SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre in the Haymarket"/1) | (@(roleclean,performerclean) "Theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2591 matches on Event Comments, 369 matches on Performance Comments, 53 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit the Author. Tickets as before. Regulus publish'd. As it is acted by his Majesties Servants at the Theatre Royal in Drury Lane, by Mr Havard, Author of King Charles the First. Inter omnes suos laudabiles & Virtutum insignibus illustres Viros, non preferunt Romani meliorem; quem neque Felicitas corruperit, nam in tanta Victoria, mansit pauperrimus; Nec Infelicitas fregerit, nam ad tanta Exitia revertit intrepidus. (St. Aust. de Regulo. Lib I. de Civitat. Dei.) Printed for H. Woodfall, Jr. in Little Britain, by Paul Vaillant facing Southampton Street in the Strand. J. Watts and B. Dodd also advertised King Charles the First, an Historical Tragedy, written in imitation of Shakespear, and Scanderbeg, a Tragedy. Both written by Mr Havard, author of Regulus

Performances

Mainpiece Title: Regulus

Afterpiece Title: The Amorous Goddess

Event Comment: Benefit Garrick. By particular desire 5 rows of the pit will be railed into boxes--Servants will be admitted to keep places on the stage, which for the better accomodation of the ladies will be formed into boxes--the ladies are desired to send their servants by three o'clock--to begin at 6 o'clock. Tickets to be had of Garrick at his lodgings, the last house in James St., joining the Great Piazza; at the Bedford Coffee House, Covent Garden; Mr Vaillant's, Bookseller at the Strand; Mr Harrache's, Toyman in Long Acre; and of Mr Hobson at the stage door of the theatre where places for the Boxes may be taken

Performances

Mainpiece Title: Hamlet

Dance: Muilment, Mrs Auguste

Event Comment: Benefit Delane. Tickets at his lodgings in Queen's Court, in King St., Covent Garden; and at the Bedford Coffee House in the Great Piazza. Places for the Boxes to be Taken at the stage door of the theatre

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Anatomist

Dance: Muilment, Mrs Auguste

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17440207, but Fair Penitent-Mrs Horton; Sciolto-Stephens; Lothario-a Gentleman (formerly Patentee of the Theatre Royal in Drury Lane) [Highmore].Highmore].

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: SScotch Dance, as17431124

Song: TTo Arms, Britons Strike Home-Leveridge, Beard, Reinhold

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger
Event Comment: Benefit Dr Clancy. "The Day returns, but not to me returns," Milton. This Gentleman being deprived of the Advantages of following his profession; and as the writing he had produced for the stage could not be brought out this season, the Master of the Playhouse has been so kind as to favour him with a Benefit Night: It is therefore hoped, that as this will be the first instance of any person laboring under so heavy a deprivation, performing on the stage, the Novelty, as well as the Unhappyness of his case, will engage the favour and protection of a British Audience. Note: Tickets to be had at the Temple-Exchange Coffee House in Fleet Street; Tom's Coffee House in Cornhill; St. James Coffee House, St. James's Street; Child's Coffee House, St. Paul's Churchyard and the Chapter Coffee House in Paternoster Row. Places for Boxes to be Taken at the Stage Door of the Theatre. [General Advertiser, 4 April, publish'd a fifty-six Prologue (licensed) Intended for Oedipus, acted for the Benefit of the Very Ingenious Dr Clancy, written by Mr Lockman.

Performances

Mainpiece Title: Oedipus, King Of Thebes

Performance Comment: Tiresias the Prophet-Dr Clancy who is Blind; Oedipus-Delane; Creon-Bridges; Adrastus-Mills; Haemon-Havard; Phorbas-Berry; Aegeon-W. Giffard; Manto-Miss Budgell; Citizens-Yates, Taswell, Neale, Morgan, Arthur, Dunstall, Collins; Ghost of Laius-Woodburn; Diocles-Winstone; Pyracmon-Turbutt; Alcander-Blakes; Dymas-Green; Jocasta-Mrs Roberts; Euridice-Mrs Mills.

