SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3394 matches on Event Comments, 738 matches on Performance Title, 527 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17640922, but Juliet-Mrs Lessingham, from Theatre in Dublin; a Masquerade Dance-Lauchery, Sg _Giorgi; a +Minuet-Sg Giorgi, Mrs Lessingham; the Vocal Parts-Mrs Dorman, Miss _Young.

Afterpiece Title: Fortunatus

Dance: III: The Lamplighters-Aldridge, Sga Giorgi

Event Comment: London Chronicle, 17 Oct.: In Act IV Macklin 'very properly declined the orator, but pleaded from his feelings and the predetermined purpose of his heart.' [Mrs Barry, as Mrs Dancer, had 1st acted Portia at Crow Street Theatre, Dublin, 9 Dec. 1761, and at dl, 24 Mar. 1768.] Receipts: #205 8s. (204.19.6; 0.8.6)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Clarke; Bassanio-Wroughton; Gratiano-Lee Lewes; Lorenzo (with songs)-Mattocks; Duke-Fearon; Tubal-Thompson; Launcelot-Quick; Salanio-Booth; Solarino-L'Estrange [Public Advertiser: Davis]; Jessica (with a song)-Miss Dayes; Nerissa-Mrs Lessingham; Portia-Mrs Barry (1st appearance in that character [at this theatre]).at this theatre]).

Afterpiece Title: Love a-la-Mode

Dance: End III: The Shepherd's Wedding, as17770924; End IV: As17771008

Event Comment: Mainpiece [1st time; CO 3]: Written by [John] O'Keeffe. The Music by Shield. With a new French Medley Overture, new Dresses, &c. The Words of the Songs to be had at the Theatre. [Mrs T. Kennedy was from the Newcastle theatre.]

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Davies, Wewitzer, Egan, Johnstone; Mrs Kennedy, Miss Wheeler, Mrs Martyr, Mrs T. Kennedy [on playbill of ij Nov.: 1st appearance on this stage], Mrs Webb, Mrs Bannister. [Cast from text (Dublin: W. Wilson, 1785), and Gazetteer, 17 Nov.: Lackland-Lewis; Lapoche-Quick; Sir Shenkin ap Griffin-Edwin; Sir John Bull-Wilson; Lord Winlove-Davies; Colonel Epaulette-Wewitzer; Drunken Butler-Egan; Robin-Darley; Henry-Johnstone; French Inn-keeper-Gaudry; Jockey-Kennedy; Postboy-Jones; Waiters-Helme, Thompson; Mrs Casey-Mrs Kennedy; Celia-Miss Wheeler; Nanette-Mrs Martyr; Miss Bull-Mrs T. Kennedy; Lady Bull-Mrs Webb; Rosa-Mrs Bannister.] hathi. hathi.

Afterpiece Title: The Citizen

Dance: End of mainpiece The Belle of the Village, as17840917

Event Comment: Benefit for the Author of the Farce [who is named in Kemble Mem., but not on the playbill. Kemble's 1st appearance as Leon was at Smock Alley Theatre, Dublin (Genest, VI, 295); Palmer's as the Copper Captain at hay, 15 July 1777]. Receipts: #133 15s. (94.17; 37.3; 1.15; tickets; none listed) (charge: #105)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Kemble (1st appearance in that character [in London]); Duke-Barrymore; Cacafogo-Moody; Don Juan-Packer; Sanchio-Phillimore; Alonzo-R. Palmer; Lorenzo-Lamash; Copper Captain-Palmer (1st appearance in that character [at this theatre]); Margaretta-Mrs Ward; Old Woman-Mr Baddeley; Maid-Mr Waldron; Altea-Miss Tidswell; Estifania-Miss Farren. [Edition of 1792 (William Jones) adds: Clara-$Miss Barnes.]

