SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Crow Street Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal Crow Street Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4551 matches on Event Comments, 828 matches on Performance Title, 705 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Send Serv'tS by 3 p.m. Books of the Opera at Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Dance: II: The Last New Dance-Miss Wilford[, as17650423

Event Comment: Benefit for Perry, Dibdin. Mainpiece: Acted but once these two years. Afterpiece: Perform'd but twice. None admitted behind Scenes. Books of the Afterpiece to be sold at Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: The Shepherd's Artifice

Dance: II: A Medley Hornpipe, as17650430 End: Rural Love, as17641212

Event Comment: Mainpiece: By Particular Desire. Books of Opera at Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Upholsterer

Dance: II: Blind Man's Buff, as17641003

Event Comment: Send Serv'ts by 3 p.m. Books of Opera at Theatre (Twenty-Ninth Night)

Performances

Mainpiece Title: The Maid Of The Mill

Dance: II: A New Dance-Miss Wilford

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (ONLY) Book-Keeper, at the Stage-Door of the Theatre. No Person can be admitted behind the Scenes. Nor any money returned after the curtain is drawn up. To begin exactly at 6 o'clock. [Customary note repeated on each bill.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Event Comment: Afterpiece: A comic opera [by Bickerstaffe never performed before. Books of the opera at the Theatre. The music by the most eminent composers

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Daphne and Amintor

Event Comment: [Scheduled for performance, but theatres closed on account of the death of the Duke of Cumberland.

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Daphne and Amintor

Event Comment: By Command of their Majesties. A new serious Opera. Pit and Boxes put together and no Persons to be admitted without Tickets, which will be delivered this Day, at the Office, at Half a Guinea each. Gallery 5s. By their Majesties Command no Persons whatsoever to be admitted behind the Scenes or in the Orchestra. Gallery, Pit and Boxes to be opened at Five. 6:30 p.m. [Repeated in the subsequent bills.] Messrs Crawford, Vincent, and Gordon most humbly request that the Nobility and Gentry, Subscribers to the Operas for the ensuing Season, will please send their Subssciptions to Andrew Drummond and Co., Bankers at Charing Cross; or to Crawford, at the theatre, where attendance will be given every day from Ten to Two, to receive Subscriptions, and the names of the Subscribers who are pleased to honor the Managers with their Protection to enable them to get the Tickets engraved before the Operas begin (Public Advertiser through October and November)

Performances

Mainpiece Title: Eumene

Dance: NNew Dances-

Event Comment: A New Musical Comedy in 3 Acts never performed before. New Scenes and Habits. Book of the Comedy to be had at the Theatre. [Richard Cumberland's second dramatic piece, and first one to be performed (Genest, V, 104).

Performances

Mainpiece Title: The Summer's Tale

Dance: I: The Garland, as17651003; II: A New Grand Ballet, call'd The Gallant Shepherds-Fichar, Sga Manesiere, Miss Wilford

Event Comment: Mainpece: By Desire. [An article appeared in the St James Chronicle; or, British Evening Post proposing reserved seats for the theatre, and suggesting a method by which to operate the system.

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Hermit

Event Comment: [Playbill notes this performance as the Fifth. See 16 Dec. 1765.] Books of the Comedy to be had at the Theatre

Performances

Mainpiece Title: The Summer's Tale

Dance: I: The Village Romps, as17651019; II: The Garland, as17651003

Event Comment: By Command of their Majesties. [Sga Spagnolla had been ill and missed a number of performances. For singers and dancers see following letter.] Sir: I am one of those to whom an Oratorio or an Opera (whether Italian or English) gives exquisite delight; and am therefore glad that, as the town is now full, those entertainments will, very probably, be crowded; and thus amply repay the several managers, for the great risk they run, as to their property, as well as for the vast pains they take to amuse us; for the labour employed, on those occasions, is infinitely greater than is usually imagined. The Italian opera has suffered considerably, this season, by the inability of Sga Spagnoli to exert her musical talents, owing to a most severe cold; but as she has now recovered her voice, 'tis presumed that she will be a source of as great pleasure, among us, to persons of a musical ear, and who have a true taste for that species of dramas, as she was in her native country, where she was always heard with great applause. I myself find great charms in the entertainments, as now exhibiting at the King's Theatre: for, besides Sga Spagnoli's taste I do not perceive the least diminution in Sg Elisi's voice or action, both of which pleased us so much two or three years ago. Ciprandi appears to me a fine player as well as singer; and with regard to Sg Savoi, he is generally thought to have a pleasing voice. [Comments on competence of the Orchestra.] The principal dancers are likewise acknowledged to have considerable merit. The gracefulness and the ease of Sg Adriani are very pleasing, as is the elegant agility of Sga Fabris Monari....Sg Sodi has so often diverted us by his compositions as Ballet master that it were superfluous to bestow any encomiums on him in this place. [Long comment on agreeable performance of Sofonisba, Scenery, etc. A puff by Musidorus in Public Advertiser.

