SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Porter"/1) | (@(roleclean,performerclean) "Thomas Porter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5454 matches on Author, 1488 matches on Performance Comments, 468 matches on Event Comments, 58 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rover

Dance: DDrunken Peasant-Roger; Polonese-Rainton, Miss Robinson; Whitsun Holiday-Boval, Mrs Mills

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Momus Turned Fabulist; or, Vulcan's Wedding

Performance Comment: Momus (Merry Andrew)-Mullart; Jupiter (A Rake)-Bridgwater; Neptune (Waterman)-Aston; Apollo (Ballad Singer)-Stoppelaer; Mars (Sergeant of Grenadiers)-Walker; Plutus (Pawnbroker)-Hippisley; Vulcan (Blacksmith)-M. Stoppelaer; Mercury (Ticket Porter)-Clarke; Minister of Destiny (Hangman)-Bencraft; Juno (Oyster Woman)-Mrs Mullart; Venus (Lady of Pleasure)-Miss Norsa; Aegle (Parish Girl)-Miss Rogers .

Dance: Two Pierrots by Nivelon and Lalauze. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

Event Comment: [Because of Mrs Porter's accident, she can act only every other day; The Rival Queens, therefore, will be given on alternate evenings.

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: The Fall of Phaeton

Related Works
Related Work: The Fall of Phaeton: With Harlequin a Captive Author(s): Thomas Arne

Dance: In IV: Muilment

Event Comment: MMrs Pendarves, 27 Nov.: They [The king's] have Farinelli, Merighi, with no sound in her voice, but thundering action-a beauty with no other merit; and one Chimenti, a tolerable good woman with a pretty voice, and Montagnana, who roars as usual! With this band of singers, and dull Italian operas, such as you almost fall asleep at, they presume to rival Handel-who has Strada, that sings better than ever she did; Gizziello, who is much improved since last year; and Annabali, who has the best part of Senesino's voice and Caristini's, with a prodigious fine taste and good action! We have had Alcina, and Atalanta, which is acted tonight for the last night with the fireworks....Mrs Porter acts three times a week; I have made a party to go next week; she is the only support of the stage, the house is crammed whenever she acts.-Delany, Autobiography, I, 5578-79

Performances

Mainpiece Title: Atalanta

Event Comment: Mainpiece: By particular Desire. Gave Porters of Several Inns of Court Xmas Box at #3 14s. (Account Book). Receipts: #112 15s

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Perseus and Andromeda

Event Comment: Paid Ayliffe (a Turner) #1 14s. 6d.; Mr Lane (a Tailor) his bill #88 12s.; Xmas Box to Prince's Chairmen #2 2s.; and to Inns or Court [Porters] #3 4s.; Fryar (a Hosier) #6 12s.; Burgess [Bricklayer] his bill #50; Smart (Laceman) #11 1s.; a Coffin for Ophelia 15s. 6d.; Mr Shawford's son for dancing in the Tempest 10s. (Treasurer's Book). Receipts: #100 (Cross); #102 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Ballet: SSavoyard Travellers. As17491110

Event Comment: Benefit for ye Author (Cross). Tickets for the Boxes may be had fo Mr Rush, in Porter St, Leicester Fields, and of Hobson at the stage door (General Advertiser). Paid Blandford (Talow Chandler) #18 8s.; Knight, Lampman #9 1s.; Mrs Reynolds for wax and Brick dust 4s. 7d.; for a Point d'Espagne Hat for Sowdon #3 3s. (Treasurer's Book). Receipts: #150 (Cross); charges #63 (Treasurer's Book)

Performances

Mainpiece Title: Edward The Black Prince

Event Comment: An Earthquake (Cross). Paid Knight for Lamps, &c. #10 9s. 6d.; Paid Mrs Porter a bill by order of Lacy #10 9s. 6d.; Mrs Boucher a Bill by order of Lacy 8s. (Treasurer's Book). Receipts: #30 (Cross); #40 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Chaplet

Related Works
Related Work: Harlequin's Chaplet Author(s): Thomas Shaw

Dance: II: Grand Scotch Dance, as17491031; End of Play: Swedish Gardeners, as17491219