Afterpiece Title: The Doctor and the Apothecary

Event Comment: The King's Company. This marks the opening of the new Theatre Royal in Bridges Street, Drury Lane, to which Killigrew moved his company from Vere Street. Downes erroneously gives the opening date as 8 April, a fact which led to the creation of the famous spurious playbill for Bridges Street, Thursday, 8 April 1663. See Montague Summers, The Restoration Theater (London, 1934), p. 15. Pepys, Diary: This day the new Theatre Royal begins to act with scenes the Humorous Lieutenant, but I have not time to see it, nor could stay to see my Lady Jemimah lately come to town, and who was here in the house. Downes (p. 3): Note, this Comedy was Acted Twelve Days Successively

Performances

Mainpiece Title: The Humorous Lieutenant

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Angelina-Miss Purdon; Louiza-Miss Seal; Elvira-Miss Ben; other Parts-Persons from Theatre Royal in Drury-Lane.

Dance: A Gentleman for his Diversion

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Parts-Actors from the Theatre Royal.

Song:

Dance:

Event Comment: Benefit Denoyer. By Command of His Royal Highness. Mainpiece: Taken from Moliere. London Daily Post and General Advertiser, 17 March: The celebrated Monsieur Denoyer and Mademoiselle Salle, by Permission of the Masters of the two Theatres Royal, have agreed to dance together at each other's Benefit

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: The Lottery

Dance: I: Russian Sailor by Denoyer, &c. II: By Denoyer's Apprentice. III: Shepherd's Mount by Denoyer, Mlle Salle, &c, with a new Scene, and New Habits. V: Minuet (in modern Habits) by Denoyer and Mlle Salle

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Chymical Counterfeits

Performance Comment: As17401106, but in which will be introduced a Song in Honour of Admiral Vernon's Victories in the West-Indies, as it was performed at the Theatre-Royal in Drury-Lane-.

Dance: As17401110

Performances

Mainpiece Title: The Indian Merchant; Or, The Happy Pair; Interspers'd With The Comical Humours Of The intriguing Chambermaid, sir John Oldcastle, And The drunken Colonel

Performance Comment: A Comedy of two Acts. Merchant-Dove; Oldcastle-Smith; Colonel-Phillips; Rakert-Yeates; Valentine-Wallis; Pride-Powell; Puff-Davis; Security-Johnson; Trick-Evenel; Constable-Wood; Slap-Archer; Mrs Highman-Mrs Tucker; Charlotte-Miss Ferguson; Lady Pride-Mrs Habito; Lady Ruff-Mrs Simmons; Lettice-Mrs Phillips, from Theatre Royal in Drury Lane.

Afterpiece Title: The Miser Bit; or, Harlequin Reveller

Performance Comment: Harlequin-Phillips, from Theatre Royal in Drury Lane; Miser-Smith; Colombine-Mrs Dove; Clown-Dove.

Song: I: Bumper Squire Jones-Phillips

Dance: LLa Mason and Sabotiers-Phillips, Mrs Dove

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17430121, but Lothario-the late Pantentee of the Theatre Royal in Drury-Lane [Highmore]; Lucilla-Miss Hippisley.

Afterpiece Title: The Mock Doctor

Dance: II: Welch Buffoons-two Masters Granier; IV: A Scotch Dance-three Graniers; End of Farce: a Grand Ballet-Mr Carney, Mrs Roland

Performances

Mainpiece Title: Love For Love

Performance Comment: As17430217, but Prue-Miss Hippisley, from the Theatre Royal in Covent Garden; Snap-Freeman; Mrs Foresight-Mrs Bambridge; Nurse-Mrs Haughton; Jeremy-Miss Royer; Epilogue [kindly sent to his [Milward's] Widow the Night before by the Gentleman who wrote The Man of Taste [James Miller]-Cibber. (Theatrical Clippings, Folger Library.)

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: Ephesian Duke; Or, Blunder Upon Blunder, Yet All's Right At Last

Performance Comment: The Parts-the best Actors; the Songs-the best Singers; the Dances-the best Dancers, to and from the Theatres-Royal.

