SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal in Naples"/1) | (@(roleclean,performerclean) "Theatre Royal in Naples")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3364 matches on Event Comments, 742 matches on Performance Title, 477 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Lowe. Charges #60. Deficiency to Lowe #11 16s. covered by #104 9s. from tickets. [Afterpiece appears under the Shakespearian title in the Account Book. Actually it was James Worsdale's Cure for a Scold taken from Shakespeare's play.] Mainpiece: By particular desire. Tickets to be had of Lowe at his lodgings the corner of Southampton St., Covent Garden, and of Page at the Stage door of the Theatre. Receipts: #48 4s

Performances

Mainpiece Title: Comus

Afterpiece Title: A Cure for a Scold; or, The Taming of a Shrew

Event Comment: At the New Theatre, James St. A concert, etc. Benefit for Edward. Prices 3s., 2d., 1s. To begin at six o'clock (Daily Advertiser)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Damon and Phillida

Event Comment: "Mash note" appeared in the Daily Advertiser referring to a girl and an incident that occurred at the Provok'd Wife Sat 31 March. The Girl sat in a side-box, but slipped going down the stone steps of the theatre.

Performances

Mainpiece Title: Sampson

Event Comment: Benefit for Villeneuve. Charges #30. Deficiency to Villeneuve #4 12s. 6d., covered by #111 11s. from tickets. N.B. Mr Villeneuve has been robb'd of a number of tickets, therefore none sold at the Doors of the theatre will be taken. By desire of several Ladies of Quality. Receipts: #26 7s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Miss in Her Teens

Dance: II: Tambourine-Jardin; III: Dutch Dance-Cooke, Miss Hillyard; V: Grand Scots Dance-Cooke, Miss Hillyard

Song: IV: Go Rose-Miss Falkner

Event Comment: Benefit for one Monett master of ye French Comedians (Cross). [174th and positively the last night.] Receipts: #120 (Cross). Account of Disbursements made by Mr Monnet for his Stage, as well in Ready Money as in Notes of Hand. @Names of Actors and Actresses Their Contracts with Mr Monnet Paid in Money Paid in Notes Whole sum of the Expence, as well in Money as in Notes@Desormes #227 7s. 6d. #65 17s. 9d. #131 5s. #197 2s. 9d.@Mauly & Hamond #301 8s. 9d. #175 #63 #238@Bureau #257 8s. 7d. #122 11s. 3d. #52 10s. #175 1s. 3d.@Toscano #289 7s. 10d. #123 16s. 7d. #66 1s. 3d. #189 7s. 10d.@Durancy and Wife #361 17s. 1d. #147 7s. #210 #357 7s.@Parant #218 15s. #108 10s. 10d. .... #108 10s. 10d.@Terodat #52 10s. #39 2s. .... #39 2s.@Kelly #30 18s. #30 18s. .... #30 18s.@Villiers #32 15s. #32 15s. .... #32 15s.@Chateauneuf #43 15s. #15 17s. .... #15 17s.@Dujoncel #36 15s. #24 13s. 6d. #12 1s. 6d. #36 15s.@Champville #87 10s. #52 10s. .... #52 10s.@StAmand #78 15s. #26 5s. #17 10s. #43 15s.@Totals #1,919 2s. 9d. #965 4s. 3d. #552 7s. 9d.@ @Other Expences@For the Play-House's Rent #110@For the Stage's Taylor #35 14s.@For the Expences of Four Representations acted #65 12s. 6d.@For the traveling Expences of Mr Monnet, and his Residence of twenty Months at London or Paris and the Expences for the Custom-House, Law, Prison #328 12s. 8d.@Whole Sum of the Expence #2,157 1s.@ @RECEIPTS@For Fifty-six Subscriptions, at Five Guineas each #294@Received from Four Representations acted at the Little Theatre in the Hay-Market #188 18s. 4d.@From a Subscription, by Mr Arthur, Master of White's Chocolate-House #367 10s.@Whole Sum of the Receipts #850 8s. 4d. @ Therefore the Expence exceeds the Money received by #1,306 12s. 8d. which Mr Monnet is entirely out of Pocket, besides two Years and a half of his Time spent for it. N.B. The Contracts are all made for Livres Turnois, and this Account is made upon a Calculation of 3 Livres Tournois for 31 1!2d. Sterling.--And the Contracts and Receipts are ready to be produced. [This account is by courtesy of Miss Sybil Rosenfeld from a photostat of the original (which is printed in both French and English) in the Bibliotheque National. See also British Magazine, August 1750, p. 322.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: III: Grand Scotch Dance, as17491031

Event Comment: To the Wonderful Brethren of the Ancient and Honourable Fraternity of Free and Accepted Masons. For the Benefit of a Brother indisposed. At the New Theatre, James St. The House is newly painted. A Concert, etc. (Daily Advertiser)