Performances

Mainpiece Title: The Messiah

Performance Comment: [Deutsch, Handel, pp. 750-52, lists 33 musicians, 18 singers, five servants, plus a number of organ blowers, porters, and constables who put on this performance. Among the singers the following from the theatres and the opera performed: Beard, Giulia Frasi, Sga Galli, Christina Passerini, Wass, Baildon, and Baildon Jr Champness, Wilder, Dupre, Walz, Cox, and Legg.]
Event Comment: To be Lett. Elegantly Furnish'd, the House of the Late Colley Cibber, Esq: in Berkley Square, the Corner of Bruton Street (Public Advertiser). Receipts: #106 3s. Gave Porters of the several Inns, #3 14s. (Account Book)

Performances

Mainpiece Title: King Henry Iv, Part I

Related Works
Related Work: The Comical History of Don Quixote, Part I Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote, Part II Author(s): Thomas D'Urfey
Related Work: An Eclogue; or, Representation in Four Parts Author(s): Thomas Jordan
Related Work: The Amorous Bigotte: With the Second Part of Tegue O Divelly Author(s): Thomas Shadwell
Related Work: The Atheist; or, The Second Part of the Souldiers Fortune Author(s): Thomas Otway

Afterpiece Title: Orpheus and Eurydice

Event Comment: At The Chapel of the Foundling Hospital. [Deutsch, Handel, pp. 799-801, notes the performance and lists the "Orchestra Bill," for this performance: twelve violins-Brown, Collet, Freeks, Frowd, Claudio, Wood, Wood Jr, Denner, Abbington, Grosman, Jackson, Nicholson, the first three at 15s. and the rest at 10s. each; three "tenners" [violas]-Rash, Warner, Stockton at 8s. each: four hautbois-Eyferd, Teede, Vincent, Weichsel, the first three at 10s. 6d. and the fourth at 8s.; four bassoons-Miller, Baumgarden, Goodman, Owen, the first two at 10s. 6d. and the rest at 8s. each; three violoncellos-Gillier, Haron, Hebden at 10s. 6d. each; two double basses-Dietrich at 15s. and Sworms at 10s.; horns and drums by Adcock and Willis at 10s. 6d. each; trumpets and kettle drums-Trowa, Miller, and Fr Smith at 10s. 6d. for a total of #17 15s. He also lists the bill for the singers: Sga Frasi, #6 6s.; Miss Frederick, #4 4s.; Miss Young, #3 3s.; Beard with services gratis; Champness, #1, 11s. 6d.; Waas, Bailden, and Barrow at #1 1s. each; six boys, totalling #4 14s. 6d.; a second Champness, Ladd, Cox, Munck, Reinhold, Walz, Courtney, and Kurz, at 10s. 6d. each, for a total of #27 16s. 6d. Servants and music porters added #4 14s. 6d. What with #5 5s. 6d. for Smith brought the total bill to #55 11s. 6d. The Constable in addition cost #3 3s.

Performances

Mainpiece Title: The Messiah

Event Comment: Receipts: #59 14s. Paid Dall [Scene painter] on acct of his salary, #1 10s.; Paid Austin [Dall's assistant] six days salary 12s.; Paid Besford (porter) a week's salary 12s.; Paid Mr Warring in full for assisting to examine Mr White's acct #10 10s. [Dall and Austin received the amounts recorded here each week. No further records of these payments will be made except for special variations.

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: A Duke and no Duke

Event Comment: Mainpiece: By Particular Desire. Recipts: #222 0s. 6d. Paid Meares (Tailor) #1 11s. 4d.; Paid Mr Monck 80 days salary to this day #20; Paid Xmas Boxes: King's Footmen, #2 2s., Chairmen, #2 2s., Prince of Wales Footmen, #1 1s., Chairmen, #1 1s., Princess of Wales Footmen #1 1s., Chairmen #1 1s., Porters at Inns of Court #3 14s

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman Returned from Paris

Dance: II: The Threshers, as17591005

Event Comment: Benefit for Dyer. Afterpiece: By Particular Desire. No building on stage. Receipts: #75 5s., in cash, plus #143 4s. from tickets (Boxes 238; Pit 416; Gallery 213). Total income #218 8s. Charges #64 5s. Paid Besworth the porter 1 week's salary 12s

