SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal York"/1) | (@(roleclean,performerclean) "Theatre Royal York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3502 matches on Event Comments, 746 matches on Performance Title, 736 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Between the Play and the Afterpiece an Interlude of Singing and Dancing not performed these thirty years. [For comment on this revival, see Town and Country Magazine (from Theatre No XXII) p. 593.

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: True Blue; or The Press Gang

Afterpiece Title: Harlequin Skeleton

Performance Comment: Harlequin-Lewes; Chasseur Royal-Barnshaw; Merlin-Legg; Diana-Mrs Baker; Doctor-Banks; Colombine-Mrs Dyer; Pierrot-Morris.
Cast
Role: Chasseur Royal Actor: Barnshaw
Event Comment: Mainpiece: Not Acted these 2 Years. [See 6 May 1771.] Paid Mrs Yates, the Balance of the Author's 3 Nights of Zobeide #237 19s. Paid one year's Rector's Rate for theatre due Xmas last #8 15s.; and Watch rate #17 10s. Paid one year's Rector's rate for House in Bow Passage 6s. 3d.; and watch for same 12s. 6d. Paid Mrs Keys for a gold and silver sack coat #14 14s. (Account Book). Receipts: #148 19s. 6d. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Skeleton

Performance Comment: As17720131, but Chasseur Royal-Reinhold; Mercury-Baker.
Cast
Role: Chasseur Royal Actor: Reinhold

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin and Faustus; or, The Devil will have his Own

Performance Comment: I. A Representation of Tartarusv exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas (design'd and executed by Richards; music by Shield) Lucifer-Holland; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Belial-Linton; Ades-Street; II. The Study of Dr Faustusv (painted by Hodgins). Dr Faustus-Farley; Zany-Simmons; III. A Landscape and Water Millv (painted by Walmsley). Harlequin-Bayzand; Pierrot-Follett; Miller-Hawtin; Miller's Wife-Miss Leserve; Colombine-Mme Rossi; Philidel-Miss Hopkins; IV. A View of a Country Inn: The Bull and Dogv (The Machinery by Hodgins). Dancing@Master (with a song in character)-Fawcett; V. A Representation of the Scaffoldingv prepared for erecting the New Theatre-Royal Drury Lane, as it appeared in July (1793). Irishman (with a song in character)-Rock; Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne)-Bernard, Davies, Linton, Street, Spofforth; VI. A View of Smithfield on a Market@Dayv (painted by Hodgins and Phillips). Ballad Singer (with a song in character)-Fawcett; VII. The Garden of Faustusv (painted by Pugh). Zephyrus-Holland; Flora-Mlle St.Amand; VIII. A Streetv in which is introduced two Trick Sedan Chairs (designed by Hodgins). IX. A Farm Yardv, which changes to a Chinese Bridgev, in which will be introduced the celebrated piece of machinery, The Peacockv. X. A Tobacco Warehousev which changes to an Equestrian Figure by Roubiliac. XI. The Infernal Regionsv and a Shower of Fire. XII. The Temple of Gloryv (designed and executed by Hodgins). VIII. A Streetv in which is introduced two Trick Sedan Chairs (designed by Hodgins). IX. A Farm Yardv, which changes to a Chinese Bridgev, in which will be introduced the celebrated piece of machinery, The Peacockv. X. A Tobacco Warehousev which changes to an Equestrian Figure by Roubiliac. XI. The Infernal Regionsv and a Shower of Fire. XII. The Temple of Gloryv (designed and executed by Hodgins).

Song: Mainpiece: Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Rock, Linton, Blurton, Abbot, Street, Miss Poole, Mrs Mountain, Mrs Clendining, Miss Hopkins, Mrs Henley, Miss Stuart, Mrs Arnold, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand, Mrs Blurton, Mrs Masters, Mrs Martyr

Event Comment: Mainpiece [1st time; CO 3, by James Hook Jun. Larpent MS 1065; not published; synopsis of plot in Pocket Magazine, May 1795, p. 334]: The Musick composed by Hook? Sen. The Scenes, Dresses, Decorations and Machinery are entirely new. The Scenery of the Opera designed and painted by Greenwood and Capon. The Masque and Decorations by Marinari. The Machinery by Cabanel and Jacobs.The Dresses by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. [Afterpiece in place of The Adopted Child, advertised on playbill of 5 May.] Receipts: #269 8s. (213.0.6; 53.16.0; 2.11.6)

Performances

Mainpiece Title: Jack Of Newbury

Performance Comment: Characters by Palmer, Kelly, Dignum, Suett, R. Palmer, Bannister Jun., Master Welsh, Phillimore, Mrs Crouch, Sga Storace, Miss Leak, Mrs Bland. [Cast from Songs (C. Lowndes, 1795), and Larpent MS: Jack of Newbury-Palmer; Sir Murdock O'Connel-Kelly; Edgar-Dignum; Flaw-Suett; Crafts-R. Palmer; Knap-Bannister Jun.; Page-Master Welsh; Rowland-Phillimore; Dame Eleanor-Mrs Crouch; Emma-Sga Storace; Blanche-Miss Leak; Kathlane-Mrs Bland. [To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .

