SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Baker"/1) | (@(roleclean,performerclean) "Thomas Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5449 matches on Author, 1650 matches on Performance Comments, 473 matches on Event Comments, 190 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; T 5, by Thomas Sedgwick Whalley. Prologue, Epilogue by the author (see text)]. Account-Book, 20 May: Paid Whalley for Castle of Montval #100. Receipts: #288 19s. (224.18.6; 63.9.0; 0.11.6)

Performances

Mainpiece Title: The Castle Of Montval

Related Works
Related Work: The Castle of Montval Author(s): Thomas Sedgwick Whalley

Afterpiece Title: Blue-Beard

Event Comment: Benefit for Knight. 2nd piece [1st time; F 1, by Thomas John Dibdin. Larpent MS 1252; not published]. 3rd piec : Not acted these 9 years. [Miss A. DeCamp had appeared as a dancer with the dl Company at king's in the season of 1792-93.] Morning Chronicle, 22 Apr.: Tickets to be had of Knight, No. 38, King-street, Covent Garden. Receipts: #392 3s. (185.12.6; 3.18.0; tickets: 202.12.6)

Performances

Mainpiece Title: The Road To Ruin

Related Works
Related Work: The Road to Ruin Author(s): Thomas Holcroft

Afterpiece Title: Tagg in Tribulation

Afterpiece Title: Poor Vulcan

Song: End II: song-Incledon; End: Old Towler-Incledon; The Beggar's Song-Townsend

Entertainment: A Variety of Imitations-Rees

Event Comment: Afterpiece [1st time; CO 2, by Thomas Knight]: With new Music, new Scenes and Dresses. The Music composed by Mazzinghi and Reeve. The Scenes painted by Richards and Phillips. Books of the Songs to be had in the Theatre. Account-Book, 5 Feb. 1800: Paid Knight for Turnpike Gate #125; Reeve and Mazzinghi for music in same #50. Morning Chronicle, 29 Nov. 1799: This day is published The Turnpike Gate (1s. 6d.). Receipts: #288 17s. (281.2.6; 7.14.6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Turnpike Gate

Related Works
Related Work: The Turnpike Gate Author(s): Thomas Knight
Event Comment: Afterpiece [1st time; MF 2, by Thomas John Dibdin. Larpent MS 1280; not published]: With New Music, Dresses and Decorations. The Music composed by Attwood. Books of the Songs to be had in the Theatre. Receipts: #354 16s. (347.18; 6.18)

Performances

Mainpiece Title: Speed The Plough

Related Works
Related Work: Speed the Plough Author(s): Thomas Morton

Afterpiece Title: True Friends

Related Works
Related Work: True Friends Author(s): Thomas Attwood
Event Comment: Afterpiece [1st time; MF 2, by Thomas John Dibdin]: With appropriate music (composed and selected by Attwood), Scenery, &c. Books of the Songs to be had at the Theatre. Receipts: #256 17s. (251.10; 5.7)

Performances

Mainpiece Title: Speed The Plough

Related Works
Related Work: Speed the Plough Author(s): Thomas Morton

Afterpiece Title: St

Related Works
Related Work: The Island of St. Marguerite Author(s): Thomas Shaw Jr.
Related Work: Tarugo's Wiles; or, The Coffee House Author(s): Sir Thomas St. Serfe
Related Work: Britain's Brave Tars!!; or, All for St. Paul's Author(s): Thomas Attwood

Dance: In I afterpiece: A Dance-King; In II: Dance-Blurton, Platt, L. Bologna, Wilde, Klanert, Whitmore, Lewiss, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Dibdin, Mrs Watts. [These were danced, as here assigned, in all subsequent performances. For Harp see18000331

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Performance Comment: Pave-Lewis; Warford-Pope; Sir ThomasRoundhead-Munden; Latitat-Fawcett; Smalltrade-Emery; Sir Charles Dazzle-Betterton; Hippy-Townsend; Nab-Farley; Plainly-Claremont; Servants-Curties, Blurton, Platt, Wilde, Rees; Robert-Simmons; Formal-Thompson; Miss Dazzle-Miss Chapman; Rosa-Miss Murray; Betty-Miss Leserve; Visitors-Ms Watts, Ms Follett, Ms Norton, Ms Gilbert; Lady Henrietta-the Late Miss Betterton [i.e. now Mrs Glover].i.e. now Mrs Glover].
Cast
Role: Sir ThomasRoundhead Actor: Munden

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Performance Comment: Glib, the Author-Lewis; Manager-Davenport; Sir Toby Fuz-Gardner; Sir Macaroni Virtu-Farley; Wilson-Claremont; Mervin-Klanert; Prompter-Abbot; Carpenter-Rees; Scenemen-Wilde, Whitmore; Miss Fuz-Mrs Mills; Sweepers of the Stage-Mrs Whitmore, Mrs Norton; Lady Fuz-Mrs Davenport; Characters in the Burletta: Orpheus-Hill; Shepherds-Linton, Denman, Whitmore, Platt, Curties, Street, Bologna, Lee, Hawtin, Blurton, Coombs, Thomas, Noble, Lewiss; The Old Shepherd-Simmons; Rhodope-Mrs Martyr.

