SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal York"/1) | (@(roleclean,performerclean) "Theatre Royal York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3502 matches on Event Comments, 746 matches on Performance Title, 736 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Both pieces by Command of their Royal Highnesses the Prince and Princess of Wales

Performances

Mainpiece Title: King Henry Iv, Part Ii, With The Humours Of Falstaff

Performance Comment: Falstaff-Quin; King Henry-Gibson; Wales-Ryan; Achbp York-Bridgwater; Mowbray-Redman; Hastings-Anderson; Westmorland-Usher; Prince John-Ridout; Gloster-Baker; Clarence-Miss Hippisley; Poins-Bransby; Coleville-Elrington; Chief Justice-Sparks; Silence-Stoppelaer; Bardolph-Marten; Doll-Miss Haughton; Peto-Atkins; Shallow-Arthur; Bullcalf-Dunstall; Feeble-Collins; Mouldy-Bencraft; Shadow-Hacket; Pistol-Cushing; Hostess-Mrs Macklin.
Cast
Role: Achbp York Actor: Bridgwater

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit for Mr Norton Amber, formerly a Patentee, & Banker, now Pit Doorkeeper (Cross), late of the Strand (Winston MS 7). Tickets to be had at Mr Pierce's at the Castle Tavern, Corner of Henrietta Street, in Bedford Street, Covent Garden; Mr Frye's a Hosier, the Corner of James Street, Long Acre; King Street Coffee House, near Guild Hall; Batson's Coffee House, Cornhill; and at the Theatre. Places will be taken at the Stage Door of the theatre. This Day publish'd, Young Scarron, at 2s. 6d. sew'd, 3s. bound. Dedicated to the managers of both theatres. "The Stage reproves the follies of the age. For once we'll laugh at Follies of the Stage." Anon. Printed for T. Tyre, near Gray's Inn Holborn and W. Reeve in Fleet St. (General Advertiser). A comical and satirical account of summer strolling players: "When the time draws near that the Theatres Royal disband their troops, or rather grant their furloses till the next Campaign, each private Man becomes an Officer; and they who for nine months before submitted to Monarchical Government, now form themselves into several republicks for the remaining three. Then each Hero takes the path of his own ambition...The various whimsical disputes that arise from this kind of Emulation, are, in part the subject of the following sheets" (173 pp. Written by Thomas Mozeen, Biographia Dramatica). Receipts: #220 (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Lethe

Dance: HHornpipe-Matthews, the Little Swiss; With Entertainments as will be express'd in the Great Bills

Song: I: Song-Beard

Event Comment: Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Second Price 6d. No Money to be returned. Places for the Boxes to be taken of Fosbrook at the office in Russel Street. The Doors t be opened at 5:30. To begin at 6:30 [see 4 Dec.]. Printed by C. Lowndes next the Stage-door. The Public are respectfully informed that the Entrances to the Pit are now removed from Bridges Street to Russel Street and Wooburn Street. In Wooburn Street the Lower Saloon is opened for the accomodation of the Frequenters of the Pit, previous to Opening the office Doors of admission. Many complaints having been made by the Frequenters of this Theatre respecting the application of the Box and office keepers and other Servants of the Theatre for Benefit Tickets, Christmas Boxes, &c., the Public are respectfully informed that a full compensation being made by the Proprzetors to all the said Persons in lieu of all such emoluments, no Benefit, Gift, or Perquistite will in future be permitted to the servants of this Theatre on any pretence whatever. [On Kemble playbill Kemble has written, "See June 14th and 15th for the Benefit of the Boxkeepers, and the perpetuating of this Ruse, if it is one at all."] Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #324 8s. 6d. (227.19.0; 94.13.6; 1.16.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Children in the Wood

Song: In III: a song-Dignum

Event Comment: DDaily Journal, 8 Aug.: On Wednesday last in the Evening her Majesty, the Prince of Wales, his Royal Highness the Duke, the Princess Royal, and the Princesses Amelia and Carolina, were entertained in the Gardens at Richmond by the Comedians of the Theatre Royal in Lincoln's-Inn-Fields

Performances

Mainpiece Title: Unknown

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. This evening their Royal Highnesses the Prince and Princess of Wales and the young Princes will be at the Theatre Royal in Covent Garden to see the tragedy of the Fair Penitent (General Advertiser)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Damon and Phillida

