SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas and John Baston"/1) | (@(roleclean,performerclean) "Thomas and John Baston")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15610 matches on Author, 2277 matches on Performance Comments, 1448 matches on Event Comments, 424 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Patron

Performance Comment: Sir Thomas-Foote; Sir Peter-Whitefield; Bever-Aickin; Younger-Fearon; Pact-Lloyd; Dactyl-Gardner; Staytape-Jones; Robin-Griffith; John-Stephens; Rust-Mrs Parsons; Juliet-Mrs Whitefield.
Cast
Role: Sir Thomas Actor: Foote
Role: John Actor: Stephens
Related Works
Related Work: The Patron; or, The Statesman's Opera Author(s): Thomas Odell

Afterpiece Title: The Mayor of Garratt

Dance: Tambourine Dance-

Event Comment: Afterpiece [1st time in London; F2, by Thomas John Dibdin, 1st acted at Maidstone, 12 July 1798]. Receipts: #286 3s. (279.13; 6.10)

Performances

Afterpiece Title: The Jew and the Doctor

Performance Comment: Principal Characters by Fawcett, Knight, Murray, Emery, Mansel, Farley, Miss Mansel, Miss Leserve, Mrs Mattocks. [Cast from text (T. N. Longman and O. Rees, 1800): Abednego-Fawcett; Changeable-Knight; Specific-Murray; Bromley-Emery; Charles-Mansel; William-Farley; Emily-Miss Mansel [in text: Miss Chapman (see17990410)]; Betty-Miss Leserve; Mrs Changeable-Mrs Mattocks [in text: Mrs Litchfield (see17981226)].in text: Mrs Litchfield (see17981226)].
Event Comment: 2nd piece [1st time; C 3, by Thomas John Dibdin, altered from Die Versohnung, by August Friedrich Ferdinand von Kotzebue. Author of Prologue unknown. Epilogue by the author (see text)]: With new Scenery, Dresses, &c. [3rd piece in place of The Old Cloathsman, advertised on playbill of 6 Apr.] Receipts: #180 3s. (177.1; 3.2)

Performances

Mainpiece Title: Fun And Frolic

Performance Comment: As17990406, but Vocal Parts-_Munden; Four and Twenty Fidlers-_.
Cast
Role: Captain O'Neill Actor: Johnstone

Afterpiece Title: The Birth Day

Performance Comment: Principal Characters by Munden, Fawcett, H. Johnston, Murray, Waddy, Abbot, Mrs Davenport, Mrs Whitmore, Mrs Pope. [Cast from text (T. N. Longman and O. Rees, 1800): Captain Bertram-Munden; Jack Junk-Fawcett; Harry Bertram-H. Johnston; Mr Bertram-Murray; Lawyer Circuit-Waddy; William-Abbot; Mrs Moral-Mrs Davenport; Ann-Mrs Whitmore; Emma-Mrs Pope; Prologue-H. Johnston; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 11 performances only (see17990516).]These were spoken, as here assigned, at the 1st 11 performances only (see17990516).]
Cast
Role: Harry Bertram Actor: H. Johnston
Role: Prologue Actor: H. Johnston
Related Works
Related Work: The Birth Day; or, The Prince of Arragon Author(s): John O'Keeffe
Related Work: Die Versöhnung Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Magic Oak

Performances

Mainpiece Title: Every One Has His Fault

Performance Comment: Sir Robert Ramble-Lewis; Solus-Waddy; Irwin-Pope; Harmony-Munden; Lord Norland-Murray; Placid-Farley; Hammond-Claremont; Edward-Miss Sims; Mrs Placid-Mrs Mattocks; Miss Wobourn-Miss Chapman; Miss Spinster-Mrs Davenport; Lady Eleanor Irwin-Mrs Pope.
Cast
Role: Lord Norland Actor: Murray

