SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre at Amsterdam"/1) | (@(roleclean,performerclean) "Theatre at Amsterdam")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2479 matches on Event Comments, 360 matches on Performance Comments, 52 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Books of the Performance to be had at the Theatre. Places for the Boxes to be taken of Fosbrook at the Stage Door. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. No Money to be returned

Performances

Mainpiece Title: The Messiah, Preceded By god Save The King(coronation Anthems)

Music: End II: concerto on the violin-Master Bridgtower, Son to the African Prince

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. [When still Miss Younge Mrs Pope had 1st acted Fatima at the Crow Street Theatre, Dublin, 4 Mar. 1771.] Public Advertiser, 9 Mar.: Tickets to be had of Mrs Pope at her house, Half-moon Street. Receipts: #343 10s. 6d. (230.3.6; 8.3.0; tickets: 105.4.0)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Cymon

Dance: End: Tamborine Dance- [See17891021]; Afterpiece conclude: Dance-Byrne, Mrs Goodwin

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts. Not acted these 4 years. 3rd piece: Never acted at this Theatre. Public Advertiser, 22 Mar.: Tickets to be had of Lewis, in Bow-street. Receipts: #346 0s. 6d. (254.19.6; 3.8.0; tickets: 87.13.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Rosina

Afterpiece Title: A Peep behind the Curtain

Event Comment: [Boyes was from the Worcester theatre.] Receipts: #206 19s. (178.12.0; 25.16.6; 2.10.6)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Who's the Dupe

Dance: As17891204

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17891106, but Shylock-King (1st appearance in that character at this theatre); Lorenzo (with songs)-Davies; Salanio-Evatt.

Afterpiece Title: Bon Ton

Dance: As17891106

Event Comment: Mainpiece [1st time; MD 3, by Frederick Reynolds. Larpent MS 870; not published; synopsis of plot in Public Advertiser, 7 May]: With entire new Dresses, Scenes, Machinery and Decorations. The Music partly selected from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne [the printed score (Longman and Broderip [1790]) adds: Martini, Duni, Carolan, Leveridge]. The rest composed by Shield. The Chorusses selected from Handel, and sung by the Performers from the Concert of Ancient Music. Books of the Songs to be had at the Theatre. Receipts: #210 13s. 6d. (208.12.0; 2.1.6)

Performances

Mainpiece Title: The Crusade

Afterpiece Title: The Miser

Event Comment: Benefit for a Fund for the Relief of those who, from their Infirmities, shall be obliged to retire from the Stage. [Prologue by Thomas Hull.] Gazetteer, 19 May: Tickets to be had of Hull, Treasurer to the Institution, No. 31, Bow-street, Covent-Garden. The Fund at Covent Garden Theatre was instituted in the Year 1765, and confirmed by Act of Parliament, 1776. It has been almost entirely supported by the weekly Contributions of the respective Members, and no Application has been made ot the Public towards its Increase for the space of 19 Years. Notwithstanding the utmost Oeconomy has been practised to promote the Advancement of this Fund, the whole capital Sum hitherto amassed is now become so inadequate to the unavoidable annual Disbursements that the Committee hold it incumbent on them to solicit the Patronage and Encouragement of the Public, at the within specified Performance. "The capital of this fund, invested in various stocks, amounted to #27,710 in the year 1824" (Brayley, 14). Receipts: #128 11s. (104.15; 15.16; tickets: 8.0)

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: The Highland Reel

Dance: As17900417

Entertainment: Monologue. Original Prologue to the Institution [of the Theatrical Fund]-Holman

Event Comment: Benefit for Delpini. [Mrs Delpini's 1st appearance at this theatre was on 28 May 1789.] Public Advertiser, 26 May: Tickets to be had of Delpini, No. 17, Tavistock-street, Covent Garden. Receipts: #285 2s. (153.2.6; 5.9.6; tickets: 126.10.0)

Performances

Mainpiece Title: The Lying Valet

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin's Chaplet

Dance: Preceding: As17891113

Event Comment: 3rd piece [1st time; M. ENT 1, James Byrne. Larpent MS 872; not published]: With new and selected Music and Songs; Scenes and Decorations. Books of the Songs to be had at the Theatre. Receipts: #150 2s. (141.3; 8.19)

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: The Dramatist

Afterpiece Title: Nootka Sound; or, Britain Prepar'd

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00, and begin at 7:00 [same throughout season]. [Address by George Colman, ynger (London Chronicle, 21 June).

