Event Comment: The whole under the direction of Viotti, who is engaged as Acting Manager at this Theatre

Event Comment: [Wathen was from the Richmond theatre. Afterpiece in place of Lodoiska, advertised on playbill of 24 Jan.] Powell: Mountaineers rehearsed at 11; New Ballet at 12. Receipts: #171 6s. (125.7; 41.2; 4.17)

Event Comment: [Miss Mellon, who was from the Stafford theatre, is identified by MS annotation on Kemble playbill. In afterpiece the playbill retains Dignum as Ithorak, but "Ithorak Cooke, Dignum Ill; Michael [omitted from playbill] Trueman, Bland Ill; the Speech of the 1st Page Master Gregson, Master Welsh Ill" (Powell).] Powell, 30 Jan.: Rivals rehearsed at 11; New Ballet at 2 and at 6; 31 Jan.: Prize rehearsed at 12; New Ballet at 2. Receipts: #215 6s. 6d. (149.0.6; 63.9.6; 2.16.6)

Event Comment: Mainpiece [1st time; MD 3, by Miles Peter Andrews and Frederick Reynolds. Prologue by Edward Topham; Epilogue by Miles Peter Andrews (Crouch, II, 229)]: With new Scenes, Dresses and Decorations. The new Music composed, and the rest selected by Shield. Morning Chronicle, 25 Feb. 1795: This Day is published The Mysteries of the Castle (2s.). [Mrs Cornelys was from the Crow Street Theatre Dublin.] Receipts: #243 12s. (241.19; 1.13)

Event Comment: Powell: Sedgwick not coming to the Theatre, his 1st Scene in My Grandmother was oblig'd to be omitted. The above Neglect Mr Sedgwick is too often guilty of. New Ballet rehearsed at 12. [Mainpiece in place of The Clandestine Marriage, advertised on playbill of 6 Feb.] Receipts: #103 7s. 6d. (65.12.6; 31.14.0; 6.1.0)

Event Comment: The Subscribers and the Public are most respectfully informed that several of the Performers of this Theatre, both Singers and Dancers, being confined with severe illnesses at present so prevalent, the performance of the Opera is unavoidably postponed to Saturday next (Morning Chronicle, 9 Feb.)

Event Comment: On account of the indispensable necessity of having an Evening's Rehearsal of [Alexander the Great], Ladies and Gentlemen will please to take notice there can be No Play at this Theatre To-morrow Evening (notice on playbill of 10 Feb.)

Event Comment: [In mainpiece the playbill retains Barrymore as Careless, but "Barrymore came too late to play Careless, in consequence of which Dignum did the part and sang Sedgwick's song, who came in time to the theatre [Powell's italics, see 7 Feb.], but begged to be excused going on from the violent pain he was in, occasioned by a swelling upon his finger. Dignum not in time to be discovered at Lady Sneerwell's rout, but came on after the Scene opened. Fisher, one of the waiters in the above Scene, was absent. Caulfield absent from the scene with Charles, and Kelly Jr. not being in time to be discovered With the rest, walked on after the Scene opened." [In afterpiece] the playbill retains Aumer as Hephestion, "Hephestion C. Kemble, Aumer at the Opera House" (Powell).] Receipts: #349 7s. (264.16; 81.10; 3.1)

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Pocket Magazine, Mar. 1795, pp. 190, 191)]: With new Scenes, &c. Powell, 27 Feb.: Wheel of Fortune rehearsed at 11; 28 Feb.: Wheel of Fortune rehearsed at 10. "The character of Penruddock is [Kemble's] greatest performance, and I believe it to be a perfect one. It is admirable...because the very defect which hurts his general style of acting, that studious and important preciseness, which is affectation in all his other characters, contributes to the strength, to the nature of Penruddock" (Leigh Hunt, Critical Essays on the Performers of the London Theatres, 1807, p. 8). Receipts: #255 19s. (195.10; 57.15; 2.14)

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor (see text). Address by John Wolcot (Pocket Magazine, supra)]: With new Dresses and Decorations. [Mrs Lee was from the Salisbury theatre.] Morning Chronicle, 11 May 1795: This Day is published Life's Vagaries (2s.). Receipts: #268 3s. 6d. (259.19.6; 8.4.0)

Event Comment: Benefit for Lewis. Mainpiece: In Act II the admired Procession from the Grand Spectacle of Hercules and Omphale, with the entire Decorations, Music, Dance, Dresses, &c. adapted and introduced in the Triumphal Entry of Alexander into Babylon. 3rd piece: Never acted at this theatre. Morning Chronicle, 26 Mar.: Tickets to be had of Lewis, No. 6, Bow-street, Covent-Garden. Receipts: #392 6s. 6d. (273.4.0; 13.4.0 ; tickets: 105.18.6)

Event Comment: Benefit for Bannister Jun. 1st piece: 1st Time at this Theatre. 2nd piece: By permission of G. Colman, Esq. [as owner of the copyright]. Morning Chronicle, 26 Mar.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #681 2s. (392.3.6; 57.18.0; 7.17.6; tickets: 223.3.0) (charge: #211 14s. 5d.)

Event Comment: Benefit for Bensley. Morning Chronicle, 16 Apr.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bloomsbury. Receipts: #490 16s. (217.9.0; 92.4.6; 6.4.6; tickets: 174.18.0) (charge: #231 6s. 2d.). Account-Book breaks down Bensley's charge as follows: house #200, Mrs Siddons #20, Mrs Jordan #10 10s. Properties 5s. 8d., supernumeraries 10s. 6d., for a total of #231 6s. 2d . At the doors of the theatre #315 18s. was received. The charge subtracted from this amount leaves #84 11s. 10d., which was paid to Bensley. The Proprietors made him a gift of the #20 he paid Mrs Siddons. His own profit was therefore #104 11s. 10d., which, in addition to his tickets, gave him a grand total of #279 9s. 10d

Event Comment: Benefit for Master Welsh. Afterpiece [1st time; MF 2, by Samuel Birch]: The Music principally new, composed by Attwood, with a few selections from Mozart. Books of the Songs to be had hn the Theatre. Morning Chronicle, 21 May 1795: This Day is published The Adopted Child (1s.). Ibid., 21 Apr.: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #226 10s. (87.13.6; 43.3.6; 17.7.0; tickets: 78.6.0) (charge: free)

Event Comment: Benefit for Mme Morichelli. Afterpiece: An Heroic Entertainment in one act, consisting of Songs and Dances with Chorusses, and never performed upon any public Stage, but composed for the private Theatre of a Nobleman at Venice [in 1789]. The words by Count Alexander Pepoli; the music by Cimadoro; the pantomime and dances by Noverre. Tickets to be had of Mme Morichelli, No. 127, Pall Mall