SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Thomas Lewis O\'Beirne"/1) | (@(roleclean,performerclean) "Thomas Lewis O\'Beirne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6692 matches on Author, 2064 matches on Performance Comments, 541 matches on Event Comments, 169 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Grand Selection 0of Sacred Music From The Works Of handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Naval Volunteers or Britains Bulwark

Afterpiece Title: Catharine and Petruchio

Cast
Role: Petruchio Actor: Lewis

Dance: In 2nd piece: Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I: a Representation of a Ship in Distress, in which The Storm-Incledon; In the course of the Evening: Old Towler [both]-Incledon

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Englands Glory or The British Tars at Spithead

Cast
Role: Petruchio Actor: Lewis

Afterpiece Title: The Irishman in London

Song: End II: Sally in our Alley-Incledon; End: Black Ey'd Susan-Incledon

Performances

Mainpiece Title: Lallegro Ed Il Pensieroso Grand Selection 0

Afterpiece Title: LAllegro ed Il Pensieroso 3 Alexanders Feast 3

Music: End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the violincello-C. Ashley; End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17960219

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the Piano Forte-Miss M'Arthur; End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: Vortigern

Afterpiece Title: My Grandmother

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Robinson Crusoe

Related Works
Related Work: Robinson Crusoe; or, Harlequin Friday Author(s): Thomas Linley Sr.

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0 Lallegro Ed Il Penseroso 0 Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Afterpiece Title: A Grand Selection of Sacred Music 2

Afterpiece Title: A Grand Selection of Sacred Music 3

Music: As17970315

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Rendezvous

Afterpiece Title: The Irishman in London

Song: End I: The Storm-Incledon; End II: Shakespeare's Loadsters (1st time in public; composed by Shield)-Incledon, Gray, Bowden; In 3rd piece: the Planxty, descriptive of Ireland, In my Father's Mud Cabin-Johnstone; End I 3rd piece: Old Towler-Incledon

Performances

Mainpiece Title: The Village Fete

Afterpiece Title: The School for Wives

Afterpiece Title: Oscar and Malvina

Song: In: Chorusses, as17970518; End II 2nd piece: The Sea Storm by G. A. Stevens (Cease rude Boreas blust'ring railer)-; End IV: Black Ey'd Susan-Incledon; In 3rd piece: Come every jovial Fellow-Gray, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Entertainment: End 2nd piece: a variety of Imitations-Rees (1st appearance this season [i.e. as imitator])

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Robin Hood

Afterpiece Title: The Devil to Pay

Song: In the course of the evening: The Storm-Incledon

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue Beard or Female Curiosity

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Blue Beard or Female Curiosity

Performances

Mainpiece Title: A Grand Selection 0 Of Music From The Works Of handel boyce And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17990306

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

Performances

Mainpiece Title: Alexanders Feast 0 The Messiah Grand Selection 0

Afterpiece Title: Alexanders Feast 3

Music: End II: a concertante for violin oboe tenor and violoncello-G. Ashley, W. Parke, R. Ashley, C. Ashley

Performances

Mainpiece Title: Acis And Galatea 0 Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

Event Comment: The United Company. An order, 9 Feb. 1683@4, in L. C. 5@145, p. 14 (Nicoll, Restoration Drama, p. 356), and another, L. C. I, specify requirements for a play to be acted at Whitehall on 11 Feb. 1683@4, and name Valentinian as the drama. The first Prologue and the Epilogue Written by a Person of Quality were printed separately; Luttrell's copy (Bindley Collection, William Andrews Clark@Jr@Library) is dated 20 Feb. 1683@4. They are reprinted in Wiley, Rare Prologues and Epilogues, pp. 249-51. It is not certain on what date the first performance occurred, for premieres at court are quite rare in the Restoration period. In Nahum Tate's Poems by Several Hands (1685): Sir Francis Fane: A Masque Made at the Request of the Earl of Rochester, for the Tragedy of Vadentinian. Downes (p. 40): The well performance, and the vast Interest the Author made in Town, Crown'd the Play, with great Gain of Reputation; and Profit to the Actors. For an intended cast of Rochester's alteration of the play by John Fletcher, see the introductory note to the season of 1675-76. In A Pastoral in French by Lewis Grabu (published in 1684; advertised in the London Gazette, No. 1947, 17 July 1684) are two songs for this play for which Grabu apparently composed the music: Injurious charmer of my vanquished heart and Kindness hath resistless charms. In Choice Ayres and Songs, The Fourth Book, 1684, is: A new Song in the late reviv'd Play, call'd Valentinian: Where would coy Aminta run [the composer of the music not being indicated]