Performances

Mainpiece Title: Sofonisba

Dance: Adriani, Sga Fabris Monari

Event Comment: Neither piece acted this season. Books of the Burletta to be had at the Theatre. Midas reduc'd to two Acts

Performances

Mainpiece Title: Cleone

Afterpiece Title: Midas

Event Comment: By Command of their Majesties. Pit and Boxes to be put together. Tickets delivered this day at the Office in the theatre at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. 6d. Galleries to be opened at half after Four, Pit and Boxes at Five, To begin at Half an Hour after Six

Performances

Mainpiece Title: Deborah

Music: CConcerto on Violin-Barthelemon

Event Comment: To begin at 7:00 p.m. Boxes 5s. Pits 3s. Gallery 2s. Places for the Boxes to be had of Mr Jewell at the Theatre. Vivant Rex et Regina. [Repeated in the bills. Note in St James Chronicle speaks of great crowd and of numbers turned away.

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens

Entertainment: Dancing-

Event Comment: Paid half year's Poor's rate for the theatre due Michelmas last #15 12s. 6d., and ditto for the House in Bow St. passage 15s. 1!2d. (Account Book). Receipts: #144 9s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Coronation

Event Comment: [R+Rich's Register lists The Hermit as afterpiece.] Paid salary list 5 days at #72 6s. 8d. per diem, #361 13s. 4d.; Atkins not on list #1 7s. 6d.; Rollet on note #7 7s.; Vernon on note per order Mr L, #12 12s.; Bill for 2 suit Men's cloathes #15 15s. (Treasurer's Book). [See engagement contract for Guidetti (Private Correspondence of David Garrick, II, 454) arranged for in Paris by Jean Monnet in early August 1766. He was engaged as Premier Danseur and composer of Ballets at 150 Guineas a year plus "300 Livres argent de France" for travelling expenses. He was to dance for no other theatre without explicit permission from Garrick.] Receipts: #130 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Polly Honeycombe

Dance: II: A New Comic Dance call'd The Vintage-Sga Giorgi, Sg Guidetti (his first appearance in England); End: A New Entertainment of Dancing call'd The Italian Bakers-Guidetti, Mrs King

Event Comment: Books of the Burletta to be had at the Theatre. Paid Thos. Williamson for 4 pounds spermeceti candles 7s. (Account Book). Receipts: #133 7s. 6d. (Account Book)

Performances

Mainpiece Title: Love's Last Shift; Or The Fool In Fashion

Afterpiece Title: Midas

Event Comment: A new Comic Opera. The Music composed by several celebrated Composers. All Boxes put together, and no Persons admitted without Tickets, which will be delivered this Day at the Office at Half a Guinea each; First Gallery 5s. Second Gallery 3s. By His Majesties Command no Person whatsoever to be admitted behind the Scenes or into the Orchestra. 6:30 p.m. Vivant Rex et Regina. [Repeated in all bills.] [A pasticchio similar to La Schiava (The Humorists). See Nicoll, III, 361. Advertisement for the company of performers at the Opera had been given in the Public Advertiser three months earlier, 6 August: 'Drummond, Vincent and Gordon,Proprietors and Managers of the Opera at the King's Theatre in the Haymarket beg leave to announce that they have engaged the best Company that could be got in Italy...and are expected in London this month. The company are as follows: Serious-the celebrated Guarducci, first man; Signora Aunuciati, first woman; Savoi, second man; Miss Young, second woman; Grassi, Signora Piatti, third woman. Comic-Lovattini, first man, tenor; Signora Zamperini, first woman; Savoi, first man, serious; Miss Young, first woman; Signor Moriggi (the old man) bass; Signora Piatti, second woman; Zamperini second man; Signora Gibbetti [Gibelli in the Gazetteer] third woman."

