and Princess of Wales. Ladies send servants by three. Tickets at his lodgings in Bow St

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Dance: II: Salomon, Mlle Violette, Cook, Salomon's Son; III: Muilment; V: Grand Comic Dance-Salomon, Mlle Violette, Cooke, Sga Padouana

Event Comment: A Free Benefit for Garrick. By Command of Prince and Princess of Wales. Pit and Boxes laid together at 5s. An Amphitheatre on stage. Total receipts: #274 17s., of which #189 came from his tickets (Account Books. Egerton 2268). Characters All New Dress'd. For the better accommodation of the company attendance will be given at the Pit Doors. To prevent mistakes Ladies are desired to send their servants by three o'clock. Tickets deliver'd out for the 6th of last month will be taken

Performances

Mainpiece Title: The Suspicious Husband

Event Comment: Benefit for Quin. Play By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, Prince William, the Lady Augusta, and Lady Elizabeth. In which will be reviv'd a scene not acted these 30 years. Five rows of the Pit will be laid into the Boxes, and for the better Accomodation of the Ladies the Stage will be enclos'd and formed into an Amphitheatre, where servants will be allowed to keep places. Ladies are desired to send servants to keep places at three o'clock

Performances

Mainpiece Title: King Henry Iv, Part I

Event Comment: Benefit for Mrs Cibber. Play By Command of Prince & Princess of Wales. Play taken from the French of M de Voltaire. Never acted there before.' Pit and boxes to be laid together, where the Ladies and Gentlemen will be admitted as at the Oratorios. And for the better accommodation of the Ladies the Stage will be form'd into an amphitheatre (with particular care to keep it warm) where servants will be allowed to keep places, as also in the Pit. Ladies send servants by three o'clock

Performances

Mainpiece Title: Zara

Dance: As17500926

Event Comment: By the unfortunate death of her Royal Highness the Princess Dowager of Wales a temporary stop was put to theatrical entertainments to this day. Opera will be performed at this theatre three times or at least twice every week till Passion Week. Such of the Nobility and Gentry, subscribers to the Opera who do not care to keep their Boxes on the Thursday, and have the extra weekly performance reckoned into their Subscription nights are desired to send word

Performances

Mainpiece Title: Felosofo Di Campagna

Dance: Mlle Heinel will dance

Event Comment: [Extra night] Benefit for the Widow and three youngest Children of the late Dr Glover. [Dr William Frederick Glover, a surgeon, had died on 25 Feb. in straitened circumstances. A subscription--in behalf of which this Benefit was organized--had been set on foot for the relief of his family (see Gentleman's Magazine, Mar. 1787, p. 276). In the 1760's he was for some years an actor on the Dublin stage (see Tate Wilkinson, Memoirs, III, 198).] Tickets to be had at the Thatched-House Tavern, St. James's Street; at Free-Mason's Tavern, Great Queen Street; the Antigallican Coffee House, Royal Exchange; the Globe Tavern, Fleet Street; at Messrs Robinsons, booksellers, Paternoster Row; and of the Printer of the Morning Chronicle, Dorset Street, Salisbury Square. Received from Their Majesties for Box [for season] #70; from the Princess Royal for Box #35. Receipts: #127 11s. (125.5; 2.6; tickets: none listed)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Afterpiece Title: Love a-la-Mode

Performances

Mainpiece Title: The Life And Death Of King Richard Iii

Afterpiece Title: Imprisonment of Harlequin

Performance Comment: Harlequin-Rosoman; Father-Julian; Beau-Peterson; Colombine-Mrs Dunstall; Shepherds, Peasants-Carney, Mlle Roland, Lapierre, Pelling, Granier, Miss Story, the Misses Scotts; Dwarf spirits-two Masters Granier, Miss Naylor; Clown-Dove; Concluding with a Representation of three Automations-; Being three mechanical Figures invented by the ingenious and celebrated Mr Vaucanson. Being three mechanical Figures invented by the ingenious and celebrated Mr Vaucanson.
Event Comment: At The Chapel of the Foundling Hospital. [Deutsch, Handel, pp. 799-801, notes the performance and lists the "Orchestra Bill," for this performance: twelve violins-Brown, Collet, Freeks, Frowd, Claudio, Wood, Wood Jr, Denner, Abbington, Grosman, Jackson, Nicholson, the first three at 15s. and the rest at 10s. each; three "tenners" [violas]-Rash, Warner, Stockton at 8s. each: four hautbois-Eyferd, Teede, Vincent, Weichsel, the first three at 10s. 6d. and the fourth at 8s.; four bassoons-Miller, Baumgarden, Goodman, Owen, the first two at 10s. 6d. and the rest at 8s. each; three violoncellos-Gillier, Haron, Hebden at 10s. 6d. each; two double basses-Dietrich at 15s. and Sworms at 10s.; horns and drums by Adcock and Willis at 10s. 6d. each; trumpets and kettle drums-Trowa, Miller, and Fr Smith at 10s. 6d. for a total of #17 15s. He also lists the bill for the singers: Sga Frasi, #6 6s.; Miss Frederick, #4 4s.; Miss Young, #3 3s.; Beard with services gratis; Champness, #1, 11s. 6d.; Waas, Bailden, and Barrow at #1 1s. each; six boys, totalling #4 14s. 6d.; a second Champness, Ladd, Cox, Munck, Reinhold, Walz, Courtney, and Kurz, at 10s. 6d. each, for a total of #27 16s. 6d. Servants and music porters added #4 14s. 6d. What with #5 5s. 6d. for Smith brought the total bill to #55 11s. 6d. The Constable in addition cost #3 3s.

Performances

Mainpiece Title: The Messiah

Performances

Mainpiece Title: Zaire

Afterpiece Title: Harlequin Always Harlequin

Dance:

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: Perseus and Andromeda

Event Comment: For the Encouragement of the Comedians Acting in the Hay-Market, and to enable them to keep the Diversion of Plays under a separate Interest from the Opera. By Subscription. The Boxes to be open'd to the Pit, and none to be admitted but by the Subscription Tickets. First Gallery 2s. Upper Gallery 1s. [Cibber (II, 4-5) states that each subscriber received three tickets for the first day of each of three plays offered by subscription for a payment of three guineas.

Performances

Mainpiece Title: Julius Caesar

Performances

Mainpiece Title: The Bath Unmask'd

Afterpiece Title: Mars and Venus; or The Mouse Trap

Performance Comment: Mars (Harlequin)-Dupre; Vulcan (Punch)-Lun; Venus (Dame Ragondi)-Mrs Legar; Three Graces (Three Scopian Women)-Mrs Bullock, Mrs Wall, Mrs Ogden; Hour-Mrs Vincent; Cupid-Hall; Followers of Mars (Scaramouches)-Glover, Lally, Newhouse, Lanyan; Cyclops (Four Carpenters); Foreman of Shop-Spiller; other-Duplessy, Pelling.

Song: Mrs Chambers

Dance: Glover

Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Double Disappointment

Dance: As17581016