Afterpiece Title: The Triumph of Hymen

Afterpiece Title: Tit for Tat

Event Comment: Ode: Written in Honour of St. Cecilia, by Dryden, and set to Music by Handel. Among the Instrumental Performers are G. Ashley, leader of the band, Mara, Sarjant, C. Ashley, Boyce, Bridgetower, Harvey, Parkinson, Taylor, Nix, two Flacks, Dresler, Gwilliam, Shutze, Price, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, two Munros, Wood, Cornish, Purney, Leffler, Woodham, Cantelo, Skillern, Franki, Simpson, Jenkinson, &c. Organ-J. Ashley. Double Drums (used at Westminster Abbey)-R. Ashley. The Chorusses will be numerous and complete. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the Imprimatur of H. Macleish) to be had at the Theatre

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Performance Comment: [i.e. the ode being in 2 parts.] The Music- [by Handel--that was performed by Command of his Majesty, at St. James's on the late Marriage of their Royal Highnesses the Prince and Princess of Wales (on 8 Apr. 1795); composed by Handel, to celebrate the Nuptials (in Apr. 1736) of his late Royal Highness Frederick, Prince of Wales, with the Princess of Saxe-Gotha; [To conclude with the Coronation Anthem, Zadock the Priest-.

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

Event Comment: Receipts: #100 (Cross). The Upholsterer is deferr'd till Wednesday Next. The theatre commonly call'd the Duke of York's Theatre in York Buildings is now taken down, and dwelling houses going to be built. The beautiful ceiling was painted by Verrio, but could not be remov'd

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Queen Mab

Event Comment: Post Boy, 13-15 April 1699: As both the Theatres have been very industrious to Entertain the Town with several eminent Master in Singing and Dancing, lately arrived, both from France and Italy, as Monsieur Balon, Signior Fideli, &c. we are now assured that the Masters of the Theatre Royal have engag'd Signior Clementine, the famous Eunuch, Servant of the Elector of Bavaria, to Sing on their publick Stage, for the short time of his stay in England. There is very great Expectation from his Performance as being a Person of that extraordinary Desert in Singing, that his yearly Salary on that Account is 500 #. a Year

Performances

Event Comment: Post Boy, 14-16 May 1700: Great Preparations have been making, for some Months past, for a New Opera to be acted next Term at the Theatre Royal, which, for Grandeur, Decorations, Movements of Scenes &c. will be infinitely superior to Dioclesian, which hitherto has been the greatest that the English Stage has produced, that probably 'twill equal the greatest Performance of the Kind, in any of the foreign Theatres. The Musick is compso'd by the Ingenious Mr Finger, and the Paintings made by Mr Robinson

Performances

Event Comment: Benefit Powell. Note, That the Tickets given out for Tuesday in last Whitson-Week at the New Theatre in Lincoln's-Inn-Fields, for the Benefit of Mr Powell, will be taken for this Play at the Theatre Royal

Performances

Mainpiece Title: Volpone

Song:

Dance: To be expressed in the Bills

Event Comment: At the Desire of several Persons of Quality. At Mr Penkethman's Theatre in Richmond. By a Company of Comedians from the Theatre Royal. Written by Sir John Vanbrugh. In proper Habits

Performances

Mainpiece Title: The False Friend

Music: Between the Acts: Select Pieces- , accompany'd with the Harpsicord, Flutes, and Hautboys

Song: The Dame of Honour-Mrs Willis

Dance: The Drunken Man-Harper

Event Comment: DDaily Journal, 3 Nov.: We are assured that a Patent for the Theatre-Royal in Drury-Lane, is order'd to pass the Seals in Favour of Mr Wilks, Mr Booth, and Mr Cibber, The Patent for the said Theatre was granted to Mrs Oldfield, deceas'd, upon the Death of the late Sir Richard Steele

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Cephalus and Procris

Event Comment: By a Company of Comedians from Goodman's Fields, and both the Theatres Royal, at the New Theatre in Tottenham Court

Performances

Mainpiece Title: Amurath, The Great Emperor Of The Turks; Or, The London Prentice's Glory

Song: Excell

Event Comment: TTurbutt (from the Theatre-Royal in Drury-Lane) and Yates (from the Theatre in Goodman's-Fields). At Turbutt's and Yate's Great Theatrical Booth, Opposite the King's Head and Greyhound Inn, West Smithfield. [The Fair runs from 22 through 26 Aug.