Performances

Mainpiece Title: Gli Stravaganti

Event Comment: [From The London Evening Post: Married: Michael Arne, music composer and son of Dr Arne, to Miss Wright, a celebrated singer of Drury Lane Theatre."] Paid Mr Evans on Wardrobe acct #10 10s. (Treasurer's Book). Receipts: #133 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: The Vintage, as17661011

Event Comment: Mainpiece: By Desire. Afterpiece: A New Musical Entertainment in 2 acts, words imitated from Rousseau, with his original Musick (Burney). Books of the entertainment at the Theatre, published for 1s. Paid Mr Chitty his coal bill #91 13s. and Mr Johnston's bill for guilt leather #24 19s. 6d. (Treasurer's Book). [Advertisement to 2nd Edition, 1766: Upon rehearsing the music it has been thought necessary to retrench the Second Act for fear of satiety: for though the Airs and Dances after the reconciliation of Celia and Phoebe are by no means inferior to the rest in point of composition; yet as no other business remained to be done after that circumstance but that of mere festivity, the Editor, with some reluctance, submitted to the omission of such airs as are printed with inverted commas; which, however, are all publish'd with the music by Mr Bremner in the Strand."] Receipts: #150 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Cunning Man

Event Comment: Books of the opera to be had at the Theatre. A charge of #8 17s. for extras and music now appears regularly for this opera. Paid Cooper (Printer) as per bill #39. Rec'd of J. Jackson for an order for 2 in the Gallery 4s. (Account Book). Receipts: #175 8s. (Account Book)

Performances

Mainpiece Title: The Accomplish'd Maid

Dance: TThe Garland, as17661203; Rural Love, as17661203

Event Comment: Rec'd of Miss Townsend for a place in the Boxes last night 5s. Gave King's Footmen #2 2s.; Queen's Footmen #2 2s.; King's Chairmen #2 2s.; Queen's Chairmen #2 2s.; Duke of Glouster's Footmen #2 2s. (Account Book). [The Account Book shows on this night a profitable balance of #5365 19s. 4d., for the operation of the theatre this season. During Rich's time a regular sum was deduted nightly for the Rich account (#6 in 1760-61) and in addition he withdrew large sums (up to #800) on many occasions. No such deductions or withdrawals appear so far in this last season of Beard's management.] Receipts: #197 15s. (Account Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Dr Faustus

Event Comment: New Scenes, Dresses, Machinery and other Decorations. Book of the Entertainment to be had at 1s. 6d. at Theatre. A Dramatic Romance by David Garrick, Music composed by Michael Arne. Gave King's Footmen and Chairmen #4 4s.; Queen's ditto; Dukes of York and Gloucester ditto (Treasurer's Book). [A memorandum dated 22 August 1766 (Folger Library, Garrick Album, 520 MS, Cage) explains that Michael Arne was to compose the Music for Cymon, and as compensation shall be intitled to and receive one third part of the profits of the three first nights which the author shall take for his own Benefits." Zachariah Stephens was witness. See 15 Jan. 1767.] Receipts: #196 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Benefit for Miss Elliot. This Comedy is intended to be perform'd only on Tuesdays, Thursdays and Saturdays. Charges #64 5s. Balance to Miss Elliot #24 9s. 6d. [No tickets seem to have been delivered.] Paid a bill for the Funeral of Mrs Cable #3 8s., and for the funeral of Grace Gould, #4 8s. (Account Book). [The latter had long been a servant in the theatre, and this year was Wardrobe Mistress.] Receipts: #88 14s. (Account Book)

Performances

Mainpiece Title: The School For Guardians

Dance: III: The Village Romps, as17661008; End: The Gallant Peasants-Fishar, Sga Manesiere. See The Gallant Shepherds by Fishar and Sga Manesiere 6 Dec. 1765