SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatres Royal in London"/1) | (@(roleclean,performerclean) "Theatres Royal in London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3936 matches on Event Comments, 1330 matches on Performance Title, 826 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By His Majesty's Command. Mainpiece: Written by Shakespear. [The King, Duke, Princess Amelia, Caroline, Mary, and Louisa present.] London Daily Post and General Advertiser, 12 Jan.: Being the first time of his Majesty's being at any Publick Diversion since the Death of the late Queen

Performances

Mainpiece Title: King Henry The Fifth

Event Comment: The bill was inserted in London Daily Post and General Advertiser, 4 June, but not repeated on 5 June

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Royal Chace

Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Royal Chace

Cast
Role: Chasseur Royal Actor: Reinhold

Dance: II: The Tartars, as17721124

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 020. The date of the first performance is not known, but it may well have been about this time, as the Prologue refers to Michaelmas Term and the reopening of the playhouses ("Theatres are up"). The play was entered in the Term Catalogues in February 1681@2

Performances

Mainpiece Title: The London Cuckolds

Performances

Mainpiece Title: The London Cuckolds

Event Comment: By a Company of Comedians from both Theatres. At Common Prices. 6:30 P.M

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Devil to Pay

Dance: By Davenport and Mrs Davenport. V: Minuet by Mrs Charke and Miss Brett. End Afterpiece: Black Joak by Mrs Charke and Miss Brett

Song: IV: The Roast Beef Song by Mullart

Performances

Mainpiece Title: The London Merchant; Or, The True And Ancient History Of George Barnwell

Afterpiece Title: The Anatomist; or, The Sham Doctor

Dance: Mr Miles, Mrs Miles, Master Morgan, Miss Baker

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Miss in Her Teens

Song: MMad Tom-Platt

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Don Saverio

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Lethe

Song: Master Mattocks

Dance: Mathews, Mad Camargo, McNeil

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Lover His Own Rival

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Rites of Hecate; or, Harlequin from the Moon

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Queen Mab

Dance: III: The Medley, as17641120

Event Comment: At 5 went into the Pit at Covent Garden to see Mrs Yates do Lady Townly. Yates is an excellent Sir Francis, but Powell does not shine in Lord Townly....The Entertainment was the new comedy in two acts called the Oxonian in Town, with a prologue by Woodward in the character of a student....It being suspected that a number of sharpers whose characters and practices are laid open in this piece, would attempt to damn it tonight (the 3rd of its being Performed) under pretence of its casting odium on the Irish, bills were dispersed in the House during the play vindicating it from any such intention. Woodward was allowed to speak the prologue, but as soon as the curtain drew up catcalls began. When the performers retired, Powell spoke several times, but was not heard. I was told that the author (Mr Colman) desires to know whom he has offended. The Pros were a very great majority, and at last after a contest of better than 1!2 an hour, the victory was over and the piece was performed. I think it contains many good sentiments, and excellent instruction to young men and is not unworthy of Mr Colman. If vice must not be exposed to hatred and contempt, the usefulness of our theatres is at an end. Only I think the Covent Garden pleasures are represented in too favourable a light. When all was over Powell came on the stage and thanked the audience for their generous protection (Neville MS Diary). Receipts: #212 12s. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Oxonian in Town

Dance: II: New Comic Dance, as17671106; End: The Merry Sailors, as17671009

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Poor Soldier

Dance: End of mainpiece Malbrough, as17840508

Monologue: 1784 06 02 After the Dance an Address, not listed on playbill, written and spoken by Mrs Abington (London Chronicle, 5 June)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: Piety In Pattens

Afterpiece Title: The London Hermit

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The London Hermit

Afterpiece Title: Caernarvon Castle; or, The Birth of the Prince of Wales

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: THE LONDON HERMIT; or, Rambles in Dorsetshire

Afterpiece Title: THE FLITCH OF BACON

Performances

Mainpiece Title: Britain's Glory

Afterpiece Title: THE MOUNTAINEERS

Afterpiece Title: THE IRISHMAN IN LONDON

Performances

Mainpiece Title: The Provok'd Husband; Or, The Journey To London

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The London Hermit; Or, Rambles In Dorsetshire

Afterpiece Title: New Hay at the Old Market

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Irishman in London

Entertainment: End: Her much admired Imitations-Mrs Sumbel