Event Comment: Doors open at 6. Play to Begin exactly at 7. Books of the Interlude to be had at the theatre. Paid for a license for The Royal Garland #1 1s. (Account Book). Receipts: #173 17s. 6d. (Account Book)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule-DuBellamy; Jobson-Dunstall; Lady Loverule-Mrs Pitt; Nell-Mrs Green. *u§´cg IInterlude: The Royal Garland. As17681010.
Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Event Comment: Benefit Delane. Mainpiece: As written by Shakespear. Tickets deliver'd for Monday the 9th will be taken. Tickets to be had of Delane at his lodgings at the Unicorn in New Exchange Row in the Strand. Places of Hobson at the stage door. There is now in rehearsal at the Theatre Royal [dl] and speedily will be acted, a new Petit Piece in imitation of that species of writing on the French Theatre call'd The Suspicious Husband Criticiz'd; or the Plague of Envy (General Advertiser). [A Folger edition of 1750 entitled Chorus for Shakespear's Tragedy of King John lists songs by Sullivan, Mrs Lampe, Mrs Storer, and Mrs Mozeen; the play had no other performance at a London theatre in the interim between 1747 and 1750.

Performances

Mainpiece Title: King John

Afterpiece Title: The Dragon of Wantley

Dance: As17470314

Event Comment: [For the King (Cross). With New Music, Scenes, Machines, Habits, and other Decorations. Compos'd by Mr Noverre. All our Dancers appear. A good deal of hissing & Clapping & some Cries of No french Dancers; a great clapping too-the Dance is fine-(Mr Delaistre is a good Dancer) (Cross). [See for details of preparation, importation of dancers, especially of M Delaistre, The Chevalier Noverre, Father of Modern Ballet, Deryck Lynham (London, 1950), pp. 26-40. See also advertisement in Public Advertiser: 'Mr Noverre, whose entertainments of Dancing have been celebrated in almost all the courts of Europe, exhibits this evening his Chinese Festival at the Theatre Royal in Drury Lane, in pursuance of a contract made above a year ago with the managers of the said theatre: The Insinuation that at this time, an extraordinary number of French dancers are engaged, is groundless, there being at Drury Lane at present as few of that nation, as any other theatre now has, or perhaps ever had. Mr Noverre and his brothers are Swiss, of a protestant family in the Canton of Berne, his wife and her sisters Germans; there are above sixty performers concerned in the entertainment; more than forty of which are English, assisted only be a few French (five men and four women) to complete the Ballet as usual. As the intention of the Managers on this occasion is to give Variety to Entertainments of the town, it is not doubted it will meet with public approbation.'] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: New Grand EntertainmentThe Chinese Festival

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Poor Soldier

Performance Comment: Patrick-Johnstone; Fitzroy-Bannister; Dermot-Incledon (from the Theatre Royal, Bath; 1st appearance on this stage); Father Luke-Rock; Bagatelle (with a song in character)-Marshall (from the Theatre, Birmingham; 1st appearance at this theatre); Darby-Ryder; Kathlane-Mrs Martyr; Norah-Mrs Mountain.
Event Comment: Advance broadside of 7 Apr.: The performance of Plays, in this Theatre, is unavoidably postponed on account of the extent of the Preparations for compleating the Scenery and Machinery in a Style suitable to the Theatre. But at the Request of Numbers of Ladies and Gentlemen, who have hitherto been disappointed of Places, there will be this Week Four Performances of Grand Selections of Music and Oratorios . . . After Saturday the Theatre will close till Compleat for Dramatic Representations. Receipts: #525 12s. 6d. (515/12/6; tickets: 2/2/0; 7/18/0)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .

Music: End of Part II concerto on the violin by Giornovichi

Event Comment: Mainpiece: The Tragedy of King Richard the Second is to be had this Day at the Theatre. Afterpiece: With all the Scenes, Machines, Flyings, and other Decorations. Receipts: #86 9s

Performances

Mainpiece Title: King Richard The Second

Performance Comment: Richard-Ryan; Duke of York-Boheme; Aumerle-Quin; Queen-Mrs Seymour; Lady Piercy-Mrs Bullock.
Cast
Role: Duke of York Actor: Boheme

Afterpiece Title: Amadis; or, The Loves of Harlequin and Colombine

Event Comment: As 27 Nov. 1738. Mainpiece: Alter'd from Shakespear. Victor, History of the Theatres, II, 48: In the Year 1738, having, as he [Colley Cibber] said, Health and Strength enough to be as useful as ever, he came to Terms with Mr Fleetwood for his performing Richard, Fondlewife, Sir John Brute, &c. All his Comedy Parts he was right in, but in Richard he found his Mistake; his usual Strength and Spirit failed him most unhappily. I went behind the Scenes in the third Act, and asking him how he fared? He whispered me in the Ear, "That he wou'd give fifty Guineas to be then sitting in his easy Chair by his own Fireside.