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: Lethe

Dance: III: Fingalian Dance-Miss Hilliard; End: The Lamp Lighters, as17600318

Event Comment: Box #43 17s. 6d. Paid Mr Blackmore a Bill for sundries and expenses in taking the inventory of the Men's Wardrobe #26 2s. 6d. Bought three men's outfits #68. Gave the King's footmen and Chairmen #4 4s., and Prince of Wales' Footmen and Chairmen #2 2s. Gave the Porters of the several Inns #3 14s. (Account Book). [The Gentlewoman who played Bertha was Miss Fielding. See notation of payment to her for acting this part, 10 Jan.] Receipts: #176 16s

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Related Works
Related Work: The Royal Merchant Author(s): Thomas Hull

Afterpiece Title: The Rape of Proserpine

Event Comment: Benefit for Wilford, Ross, (pit door-keepers); Slater; and Trott, (lobby door-keeper). Mainpiece: Acted but once these 10 years. [See 15 Jan. 1753.] Tickets deliver'd by Besford, Clark, Darby, Toten, Dimmock, &c. will be taken. [Besford a mistake for Joseph Besworth (porter).] Receipts: #15 15s. plus #100 14s. 2d. as 1!2 value of the tickets deliver'd. @Names Bow Pit Gallery Balue 1!2 Value@Wilford 2 62 18 #11 12s. #5 16s.@Ross 5 162 83 #33 17s. #16 18s. 6d.@Trott 144 53 .. #43 19s. #18 12s. 9d.@Slater 2 57 110 #20 1s. #10 6d.@Derby 4 79 105 #23 7s. #11 13s. 6d.@Toten .. 32 43 #9 2s. #4 11s.@Clingo .. 55 47 #12 19s. #6 9s. 6d.@Clarke .. 40 44 #10 8s. #5 4s.@Besworth .. 24 20 #5 12s. #2 16s.@Dymuck .. 12 53 #7 2s. #3 11s.@Jos. Smith 8 29 25 #8 17s. #4 8s. 6d.@Cole 4 61 83 #18 9s. #9 4s. 6d.@S. Griffiths .. 11 12 #2 17s. #1 8s. 6d.@Total 169 677 643 #208 2s. #100 14s. 2d. [1!2 of #208 2s. would seem to be #104 1s.]@ Rec'd of John Crane for the ends of the wax candles sold last season #6 4s., and for those sold this season #23 19s. 4d. (Account Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Devil to Pay

Event Comment: Full Prices. There will not be room behind the Scenes for more than the persons acting in the coronation, [Others] cannot possibly be admitted. The coronation of their Majesties was followed by a stage representation of it at both houses...Garrick knew that Rich would spare no expense in the presentation of his show; he knew too that he had a taste in the ordering, dressing, and setting out these pompous processions, superior to his own; he therefore was contented with the old dresses which had been occasionally used from 1721-1761. This show he repeated for near forty nights successively, sometimes at the end of a play, and at other times after a farce. The exhibition was the meanest, and the most unworthy of a theatre, I ever saw. The stage was...opened into Drury Lane; and a new and unexpected sight surprised the audience, of a real bonfire, and the populace huzzaing and drinking porter to the health of Queen Anne Bullen. The Stage in the meantime, amidst the parading of Dukes, duchesses, archbishops, peeresses, heralds &c. was covered with a thick fog from the smoke of the fire, which served to hide the tawdry dresses of the processionalists. During this idle piece of mockery, the actors, being exposed to the suffocations of smoke, and the raw air from the open street, were seized with colds, rheumatisms, and swelled faces. At length the indignation of the audience delivered the comedians from this wretched badge of nightly slavery, which gained nothing to the managers but disgrace and empty benches. Tired with the repeated insult of a show which had nothing to support it but gilt copper and old rags, they fairly drove the exhibitors of it from the stage by hooting and hissing, to the great joy of the whole theatre....Rich...fully satisfied [the publick's] warmest imaginations (Davies, Life of Garrick, I, 365 ff.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: In the Play will be introduc'dThe Coronation