Afterpiece Title: The Battle of Dettingen

Dance: WWooden@Shoe Dance-LaPierre, never performed by any but himself; Le Paisans Leger-LaPierre, Mlle Mariette

Song: Blogg, Miss Atherton; The Whole to conclude with a Song made upon that Occasion, set to Musick, and-Mr Blogg

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Captain O'Blunder; or, the Brave Irishman

Performance Comment: Captian O'Blunder-Banberry; Schemewell-L. Hallam; in which will be introduced an Irish Song called Arra my Judy-Barrington at the Theatre-Royal in Drury Lane.

Dance: The two Masters Granier, Miss Granier; Wooden Shoe Dance, Hornpipe-Banberry

Event Comment: Paid to Sun Fire Office Insurance #15; Paid for a poker and shovel 5s. (Treasurer's Book). [This policy was doubltless similar to No 109085 dated 29 July 1747 issued to James Lacy and David Garrick Esq. Patentees of His Majesties Company of Comedians of the Theatre Royal Drury Lane, for #4,000: "On the Goods and Furniture, Wardrobe Apparel, Machines and Scenes, not valued as pictures, in the House, Dressing Rooms, Wardrobe, and Scene Rooms, of the said Theatre Royal, adjoining togethe r and situate in Drury Lane aforesaid and not elsewhere, not exceeding #4,000...Note: Except such Loss and Damage as may happen by any Fire occasioned by means of any representation in any Play or Farce or in any Rehearsal of the same." (From copy of original policy, by courtesy J. A. Miller, Esq. General Manager, Sun Insurance Office Ltd., sent me in ltr. dated 5 July 1951.)] Receipts: #110 (Cross). #104 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Dance: As17491220

Song: III: Master Mattocks

Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello, By Gentlemen

Event Comment: The Play of Othello, which was performed last night at Drury Lane theatre, by some gentlemen and ladies to the most numerous and polite Audience that could be assembled, went off throughout with great approbation and applause (General Advertiser). [See A Satirical Dialogue between a Sea Captain and his friend in Town: Humble submitted to the Gentlemen who deformed the Play of Othello on Th-rs-y M- the 7th....To which is added a Prologue and Epilogue much more suitable to the occasion than their own. (London [n.d.], BM 11,795, K 31, 8pp): @'Good manners oblig'd them sometimes to applaud@Tho' they little deserv'd it...'@ The author laments the fact that the expenditure (#1,500) was not put out to charitable purposes, rather than for such entertainment.] This day is publish'd at 1s. 6d., beautifully printed, Alfred, a Masque, acting at the Theatre Royal in Drury Lane, by Mr Mallet. Printed for A. Miller, opposite Catherine St in the Strand, where may be had Alfred, a Masque, represented before their Royal Highnesses the Prince and Princess of Wales at Cliefden, on the first of August 1740. Written by Mr Thomson and Mr Mallet

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Brothers

Performance Comment: Ironsides (with the Original Epilogue)-Wilkinson (of the Theatre-Royal, York); Elder Belfield-Booth; Paterson-Whitfield; Goodwin-L'Estrange; Philip-Robson; Francis-Thompson; Young Belfield-Wroughton; Jonathan-Fearon; Skiff-Wewitzer; Sir Benj. Dove-Quick; Sophia-Mrs Mattocks; Violetta-Mrs Bulkley; Fanny-Miss Dayes; Lucy Waters-Mrs Poussin; Kitty-Miss Valois; Lady Dove-Mrs Green.
Cast
Role: Theatre Actor: Royal, York

Afterpiece Title: The Mayor of Garratt

Dance: As17771222

Performances

Mainpiece Title: The Spanish Friar

Performance Comment: Torrismond-Harricks; Bertran-Sincock; Raymond-Smith; Pedro-Echells; The Friar-Bowles; Gomez-Bailey; Alphonso-Kenny; Lorenzo-West; Elvira-Mrs West; Teresa-Mrs Smith; Queen-Mrs Robinson (from the Theatre-Royal at Bath).
Cast
Role: Theatre Actor: Royal at Bath.

