SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thorn Drury"/1) | (@(roleclean,performerclean) "Thorn Drury")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 576 matches on Event Comments, 68 matches on Performance Comments, 27 matches on Performance Title, 17 matches on Author, and 0 matches on Roles/Actors.
Event Comment: PPublic Advertiser: In the afternoon died Mr Richard Cross, Prompter to the Theatre Royal in Drury Lane, whose Abilities in his Station were equal to any in the Theatre, and whose Integrity would have done credit to any Profession

Performances

Event Comment: Never Acted before. A Tragedy [By John Home]. I went to my Office and then slept [?] in at Drury Lane w here I see Mr and Miss Hayes, Lady Lindores who I see into a coach, I slept in at Covent Garden Gallery before the play, but see nobody I knew so I would not stay, otherwise I would have went out as I had set my mind on the Beggar's Opera for once more, but waived it all & went to my Office (Hailey Brietzcke Diary, Vol. 197, p. 72)

Performances

Mainpiece Title: The Siege Of Aquileia

Event Comment: For the Author. By Command of the Prince of Wales. The Prince of Wales was at Drury Lane to see the new tragedy of Aquileia. I went there at 9, but it was all over and done & met Miss Smith coming from thence with Capt. Johnston. I think it very unnatural for her to be going to plays when her sister is but just laid in the Grave (Hailey, Brietzcke Diary, Vol. 197, p. 142)

Performances

Mainpiece Title: The Siege Of Aquileia

Event Comment: Full prices. Last time of performing till Easter Holidays. Receipts: #214 11s. Paid Kemp #6 8s.; Meares #0 10s. 6d.;Mr Platt for mahogany chair frames (12), #9 12s.; Paid Rich #50; Paid 10 night's Rents for Oratorios #100. I was to see the Jovial Crew and the Fair again, at the Gallery at Covent Garden, where I see Mrs Viebert, Miss Meredith & Mr Madan. Slept in at Drury Lane Gallery where I see the best part of Catherine & Petruchio for King's Benefit (Hailey, Brietzcke Diary, Vol. 197, p. 210)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Fair

Event Comment: Benefit for Foly (Box lobby doorkeekper) and Veal (First Gallery doorkeeper). British Chronicle, 16 May: Yesterday Foulkes, a Beadle of Vere St Clare Market fell from the upper gallery of Drury Lane play house into the pit & expired immediately. The seat on which he fell was broke in half. British Chronicle, 16 May: It is said Mrs Pritchard is appointed Dresser to her intended Majesty for the Royal Wedding

Performances

Mainpiece Title: The Fair Quaker Of Deal; Or, The Humours Of The Navy

Afterpiece Title: The Miller of Mansfield

Dance: HHornpipe-a sailor on board the Royal Sovereign

Performances

Mainpiece Title: Dramatic Turtle

Performance Comment: Yates, from the Theatre Royal in Drury Lane, will dress his Dramatic Turtle for the entertainment of the town. This most excellent dish will comprise the essence of every Theatrical Rarity. IN THE CALIPASH will be found the most extraordinary Adventures of Timur Koran; or, The Favourite of the Sun. The Love and Distress of the Princess Karansa; her confinement in the Brazen Tower; the Cruelty of the Emperor Albufazar her Father; Karanza's Trial and Condemnation; the Banishment of Timor Koran; the wicked Machinations of the Vizier, Prime Minister to Albufazar, the Procession of the Princess and Timur Koran to the Funeral Pile; their strange delivery from Death by the spirit Seraphel. IN THE CALIPEE will be the Eighth Wonder of the World; or, The Heroic Taylors, with the Humours of General Trinculo and his pleasant companion Humpkinn Buzz, the merry exploits and miraculous Adventures of Barnaby Bodkin, Tom Thimble, Ben Buckram, Nich. Canvas, all Gentlemen of the Light Horse. THE BLUE FAT AND FINNS will contain the various entertainments of Singing, with the Machinery and Decorations. The whole to be seasoned by the way of Chian Butter, with a most extraordinary band of music.
Event Comment: The Managers of the Theatre Royal in Drury Lane intended to have opened their House next Saturday [13 Sept.]; but as the Weather continues so fine they shall defer it 'till next Week. The Day of Opening the season, with the Play, will be advertised on Monday next in this Paper (Public Advertiser)