Event Comment: Benefit for Mrs Clive. Mainpiece: By Particular Desire.Afterpiece: Never perform'd before. Ladies and Servants by 3 o'clock. Part of Pit laid into boxes; No Building on Stage. [See Theatrical Review; or, Annals of the Drama, 1763, 1 April, pp. 142-46, for critique of the Sketch of a Fine Lady's Return from a Rout. Rather damns the writing and the performance on all counts, Moody's part being so bad, to save his face he commenced Hibernian in his dialogue" to amuse the ears of his audience. The parts are listed in Larpent MS 220: Sir Gregory Jenkings, Mr Nettle (a Lawyer), 1st Clerk, 2nd Clerk, Porter, Footmen, Lady Jenkings, Nancy Jenkings, Fanny Jenkings, Jane (Lady's Maid).

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Sketch of a Fine Lady's Return from a Rout

Song: End of Farce: A Mimic Comic Italian Song from the Opera of Il Filosopho di Campagna-Mrs Clive

Dance: End of Play: The Cow@Keepers, as17630315

Event Comment: By Command of their Majesties. Present their Majesties and the Princess Brunswick and Lady Louisa. Paid Yeomen of the guard #2 2s. Paid Joseph Stevens, Music porter, #1 16s. (Account Book). Receipts: #220 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Accomplish'd Maid

Dance: I: The Happy Villagers, as17661215; II: Rural Love, as17661120; End Opera: The Female Archer, as17661215

Event Comment: Rec'd from Condell on acct of Fruit rent, #20. Gave porters of the several Inns of Court their Xmas Box, #3 11s. 6d. (Account Book). Receipts: #109 10s. 6d. (Account Book)

Performances

Mainpiece Title: The Accomplish'd Maid

Afterpiece Title: The Intriguing Chambermaid

Dance: TThe Happy Villagers-; The Female Archer, as17670109

Event Comment: Mainpiece: By Desire. Paid Joseph Stevenson, Music Porter, as per bill #1 8s. (Account Book). Receipts: #252 12s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Citizen

Dance: II: The Female Archer, as17661215

Event Comment: Paid Porters at Several Inns of Courts their Christmas Boxes #3 11s. 6d. (Account Book). Receipts: #229 13s. 6d. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Apollo and Daphne

Event Comment: Benefit for Dyer. Charges #64 5s. Balance to Dyer #4 3s. plus #143 1s. from tickets (Box 383; Pit 234; Gallery 122). Paid Music Porter as per bill 10s. 6d. Receipts: #68 8s. (Account Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Upholsterer

Song: II: A Song-DuBellamy

Dance: End: The Irish Lilt, as17680930

Event Comment: Miss Mansell made her first appearance upon this Stage in Louisa Dudley She has a good face her figure rather Clumsey a hoarse Voice & not much Simplicity (Hopkins Diary). [Reviewer for Town and Country Magazine agrees Miss Mansell not too good as Louisa. Macmillan note from Kemble differs slightly: "Miss Mansell's first appearance,--she played Louisa Dudley,--a slattern figure, rather clumsy,--a coarse voice,--and no simplicity,--very unfit for the character Hopkins Diary No 7."] Paid three day's salary list at #80 7s. 5d. per diem,-#241 2s. 3d.; Mr S. French, 6 days, #1 10s.; Lampmen #2 12s.; Bill stickers #3 12s. Handbills 5s.; Candlemen #1 8s.; Mantua Maker #6 1s. 2d.; J. Stevens (Porter) 18s. (Treasurer's Book). Receipts: #205 16s. 6d. [The constant payments are tabulated for the season as follows and will not be further itemized]: @Item Weekly Average Season Total Lampmen #3 #111@Bill Stickers #2 14s. #99 15s.@Handbills 12s. #21 12s.@Candlemen & extras #8 #296@Mantua Maker #4 5s. #150@J. Stevens 18s. #33 6s.

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Event Comment: Gave the Porters at the several Inns of Court their Christmas Box, #3 11s. 6d. Paid Colman for the clear receipts of his night for alterations &c. the 11th inst. #254 15s. 6d. (Account Book). Receipts: #213 8s. 6d

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): Thomas Arne

Afterpiece Title: Cross Purposes

Monologue: Before: New Occasional Prelude. As 27 Oct. 1772