Event Comment: By Command of their Majesties. A new serious Opera. Pit and Boxes put together and no Persons to be admitted without Tickets, which will be delivered this Day, at the Office, at Half a Guinea each. Gallery 5s. By their Majesties Command no Persons whatsoever to be admitted behind the Scenes or in the Orchestra. Gallery, Pit and Boxes to be opened at Five. 6:30 p.m. [Repeated in the subsequent bills.] Messrs Crawford, Vincent, and Gordon most humbly request that the Nobility and Gentry, Subscribers to the Operas for the ensuing Season, will please send their Subssciptions to Andrew Drummond and Co., Bankers at Charing Cross; or to Crawford, at the theatre, where attendance will be given every day from Ten to Two, to receive Subscriptions, and the names of the Subscribers who are pleased to honor the Managers with their Protection to enable them to get the Tickets engraved before the Operas begin (Public Advertiser through October and November)

Event Comment: A New Musical Comedy in 3 Acts never performed before. New Scenes and Habits. Book of the Comedy to be had at the Theatre. [Richard Cumberland's second dramatic piece, and first one to be performed (Genest, V, 104).

Event Comment: Mainpece: By Desire. [An article appeared in the St James Chronicle; or, British Evening Post proposing reserved seats for the theatre, and suggesting a method by which to operate the system.

Event Comment: [Playbill notes this performance as the Fifth. See 16 Dec. 1765.] Books of the Comedy to be had at the Theatre

Event Comment: By Command of their Majesties. [Sga Spagnolla had been ill and missed a number of performances. For singers and dancers see following letter.] Sir: I am one of those to whom an Oratorio or an Opera (whether Italian or English) gives exquisite delight; and am therefore glad that, as the town is now full, those entertainments will, very probably, be crowded; and thus amply repay the several managers, for the great risk they run, as to their property, as well as for the vast pains they take to amuse us; for the labour employed, on those occasions, is infinitely greater than is usually imagined. The Italian opera has suffered considerably, this season, by the inability of Sga Spagnoli to exert her musical talents, owing to a most severe cold; but as she has now recovered her voice, 'tis presumed that she will be a source of as great pleasure, among us, to persons of a musical ear, and who have a true taste for that species of dramas, as she was in her native country, where she was always heard with great applause. I myself find great charms in the entertainments, as now exhibiting at the King's Theatre: for, besides Sga Spagnoli's taste I do not perceive the least diminution in Sg Elisi's voice or action, both of which pleased us so much two or three years ago. Ciprandi appears to me a fine player as well as singer; and with regard to Sg Savoi, he is generally thought to have a pleasing voice. [Comments on competence of the Orchestra.] The principal dancers are likewise acknowledged to have considerable merit. The gracefulness and the ease of Sg Adriani are very pleasing, as is the elegant agility of Sga Fabris Monari....Sg Sodi has so often diverted us by his compositions as Ballet master that it were superfluous to bestow any encomiums on him in this place. [Long comment on agreeable performance of Sofonisba, Scenery, etc. A puff by Musidorus in Public Advertiser.

Event Comment: letter in the St James Chronicle; or, British Evening Post suggests a one@way street for entrance to Drury Lane Theatre, because of the great confusion caused by carriages approaching from both directions.

Event Comment: Neither piece acted this season. Books of the Burletta to be had at the Theatre. Midas reduc'd to two Acts

Event Comment: By Command of their Majesties. Pit and Boxes to be put together. Tickets delivered this day at the Office in the theatre at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. 6d. Galleries to be opened at half after Four, Pit and Boxes at Five, To begin at Half an Hour after Six

Event Comment: To begin at 7:00 p.m. Boxes 5s. Pits 3s. Gallery 2s. Places for the Boxes to be had of Mr Jewell at the Theatre. Vivant Rex et Regina. [Repeated in the bills. Note in St James Chronicle speaks of great crowd and of numbers turned away.