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Lethe

Song: Six Brothers, cloathed

Event Comment: At the New Theatre, Shepherd's Market. Benefit for Stephens. A Concert, etc. Prices 2s. 6d., 2s., 1s. To begin at seven o'clock

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Damon and Phillida

Song: TThe Happy Bride-Miss Agnetta

Event Comment: MMr Barry flew from his articles & engag'd with Rich; Mrs Cibber (who did not play last season) is also engag'd there--Y: King went to Ireland--Macklin and Wife came from thence to Mr Rich (Cross). Passage open'd from Russel St. into the boxes where Ladies and Gentlemen may be set down from their coaches, and there is likewise a better accommodation made for Chairs to come up to the House, and be kept in waiting, at the end of the Passage from Bridges St. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the stage door of the Theatre. [The notice about the Passage was continued through 20 Sept. The notice about prices was customary throughout the season. Neither will be repeated further here.] Receipts: #110 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Mat@o@Mint-Blakes; Filch-Raftor; Mrs Peachum-Mrs Pit; Lockit-Berry; Diana Trapes-Mrs Havard; Peachum-Yates; Lucy-Mrs Green; Polly-Mrs Clive; In Act III, Hornpipe-Mathews; To conclude with a Country Dance-the Characters; New Occasional Prologue on the opening of the theatre-Garrick.

Afterpiece Title: The Anatomist

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s, Upper Gallery 1s. No persons to be admitted behind the scenes, nor any money to be returned after the curtain is drawn up. Places for the Boxes to be taken of Mr Page at the stage door of the theatre. To begin exactly at Six o'clock. [Customary notice repeated for each bill this season.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Damon and Phillida

Event Comment: A one Volume Pocket edn. of The Actor at 3s. dedicated to the Managers of the British Theatres publish'd. A Treatise on the Art of Playing, interpersed with theatrical anecdotes, Critical Remarks of Plays, and Occasional observations on Audiences (General Advertiser). Receipts: #100 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Mainpiece: By Desire. Afterpiece: A new Musical Entertainment went off pretty well--some Noise &c. (Cross). Published at 3 o'clock that afternoon and sold at the theatre for 6d. (General Advertiser). No admission behind scenes or in Orchestra on account of the entertainment. [Music by C. Burney. Text by Moses Mendez]. Receipts: #120 (Cross)

Performances

Mainpiece Title: Alchemist

Afterpiece Title: Robin Hood

Event Comment: Whereas several Ungenerous aspersions have been cast on me, with respect to an Advertisement published in the London Gazetteer of Tuesday last, directed to the Friends of the Manager of Covent Garden Theatre, I declare that I was in no way consenting, or privy to the said Advertisement. John Rich (General Advertiser)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Apollo and Daphne

Event Comment: Benefit for ye Author (no more Noise) (Cross). Tickets as of 5 Feb. Tickets deliver'd out for the third and sixth Nights will be taken. Receipts: #140 (Cross). Gentleman's Magazine, Feb. 1751, pp. 77-78, concerning Gil Blas: To animadvert upon a piece which is almost universally condemned is unneccessary, and to defend this is impossible. There is not one elegant expression or moral sentiment in the dialogue; nor indeed one character in the drama, from which either could be expected. It is however, to be wished that the Town, which opposed this play with so much zeal, would exclude from the theatre every other in which there is not more merit; for partiality and prejudice will be suspected in the treatment of new plays, while such pieces as the London Cuckolds, and the City Wives Confederacy, are suffered to waste time and debauch the morals of society....Upon the whole the Author appears to have intended rather entertainment than instruction, and to have disgusted the Pit by adapting his comedy to the taste of the Galleries....Perhaps the ill success of this comedy is chiefly the effect of the author's having so widely mistaken the character of Gil Blas whom he has degraded from a man of sense, discernment, true humor, and great knowledge of mankind...to an impertinent silly, conceited coxcomb, a mere Lying Valet, with all the affectation of a Fop, and all the insolence of a coward. [Thomas Gray wrote to Horace Walpole 3 March 1751, "Gil Blas is the Lying Valet in five acts. The fine lady has half-a-dozen good lines dispersed in it."

Performances

Mainpiece Title: Gil Blas

Event Comment: Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd that day at the office in Covent Garden theatre at Half a Guinea each; 1st Gallery 5s. Upper Gallery 3s. 6d. The Galleries will be open'd at half an hour after Four. Pit and Boxes at Five. To begin at 6:30 p.m