Afterpiece Title: The Hermione; or, Valour's Triumph

Related Works
Related Work: The Hermione; or, Valour's Triumph Author(s): Thomas Attwood
Event Comment: Benefit for the Humane Society. A new grand Commemorative Oratorio [1st time; in two parts], as originally performed by Busby, in aid of the Fund for the Naval Pillar, including the new Music [by Busby: Song and Chorus, From where the sun; Song, To thy brave sons; Recitative and Song, Peace to the soul, Around the ever-honoured urn], introduced in the Grand National Concert, performed the 28th of May, at the Opera House. Leader of the Band-Cramer. Organ-Russell. The performance to be conducted by Busby, who will preside at the Piano Forte. Tickets, at playhouse prices, to be had at all the principal music shops...and of Busby, No. 9, China Terrace, Vauxhall Road. The Doors to be opened at 6:00. To begin at 7:00. "The words [of Part I] are taken entirely from Gray's well-known Pindaric Ode, The Progress of Poesy," with six introductory lines written by John Gretton andthe concluding stanzas by Thomas Dutton; the text of Part II by Gretton (Dramatic Censor, II, 285-86)

Performances

Mainpiece Title: Britannia

Related Works
Related Work: Britannia Author(s): Thomas Lediard
Related Work: Britannia Author(s): Thomas Arne
Event Comment: [Theatrical Review, 6 Dec.: re afterpiece: "Thomas is well supported by Mr Vernon who...is the best acting singer on the stage...Mr Davies appeared for the first time in the character of the squire, and discovered no inconsiderable degree of merit.--Dorcas by Mrs Love--This character is better played here by Mrs Dorman. [Both surpassed by Mrs Thomson at cg.] Mrs Scott does justice to the songs, being an accomplished singer, but as an actress she is insufferably insipid and inanimate."] Paid Mr Russell for men's cloaths #30; Paid Mr Follett on note #10 10s.; 2 Clarinets 6 nights (2nd incl.) #9 9s. (Treasurer's Book). Receipts: #243 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Thomasand Sally

Performance Comment: Thomas-Vernon; Squire-Davies; 1st time; Dorcas-Mrs Love; Sally-Mrs Scott; To conclude with a dance-incidental to the Piece.
Cast
Role: Thomas Actor: Vernon
Event Comment: Book of the opera to be had at the Theatre. A serious English Opera with music by Mr Bates. [These notes appear on all bills this season.] Well received but neglected (Victor, History of the Theatres, III, 63). [Altered from the Italian by Thomas Hull.] We hear a patent will be made out, in favor of an eminent English actor, who intends to establish a Playhouse at New York (Winston MS 9)

Performances

Mainpiece Title: Pharnaces

Related Works
Related Work: Pharnaces Author(s): Thomas Hull

Dance: I: A Dance call'd The Coopers-Aldridge, Miss Baker; II: A New Comic Dance-Berardi, Sg Giorgi, Sga Giorgi, Miss Baker, Grimaldi

Event Comment: MMiss Baker from Dublin Danc'd (Well). Receipts: #130 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Virgin Unmask'd

Dance: II: The Shepherd's Holiday-Miss Baker from Dublin, Giorgi; End: A Pantomime Dance, The Italian Gardiner-Sg Grimaldi, Miss Baker

Event Comment: Benefit for Miss Baker

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Fortunatus

Entertainment: I: King will By Desire repeat a Comic Paraphrase on the Seven Ages of Shakespeare-King; V: (The Last time this season) King will present the Audience with Bucks Have at Ye All, as17650330

Dance: II: The Medley, as17641120; III: A New Dance-Grimaldi, Miss Baker; IV: Hearts of Oak-Aldridge, Miss Baker

Event Comment: Benefit for Miss Baker. [Ralph's Ramble (Larpent MS 254) seems patterned on the Farmer's Return from London. Ralph returns to the Mill and gives impressions, not all complimentary, of his trip to London. A Monologue in Couplets with a song.