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for boxes to be had from Johnston at Stage Door; No money received at Stage Door, nor any returned after Curtain rises. Play will begin at exactly six o'clock; The passage from the Strand up Catherine Street to Drury Lane Theatre will be clear for Carriages. Paid Renters #8 (Drury Lane Treasurer's Book). [A constant expense nightly for 191 nights amounting to #1528 for the season. Will not be further itemized.] Receipts: #82 12s. 6d. (Drury Lane Treasurer's Book)

Event Comment: Paid half year's Poor's rate for the theatre due Michelmas last #15 12s. 6d., and ditto for the House in Bow St. passage 15s. 1!2d. (Account Book). Receipts: #144 9s. 6d. (Account Book)

Event Comment: [R+Rich's Register lists The Hermit as afterpiece.] Paid salary list 5 days at #72 6s. 8d. per diem, #361 13s. 4d.; Atkins not on list #1 7s. 6d.; Rollet on note #7 7s.; Vernon on note per order Mr L, #12 12s.; Bill for 2 suit Men's cloathes #15 15s. (Treasurer's Book). [See engagement contract for Guidetti (Private Correspondence of David Garrick, II, 454) arranged for in Paris by Jean Monnet in early August 1766. He was engaged as Premier Danseur and composer of Ballets at 150 Guineas a year plus "300 Livres argent de France" for travelling expenses. He was to dance for no other theatre without explicit permission from Garrick.] Receipts: #130 17s. 6d. (Treasurer's Book)

Event Comment: Books of the Burletta to be had at the Theatre. Paid Thos. Williamson for 4 pounds spermeceti candles 7s. (Account Book). Receipts: #133 7s. 6d. (Account Book)

Event Comment: [From The London Evening Post: Married: Michael Arne, music composer and son of Dr Arne, to Miss Wright, a celebrated singer of Drury Lane Theatre."] Paid Mr Evans on Wardrobe acct #10 10s. (Treasurer's Book). Receipts: #133 17s. (Treasurer's Book)

Event Comment: Mainpiece: By Desire. Afterpiece: A New Musical Entertainment in 2 acts, words imitated from Rousseau, with his original Musick (Burney). Books of the entertainment at the Theatre, published for 1s. Paid Mr Chitty his coal bill #91 13s. and Mr Johnston's bill for guilt leather #24 19s. 6d. (Treasurer's Book). [Advertisement to 2nd Edition, 1766: Upon rehearsing the music it has been thought necessary to retrench the Second Act for fear of satiety: for though the Airs and Dances after the reconciliation of Celia and Phoebe are by no means inferior to the rest in point of composition; yet as no other business remained to be done after that circumstance but that of mere festivity, the Editor, with some reluctance, submitted to the omission of such airs as are printed with inverted commas; which, however, are all publish'd with the music by Mr Bremner in the Strand."] Receipts: #150 13s. (Treasurer's Book)

Event Comment: Books of the opera to be had at the Theatre. A charge of #8 17s. for extras and music now appears regularly for this opera. Paid Cooper (Printer) as per bill #39. Rec'd of J. Jackson for an order for 2 in the Gallery 4s. (Account Book). Receipts: #175 8s. (Account Book)

Event Comment: By Particular Desire of the Right Honorable and Honorable The Governors (Being the Last Time of performing till the Holidays). Not acted this season. For the Benefit of the General Lying-In Hospital, Quebec Street, Oxford Road. Charges #85 5s., Balance to Hospital #5 6d. Hospital also receiv'd #156 10s. from tickets (Box 544, Pit 116, Gallery 31). Paid for 1 year's watch for theatre due at Xmas #12 10s. and for the House in Bow Passage 12s. 6d. Paid Dunstall the balance due for the theatrical Fund #136 17s. (Account Book). Receipts: #90 5s. 6d. (Account Book)

