SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Crow Street Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal Crow Street Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4551 matches on Event Comments, 828 matches on Performance Title, 705 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Bannister Jun. 3rd piece: By permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Chronicle, 6 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: Mountaineers

Afterpiece Title: New Hay at the Old Market

Afterpiece Title: The Prize; or, 2

Event Comment: Benefit for Palmer. [1st piece originally acted in 1767 as Dido. Prologue by David Garrick.] 3rd piece [1st time; INT 1, consisting of 3 tales in verse inserted into a continuous verse narrative]: As intended for Representation at the Theatre Royal, Hay-market, by George Colman Ynger. Morning Herald, 3 Apr. 1797: This Day is Published My Nightgown and Slippers (2s. 6d.). True Briton, 25 Apr.: Tickets to be had of Palmer, No. 39, Great Pulteney-street, Golden-square. Receipts: #491 16s. (152.3; 77.16; 11.16; tickets: 250.1) (charge: #232 18s. 6d.)

Performances

Mainpiece Title: The Queen Of Carthage

Afterpiece Title: The Spoil'd Child

Afterpiece Title: My Nightgown and Slippers

Ballet: The Scotch Ghost. As17970105

Event Comment: Benefit for Wathen. 3rd piece: By permission of the Proprietor of the Theatre Royal, Covent Garden. True Briton, 2 June: Tickets to be had of Wathen, No. 2, Frith-street. Receipts: #358 1s. (54.12.0; 61.13.6; 3.14.0; tickets: 238.1.6) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Poor Soldier

Song: End: The Waggoner (composed by Dibdin)-Wathen

Event Comment: Benefit for Elliston [whose 1st appearance as Othello was at Bath, 8 July 1797]. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. True Briton, 30 Aug.: Tickets to be had of Elliston, No. 3, Frith-street, Soho

Performances

Mainpiece Title: Othello

Afterpiece Title: No Song No Supper

Song: End: Sweet Echo, the song-Mrs Bland, the echoMrs Atkins

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit; Or, The Female Crusoe

Afterpiece Title: The Inconstant

Afterpiece Title: The Son-in-Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

Event Comment: Benefit for Barrymore and Wathen. 3rd piece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Morning Chronicle, 8 Apr.: Tickets to be had of Barrymore, No. 20, Judd-place, Somers Town; of Wathen, No. 2, Frith-street, Soho. Receipts: #640 5s. 6d. (181.1.0; 53.7.0; 0.3.0; odd money: 14.17.0; tickets: 390.17.6) (charge: #212 6s.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Village Lawyer

Event Comment: Benefit for Miss Waters. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury Lane. Morning Chronicle, 3 May: Tickets to be had of Miss Waters, No. 43, Conduit-street, Hanover-square. Receipts: #461 0s. 6d. (172.11.0; 5.1.0; tickets: 283.8.6)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: No Song No Supper

Song: End II: a song [Rosalie (Monthly Mirror, Aug. 1799, p. 109)]-Miss Waters; End III: The Death of Admiral Benbow-Incledon; End IV: a favorite duet-Incledon, Miss Waters; End: Old Towler-Incledon

Event Comment: By Desire of His Excellency The Turkish Ambassador [Ismail Ferrouh Effendi]. Benefit for Miss Leak. ["His Excellency never made his appearance during the whole evening" (Dramatic Censor, II, 238).] Afterpiece: By permission of the Proprietor of the Theatre Royal, Covent Garden. Morning Chronicle, 22 May: Tickets to be had of Miss Leak, Upper Mews-gate, Castle-street. Receipts: #445 9s. (101.11; 64.1; 2.14; tickets: 277.3) (charge: #212 3s. 5d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Robin Hood

Song: End: a new song (composed by Dr Arnold,)-Miss Leak; accompanied on the Tamborine-Miss Leak

Ballet: After Singing: The Scotch Ghost. As17991202

Performances

Mainpiece Title: The Chapter Of Accidents

Performance Comment: Woodville-Holman; Lord Glenmore-Harley; Governor Harcourt-Munden; Captain Harcourt-Macready; Grey-Hull; Vane-Bernard; Jacob-Knight (from the Theatre Royal, Bath; 1st appearance [in London]); Miss Mortimer-Miss Chapman; Bridget-Mrs Knight (from the Theatre Royal, Bath; 1st appearance [at this theatre]); Warner-Mrs Platt; Cecilia-Miss Wallis.

