SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Manchester"/1) | (@(roleclean,performerclean) "Theatre Royal Manchester")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3365 matches on Event Comments, 728 matches on Performance Title, 475 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Desire. His Royal Highness the Duke of Cumberland was at the Theatre Royal in Drury Lane, to see the tragedy of The Orphan; being the first time of his Royal Highness's being at either of the Theatres since his indisposition (General Advertiser, 4 Jan.). Receipts: #180 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: The Chapter Of Accidents

Performance Comment: Woodville-Holman; Lord Glenmore-Harley; Governor Harcourt-Munden; Captain Harcourt-Macready; Grey-Hull; Vane-Bernard; Jacob-Knight (from the Theatre Royal, Bath; 1st appearance [in London]); Miss Mortimer-Miss Chapman; Bridget-Mrs Knight (from the Theatre Royal, Bath; 1st appearance [at this theatre]); Warner-Mrs Platt; Cecilia-Miss Wallis.

Afterpiece Title: The Deserter

Event Comment: The King's Company. This marks the opening of the new Theatre Royal in Bridges Street, Drury Lane, to which Killigrew moved his company from Vere Street. Downes erroneously gives the opening date as 8 April, a fact which led to the creation of the famous spurious playbill for Bridges Street, Thursday, 8 April 1663. See Montague Summers, The Restoration Theater (London, 1934), p. 15. Pepys, Diary: This day the new Theatre Royal begins to act with scenes the Humorous Lieutenant, but I have not time to see it, nor could stay to see my Lady Jemimah lately come to town, and who was here in the house. Downes (p. 3): Note, this Comedy was Acted Twelve Days Successively

Performances

Mainpiece Title: The Humorous Lieutenant

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Angelina-Miss Purdon; Louiza-Miss Seal; Elvira-Miss Ben; other Parts-Persons from Theatre Royal in Drury-Lane.

Dance: A Gentleman for his Diversion

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Parts-Actors from the Theatre Royal.

Song:

Dance:

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Giffard; Acasto-W. Williams; Polydore-Collet; Chamont-W. Giffard; Chaplain-R. Williams; Serina-Mrs Thomas; Page-Mrs Mountfort; Monimia-Mrs Giffard from the Theatre Royal in Dublin, being the first Time of her Appearance on the English Stage.
Event Comment: Benefit Denoyer. By Command of His Royal Highness. Mainpiece: Taken from Moliere. London Daily Post and General Advertiser, 17 March: The celebrated Monsieur Denoyer and Mademoiselle Salle, by Permission of the Masters of the two Theatres Royal, have agreed to dance together at each other's Benefit

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: The Lottery

Dance: I: Russian Sailor by Denoyer, &c. II: By Denoyer's Apprentice. III: Shepherd's Mount by Denoyer, Mlle Salle, &c, with a new Scene, and New Habits. V: Minuet (in modern Habits) by Denoyer and Mlle Salle

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Chymical Counterfeits

Performance Comment: As17401106, but in which will be introduced a Song in Honour of Admiral Vernon's Victories in the West-Indies, as it was performed at the Theatre-Royal in Drury-Lane-.

Dance: As17401110

Performances

Mainpiece Title: The Indian Merchant; Or, The Happy Pair; Interspers'd With The Comical Humours Of The intriguing Chambermaid, sir John Oldcastle, And The drunken Colonel

Performance Comment: A Comedy of two Acts. Merchant-Dove; Oldcastle-Smith; Colonel-Phillips; Rakert-Yeates; Valentine-Wallis; Pride-Powell; Puff-Davis; Security-Johnson; Trick-Evenel; Constable-Wood; Slap-Archer; Mrs Highman-Mrs Tucker; Charlotte-Miss Ferguson; Lady Pride-Mrs Habito; Lady Ruff-Mrs Simmons; Lettice-Mrs Phillips, from Theatre Royal in Drury Lane.

Afterpiece Title: The Miser Bit; or, Harlequin Reveller

Performance Comment: Harlequin-Phillips, from Theatre Royal in Drury Lane; Miser-Smith; Colombine-Mrs Dove; Clown-Dove.

Song: I: Bumper Squire Jones-Phillips

Dance: LLa Mason and Sabotiers-Phillips, Mrs Dove

Performances

Mainpiece Title: The Stratagem

Performance Comment: Scrub-Cibber; Archer-Giffard; Mrs Sullen-Mrs Giffard; Aimwell-W. Giffard; Sullen-Peterson; Freeman-Mozeen; Foigard-Julian; Gibbet-Clough; Boniface-Dunstall; Lady Bountiful-Mrs Bambridge; Dorinda-Mrs E. Giffard; Gipsey-Mrs Dunstall; Cherry-Mrs Chetwood, from the Theatre Royal in Dublin.