Performances

Mainpiece Title: The Married Man

Afterpiece Title: Half an Hour after Supper

Afterpiece Title: The Minor

Entertainment: Monologue. Before: Occasional Address-Bensley

Event Comment: [Extra night] Benefit for the Widow Fearon, and her Eight Orphan Children. Tickets to be had of Mrs Fearon, No. 6, Spur-street, Leicester-Fields; and of Brandon, at the Theatre, where Places for the Boxes may be taken. [Fearon had died 30 Sept. 1789.] Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Quaker

Event Comment: [1st two pieces in place of The Chapter of Accidents, advertised on playbill of 16 June. Miss Fontenelle was from the Edinburgh theatre.] 3rd piece: Never performed here

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Citizen

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End 2nd piece: As17900614

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Captain Macheath-Waterhouse (from the Theatre Royal Crow Street, Dublin; 1st appearance on this stage); Lockit-Cubitt; Filch-R. Palmer; Mat o' th' Mint-Chapman; Ben Budge-Abbott; Peachum-Moss; Lucy-Mrs Edwards; Mrs Peachum-Mrs Webb; Diana Trapes-Mrs Powell; Polly-Mrs Bannister.

Afterpiece Title: Try Again

Dance: III: Hornpipe (in Character)-Byrn

Event Comment: 2nd piece [1st time; CO 3, by John Scawen]: The Music, with a new Overture, by Dr Arnold. The Scenery designed and painted by Rooker. The Dances by Byrn. Books of the Songs [T. Cadell, 1790] to be had at the Theatre. Diary, 27 Aug. 1790: This Day is published New Spain (1s. 6d.)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: New Spain; or, Love in Mexico

Dance: III 2nd piece: A Grand Indian War Dance-

Performances

Mainpiece Title: None

Performance Comment: The Manager of the Italian Opera most respecfully acquaints the Public and the Nobility that this Theatre is going under an alteration for the ensuing winter, which will prevent the Opera taking place, as was intended for this Evening.
Event Comment: Benefit for Mrs Webb. [Miss Webb's 1st appearance on the stage was at this theatre, 30 July 1788.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Village Lawyer

Dance: As17900626

Event Comment: 2nd piece [1st time; CO 2, by John O'Keeffe. Text 1st published in O'Keeffe's Dramatic Works, Vol. II (T. Woodfall, 1798)]: The Overture and new Music composed by Dr Arnold. The Scenery designed and painted by Rooker. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Liar

Afterpiece Title: The Basket Maker

Event Comment: No Money to be returned. Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Mainpiece: The Sixtieth Night [but in the previous season (its 1st) the play had been acted 56 nights. On this evening Bannister Jun. acted in the mainpiece at dl and in the 3rd piece at the hay.]. Account-Book, 16 Nov.: Paid Jarvis for 4,000 Songs of Haunted Tower #28 4s. Receipts: #256 2s. 6d. (214.12.0; 40.10.6; 1.0.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Deuce is in Him

Event Comment: The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. Places for the Boxes to be taken of Brandon at the Theatre. No Money to be returned. No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Mainpiece: In I a Masquerade Scene [incident to the Play. Receipts: #216 9s. 6d. (213.11.0; 2.18.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Padlock

Song: End IV: Juliet's Funeral Procession-; with Solemn Dirge, Vocal Parts-Bannister, Johnstone, Cubitt, Reeve, Rock, Lee, Letteney, Mrs Mountain, Mrs Warrell, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Rowson, Miss Francis, Mrs Masters, Mrs Byrne, Mrs Lloyd, Mrs Martyr

Event Comment: Gazetteer, 20 Sept.: [On Saturday morning] official notice was given from the Lord Chamberlain's Office to shut the Theatres [because of the death of the Duke of Cumberland, brother of George III]