Afterpiece Title: The Deserter

Event Comment: At Common Prices. Places for Boxes to be taken of Hobson, at the Stage Door of the Theatre. To begin exactly at 6 o'clock

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Mills; Aimwell-Delane; Sullen-Winstone; Scrub-Macklin; Gibbet-Neale; Mrs Sullen-Mrs Woffington; Dorinda-Mrs Mills; Lady Bountiful-Mrs Bridges; Cherry-Mrs Ridout; Boniface-I. Sparkes; Foigard-Barrington (from the Theatre in Dublin).

Song: Lowe, Mrs Arne

Event Comment: Mainpiece [1st time; CO 3]: Written by [John] O'Keeffe. The Music by Shield. With a new French Medley Overture, new Dresses, &c. The Words of the Songs to be had at the Theatre. [Mrs T. Kennedy was from the Newcastle theatre.]

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Davies, Wewitzer, Egan, Johnstone; Mrs Kennedy, Miss Wheeler, Mrs Martyr, Mrs T. Kennedy [on playbill of ij Nov.: 1st appearance on this stage], Mrs Webb, Mrs Bannister. [Cast from text (Dublin: W. Wilson, 1785), and Gazetteer, 17 Nov.: Lackland-Lewis; Lapoche-Quick; Sir Shenkin ap Griffin-Edwin; Sir John Bull-Wilson; Lord Winlove-Davies; Colonel Epaulette-Wewitzer; Drunken Butler-Egan; Robin-Darley; Henry-Johnstone; French Inn-keeper-Gaudry; Jockey-Kennedy; Postboy-Jones; Waiters-Helme, Thompson; Mrs Casey-Mrs Kennedy; Celia-Miss Wheeler; Nanette-Mrs Martyr; Miss Bull-Mrs T. Kennedy; Lady Bull-Mrs Webb; Rosa-Mrs Bannister.] hathi. hathi.

Afterpiece Title: The Citizen

Dance: End of mainpiece The Belle of the Village, as17840917

Event Comment: Benefit for the Author of the Farce [who is named in Kemble Mem., but not on the playbill. Kemble's 1st appearance as Leon was at Smock Alley Theatre, Dublin (Genest, VI, 295); Palmer's as the Copper Captain at hay, 15 July 1777]. Receipts: #133 15s. (94.17; 37.3; 1.15; tickets; none listed) (charge: #105)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Kemble (1st appearance in that character [in London]); Duke-Barrymore; Cacafogo-Moody; Don Juan-Packer; Sanchio-Phillimore; Alonzo-R. Palmer; Lorenzo-Lamash; Copper Captain-Palmer (1st appearance in that character [at this theatre]); Margaretta-Mrs Ward; Old Woman-Mr Baddeley; Maid-Mr Waldron; Altea-Miss Tidswell; Estifania-Miss Farren. [Edition of 1792 (William Jones) adds: Clara-$Miss Barnes.]

Afterpiece Title: The Doctor and the Apothecary

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Event Comment: Mainpiece: Not acted these 6 years [acted 7 Oct. 1791]. Middleton, after performing the first scene of Nerestan, retired abruptly into the wardrobe, pulled off his coat, and telling the dresser he should be back in ten minutes, left the theatre; he did not return, however, according to his appointment, and Davenport read the remainder of the character: a fit of insanity is supposed to have seized him" (Monthly Mirror, Jan. 1797, p. 55). [Middleton did not appear on the stage again until 27 Feb. 1797.] Afterpiece [1st time: P 2 (?), by James Wild and John Follett. MS of Songs only: Larpent MS 1148; synopsis of action in Pocket Magazine, Dec. 1796, p. 412]: With entire new Scenery, Machinery, Music, Dresses. The Overture and Music by Reeve. The Scenery painted by Phillips, Blackmore, Hollogan, Thorne, Byrn. The Machinery, Trick and Changes of Scenery invented and executed by Cresswell and Sloper. The Dresses by Dick, Mrs Egan. Books of the Songs to be had at the Theatre. "Among the changes are a trunk into a gingerbread nut-man's wheel-barrow--a poor man's hut into an old oak, with a group of Gypsies boiling their kettle under it--one of the clowns into a thick candle, and the candle afterwards into a green-house tub, with a large shrub in it" (Oracle, 20 Dec.). Receipts: #193 5s. 6d. (183.4.6; 10.1.0)