Performances

Mainpiece Title: Belshazzar

Afterpiece Title: Concerto on Organ

Event Comment: Benefit for Berry. Tickets at Popes Perke maker Russell St., and at the Stage Door. Tickets deliver'd out for 26 March will be taken. At Punch's Theatre in James St., near the Haymarket, this, and every Evening this week, the Town will be entertained with Yeates's inimitable dexterity of Hand; likewise by Mr Punch's Company of performers will be exhibited the play of Jane Shore. To conclude with a New Grand Machine, representing the Temple of the Sunv, at Mexico, in North America, which has given universal satisfaction to the Nobility and Gentry (General Advertiser). Receipts: #212 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Costollo and Miss Minors. Tickets of Costollo at his lodgings at Mr Waiter's, Chymist, the Golden Cross, in Russel St., Covent Garden; of Miss Minors, at Mr Nichols's a Baker, in Catherine St., near Russel Court, and at the Stage Door. We are assured that Sg Giardini's Performance on the Violin, at Sga Cuzzoni's Benefit, at the New Theatre in Haymarket, on Saturday Night last, gave the highest pleasure to several of the best judges of that instrument. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Lethe

Song: Master Mattocks

Dance: Mathews, Mad Camargo, McNeil

Event Comment: Box 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken at the Stage Door of the Theatre. No persons to be admitted behind the Scenes, nor any money to be returned after the curtain is drawn up [Customary notice on subsequent bills, which will not be repeated here.] Receipts: #130 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Event Comment: Afterpiece: By Particular Desire. Ye Audience allarm'd in the Middle of ye farce by Cap Robinson & Cap Loyde fighting behind ye Boxes; people suspected at first it was fire, but being convinc'd to ye Contrary set down again. Cap Rob was wounded (Cross). Was a terrible alarm at Drury Lane theatre by a noise from behind the boxes, occasion'd by two gentlemen quarrelling and drawing their swords, which produc'd a rumor of fire through the house, and so great a confusion that many were hurt in attempting to force their way out. A woman was with difficulty saved from throwing herself over the gallery into the pit (Gentleman's Magazine, p. 425). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Anatomist

Song: III: Mattocks

Dance: IV: Will be introduced a Comic Dance-Harvey, Mrs Addison

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places to be taken of Mr Page at the Stage Door of the Theatre. [A customary notice each night. It will not be repeated further here.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Damon and Phillida

Event Comment: Never were the theatres more in Estimation than at present, nor was there ever a time at which so much pains appear to have been taken, in order to continue them upon a good footing. We owe our thanks to Mr Garrick for engaging in the expence of such a number of additional performers, but we owe him also our applause for the success with which they have played (Inspector No 203, in Daily Advertiser and London Gazette). Receipts: #110 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Devil to Pay

Song: IV: Mattocks

Event Comment: mong the Addresses of the Lords and Commons to the Sovereign which appeared in the Gentleman's Magazine (Nov. 1751, pp. 513-14) one recommended that provision be made for suppressing audacious crimes of robbery and violence. A contributor called Mr Urban's attention to a "method of reformation earnestly recommended more than 40 years ago by an eminent Divine" (Dean Swift). In this treatise occured the following paragraph: "The Reformation of the Stage is entirely in the power of the Court; and in the consequence it hath upon the minds of younger people, doth very well deserve the strictest care. Surely a pension would not be ill employed on some men of wit, learning and virtue, who might have power to strike out every offensive and unbecoming passage from plays already written, as well as those that may be offered to the stage for the future, by which, and other wise regulations, the theatre might become a very innocent and useful diversion instead of being a scandal and reproach to our religion and country."] Receipts: #120 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Lottery

Dance: IV: L'Entree de Flore, as17511017; Peasant Dance, as17511017

Event Comment: This Day is Publish'd at 2s. sew'd The British Theatre. Containing the lives of the English Dramatic Poets, with an Account of all their plays. Together with the Lives of all of most of the principal Actors, as well as Poets. To which is prefix'd a short view of the Rise and Progress of the English Stage. Printed for R. Baldwin

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Necromancer

Event Comment: Benefit for ye widow of Capt. James Spencer, an Officer &c., and her small Children (Cross). An Old Officer who had been in His Majesty's Service 46 years, but dying when upon half-pay has left the Widow without pension and with several small children in greatest distress. N.B. Part of the Pit will be rail'd into the boxes and servants will be allowed to keep places on the Stage. Tickets to be had of Mrs Spencer, the uppermost house in Prince's Court, by Storey's Gate; the Bedford Coffee House, Covent Garden; the Tiltyard Coffee House; St James Coffee House; Sweet's Coffee House, Bukingham Court; Bridge Street Coffee House; The Rainbow Coffee House, Ludgate Hill; the Temple Exchange, Fleet St.; the Rainbow, Cornhill; and at the Stage Door of the theatre where places may be taken. Mr Norton Amber, humbly hopes this general acknowledgment of the favour which his friends were pleas'd to confer on him by their generous appearance last Night at Drury Lane, will be accepted, instead of a more particular application, which his constant employment prevents; and begs leave to assure them, that he shall ever retain a most grateful sense of their indulgent assistance. Receipts: #252 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Anatomist

Event Comment: By desire. Benefit for a Citizen under misfortunes. A Concert, &c. Tickets may be had of Mr Meredith, housekeeper at the Theatre. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: The Fair Penitent

Song: Powell