Performances

Mainpiece Title: None

Event Comment: Paid Music the 13th, 15th, 17th Inst. #23 9s. 6d.; Properties Ditto #2 5s.; Kettle Drum Ditto 15s.; Wardrobe #11 1s. 6d.; Supernumeraries #1 16s. 6d.; Chorus Singers #3; Cox for Scenemen #28 2s. 7d.; Hodgins [painter] #4 4s.; Extra Music #2 5s.; Richards, painter #20. [Wilson's last appearance at this theatre was on 20 Jan. 1786.] Receipts: #222 2s. 6d. (208.16.6; 13.6.0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Poor Soldier

Event Comment: Mainpiece: Not acted these 4 years [acted 28 Dec. 1787. Toms is identified in Morning Herald, 22 Sept. 1795: A Mr Toms made a probationary essay last night in the character of Romeo. The bills erroneously announced it as his first appearance on this stage [cg]; for his unsuccessful attempt in Young Norval [i.e. Douglas], about five years ago, on the same boards, is perfectly within our recollection. London Chronicle, 22 Sept. 1795, also refers to Toms as Douglas. European Magazine, Oct. 1790, p. 305, gives the name as Turner, but in Oct. 1795, p. 273, states that Toms performed on one night only "a few years since."]. Afterpiece [1st time; BALL. P 2 (?), by James Byrne, based partly on his Nootka Sound, and in May 1793 agin altered as The Shipwreck; or, French Ingratitude. Not in Larpent MS; not published; synopsis of action in Diary, 5 Oct.]: A Ballet Pantomime, with new Scenes, Dresses, and Decorations. The Overture and Music compiled by Byrne, from Haydn, Rochefort, Pleyel, Gyrowetz, Reeve, Pieltain, Dibdin. The new Music by Shield. On account of some Scenes which are introduced from the Entertainment of Nootka Sound (performed last Season [on 4 June 1790]) Half Price will be taken. [This alludes to the custom of not llowing half-price during the run of entirely new pantomimes.] Paid Brodie, for Stoves for the Theatre, #19 8s. Receipts: #207 8s. 6d. (201.16.0; 5.12.6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Provocation

Event Comment: Mainpiece: 15th [recte 14th] Time [i.e. in continuation of the reckoning for the previous season]. With new Dresses, Scenes, Machinery and Decorations. The Music partly from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne. The rest by Shield. The Chorusses selected from Handel, to be sung by the Performers from the Concert of Ancient Music. [Miss Williams was from the Exeter theatre.] Receipts: #137 1s. 6d. (133.7.0; 3.14.6)

Performances

Mainpiece Title: The Crusade

Afterpiece Title: Animal Magnetism

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Quick; Orlando-Holman; Amiens (with songs)-Johnstone; Adam-Hull; Duke Senior-Powel; Corin-Cross; William-C. Powell; Le Beu-Macready; Sylvius-Evatt; Oliver-Davies; Duke Frederick-Thompson; Charles-Cubitt; Jaques-Aickin; Caelia-Mrs Mountain; Audrey-Mrs Rock; Phoebe-Miss Stuart; Rosalind (with the Cuckoo Song)-Mrs Esten (from the Theatre Royal, Edinburgh; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Provocation

Dance: End I: The Irish Lilt-Mr Ratchford, Mrs Ratchford; In V: Dance of Forresters-

Event Comment: Afterpiece: A revived Grand Pantomimical Ballet. To conclude with a superb Prospect of the Infernal Regions. [This was included in all subsequent performances; and see 6 Nov.] Books of the Pantomime to be had at the Theatre. With new Scenes, Dresses and Decorations. The Scenes designed and painted by Greenwood. Receipts: #272 14s. (238.18; 32.4; 1.12)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Dance: In afterpiece: under the Direction of D'Egville, Hamoir, Bourk, Miss Blanchet, Miss DeCamp, Edition of 1790 adds: Fairbrother, Whittow, Kirk, Whitmell, Walker, Bidotti, Nicolini, Mrs Davis, Mrs Brooker, Mrs Haskey, Mrs Brigg, Mrs Barrett, Mrs Harris, Mrs K. Davis, Miss Bourk