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin and Oberon; or, The Chace to Gretna

Performance Comment: Principal Vocal Parts-Incledon, Townsend, Linton, Gray, Street, Blurton, Tett, J. Linton, Lee, Philipps, Master Woodham, Master Platt, Master Goodwin, Master Paul, Master Ramage, Master Speare, Master Bernard, Mrs Henley, Mrs Castelle, Miss Burnett, Miss Leserve, Miss Walcup, Miss Owen, Mrs Masters, Mrs Watts, Miss Gray; Principal Pantomime Characters-Simpson, Follett, Delpini, Hawtin, Simmons, Powers, Wilde, Abbot, Thompson, Lee, Rayner, Cranfield, Claremont, Curties, Lewiss, Davies, Mlle St.Amand, Mrs Gilbert, Mrs Norton, Mrs Lloyd, Mrs Blurton; Fantoccini-, executed byMarinelli; Cast from Airs (T. N. Longman, 1796): Postman-Townsend; Lieutenant-Linton; Gypsies-Gray, Street; Oberon-Miss Gray; Harlequin-Simpson; Clown-Follett; Lover-Delpini; Father-Hawtin; Lover's Servant-Simmons; Old Gypsey-Mrs Henley; Colombine-Mlle St.Amand. No other parts assigned.
Event Comment: Benefit for Fawcett. 3rd piece [DO 2. Larpent MS 1251; not published]: Never acted at a Public Theatre [1st acted privately at Brandenburgh House, Hammersmith, 28 Feb. 1798]; Written by her Serene Highness the Margravine of Anspach. The Music partly by the Margravine, and partly by Sarti, Guglielmi, Paisiello, and Saphio. Grand Overture, La Chasse, by Reeve. The Scenery painted by Phillips, Lupino, Hollogan, &c. The Machinery by Sloper. The Dresses by Dick and Mrs Egan. Morning Chronicle, 17 Apr.: Her Serene Highness the Margravine of Anspach having, with unprecedented Kindness and Liberality, lent Mr Fawcett the Manuscript of the above magnificent and interesting Opera, he begs leave to state that nothing shall be wanted on his Part to render it as acceptable to the Public as it was to the Nobility who had the pleasure of seeing it at the Brandenburgh house Theatre. Ibid, 4 Apr.: Tickets to be had of Fawcett, No. 41, Frith-street, Soho. Receipts: #532 6s. 6d. (239.1.6; 2.9.0; tickets: 290.16.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Afterpiece Title: The Princess of Georgia

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, H. Johnston, Townsend, Simmons, Clarke, Miss Waters, Mrs Chapman, Miss Sims, Mrs H. Johnston. [Cast from Larpent MS: Giobar-Incledon; Morad-Munden; Acba-Fawcett; Daracardin-H. Johnston; Iskouriah-Townsend; Nainda-Miss Waters [in MS: Mrs Atkins]; Zara-Miss Sims; Illidia-Mrs H. Johnston [in MS: Mrs Pope]; unassigned-Simmons, Clarke, Mrs Chapman; Ambassadors and Suite from Armenia-Dyke, Hawtin, Abbot, Wilde, Blurton, Street, L. Bologna; Ladies of the Harem-Ms Gilbert, Ms Leserve, Ms Norton, Ms Masters, Ms Lloyd, Ms Burnett, Ms Walcup, Ms Blurton.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Parts-Actors from the Theatre Royal.

Song:

Dance:

Event Comment: Benefit Denoyer. By Command of His Royal Highness. Mainpiece: Taken from Moliere. London Daily Post and General Advertiser, 17 March: The celebrated Monsieur Denoyer and Mademoiselle Salle, by Permission of the Masters of the two Theatres Royal, have agreed to dance together at each other's Benefit

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: The Lottery

Dance: I: Russian Sailor by Denoyer, &c. II: By Denoyer's Apprentice. III: Shepherd's Mount by Denoyer, Mlle Salle, &c, with a new Scene, and New Habits. V: Minuet (in modern Habits) by Denoyer and Mlle Salle

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Chymical Counterfeits

Performance Comment: As17401106, but in which will be introduced a Song in Honour of Admiral Vernon's Victories in the West-Indies, as it was performed at the Theatre-Royal in Drury-Lane-.