Performances

Mainpiece Title: King Richard The Third

Performance Comment: See17380930, but King Richard-Cibber Sr, the first time of his appearing in that character these seven years; King Henry-Milward; Buckingham-Mills; Richmond-Cibber Jr; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Pritchard; Lady Anne-Mrs Mills.

Afterpiece Title: The Mock Doctor

Dance: Muilment

Event Comment: Benefit Turbutt and Leviez. N.B. There having been a Parcel of Tickets lost or Mislaid, to prevent Impositions on the Publick, notice is hereby given, that proper persons are appointed to attend the Passages of the Theatre, and stop the Admission of Tickets sold by Orange Woman, and others. Tickets deliver'd out by a Gentleman will be taken. Tickets and places to be had of Bradshaw, &c; and at Ben Johnson's Head, in Little Britain; and of Leviez at the Blue Door in Great Queen St., Lincoln's Inn Fields. Receipts: #150

Performances

Mainpiece Title: Richard Iii

Performance Comment: As17411228, but Richard (by Desire)-Turbutt; King Henry-Berry; Richmond-Cross; Ratcliffe-Woodburn; Tressel-Ridout; Duke of York-Miss Cole; Norfolk-_; Oxford-_; Forest-_; Dighton-_; Blunt-_.
Cast
Role: Duke of York Actor: Miss Cole
Role: Duchess of York Actor: Mrs Bennet

Afterpiece Title: The King and Miller of Mansfield

Song: I: Song with French Horns-Beard; IV: War he sung was Toil and Trouble-Mrs Clive

Dance: III: New Running Footman's Dance-Phillips; V: a Hornpipe-Phillips

Event Comment: [G$Garrick] promised me the Part of Tressel; when the Play was given out, and I prepar'd for it, I saw in the Bills next Morn, another Person's Name [Blakes].-Charles Adams to John Gilbert-Cooper, quodet in Theatre Notebook, XI (1957) p. 136. Receipts: #180 (Cross); #182 9s. 6d. (Powel)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17480929, but Buckingham-Bridges; Blunt-Barnet; Duchess of York-Mrs Bennet.

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King Henry-Garrick; Prince John-Lee; Gloster-Master Cautherly; Clarence-Master Burton; Prince of Wales-Holland; Achpb of York-Havard; Chief Justice-Bransby; Westmorland-Burton; Hastings-Ackman; Lord Bardolph-Mozeen; Mowbray-Stevens; Gower-Castle; Justice Shallow-Yates; Justice Silence-Blakes; Colville-Fox; Poins-Packer; Bardolph-Clough; Feeble-Vaughan; Mouldy-Moody; Pistol-King; Shadow-Parsons; Bullcalf-Philips; Davy-Marr; Fang-Watkins; Falstaff's page-Miss Rogers; Hostess-Mrs Bradshaw; Doll Tearsheet-Mrs Lee; Falstaff-Love.
Cast
Role: Achpb of York Actor: Havard

Afterpiece Title: The Apprentice

Event Comment: By Order of the Grand Buck for the Benefit of Wignell and Davis. N.B. Places will be kept in the front boxes for the brethren of the Mcst Noble Order, who are desired to meet the Grand Buck and His Council at the Shakespeare's Head in the Great Piazza, by 5 o'clock, from thence to proceed to the theatre, and bring the ensigns of the Order with them (playbill). Charges #66 3s. 6d. Deficit to beneficiaries #4 6s. 3d. apiece, cover'd by income from tickets: Wignell #78 4s. (Box 82; Pit 290; Gallery 142); Davis #74 4s. (Box 59; Pit 281; Gallery 173) (Account Book). Receipts: #57 11s

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17721019, but Richmond-Davis; Tressel-Wroughton; King Henry-Younger; Norfolk-Perry; Catesby-Fox; Lord Mayor-Wignell; Dutchess of York-Mrs Ferguson; Lady Anne-Miss Ogilvie; Queen-Mrs Vincent.