Afterpiece Title: The School Boy

Cast
Role: Father Benedict Actor: Blakes
Event Comment: Benefit Leveridge. Tickets to be had at his lodgings in Hanover Street, the third door on the right hand from Long Acre, and of Page at the stage door of the theatre. The Man in the Moon, about nine at night Will wait you all home, with his fullness of light

Performances

Song: I: A new song The Cure for all Grief-Leveridge; III: The Favourite song in Il Penseroso, beginning The Trumpet's Loud Clangor excites us to Arms by $Handel-Beard; IV: The Miser's Passport-Leveridge; V:A New song call'd Advice to all Britons-Leveridge; followed with To Arms, Britons Strike Home-Beard, Reinhold

Dance: II: Serious Dance-Cooke, Mlle Bonneval; V: Grand Ballet, as17440404

Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Jovial Crew

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Event Comment: Author's Night. The Author labouring under a severe and dangerous illness, hopes his friends will excuse his personal Application, and send for tickets to Mr Watts, at the Printing Office in Wild Court; or to Hobson at the Stage door of the theatre at Drury Lane Mahomet translated from the French of Voltaire; but I have no great opinion of the subject, or the original author as a poet; and my diffidence is rather improved by the testimony of those who have seen it.-Letters of William Shenstone, p. 89

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Amorous Goddess

Event Comment: Benefit Marten, Carr, White. All tickets exposed for sale at the doors of the theatre will be an imposition on the Publick for an effectual method will be taken to prevent their admittance

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Virgin Unmask'd

Dance: SScotch Dance, as17431124; Dance-Cooke

Song: TTo Arms, Britons Strike Home-Leveridge, Beard, Reinhold

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger
Event Comment: HHallam's New Theatre. A new Droll. One to ten p.m. [Notice repeated 4, 5, 7 (with Jockey Dance by Adams, just arriv'd from Epsom), 8, 9, 10, 11, 12, 14, 15 (with singing Blogg) May.

Performances

Mainpiece Title: The Captive Prince; Or, Love And Loyalty; With The Comical Humours Of Falstaff And Antient Pistol

Afterpiece Title: Harlequin Sclavonian

Event Comment: We hear, that on Saturday last an entirely new Scene of the Temple of Gloryv was shown for the first time in the Opera of Alceste, which as it excell'd everything of that kind for its Magnificance and Elegancy hitherto exhibited in any theatre, so it met with an universal Approbation from a numerous and polite Audience.-General Advertiser, 4 June

Performances

Mainpiece Title: Alceste

Event Comment: NNew Theatre, a Concert, etc. Prices 2s. 6d., 1s. 6d. 6 p.m

Performances

Mainpiece Title: George Barnwell

Dance:

Event Comment: NNew Theatre. Each person to be admitted for Sixpence at the door, which entitles them to a Pint of Fine Ale, upon delivering the Ticket to the Waiter. 5 p.m

Performances

Mainpiece Title: The Recruiting Officer

Song: As17440607

Dance: As17440607

Event Comment: NNew Theatre. 6 p.m. Pit 1s. Gallery 6d

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Harlequin Hermit

Event Comment: NNew Theatre. Benefit Mrs Charke. 7 p.m. Prices 2s. 6d., 1s. 6d., 6d

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Miller of Mansfield

Event Comment: Places for the Boxes to be taken of Mr Hobson, at the Stage Door of the Theatre. By His Majesty's Command, no person to be admitted behind the scenes, nor any money to be return'd after the curtain is drawn up. To begin exactly at Six o'clock

Performances

Mainpiece Title: Love For Love

Event Comment: Written by Dryden. Places for boxes to be taken of Mr Page at the stage door of the theatre. 6 p.m

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince of Wales and Princess of Wales. This day is Publish'd The Case of Mrs Clive Submitted to the Publick. [This is Mrs Clive's 22-page complaint against the 'opression' of the managers of both patent theatres, who, it seems, formed a cartel to drive down actors' salaries, and caused by Mrs Clive's unemployment. She was dropped from Covent Garden without due notice and not for cause. She was not applied to by the Manager of Drury Lane, although he knew her to be unemployed, because he still owed her #160 12s. Her case seemed doubly hard to her since she had equipped herself with a fine wardrobe for theatrical use, had acted diligently in main and afterpiece, often on the same night to the prejudice of her health; had been at great expense in Masters for singing, for which article alone the managers now give #6 a week." Concludes by pleading for publick support of her Case. She returned to cg to play Lappet in the Miser, 30 Nov. She states that the published list of salaries in the London Daily Post of 15 Oct. 1734 is incorrect.