Performances

Mainpiece Title: Valentinian

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King and Queene & a Box for ye Maydes of Honor at the Opera. See also Nicoll, Restoration Drama, p. 350, and 1 Jan. 1684@5. The opera was certainly given on 3 June, probably on 10 June, and probably on 13 June, the day that the news of the Duke of Monmouth's landing reached London; as Downes states that it was acted six times, there were three additional performances between 3 and 13 June 1685. Downes (Roscius Anglicanus, p. 40): In Anno 1685. The Opera of Albion and Albanius was perform'd; wrote by Mr Dryden, and Compos'd by Monsieur Grabue: This being perform'd on a very Unlucky Day, being the Day the Duke of Monmouth, Landed in the West: The Nation being in a great Consternation, it was perform'd but Six times, which not Answering half the Charge they were at, Involv'd the Company very much in Debt. Roger North: The first full opera that was made and prepared for the stage, was the Albanio of Mr Grabue, in English, but of a French genius. It is printed in full score, but proved the ruin of the poor man, for the King's death supplanted all his hopes, and so it dyed (Roger North on Music, ed. John Wilson [London, 1959], p. 311). The Prologue and Epilogue, published separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 244-46. The score and the libretto were published in 1687 (licensing date of 15 March 1686@7): Albion and Albanius; An Opera; Or, Representation in Musick. Set by Lewis Grabu, Esq; Master of His late Majesty's Musick

Performances

Mainpiece Title: Albion And Albanius

Event Comment: Benefit Mrs Lewis. Written by the Ingenious Sir George Etheridge. Note, The Moon shines and the Tide serves up to London after Play

Performances

Mainpiece Title: She Woud If She Coud

Dance: Thurmond Jr; particularly a Spanish Entry that he performed in the Opera at the Hay-Market last Winter with great Applause-Thurmond Jr; As also that excellent and much admired Scaramouch, as it was performed by the famous Monsieur duBrill from the Opera at Brussels-Thurmond Jr

Event Comment: Written Originally by Shakespear. [By Lewis Theobald.] Theophilus Cibber: [Booth's] Illness...returned soon after his playing King Henry VIII. He was then studying the Part of Julio in the Double Falsehood; he rehearsed it several times,-when the Play begin ready for acting, he was prevented appearing in it, by a Relapse into his former Indisposition.-The Part was supplied a few Nights by Mr Charles Williams (a promising Player, who died young) to whom Mr Booth had given the Part to study, as doubting the Certainty of his being able to appear in it himself: But, at Mr Theobald's Entreaty (backed by many Gentlemen and Ladies) he good-naturedly (but fatally) disregarded his Indisposition, which was then an intermitting Fever, and acted that Part from the fifth to the twelfth Night; which was alas! the last time of his Appearance on tle Stage.-Lives and Characters, pp. 82-83

Performances

Mainpiece Title: Double Falshood Or The Distrest Lovers

Related Works
Related Work: Double Falsehood; or, The Distrest Lovers Author(s): Lewis Theobald

Performances

Mainpiece Title: The Man Of Taste

Performance Comment: As17350308 but Valentine, Harcourt, Horatio, Lewis, Diligence, Alamanzor, Lady Henpeck, Lisetta omitted .

Afterpiece Title: Harlequin Orpheus

Event Comment: Benefit Mr Lewis Duplessy. 6 P.M. 5s

Performances

Mainpiece Title: Concert