Afterpiece Title: The Citizen

Dance: End: The Whim, as17730426

Event Comment: Mainpiece [1st time in London; T 3, by William Hayley, 1st acted at Chichester, late in May 1784. Text in his Plays . . . for a Private Theatre (T. Cadell, 1784). Prologue by George Colman, the elder (European Magazine, Aug. 1784, p. 165). Contrary to the usual custom on the 1st night of a new play, the parts on this occasion are assigned]. "Palmer had done with Lord Russel as he did with many other characters, that is, totally neglected to study the words of the part . . . Whenever he felt himself at a loss he dexterously introduced some passages from The Earl of Essex, which he contrived to fit into the cues received by Lord Russel." His brother, R. Palmer, who told this anecdote to Boaden, said that the audience suspected nothing amiss (Boaden, Kemble, I, 193)

Performances

Mainpiece Title: Lord Russel

Performance Comment: Russel-Palmer; Cavendish-Bannister Jun.; Charles the Second-Aickin; Duke of York-Williamson; Spencer-Davies; Lieutenant-Usher; Bedford-Bensley; Lady Margaret Russel-Miss Kemble; Lady Russel-Miss Woollery. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Duke of York Actor: Williamson

Afterpiece Title: The Agreeable Surprise

Event Comment: Rich's Company. Post Boy, 27-29 April 1699: Her Royal Highness is this day pleased to see the Opera, call'd The Island Princess, Performed at the Theatre Royal by her own Command

Performances

Mainpiece Title: The Island Princess

Event Comment: Benefit Griffith, from the Theatre Royal in Dublin. By Command of his Royal Highness the Duke

Performances

Mainpiece Title: Love Makes A Man

Dance: Roger, Essex, Lally, Houghton, Rainton, Mrs Walter, Mlle Delorme, Miss Robinson

Event Comment: Written by Sir John VanBrugh. Last night their Royal Highnesses the Prince and Princess of Wales, Prince George and Prince Edward were at the Theatre Royal in Covent Garden to see the Comedy of Aesop and the Rape of Proserpine.-London Daily Post and General Advertiser

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Rape of Proserpine

Event Comment: Benefit Arne. Tickets to be had of Arne next door to the Crown in Great Queen St., by Lincoln's Inn Fields; at St. James's Coffee House; at Nando's Coffee House, Temple Bar; and at Mr Simpson's Music Shop in Sweeting's Alley near the Royal Exchange, and places taken of Hobson at the Stage Door where tickets may also be had. -General Advertiser. Last night, at the Theatre Royal in Drury Lane was perform'd King Pepin's Campaign, with great applause. The Music is said to be inimitable in its way. -Daily Advertiser, 17 April

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: King Pepin's Campaign

Song: I: Gentle Shepherd-Mrs Arne

Dance: II: Muilment

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Lee; Johnson-Young Gentleman, first appearance on any stage; Smith-Casey; Prince Volscius-Keasberry, from the Theatre Royal in Bath; Prince Prettyman-Loveman; Gentleman Usher-Vandermere; Physician-Graham; Drawcansir-Hamilton; Tom Thimble-Brownsmith; Chloris-Mrs Graham; also a Grand Battle-Mr Bayes new rais'd Regiment of Horse.

Afterpiece Title: Damon and Phillida

Event Comment: To be published by Subscription: A General History of The Stage, for the last ten years; comprehending all remarkable Occurrences during that Period, the Production and Success of every new Piece, and Anecdotes of the Principal Performers. By Joseph Younger. Prompter to the Theatre Royal In Covent Garden. Printed Proposals to be had Becket and DeHondre in the Strand, and of Griffin in Catherine Street

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Skeleton

Cast
Role: Chasseur Royale Actor: Mahon
Role: Chasseur Royal Actor: Mahoon

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Philips, from Theatre Royal, Edinburgh, his first appearance upon this Stage (a Scholar of Dr Arne's); Thomas-DuBellamy; Dorcas-Saunders; Sally-Mrs Jewell.

Dance: TThe Cowkeeper-Master West, Miss West