Afterpiece Title: Imprisonment of Harlequin

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17430121, but Lothario-the late Pantentee of the Theatre Royal in Drury-Lane [Highmore]; Lucilla-Miss Hippisley.

Afterpiece Title: The Mock Doctor

Dance: II: Welch Buffoons-two Masters Granier; IV: A Scotch Dance-three Graniers; End of Farce: a Grand Ballet-Mr Carney, Mrs Roland

Performances

Mainpiece Title: The Country Wife

Performance Comment: Pinchwife-a Gentleman from Theatre Royal Dublin; Sir Jasper Fidget-Macklin; Sparkish-Neale; Harcourt-Blakes; Mrs Pinchwife-Mrs Clive; Lady Fidget-Mrs Pritchard; Horner-Mills; Dorilant-Cross; Quack-Turbutt; Alithea-Mrs Ridout; Lucy-Mrs Bennet.

Afterpiece Title: The Dragon of Wantley

Song: II: Stella and Flavia-Beard; IV: (By Particular Desire) Bumper Squire Jones-Beard

Music: IV: a Concerto-Piantanida

Dance: III: A Comic Dance-Boromeo, Mlle Bonneval

Performances

Mainpiece Title: Love For Love

Performance Comment: As17430217, but Prue-Miss Hippisley, from the Theatre Royal in Covent Garden; Snap-Freeman; Mrs Foresight-Mrs Bambridge; Nurse-Mrs Haughton; Jeremy-Miss Royer; Epilogue [kindly sent to his [Milward's] Widow the Night before by the Gentleman who wrote The Man of Taste [James Miller]-Cibber. (Theatrical Clippings, Folger Library.)

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: Ephesian Duke; Or, Blunder Upon Blunder, Yet All's Right At Last

Performance Comment: The Parts-the best Actors; the Songs-the best Singers; the Dances-the best Dancers, to and from the Theatres-Royal.

Afterpiece Title: The Battle of Dettingen

Dance: WWooden@Shoe Dance-LaPierre, never performed by any but himself; Le Paisans Leger-LaPierre, Mlle Mariette

Song: Blogg, Miss Atherton; The Whole to conclude with a Song made upon that Occasion, set to Musick, and-Mr Blogg

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Captain O'Blunder; or, the Brave Irishman

Performance Comment: Captian O'Blunder-Banberry; Schemewell-L. Hallam; in which will be introduced an Irish Song called Arra my Judy-Barrington at the Theatre-Royal in Drury Lane.

Dance: The two Masters Granier, Miss Granier; Wooden Shoe Dance, Hornpipe-Banberry

Event Comment: Last Thursday morning, Mr Harrington, Prompter to the Theatre Royal, being delerious and in a high fever, in the absence of his Nurse-keeper, threw himself out of his lodging window, and was killed by the fall. [See A Full and true Account of the woeful and wonderftl apparition of Hurloe Harrington, late prompter to the Theatre Royal in Dublin (London, 1750).] Receipts: #140 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Anatomist

Song: IV: Master Mattocks

Event Comment: Paid to Sun Fire Office Insurance #15; Paid for a poker and shovel 5s. (Treasurer's Book). [This policy was doubltless similar to No 109085 dated 29 July 1747 issued to James Lacy and David Garrick Esq. Patentees of His Majesties Company of Comedians of the Theatre Royal Drury Lane, for #4,000: "On the Goods and Furniture, Wardrobe Apparel, Machines and Scenes, not valued as pictures, in the House, Dressing Rooms, Wardrobe, and Scene Rooms, of the said Theatre Royal, adjoining togethe r and situate in Drury Lane aforesaid and not elsewhere, not exceeding #4,000...Note: Except such Loss and Damage as may happen by any Fire occasioned by means of any representation in any Play or Farce or in any Rehearsal of the same." (From copy of original policy, by courtesy J. A. Miller, Esq. General Manager, Sun Insurance Office Ltd., sent me in ltr. dated 5 July 1951.)] Receipts: #110 (Cross). #104 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Dance: As17491220