Performances

Mainpiece Title: Thamas Kouli Kan, The Persian Hero; Or, The Distress'd Princess: With The Descent Of Harlequin From The Sun, And His Adventures On Earth

Entertainment: Singing, Dancing-Chettle, Mrs Dunstall; And the surprizing Performances of the famous little Prussian Posture Boy, lately arrived from Berlin

Event Comment: Mainpiece: At the Desire of Several Persons of Quality. N.B. Some few days ago Mrs Catherine Penny was Committed, by Col DeVeil, to Bridewell, for selling Counterfeit tickets, for the Theatre Royal in Drury Lane; and as she has deliver'd out others for several Benefits to come (Mrs Clive's in particular) it is thought proper to give this public notice of the fraud, in order to prevent any tickets being bought in the Passages of the Theatre, proper care being taken to prevent all Tickets so bought from coming into the House

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Event Comment: To the Publick: Ladies and Gentleman, The Play of Othello, with Dancing by Cooke, Picq, Delamain, and Les Damoiselles Anne and Janneton Auretti, &c., being to be acted for my benefit on Monday next, at the Theatre Royal in Covent Garden; and having accidentally heard that a certain person being possess'd of a great quantity of my tickets, has some thoughts of getting them up to a considerable premium, I out of meer Friendship, not at all with regard to my own interest (if you'll believe me) do privately and secretly, in this public manner, advise you, to send away to my house, the corner of Bow St. near the said theatre, where I will oblige you with what number of tickets you please, at Par, to within an Hour of the Play's beginning. I am, Ladies and Gentlemen, Your most obedient and humble servant, Tho. Chapman

Performances

Event Comment: Whereas Great Disorders were committed on Tuesday Night at the Theatre, by Numbers of persons violently forcing their way into the House, particularly into the Boxes, knocking down the door-keepers, and obliging the servants who kept places to go out, to the great prejudice of the Manager, who lost all the Money for the said Places, as they not only refus'd to pay for the Boxes, but likewise forc'd into the Pit without paying, he thinks it incumbent on him to gide Public notice That an Office will for the Future be kept at the Boxes, to prevent persons from going in the same tumultuous manner, and hopes no Gentlemen will be displeas'd in being first desir'd to take a ticket at the said Office. Last night the Play of the Rehearsal was perform'd at the Theatre Royal in Drury Lane; when, upon Mr Garrick's making a proper apology to the Town he was receiv'd with the greatest marks of Approbation; and the Play was acted with the utmost Decency and Order

Performances

Mainpiece Title: The Rehearsal

Event Comment: Benefit Winstone, Taswell, Miss Budgell, Miss Cole. Tickets deliver'd for Sir Courtly Nice will be taken. Yeaterday Morning died, after a short illness, Mr Norton, Author of the new Tragedy call'd Mahomet, Perform'd at the Theatre Royal in Drury Lane.-General Advertiser. On Friday died the Rev. Mr Miller of Roehampton, author of the Tragedy of Mahomet (which was acted last Friday, for the third time at Drury Lane Theatre), the Humours of Oxford, and other Dramatic performances.-Daily Advertiser, 30 April

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Devil to Pay

Event Comment: At the Desire of several Persons of Quality. The Fifth Day. The Tragedy of Romeo and Juliet still continues to be acted...to crowded audiences, with great applause....We hear two principal Actresses from the Theatre Royal in Dublin, are speedily to appear on that Stage; as are some more Performers, who are disengaged from the other Theatres

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: We are informed his Majesty's Company of Comedians will perform a few pieces this summer, at the Theatre Royal in Drury Lane, for the Entertainment of his Serene Highness the Prince of Hesse; the Director of that theatre having order'd several of the principal performers to remain in town to be ready for that purpose

Performances

Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Event Comment: MMr and Mrs Dyer are arriv'd from the theatre in Dublin; and in a few days he will appear in the part of Tom in the Conscious Lovers at the Theatre Royal in Covent Garden. Receipts: #55 8s

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Hob

Event Comment: To Relief Mr Monett, from his distresses and enable him to return to his own country, By his Majesties Comedians at the Theatre Royal in Drury Lane, Tuesday May 22 will be presented a Comedy, call'd The Suspicious Husband...Tickets and places to be had of Hobson at the stage door of the Theatre (General Advertiser)

Performances

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: MMr Mossop from the theatre in Dublin is engag'd at the Theatre Royal in Drury Lane, and will perform there the latter end of this week. Receipts: #80 (Cross)

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: The Lying Valet

Song: Master Mattocks

Event Comment: Benefit for Mr Howard. Afterpiece: A Masque (never perform'd here). As it was performed at the Theatre Royal Dublin, with universal applause. The Music composed by Sg Pasquali. Printed Books of the Entertainment will be sold at the Theatre. Tickets deliver'd out by Grandchamps and Madem Camargo will be taken

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Triumphs of Hibernia

Dance: I: Grand Comic Ballet, as17511216; III: Venetian Gardeners-Grandchamps, Madem Camargo; End of Play: Louvre, Minuet-Grandchamps, Madem Camargo