Event Comment: Rec'd of Miss Townsend for a place in the Boxes last night 5s. Gave King's Footmen #2 2s.; Queen's Footmen #2 2s.; King's Chairmen #2 2s.; Queen's Chairmen #2 2s.; Duke of Glouster's Footmen #2 2s. (Account Book). [The Account Book shows on this night a profitable balance of #5365 19s. 4d., for the operation of the theatre this season. During Rich's time a regular sum was deduted nightly for the Rich account (#6 in 1760-61) and in addition he withdrew large sums (up to #800) on many occasions. No such deductions or withdrawals appear so far in this last season of Beard's management.] Receipts: #197 15s. (Account Book)

Event Comment: New Scenes, Dresses, Machinery and other Decorations. Book of the Entertainment to be had at 1s. 6d. at Theatre. A Dramatic Romance by David Garrick, Music composed by Michael Arne. Gave King's Footmen and Chairmen #4 4s.; Queen's ditto; Dukes of York and Gloucester ditto (Treasurer's Book). [A memorandum dated 22 August 1766 (Folger Library, Garrick Album, 520 MS, Cage) explains that Michael Arne was to compose the Music for Cymon, and as compensation shall be intitled to and receive one third part of the profits of the three first nights which the author shall take for his own Benefits." Zachariah Stephens was witness. See 15 Jan. 1767.] Receipts: #196 5s. 6d. (Treasurer's Book)

Event Comment: Benefit for Miss Elliot. This Comedy is intended to be perform'd only on Tuesdays, Thursdays and Saturdays. Charges #64 5s. Balance to Miss Elliot #24 9s. 6d. [No tickets seem to have been delivered.] Paid a bill for the Funeral of Mrs Cable #3 8s., and for the funeral of Grace Gould, #4 8s. (Account Book). [The latter had long been a servant in the theatre, and this year was Wardrobe Mistress.] Receipts: #88 14s. (Account Book)

Event Comment: Mainpiece: Never performed. Founded [by Thomas Hull] on a Play wrote by the late Sir Samuel Tuke [Adventures of Five Hours]. The Afterpiece: A Masque (perform'd but once) [by Thomas Hull], With New Music, Dresses and Scenery. The Music by Mr Bach. Books of the Masque to be had at the Theatre. Paid for The Perplexities #2 2s. (Account Book). Receipts: #226 16s. (Account Book)

Event Comment: Books of the Opera to be had at the Theatre. Receipts: #197 5s. (Account Book)

Event Comment: Half past 5 went to the 5s. Gallery at the Opera House to see the comic opera La Buona Figliola, altered from Goldoni. The Music by Sg Nic Piccini, a Neopolitan composer. The Marq by Sg Lovatini, Castina by Sga Zamporini, the German by Sg Marigi. These I believe are reckoned the best of the company. I can't say I was greatly entertained, tho the music is very pleasing. There is something very absurd and truly characteristic of the present age in supporting a set of people at an immense expense to perform plays in a language which very few here understand. We had dances after every act by Sg Adriani, Sga Radicati, &c. It is said the dances at the opera are better than those at the theatres, but I am no great judge either of music or dancing. The scenes, particularly that of the Garden with waterworks &c. are very fine. They who go into the Pit &c. must be in a vile French dress (Neville MS Diary)

Event Comment: Benefit for Smith. Tickets sold at the doors will not be admitted. Tickets and Places to be taken of Mr Smith at his house in Beaufort Buildings, Strand; and of Mr Sarjant at the stage-door of the Theatre. Charges: #70 19s. 6d. [Profit to Smith #79 10s. 6d. plus #136 16s. from tickets (Box 388; Pit 198; Gallery 101).] Receipts: #150 10s. (Account Book)

Event Comment: TThe Maid of the Mill oblig'd to be deferr'd on account of the Indisposition of a principal performer. Paid 1!2 year's poor rate for the theatre due at Lady Day #15 12s. 6d., and for the House in Bow Passage 15s. 7 1!2d. Paid Mas. Lindley for his performance in the Fairy Favour #20 (Account Book). Receipts: #157 17s. (Account Book)