Performances

Mainpiece Title: None

Event Comment: I slept [sic. q: step?] in at Drury Lane before the Play began, which was the first time of being in the Play House this season. Miss Allen was there & Pocock with some girls (Hailey, Brietzcke Diary, N & Q, Vol, 199, p. 260)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Ranger

Event Comment: MMr Larpent...called upon me at Somerset House & went to Drury Lane & see Richard 3rd & Harlequin's Invasion & sat in the front Boxes. It was the first play I have seen this winter & I think I shan't be in a hurry to go again till there is better Co[mpany]y in the Boxes. It was not over till 11, went to the Turk's Head & home (Hailey, Brietzcke Diary, N & Q, Vol. 199, p. 260)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin's Invasion

Event Comment: Did I tell you that the Archbishop tried to hinder the Minor from being played at Drury Lane? For once the Duke of Devonshire was firm, and would only let him correct some passages, & even of those the Duke has restored some. One that the Prelate effaced was 'You snub-nosed son of a bitch.' Foote says he will take out a license to preach Sam Cant against Tom Cant. (Walpole to Montagu, 24 Nov.). [See also Duke of Devonshire's statement to Garrick concerning the alteration of some lines, Private Correspondence, ed. Boaden, I, 120. See Gentlemen's Magazine, p. 502: Extracts from Christian and Critical remarks on a droll or interlude, call'd the Minor, said to be acted by authority; and Mr Foote's answer. Ten columns of alternate attack and justification.

Performances

Mainpiece Title: The Minor

Afterpiece Title: A Duke and no Duke

Dance: I: The Colliers, as17601024; II: The Mad Doctor, as17601014

Event Comment: Mainpiece: A Tragedy [by Henry Brooke]. New dressed in the habits of the times. This tragedy was wrote by Mr Brooks and performed some years ago at Dublin. The first four Acts went off heavy, the last very well--Miss Mowat made her first appearance in this Piece at Drury Lane--Prologue by Mr Murphy heavy. Epilogue by Mr Garrick, great applause (Hopkins MS Notes)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Polly Honeycombe

Event Comment: Music composed by Dr Arne. Pit and Boxes will be laid together at Half a Guinea, and no person to be admitted without Tickets, which may be had at Dr Arne's in the Piazza next the Church, Covent Garden, and of Varney at the Stage Door of the Theatre. First Gallery 5s. Upper Gallery 3s. 6d. [Information concerning this Oratorio appeared in the Public Advertiser, 23 Feb.. "on Saturday last the New Oratorio called Judith, composed by Dr Arne, to be at Drury Lane on Friday, was rehearsed at the House of a Lady of Quality, where was present a numerous Assembly of the First Distinction, who honoured it with the highest approbation. We are assured that in the Sacred Oratorio, Sg Tenducci has obtained Permission from his Plaintiff, to sing the part which Signora Eberhardi was so obliged as to understudy for him, in Case he could not obtain such Indulgence."

Performances

Mainpiece Title: Judith

Music: A Concerto on the Organ-

Event Comment: Full Prices. There will not be room behind the Scenes for more than the persons acting in the coronation, [Others] cannot possibly be admitted. The coronation of their Majesties was followed by a stage representation of it at both houses...Garrick knew that Rich would spare no expense in the presentation of his show; he knew too that he had a taste in the ordering, dressing, and setting out these pompous processions, superior to his own; he therefore was contented with the old dresses which had been occasionally used from 1721-1761. This show he repeated for near forty nights successively, sometimes at the end of a play, and at other times after a farce. The exhibition was the meanest, and the most unworthy of a theatre, I ever saw. The stage was...opened into Drury Lane; and a new and unexpected sight surprised the audience, of a real bonfire, and the populace huzzaing and drinking porter to the health of Queen Anne Bullen. The Stage in the meantime, amidst the parading of Dukes, duchesses, archbishops, peeresses, heralds &c. was covered with a thick fog from the smoke of the fire, which served to hide the tawdry dresses of the processionalists. During this idle piece of mockery, the actors, being exposed to the suffocations of smoke, and the raw air from the open street, were seized with colds, rheumatisms, and swelled faces. At length the indignation of the audience delivered the comedians from this wretched badge of nightly slavery, which gained nothing to the managers but disgrace and empty benches. Tired with the repeated insult of a show which had nothing to support it but gilt copper and old rags, they fairly drove the exhibitors of it from the stage by hooting and hissing, to the great joy of the whole theatre....Rich...fully satisfied [the publick's] warmest imaginations (Davies, Life of Garrick, I, 365 ff.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: In the Play will be introduc'dThe Coronation