Afterpiece Title: The Spoild Child

Performance Comment: Little Pickle-Mrs Mills; Mr Pickle-Emery; John-Abbot; Thomas-Street; Tag-Knight; Maria-Miss Sims; Susan-Miss Leserve; Margery-Mrs Whitmore; Mrs Pickle-Mrs Davenport.
Cast
Role: John Actor: Abbot
Role: Thomas Actor: Street
Event Comment: Afterpiece [1st time; MF 2, by the younger George Colman]: To conclude with a View of the Camp near Windsorv. A Military Overture, and the New Musick composed by Dr Arnold. The Scenery painted by S. Whitmore. Books of the Songs to be had at the Theatre. [For Colman's borrowing of the character of Caleb Quotem, see 6 July 1798.

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: The Review or The Wags of Windsor

Performance Comment: Characters-Suett, Farley, Johnstone, Emery, Fawcett, Trueman, Chippendale, Atkins, Mrs Gibbs, Mrs Mountain, Miss DeCamp, Miss Leserve; Cast from text (J. Cawthorn, 1808): Mr Deputy Bull-Suett; +Capt. Beaugard-Farley; +Looney Mactwolter-Johnstone; +John Lump-Emery; +Caleb Quotem-Fawcett; +Charles Williams-Trueman; +Dubbs-Chippendale; +Serjeant-Atkins; +Grace Gaylove-Mrs Gibbs; +Lucy-Mrs Mountain; +Phoebe Whitethorn-Miss DeCamp; +Martha-Miss Leserve Chorusses-Abbot, Sawyer, Little, Kenrick, Caulfield Jun., Fisher, Dibble, Aylmer, Thomas, Willoughby.
Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Related Works
Related Work: The Country Wife Author(s): John Lee

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: The Lord Mayor's Show. By John Tatham. The author mentions as his assistants: Andrew Dakers and William Lightfoot, painters; Thomas Whiting, joyner; and Richard Clear, carver

Performances

Mainpiece Title: Londons Tryumph

Performance Comment: Celebrated the Nine and Twentieth day of October, in the Year 1659. In Honour of the much Honoured ThomasAllen, Lord Mayor of the said City. Presented and personated by an Europian, an Egyptian, and a Persian. And done at the Costs and Charges of the ever to be Honoured Company of Grocers.
Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Edition of 1693: Prologue intended for the Old Batchelor [sent to the Author, by an unknown Hand-; Prologue-Mrs Bracegirdle; Epilogue-Mrs Barry; Heartwell-Betterton; Bellmour-Powel; Vainlove-Williams; Sharper-Alexander [Verbruggen]; Sir Joseph-Bowen; Bluff-Hains; Fondlewife-Dogget; Servant-Underhill; Araminta-Mrs Bracegirdle; Belinda-Mrs Mountfort; Laetitia-Mrs Barry; Sylvia-Mrs Bowman; Lucy-Mrs Leigh.
Cast
Role: by an unknown Hand Actor:
Role: Sharper Actor: Alexander
Event Comment: The first of Twelve Grand Concerts. In Daily Courant, 9 Jan., proposals had been issued for setting up by subscription a monthly concert for the first Wednesday of each month. There were never to be fewer than three of the best singers and nineteen performers in all. Each subscriber was to pay to Trustees John Shipton and Thomas Ives one guinea for a year. The concerts were to begin when there were 350 subscribers. On this date 100 subscriptions had been received

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: Benefit a Gentleman who has wrote for the Stage. [Professor John B. Shipley of the University of Colorado has called to my attention a letter written by James Ralph to Thomas Birch, dated 14 February 1741, in which he states that this benefit is to be for Ralph. See B.M. Add. MSS. 4317, fol. 94.

Performances

Mainpiece Title: Julius Caesar

Performance Comment: As17401219, but Octavius-Havard; Caska-Winstone; Trebonius-_; Citizens-Johnson, Macklin, Chapman, Vaughan, Marten, Hough.