Afterpiece Title: The Irish Widow

Entertainment: Monologues End I: Bucks have at Ye All-Master Russell; End I afterpiece: an Address to the Ladies on the subject of Jealousy-Master Russell; Imitations End: of several Dramatic Characters-Master Russell

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: [Principal Characters by Palmer, Griffin (from the Theatre Royal, Bath), Gardner, Jackson, Massey, Painter, Webb (from the Theatre Royal, Edinburgh), Mrs Webb, Miss Farren, Mrs Poussin, A Young Gentlewoman (1st appearance on any stage Miss Powel]). [Cast from London Chronicle, 2 July, and adjusted from playbill of 9 June 1777: Young Marlow-Palmer; Hastings-Griffin; Sir Charles Marlow-Gardner; Tony Lumpkin-Jackson; Diggory-Massey; Landlord-Painter; Hardcastle-Webb; Mrs Hardcastle-Mrs Webb; Miss Hardcastle-Miss Farren; Betty-Mrs Poussin; Miss Neville-Miss Powel.

Afterpiece Title: Buxom Joan

Performances

Mainpiece Title: King Richard The Third

Performance Comment: The Parts of King Richard, D. of Buckingham, Earl of Richmond, Tressel, Prince Edward, Duke of York, Lieutenant of the Tower, Lord Mayor, Duke of Norfolk, Queen-Performers from the Theatres Royal London; Lord Stanley-Rivers; Catesby-Jones; Ratcliffe-Farrel; Oxford-Thompson; Sir William Brandon-Clifford; King Henry-Burnet; Dutchess of York-Mrs Fowler; Lady Ann-Mrs Palmer.

Afterpiece Title: The Quaker

Performance Comment: The Parts of Lubin, Steady, Solomon, Gillian-The Performers from the Theatres who exhibit in the Play.

Performances

Mainpiece Title: The Duenna

Performance Comment: As17820202, but Jerome-Mills (from the Theatre-Royal, Edinburgh; 1st appearance on this stage) . 1st appearance on this stage) .
Cast
Role: from the Theatre Actor: Royal, Edinburgh

Afterpiece Title: The Deserter

Dance: As17820409

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Ward (from the Theatre-Royal, Edinburgh; 1st appearance on that stage); Mr Strictland-Bensley; Frankly-Palmer; Bellamy-Farren; Jack Meggot-Dodd; Tester-Burton; Buckle-Wright; Ranger's Servant-Phillimore; Jacintha-Mrs Wells; Mrs Strictland-Mrs Brereton; Lucetta-Mrs Hopkins; Clarinda-Miss Farren .
Cast
Role: from the Theatre Actor: Royal, Edinburgh

Afterpiece Title: The Gentle Shepherd

Dance: End of Act II of mainpiece a New Dance by Second and Miss M. Stageldoir

Event Comment: Benefit for Waldron. 1st piece: Originally written by the celebrated Monsieur de Beaumarchais, and perform'd innumerably, often at Paris; translated and adapted to the English Stage by the very ingenious Mr Holcroft, Author of several admired Dramatic and other Works; and perform'd with unbounded Applause during Half the Season last Winter at the Theatre Royal in Covent Garden. 2nd piece: Never acted here; written by Mr O'Keeffe, set to music by Mr Shield, and performed with unceasing Applause at the Theatre Royal, Covent Garden. 3rd piece: To conclude with the Representation of the Siege of Gibraltar, Elliot's Red Hot Balls, &c. Tickets to be had of Waldron, at the Cock and Magpie

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for Mrs Waldron. Mainpiece: Written by the celebrated General Burgoyne (Tam Marti quam Mercurio), and performed near Forty Nights last season at the Theatre-Royal, Drury-Lane, with unprecedented Applause. 2nd piece: Written by O'Keeffe, set to music by Shield, and performed with unceasing Applause at the Theatre-Royal in the Hay-Market

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Peeping Tom of Coventry

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Song: End of Act I of mainpiece Sweet Poll of Plymouth by Master Muffett of Hammersmith (1st appearance in public); In Act II an incidental song, accompanied by the pedal harp, by Miss Phillips; End of mainpiece Let Fame sound the Trumpet, as sung by Johnstone in Fontainbleau, by a Young Gentleman (1st appearance)

Monologue: 1786 07 10 End of last song Parents and Children, as 28 June