Event Comment: I Went With Mallet to breakfast with Garrick; and from thence to Drury-Lane house, where I assisted at a very Private rehearsal, in the Green-room, of a new tragedy of Mallet's, called Elvira. As I have since seen it acted, I shall defer my opinion of it till then; but I can't help mentioning here the surprising versatility of Mrs Pritchard's talents, who rehearsed, almost at the same time, the part of a furious Queen in the Green-room, and that of a Coquette on the stage; and passed several times from one to the other with the utmost ease and happiness. I dined with Darrel, saw The Way of the World afterward (Edward Gibbon's Journal, ed. D. M. Lowe (New York, n.d.) pp. 185-86). [Apparently Mrs Pritchard rehearsed Millamant in the morning.

Performances

Mainpiece Title: The Way Of Ye World

Afterpiece Title: The Witches

Song: III: A Cantata-Miss Young

Event Comment: Benefit For the Author. A Riot to demand the same [half-price after third act] agreed to (Cross Diary). [Advertised for Drury Lane that particulars will be published in a few days on the charge of innovation in prices which last night prevented the play being heard.] When Holland appeared for the Prologue-hiss'd. Garrick appeared and agreed to take half-price at the end of the third act to all performances except the first [Winter] of a New Pantomime (Winston MS 9)

Performances

Mainpiece Title: Elvira

Afterpiece Title: Catharine and Petruchio

Event Comment: [This month the periodical, The Beauties of All Magazines Selected (London, 1763) quoted from the Theatrical Review Remarks on that Part of Dramatical Entertainments called Singing," A garrulous article concluding: The millions must be pleased-if audiences were only to be entertained with sensible exhibitions, or if only sensible people composed those audiences, whew! in what a sickly and consumptive state would be two thirds of the first rate salaries in every theatre!' (p. 76). This month publish'd An Appeal to the Publick in behalf of the Manager. Price 1s. Printed for Wilson. Hear all; and then let Justice hold the Scale. Shakespeare. A rather full description of the Fitzpatrick half-price riots, exonerating Garrick and the players. This month (probably) was published Theatrical Disquisitions; or, a Review of the late Riot at Drury Lane Theatre, 25, 26 January 1763, By a Lady (32 pp.). A calm defense of the acting profession, and a scourge of Fitzpatrick as a coward and a great nuisance. She prefers seeing plays to reading them. Holds Garrick blameless for reviving the Chances after failure of Eastward Ho. Comments at length on brilliance of contemporary stage costume in comparison with that earlier in the century.

Performances

Mainpiece Title: Elvira

Afterpiece Title: Polly Honeycomb

Event Comment: The Characters New Dressed. Play never acted before. [See Three Original Letters to a Friend in the Country on the Cause and Manner of the late Riot at the Theatre Royal in Drury Lane. See also two letters in The Theatrical Review; or, Annals of the Drama, 1 March 1763. This number includes (pp. 117-25) a critique on the Discovery. Critic found it a piece of much merit particularly in the perusal," but on stage frequently tedious and heavy owing to a scarcity of incident and an uncommon lengthening of the acts."

Performances

Mainpiece Title: The Discovery

Event Comment: As frequenters of the Theatre have often complained of the interruptions in the performances occasioned by a crowded stage at the Benefits-the Performers will have no building on the stage, nor take any money behind the scenes being willing to forego that advantage, for the sake of renderin the representations more agreeable to the Publick [a front-page notice for Drury Lane Theatre in the Public Advertiser this day]

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Witches

Event Comment: Books of the Opera to be sold at the Theatre. Nothing under FULL PRICE can be taken. Opera not perform'd this season. [A riot this night in which the benches were torn up. Led by Fitzpatrick against the abolishment of the custom of admitting at half-price after the third act. See previous disturbance at Drury Lane. No more plays at cg until 3 March 1763 while repairs were being made to theatre. See Gentleman's Magazine, Feb. 1763, Historical Chronicle, Th. 24: A riot happened at Covent Garden theatre occasioned by a demand being made for full prices at the opera Artaxerxes. The mischief done was the greatest ever known on any occasion of the like kind; all the benches of the boxes and Pit being entirely tore up, the glasses and chandeliers broken, and the linings of the Boxes cut to pieces. The rashness of the rioters was so great, that they cut aWay the wooden pillars between the Boxes, so that if the inside of them had not been iron, they would have brought down the Galleries upon their heads. The damages done amount to at least #2000. Four persons concern'd in the riot have been committed to the gatehouse. The Beauties of All Magazines Selected, for March 1763 (p. 142) reprinted from the Ledger a humorous account of this riot as told by a sailor in fabricated seaman's language: As soon as the foresheet was clewed up...As to my 5s., why the owners are welcome to it towards repair, for you stripp'd plank, timbers, and scantlings,-you gutted her; she look'd like a French prize, after a yard-arm engagement."