Afterpiece Title: The King and the Miller of Mansfield

Dance: LLa Tambourine-Mlle Chateauneuf; Shepherds and Shepherdesses-Muilment, Mlle Chateauneuf

Event Comment: A New Opera [a pasticcio, Metastasio text altered by Rolli, form Pergolesi's Olimpiade, 1735 (Loewenberg, Annals of Opera, I, 183)]. Music by Pergolesi, Scarlatti, Lampugnani. L. Leo, F. Leo [libretto in L. C.]. Two of the principal Performers being greatly indispos'd, the Dancers are oblig'd to be deferr'd. Thomas Gray to John Chute, 24 May: Our fifth Opera was the Olimpiade, in which they retain'd most of Pergolesi's Songs & yet 'tis gone already, as if it had been a poor thing of Galuppi's. Two nights did I enjoy it all alone, snugg in a Nook in the Gallery, but found no one in those regions had ever heard of Pergolesi, nay, I heard several affirm it was a Composition of Pescetti's.-Gray, Correspondence, I, 203

Performances

Mainpiece Title: Meraspe O Lolimpiade

Event Comment: This day publish'd at 3s. Printed on Five sheets of superfine paper, Five Principal Scenes in Romeo and Juliet, designed, drawn, and engraved by Mr Ant. Walker. Printed and sold by John Tinney, at the Golden Lion in Fleet St. The drawing and Engraving of the three following Plays of Shakespeare are in great forwardness, and the scenes of each play will be sold at a time: 1 Henry IV, 2 Henry IV, Merry Wives. These plates will serve for Mr Pope's edition of Shakespeare in quarto, Sir Thomas Hanmer's edn. 6 Vol. quarto, or for any of the Folio editions. And may be framed and glazed for furniture. There will be a few sets neatly coloured for Gentlemen and Ladies who chuse them so (Public Advertiser). [A set of these prints is available in the Folger Shakespeare Library. The Five Principal Scenes were: The scene in Capulet's Housev where Romeo kisses Juliet 's hand; the Balcony Scenev ; the scene in which Friar Lawrence hurries the young couple off to be married; the Apothecary scenev ; and the death scenev . If, as may be, these scenes were taken from--as they were certainly stimulated by--the Barry-Nossiter production, they may present a good likness of Maria Isabella Nossiter, who so captivated London that season. If, also, they were taken from the theatre production, they give evidence that Barry used a balcony, not only a window.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: As17540118

Event Comment: Ode [1st time; composed by Thomas Linley Jun. (see 18 Mar. 1778), text by John Hoadly]

Performances

Mainpiece Title: Lallegro Il Penseroso Judas Maccabaeus

Afterpiece Title: The Song of Moses Judas Maccabaeus

Music: As17770214

Event Comment: The Proprietor of this Theatre having informed us that a report has been recently circulated, highly injurious to this Building; we, in consequence of his request, beg leave to asure the Public that such report is unfounded. John Johnson, Mary-le-bone; James Paine, Northend, Hammersmith; Thomas Hardwicke, Rathbone Place; Robert Brettingham, Berkley-Square. Architects

Performances

Mainpiece Title: I Giuochi Dagrigento

Dance: As17930216

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on DER DEUTSCHE HAUSVATER, by Otto Heinrich Freiherr von Gemmingen. Prologue by the author and John Thelwall (Boaden, Kemble, II, 114). Epilogue by the author (Knapp, p. 263)]: With new Scenes, Dresses and Decorations. Morning Chronicle, 18 Feb. 1794: This Day is published LOVE'S FRAILTIES (2s.). Oulton, 1796, II, 154: It was the first play published at the advanced price of 2s. [i.e. hitherto (since, at least, 1776) the price of full-length plays had been 1s. 6d.]. Receipts: #308 17s. 6d. (296/8/6; 12/9/0)