Performances

Mainpiece Title: Zara

Afterpiece Title: Daphne and Amintor

Dance: I: A Dance-Aldridge, Miss Baker; After the Entertainment: A New Dance call'd the Fortune Tellers-Aldridge, Miss Baker

Entertainment: End: King (for that night only) will present the Audience with a New Comic Descriptive Piece call'd Ralph's Ramble Or O'Rare London! (being a short sequel to a comic character in the Maid of the Mill.)-King

Event Comment: Benefit Pitt, Baker, Gwinn. Written by the late Mr Addison. Receipts: money #16 18s.; tickets #156 3s

Performances

Mainpiece Title: Cato

Dance: End I: Chacone-Miss Betty Rogers , the Lilliputian Polly; III: Flag Dance-Nivelon; Saraband-Delagarde, Miss Wherrit; IV: Highlander and his Mistress-Salle, Mrs Legar; V: Sailor's Dance-; in which Hornpipe in the Character of a Boatswain-Salle

Song: II: Ye Nymphs and Sylvan Gods-Miss Sukey Rogers the Lilliputian Lucy; IV: A new Song by Dr Pepusch-Baker; V: Polwart on the Green-Miss Sukey Rogers

Event Comment: Benefit Job Baker. Pit and Boxes 5s. Gallery 2s. 6d

Performances

Mainpiece Title: Concert

Music: End Part I: Preamble on the Kettledrums-Baker; End part II: Tollet's Grounds-; on one Kettle-Drum, accompanyed with a Hautboy and Violin, in Scaramouch and Harlequin Dresses. Concluding with Handel's Grand Water Musick-; Thumoth also plays on Trumpet and German Flute-Thumoth

Event Comment: Benefit Baker

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Cephalus and Procris

Music: By Desire of several Persons of Quality, the 5th of Vivaldi's Concertos and the 7th of Corelli's Solos on the Welsh Harp by Mr Petry, from Wales

Related Works
Related Work: Caernarvon Castle; or, The Birth of the Prince of Wales Author(s): Thomas Attwood

Dance: A new Scotch Sword Dance by Baker in a Highland Character. Drunken Peasant by Le Brun

Event Comment: Afterpiece: A Rehearsal of a New Ballad-Opera, burlesqued [By Richard Baker]

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Madhouse

Related Works
Related Work: The Madhouse Author(s): Richard Baker

Performances

Mainpiece Title: Sir Thomas Overbury

Performance Comment: Somerset-Th. Cibber; Sir Thomas-Savage, the Author; With the Original Prologue-.
Cast
Role: Sir Thomas Actor: Savage, the Author
Event Comment: Benefit for Scrase and Miss Thomas. Tickets of Scrase at Mr Cross's in Crown Court, Russel St., Covent Garden; of Miss Thomas at the Ring and Pearl, Duke's Court, Bow St., and at stage door. No Building on Stage. Receipts: #130 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Thomas Arne

Song: Miss Thomas

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miss Thomas. Tickets to be had of Miss Thomas, No. 41, Great Portland-street; and of Rice at the Theatre, where places for the Boxes may be taken. To begin at 6:45. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Servants to keep places are requested to be at the Theatre at half past Five o'Clock

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Wilkinson; Osmond-Field; Rodolpho-Jones; Sitfredi-Wewitzer//Laura-Miss Herbert [thus Oracle; Morning Herald: Mrs Lawson]; Sigismunda-Miss Thomas(1st appearance) .
Cast
Role: Sigismunda Actor: Miss Thomas

Afterpiece Title: THREE WEEKS AFTER MARRIAGE

Performance Comment: Sir Charles Racket-Wilkinson; Lovelace-Field; Woodley-Jones; Drugget-Wewitzer//Mrs Drugget-Mrs Thompson; Nancy-Mrs Jones [thus Oracle; Morning Herald: Mrs Lawson]; Dimity-Mrs Wewitzer [thus Oracle; Morning Herald: Miss Kent]; Lady Racket (1st time)-Miss Thomas .
Cast
Role: Lady Racket Actor: Miss Thomas

Music: End of mainpiece Master Julien Baux, a Child under Six Years of Age, will perform a Concerto on the Violin by Viotti

Monologue: 1794 05 22 End of afterpiece an Occasional Address by Miss Thomas

Event Comment: Mainpiece [1st time, i.e. as an alteration of Richard Savage's play; T 5, by William Woodfall. Prologue by Richard Brinsley Sheridan. Epilogue by Richard Cumberland (see text)]: with New Scenes and Dresses. Public Advertiser, 13 Feb. 1777: Sir Thomas Overbury (the Publication of which was unavoidably postponed) will be ready this Morning, at Ten o'Clock (1s. 6d.). Receipts: #212 4s. 6d. (210.7.6; 1.17.0)