Dance: As17401110

Performances

Mainpiece Title: The Indian Merchant; Or, The Happy Pair; Interspers'd With The Comical Humours Of The intriguing Chambermaid, sir John Oldcastle, And The drunken Colonel

Performance Comment: A Comedy of two Acts. Merchant-Dove; Oldcastle-Smith; Colonel-Phillips; Rakert-Yeates; Valentine-Wallis; Pride-Powell; Puff-Davis; Security-Johnson; Trick-Evenel; Constable-Wood; Slap-Archer; Mrs Highman-Mrs Tucker; Charlotte-Miss Ferguson; Lady Pride-Mrs Habito; Lady Ruff-Mrs Simmons; Lettice-Mrs Phillips, from Theatre Royal in Drury Lane.

Afterpiece Title: The Miser Bit; or, Harlequin Reveller

Performance Comment: Harlequin-Phillips, from Theatre Royal in Drury Lane; Miser-Smith; Colombine-Mrs Dove; Clown-Dove.

Song: I: Bumper Squire Jones-Phillips

Dance: LLa Mason and Sabotiers-Phillips, Mrs Dove

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17430121, but Lothario-the late Pantentee of the Theatre Royal in Drury-Lane [Highmore]; Lucilla-Miss Hippisley.

Afterpiece Title: The Mock Doctor

Dance: II: Welch Buffoons-two Masters Granier; IV: A Scotch Dance-three Graniers; End of Farce: a Grand Ballet-Mr Carney, Mrs Roland

Performances

Mainpiece Title: Love For Love

Performance Comment: As17430217, but Prue-Miss Hippisley, from the Theatre Royal in Covent Garden; Snap-Freeman; Mrs Foresight-Mrs Bambridge; Nurse-Mrs Haughton; Jeremy-Miss Royer; Epilogue [kindly sent to his [Milward's] Widow the Night before by the Gentleman who wrote The Man of Taste [James Miller]-Cibber. (Theatrical Clippings, Folger Library.)

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: Ephesian Duke; Or, Blunder Upon Blunder, Yet All's Right At Last

Performance Comment: The Parts-the best Actors; the Songs-the best Singers; the Dances-the best Dancers, to and from the Theatres-Royal.

Afterpiece Title: The Battle of Dettingen

Dance: WWooden@Shoe Dance-LaPierre, never performed by any but himself; Le Paisans Leger-LaPierre, Mlle Mariette

Song: Blogg, Miss Atherton; The Whole to conclude with a Song made upon that Occasion, set to Musick, and-Mr Blogg

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Captain O'Blunder; or, the Brave Irishman

Performance Comment: Captian O'Blunder-Banberry; Schemewell-L. Hallam; in which will be introduced an Irish Song called Arra my Judy-Barrington at the Theatre-Royal in Drury Lane.

Dance: The two Masters Granier, Miss Granier; Wooden Shoe Dance, Hornpipe-Banberry

Event Comment: Paid to Sun Fire Office Insurance #15; Paid for a poker and shovel 5s. (Treasurer's Book). [This policy was doubltless similar to No 109085 dated 29 July 1747 issued to James Lacy and David Garrick Esq. Patentees of His Majesties Company of Comedians of the Theatre Royal Drury Lane, for #4,000: "On the Goods and Furniture, Wardrobe Apparel, Machines and Scenes, not valued as pictures, in the House, Dressing Rooms, Wardrobe, and Scene Rooms, of the said Theatre Royal, adjoining togethe r and situate in Drury Lane aforesaid and not elsewhere, not exceeding #4,000...Note: Except such Loss and Damage as may happen by any Fire occasioned by means of any representation in any Play or Farce or in any Rehearsal of the same." (From copy of original policy, by courtesy J. A. Miller, Esq. General Manager, Sun Insurance Office Ltd., sent me in ltr. dated 5 July 1951.)] Receipts: #110 (Cross). #104 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Dance: As17491220

Song: III: Master Mattocks

Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello, By Gentlemen

Related Works
Related Work: Justice Busy; or, The Gentleman Quack Author(s): John Crowne