Performances

Mainpiece Title: Loves Frailties Or Precept Against Practice

Performance Comment: Principal Characters by Lewis, Quick, Holman, Munden, Farley, Blurton//Mrs Esten, Mrs Mattocks, Mrs Fawcett, Mrs Platt, Miss Leserve, Mrs Pope. [Cast from text (Shepperson and Reynolds, 1794): Mr Muscadel-Lewis; Sir Gregory Oldwort-Quick; Charles Seymour-Holman; Mr Craig Campbell-Munden; James-Farley; Footman [unassigned in text]-Blurton//Paulina-Mrs Esten; Nannette-Mrs Mattocks; Lady Louisa Compton-Mrs Fawcett; Mrs Wilkins-Mrs Platt; Julette-Miss Leserve; Lady Fancourt-Mrs Pope.] Prologue spoken by Bernard. Epilogue spoken by Mrs Esten. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bernard. Epilogue spoken by Mrs Esten. [These were spoken, as here assigned, at all subsequent performances.] hathi.
Related Works
Related Work: Love’s Frailties; or, Precept against Practice Author(s): Thomas Holcroft

Afterpiece Title: HARTFORD BRIDGE

Event Comment: Mainpiece [1st time; C 5, by Joseph George Holman. Prologue by William Thomas Fitzgerald; Epilogue by John Taylor (see text)]: With new Dresses, Scenery, &c. [Afterpiece in place of The Farmer, advertised on playbill of 11 Jan.] Morning Chronicle, 26 Mar. 1799: This Day is published The Votary of Wealth (2s.). Receipts: #326 10s. 6d. (321.2.6; 5.8.0)

Performances

Mainpiece Title: The Votary Of Wealth

Performance Comment: Principal Characters by Lewis, Pope, Munden, Fawcett, H. Johnston, Murray, Emery, Thompson, Abbot, Curties, Wilde, Lee, Mrs Pope, Mrs H. Johnston, Miss Chapman, Mrs Davenport, Miss Betterton. [Cast from text (T. N. Longman and O. Rees, 1799), and playbill of 25 Sept. 1799: Drooply-Lewis; Leonard Vizorly-Pope; Oakworth-Munden; Sharpset-Fawcett; Henry Melville-H. Johnston; Cleveland-Murray; Old Vizorly-Emery; Mastyr of Hotel-Thompson; Bailiff-Abbot; Servant-Curties; Waiter-Wilde; Simpson-Blurton; Julia Cleveland-Mrs Pope; Gangica-Mrs H. Johnston; Mrs Cleveland-Miss Chapman; Lady Jemima Vizorly-Mrs Davenport; Caroline-Miss Betterton; unassigned-Lee; Prologue-Murray; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 9 performances only (see17990128).]These were spoken, as here assigned, at the 1st 9 performances only (see17990128).]
Cast
Role: Henry Melville Actor: H. Johnston
Role: Cleveland Actor: Murray
Role: Julia Cleveland Actor: Mrs Pope
Role: Gangica Actor: Mrs H. Johnston
Role: Mrs Cleveland Actor: Miss Chapman

Afterpiece Title: Rosina

Event Comment: [Address by Thomas John Dibdin (T. J. Dibdin, Reminiscences, 1, 256).] Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Dec.]. Places for the Boxes to be taken of Brandon at the Box office in Hart-street. No Money to be returned. [On playbill of 6 May 1800: Printed by E. Macleish, 2, Bow-street, Covent-Garden.] Receipts: #290 3s. 6d. (279.12.0; 10.11.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Rosina

Entertainment: Monologue Preceding: New Occasional Address-Pope

Event Comment: [In mainpiece the playbill retains Miss Biggs as Angela, but "On account of the sudden indisposition of Miss Biggs, Miss Heard will perform the part of Angela, and hopes for the usual indulgence of the audience" (printed slip attached to Kemble playbill).] Afterpiece [1st time; MF 2, by Thomas John Dibdin, based on Der Wildfang, by August Ferdinand Friedrich von Kotzebue. Prologue by Miles Peter Andrews (London Chronicle, 4 Feb. 1800)]: The Overture and Musick composed by Kelly [with one selection from Paisiello]. Books of the Songs to be had in the Theatre. Receipts: #264 17s. (139.8.6; 122.17.0; 2.11.6)

Performances

Mainpiece Title: The Castle spectre

Cast
Role: Kenrick Actor: Holland

Afterpiece Title: Of Age To morrow

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Performances

Mainpiece Title: Richard Iii

Related Works
Related Work: The English Princess; or, The Death of Richard III Author(s): John Caryll

Afterpiece Title: The Citizen

Event Comment: [By Sandford.] All the Characters being entirely new dress'd. [The Preface gives a long account of the difficulties attendant on the production, particularly the inexperience of the amateur performers.