Performances

Mainpiece Title: Artaxerxes

Dance: I: A New Comic Dance-Granier, Miss Valois; II: La Provenciale-Sga Manesiere

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Daily Advertiser: Lost: a leather Pocket Book...containing 4 Box Tickets for Shuter's Benefit...As the Numbers are known, care is taken to have them stopped by the Box, Pit and Gallery Keepers. [The Daily Advertiser also lists as thefts at the theatres: 1 violin, 4 pocket books (two stolen in the 2s. gallery), 4 gold watches (one with baronial arms), 1 woman's coat, 1 diamond ring. At Drury Lane thieves has stolen 4 pockets books, 1 silver watch, 4 gold watches, 1 woman's coat, and 1 sable muff.

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Afterpiece Title: Miss in Her Teens

Dance: TThe Jealous Woodcutter, as17621023

Entertainment: New Comic Lectural Exhibition in his Old Taste-Shuter

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places may be taken from Johnson at the Stage Door. No money will be taken at the stage door. None will be refunded after Curtain is drawn up. To begin at 6 o'clock. [Footnote not further noted. Garrick on his return from the continent first introduced a method of illumination by lights not visible to the audience, thus replacing the huge chandeliers (Genest, V, 86). Published this season, A Critical Balance of the Performers at Drury Lane last Season, a broadside sheet at 1s., printed for C. Moran. This scale of the following twelve values war applied to 43 actors and actresses: (A score of 20 under each heading was perfect.) Figure; Grace; Spirit & Ease, Sensibility & Truth; Dignity & Manners; Expression & Pantomime; Low Humor; Genteel Humor; Elocution and voice; Dress; Dumb show; Noise. Beside each actor was listed his outstanding parts. (See Copy in Huntington Library.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Polly Honeycombe

Event Comment: By Command of their Majesties. Those ladies and gentlemen who have taken places in the Boxes are desired to be at the theatre earlier than usual, to prevent mistakes; and to send their servants by 3 o'clock. [Garrick's first appearance. He afterwards played only occasionally 7 or 8 nights.] Disturbance at Drury Lane. Those not in black insulted, one young gentleman from Bond Street had a sword run into his eye (Winston MS 9)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Daphne and Amintor

Event Comment: letter in the St James Chronicle; or, British Evening Post suggests a one@way street for entrance to Drury Lane Theatre, because of the great confusion caused by carriages approaching from both directions.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Hermit

Event Comment: Afterpiece: By Desire. There is a new passage from the Marquis Buildings, Russel Court, to the Pit. Proper care is taken to keep the House Cool. Paid Supernumaries 13s. 6d.; Drum 5s.; a Lampmen #1 5s.; Carpenter's Bill #5 19s. 2d.; Taylor's Bill #3 1d. (Drury Lane Treasurer's Book). [These were constant weekly bills throughout the season amounting to total sums as follows, and will not hereafter be itemized further]: @Item Nightly or Weekly Average Season Total@Supers and Drum #2 5s. Nightly Supers #382; Drum #47 10s.@Lampmen #2 6s. Weekly #84 2s.@Carpenters #2 Weekly #74@Taylors #7 Weekly #259@ Receipts. #195 6s

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Daphne and Amintor

Event Comment: Mainpiece: By Desire. Paid salary list 3 days at #71 2s. 5d. per diem #213 7s. 3d.; Paid Billstickers #4 1s.; Handbills 8s.; Candlemen #1 13s.; Mantua Maker #3 17s.; Page 18s.; Chorus singers 1 night #2 5s. 6d. (Drury Lane Treasurer's Book) [The first five items were constants (weekly) during the season amounting to a total outlay as follows. No further itemization of them will be made]: @Item Weekly Average Season Total@Billstickers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Candlemen #4 #148@Mantua Maker #2 #78@Page 18s. #33 6s.@ Receipts: #142 9s. 6d

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Hermit