Performances

Mainpiece Title: Sir Thomas Overbury

Performance Comment: Principal Characters by Lewis, Wroughton. Hull, Whitefield, Thompson, Mrs Jackson, Miss Leeson, Mrs Hartley. [Cast from text (Francis Newbery, 1777): Sir ThomasOverbury-Lewis; Earl of Somerset-Wroughton; Earl of Northampton-Hull; Sir Gervas Elvis-Whitfield; Officer-Thompson; Servant-Stevens; Countess of Somerset-Mrs Jackson; Cleora-Miss Leeson; Isabella-Mrs Hartley; Prologue-Hull; Epilogue-Mrs Hartley. [These were spoken. as here assigned, at the first 9 performances only (see17770503).]These were spoken. as here assigned, at the first 9 performances only (see17770503).]
Cast
Role: Sir ThomasOverbury Actor: Lewis

Afterpiece Title: High Life below Stairs

Dance: As17761015

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; O 1, by John Wolcot. Larpent MS 770; not published]: Being a Translation from the French Opera of that name [Nina; ou, La Folle par Amour, by Benoit Joseph Marsollier des Vivetieres], now performing at Paris with universal applause. With the original Music [by Nicolas Dalayrac, adapted by William Shield and William Thomas Parke. Two other versions of this opera, both unacted, were published this year: one anonymous, and one by George Monck Berkeley]. Receipts: #300 8s. 6d. (150.0.0; 2.18.0; tickets: 147.10.6)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr

Event Comment: Benefit Mrs Baker. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: As17241019, but Duke-Watson; Juan-Thurmond; Clara-Mrs Heron; Altea-Mrs Baker.
Cast
Role: Altea Actor: Mrs Baker.

Afterpiece Title: The What D'ye Call It

Performance Comment: Roger-Miller; Sir Humphrey-Shepard; Statue-Hallam; Squire Thomas-Johnson; Jonas-Cibber Jr; Peter-Norris; Steward-Oats; Kitty-Mrs Tenoe; Cicily-Mrs Baker; Dorcas-Mrs Willis; Joyce-Miss Robinson Jr.
Cast
Role: Squire Thomas Actor: Johnson
Role: Cicily Actor: Mrs Baker

Dance: Mrs Booth, Thurmond, Topham, Boval, Miss Tenoe, Mrs Walter, Miss Robinson, Young Rainton; Myrtillo-

Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until February 1677@8, it was advertised in the London Gazette, 29 Oct.-1 Nov. 1677, and was probably acted in October 1677 or earlier. See also, in the introductory list of plays, Thomas Rymer's Edgar, which may have been acted in opposition to Ravenscroft's play

Performances

Mainpiece Title: King Edgar And Alfreda

Performance Comment: Edition of 1677: Prologue-; Edgar-Mohun; Ethelwold-Goodman; Ruthin-Burt; Aldernold-Clark; Oswold-Wiltshire; Durzo-Griffin; The Queen-Mrs Knight; Matilda-Mrs Bowtell; Alfreda-Mrs Frances Baker; Hillaria-Mrs Katherine Baker; Alicia-Mrs Rutter; Epilogue-.
Event Comment: Young Gentlewoman-Miss E. Miller, marryed since to Mr Thomas Baker, an actor of cg, and a singing master. Mrs Baker is at present separated from her husband (1792) and performs only at Sadler's Wells in Pantomimes &c! Qu: Count Haslang and Mrs Baker (Hopkins MS Notes). Income from Boxes #27 2s. 6d. Nightly expense as usual #32 16s. 11d. Receipts: #74 7s. 6d. (Winston Theatrical Record)

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Contrivances

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: Benefit for Sparks. Afterpiece: A farce never perform'd before. [Possibly Thomas Sheridan's The Brave Irishman, but see Ten English Farces, Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 221 ff.] Last time of the company's performing till the holidays

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Murphy first time; Myrtle-Smith; Sir John-Gibson; Sealand-Sparks; Tom (with a song in character)-Dyer; Phillis-Mrs Woffington; Cimberton-Arthur; Mrs Sealand-Mrs Griffiths; Lucinda-Mrs Baker; Humphrey-Anderson; Isabella-Miss Ferguson; Daniel-Collins; Indiana-Mrs Bellamy.
Cast
Role: Lucinda Actor: Mrs Baker

Afterpiece Title: The Irishman in London

Song: Lowe

Dance: As17541203