Performances

Mainpiece Title: The Female Fop Or The False One Fitted

Performance Comment: Persons who never yet appear'd in Public. Edition of 1724 lists: Sir Zealwou'd Fainall-Alleyn; Sir Obstinate Lecture-Thomas; Manworth-Hawker; Trueman-Milward; Timothy-Williams; 1st Companion-Dyas; 2d Companion-Richards; Eudmia-Mrs Thomas; Clarinda-Mrs Howey; Manilia-Mrs Herold; Isabella Wealthy-Mrs Marlow; Hearty-Mrs Wadderburn; Prologue-Milward.
Cast
Role: Sir Obstinate Lecture Actor: Thomas
Role: Eudmia Actor: Mrs Thomas

Song: Singing in Italian and English-Mrs Hill

Performances

Mainpiece Title: Flora

Performance Comment: Hob-Ray; Flora-Mrs Clark, being the first Time of their appearing on this stage; Sir Thomas-Reynolds; Friendly-Hulett; Dick-Gillow; Old Hob-Pearce; Betty-Mrs Thomas; Hob's Mother-Mrs Nokes.
Cast
Role: Sir Thomas Actor: Reynolds
Role: Betty Actor: Mrs Thomas
Related Works
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley

Afterpiece Title: The Humours of Harlequin

Performances

Mainpiece Title: The Gamester

Performance Comment: Gamester-Giffard; Sir Thomas-W. Giffard; Dorante-Penkethman; Lovewell-Smith; Marquis of Hazard-W. Bullock; Galloon-Hallam; Cogdie-R. Williams; Hector-Collet; Lady Wealthy-Mrs Clark; Angelica-Mrs Seal; Favorite-Mrs Palmer; Mrs Security-Mrs Thomas; Betty-Mrs Mountfort.
Cast
Role: Sir Thomas Actor: W. Giffard
Role: Mrs Security Actor: Mrs Thomas
Related Works
Related Work: The Pharo Table Author(s): John O'Keeffe

Dance: Mrs Haughton, others

Performances

Mainpiece Title: The Fashionable Lady Or Harlequins Opera In The Manner Of A Rehearsal

Performance Comment: Part-Penkethman, Bullock, Lacy, W. Giffard, W. Williams, Huddy, Smith, Collet, Bardin, Mrs Thomas, Mrs Mountfort, Mrs Giffard, Mrs Palmer; but edition of 1730 lists: Ballad-Penkethman; Meanwell-W. Giffard; Modely-Bullock; Drama-Lacey; Mrs Foible-Mrs Mountford; Mrs Sprightly-Mrs Giffard; Prattle-Mrs Palmer; Merit-W. Williams; Smooth-Mrs Thomas; Hackum-Huddy; Whim-Smith; Trifle-Collet; Voice-Bardin; Harlequin-Burney.

Dance: Burny, Sandham, Eaton, R. Williams as Harlequin, Scaramouch, Punch, Pantalon

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Flora

Performance Comment: Hob-Bardin; Sir Thomas-W. Williams; Dick-Eaton; Old Hob-Pearce; Friendly-Mrs Thomas; Flora-Mrs Mountfort; Betty-Miss M. Vaughan , her first appearance on this stage; Hob's Mother-Mrs Palmer.
Cast
Role: Sir Thomas Actor: W. Williams
Role: Friendly Actor: Mrs Thomas
Related Works
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley

Song: Miss Thornowets

Dance: FFlag Dance-Burny