Song: III: Master Mattocks

Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello, By Gentlemen

Event Comment: The Play of Othello, which was performed last night at Drury Lane theatre, by some gentlemen and ladies to the most numerous and polite Audience that could be assembled, went off throughout with great approbation and applause (General Advertiser). [See A Satirical Dialogue between a Sea Captain and his friend in Town: Humble submitted to the Gentlemen who deformed the Play of Othello on Th-rs-y M- the 7th....To which is added a Prologue and Epilogue much more suitable to the occasion than their own. (London [n.d.], BM 11,795, K 31, 8pp): @'Good manners oblig'd them sometimes to applaud@Tho' they little deserv'd it...'@ The author laments the fact that the expenditure (#1,500) was not put out to charitable purposes, rather than for such entertainment.] This day is publish'd at 1s. 6d., beautifully printed, Alfred, a Masque, acting at the Theatre Royal in Drury Lane, by Mr Mallet. Printed for A. Miller, opposite Catherine St in the Strand, where may be had Alfred, a Masque, represented before their Royal Highnesses the Prince and Princess of Wales at Cliefden, on the first of August 1740. Written by Mr Thomson and Mr Mallet

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Lethe

Performance Comment: Mercury-the above Italian Gentleman; Lady-Gentlewoman from the Theatre-Royal in Dublin; To conclude with the Grand March from Judas Maccabeus-.

Song: Vocals-an Italian Gentleman

Performances

Mainpiece Title: The Revenge

Performance Comment: Zanga-Jackson (from the Theatre-Royal, Crow Street, Dublin); Carlos-Lewis; Alvarez-L'Estrange; Manuel-Robson; Alonzo-Wroughton; Isabella-Miss Ambrose; Leonora (with an Occasional Prologue)-Mrs Jackson.
Cast
Role: Theatre Actor: Royal, Crow Street, Dublin

Afterpiece Title: Don Quixote in England

Dance: After monologue: The Humours of Leixlip, as17770425

Entertainment: End: Monologue. Tony Lumpkin's Adventures in a Trip to London, as17770428

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17770929, but Juliet-Mrs Keefe [recte O'Keeffe] (from the Theatre-Royal in Crow Street, Dublin; 1st appearance on the English stage). 1st appearance on the English stage).

Afterpiece Title: The Norwood Gypsies

Dance: In: Masquerade Scene-; Minuet, as17770929; Afterpiece: Dancing, as17771229

Song: As17770929

Performances

Mainpiece Title: The Brothers

Performance Comment: Ironsides (with the Original Epilogue)-Wilkinson (of the Theatre-Royal, York); Elder Belfield-Booth; Paterson-Whitfield; Goodwin-L'Estrange; Philip-Robson; Francis-Thompson; Young Belfield-Wroughton; Jonathan-Fearon; Skiff-Wewitzer; Sir Benj. Dove-Quick; Sophia-Mrs Mattocks; Violetta-Mrs Bulkley; Fanny-Miss Dayes; Lucy Waters-Mrs Poussin; Kitty-Miss Valois; Lady Dove-Mrs Green.
Cast
Role: Theatre Actor: Royal, York

Afterpiece Title: The Mayor of Garratt

Dance: As17771222

Performances

Mainpiece Title: The Spanish Friar

Performance Comment: Torrismond-Harricks; Bertran-Sincock; Raymond-Smith; Pedro-Echells; The Friar-Bowles; Gomez-Bailey; Alphonso-Kenny; Lorenzo-West; Elvira-Mrs West; Teresa-Mrs Smith; Queen-Mrs Robinson (from the Theatre-Royal at Bath).
Cast
Role: Theatre Actor: Royal at Bath.

Afterpiece Title: The Irish Widow

Entertainment: Monologues End I: Bucks have at Ye All-Master Russell; End I afterpiece: an Address to the Ladies on the subject of Jealousy-Master Russell; Imitations End: of several Dramatic Characters-Master Russell

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: [Principal Characters by Palmer, Griffin (from the Theatre Royal, Bath), Gardner, Jackson, Massey, Painter, Webb (from the Theatre Royal, Edinburgh), Mrs Webb, Miss Farren, Mrs Poussin, A Young Gentlewoman (1st appearance on any stage Miss Powel]). [Cast from London Chronicle, 2 July, and adjusted from playbill of 9 June 1777: Young Marlow-Palmer; Hastings-Griffin; Sir Charles Marlow-Gardner; Tony Lumpkin-Jackson; Diggory-Massey; Landlord-Painter; Hardcastle-Webb; Mrs Hardcastle-Mrs Webb; Miss Hardcastle-Miss Farren; Betty-Mrs Poussin; Miss Neville-Miss Powel.

Afterpiece Title: Buxom Joan