Performances

Dance: LLe Gondalier, as17441010; Scotch Dance-Villeneuve, Mrs Delagarde

Event Comment: [P$Peter Promptwell writes a letter (Daily Gazetteer) commenting on William Hint's two letters. (See 13, 20, 23 Oct. He discourses on the history of the English stage, emphasizing that theatres were better directed heretofore than they are at present.

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Columbine Courtezan

Event Comment: nnounced as 1 Nov., but 5 p.m. Cibber's continuance of performances brought the following response]: In Pursuance of my Promise that I would do nothing against your Theatre, or you, without first giving you Notice, I do hereby acquaint you, that I am obliged to proceed against you, and that I shall, with another of his Majesty's Justices of the Peace, stop all your Theatrical Performances, of which take Notice.-Thomas de Veil, 8 Nov. Cibber, A Serio-Comic Apology, p. 18

Performances

Mainpiece Title: Cymbeline

Event Comment: The Proprietor of Drury Lane Theatre having receiv'd letters from several Gentlemen pressing him to revive the Tragedy of King John; to comply with this request (as he shall always make it his business to oblige the Publick) he immediately put the play in rehearsal; but upon information that the author of a Play on the same subject, had insinuated that this was calculated only to prejudice him, the Revival was intended to be deferr'd till the run of his play should be over; but upon perusal of the Bills he finds this is no Alteration, as was thought, but a new Tragedy founded only upon that plan; therefore in compliance with the above request, and at the same time to take off all imputation of an injury to this author, the Proprietor has deferr'd the bringing it on till Tuesday next, the day after the author's benefit, when will be exhibited the Historical Play of King John, as written by Shakespear

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Dragon of Wantley

Event Comment: At the New Theatre. Benefit George. 2s., 1s. 6d., 1s

Performances

Mainpiece Title: The Committee

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Benefit Mrs Charke. 6 p.m. 5s., 3s., 2s., will be presented a Concert, etc. [In the bill for 21 Feb. it is announced as: By Permission...will be reviv'd an Historical Play, not acted these sixty years.] Tickets and Places to be had of Mr Meredith, at the Theatre. [Puffs in the Daily Advertiser announce their pleasure that Mrs Charke is actually going to play a woman's role. A rehearsal was held on 1 March.

Performances

Mainpiece Title: Pope John Viii

Performance Comment: otherwise Pope Joan-Mrs Charke.
Event Comment: [This Pastoral Serenata first appeared 21 March 1744 at the Crown and Anchor in the Strand, qv. At that time Beard, Savage, Mrs Clive and Miss Edwards sang in it.] By Subscription for three nights will be performed an English Pastoral Serenata, set to Music by Mr DeFesch. Pit and Boxes laid together at 5s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. On the 20th of March and 3rd of April will be performed a New Oratorio call'd Joseph, also set to Music by Mr DeFesch. For the encouragement of such persons as shall please to favour Mr Defesch by subscribing one Guinea, they shall be entitled to six tickets, each of which will admit one into the boxes, or Two into the Gallery. Nobody to be admitted into the boxes without printed tickets, which will be deliver'd at the theatre. Subscriptions to be taken till the 5th of March, at Mr DeFesch's at the sign of the Angel and Trumpet, in St. Martin's Lane, at the Bedford Coffee House, Covent Garden; and at Mr Page's Stage Door-keeper. To begin at half an hour after six. This day is publish'd Papal Tyranny in the Reign of King John. [No price given, but the 1st edition lists it as 1s. 6d. Watts would have had to sell about two thousand copies to cover his investment in copyright and printing costs.

Performances

Mainpiece Title: Love And Friendship

Event Comment: With all the Scenes, Machines, Dance and Decorations proper to the Play

Performances

Mainpiece Title: Macbeth

Performance Comment: Lady Macbeth-Mrs Carlisle (Hogan, Shakespear in the Theatre, p. 295).

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber