SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Hay market"/1) | (@(roleclean,performerclean) "Theatre Royal Hay market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3568 matches on Event Comments, 889 matches on Performance Title, 542 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Humours Of Oxford

Performance Comment: Gainlove-Powell; Col. Trumore-Williams; Haughty-Massey; Conundrum-Barret; Young Apeall-Hayes; Old Apeall-Newton; Timothy-Booth; Dash-Gibson; Lord Shamwell-Forde (from the Theatre-Royal, Dublin); Clarinda-Mrs Robinson; Victoria-Miss Dudley; Kitty-Miss Brangin; Wife-Mrs Barnet; Lady Science-Mrs Lefevre.
Cast
Role: Theatre Actor: Royal, Dublin

Afterpiece Title: The Orators; or, The School of Eloquence Dissected

Afterpiece Title: High Life below Stairs

Performance Comment: Lovell-Smith; Lord Duke-Hayes; Sir Harry-Long; Lady Bab-Miss Dudley; Lady Charlotte-Mrs Robinson; Kitty-Mrs Lefevre.

Song: Between Acts: an Italian song-a Young Lady [unidentified]

Entertainment: End III: Imitations-Young Gentleman [unidentified]

Performances

Mainpiece Title: King Richard The Third

Performance Comment: The Parts of King Richard, D. of Buckingham, Earl of Richmond, Tressel, Prince Edward, Duke of York, Lieutenant of the Tower, Lord Mayor, Duke of Norfolk, Queen-Performers from the Theatres Royal London; Lord Stanley-Rivers; Catesby-Jones; Ratcliffe-Farrel; Oxford-Thompson; Sir William Brandon-Clifford; King Henry-Burnet; Dutchess of York-Mrs Fowler; Lady Ann-Mrs Palmer.

Afterpiece Title: The Quaker

Performance Comment: The Parts of Lubin, Steady, Solomon, Gillian-The Performers from the Theatres who exhibit in the Play.

Performances

Mainpiece Title: The Artifice

Performance Comment: Sir John Freeman-Brinsley; Fainwell-Fitzgerald (from the Theatre-Royal, Dublin); Young Freeman-Venables; Tally-Atkinson; Sam-Powell; Sir Phillip Moneylovc-Kenny; Watchit-Walker; Mrs Watchit-Mrs Johnson; Olivia-Mrs Child; Louisa-Miss Hurst; Judith-Mr Pressley; Lucy-Mrs Painter; Widow Heedless-Mrs Lefevre .
Cast
Role: from the Theatre Actor: Royal, Dublin

Afterpiece Title: The Ghost

Song: End of mainpiece Auld Robin Gray by Miss Lyon

Performances

Mainpiece Title: The Duenna

Performance Comment: As17820202, but Jerome-Mills (from the Theatre-Royal, Edinburgh; 1st appearance on this stage) . 1st appearance on this stage) .
Cast
Role: from the Theatre Actor: Royal, Edinburgh

Afterpiece Title: The Deserter

Dance: As17820409

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Ward (from the Theatre-Royal, Edinburgh; 1st appearance on that stage); Mr Strictland-Bensley; Frankly-Palmer; Bellamy-Farren; Jack Meggot-Dodd; Tester-Burton; Buckle-Wright; Ranger's Servant-Phillimore; Jacintha-Mrs Wells; Mrs Strictland-Mrs Brereton; Lucetta-Mrs Hopkins; Clarinda-Miss Farren .
Cast
Role: from the Theatre Actor: Royal, Edinburgh

Afterpiece Title: The Gentle Shepherd

Dance: End of Act II of mainpiece a New Dance by Second and Miss M. Stageldoir

Event Comment: Benefit for Waldron. 1st piece: Originally written by the celebrated Monsieur de Beaumarchais, and perform'd innumerably, often at Paris; translated and adapted to the English Stage by the very ingenious Mr Holcroft, Author of several admired Dramatic and other Works; and perform'd with unbounded Applause during Half the Season last Winter at the Theatre Royal in Covent Garden. 2nd piece: Never acted here; written by Mr O'Keeffe, set to music by Mr Shield, and performed with unceasing Applause at the Theatre Royal, Covent Garden. 3rd piece: To conclude with the Representation of the Siege of Gibraltar, Elliot's Red Hot Balls, &c. Tickets to be had of Waldron, at the Cock and Magpie

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: Rosina

Performance Comment: As17970715 but Rosina-Mrs Atkins (from the Theatre-Royal Bath; 1st appearance on this stage); with The Nightingale-Mrs Atkins; accompanied on the hautboy-Foster; Rustic-_; Irishmen-_.
Cast
Role: Theatre Actor: Royal Bath

Song: 1st piece: General Chorus, as17970815, but _Dibble, _Kenrick, _Caulfield Jun., Mrs _Gaudry, Mrs _Brown

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Beggar's Opera

Performance Comment: Macheath-Kelly (By Permission of the Proprietors of the Theatre-Royal Drury-Lane); Peachum-Davenport; Lockit-R. Palmer; Mat o'th' Mint-Trueman; Wat Dreary-Chippendale; Harry Paddington-Lyons; Ben Budge-Abbot; Jailor-Ledger; Drawer-Waldron Jun.; Filch-Suett; Mrs Peachum-Mrs Davenport; Lucy-Miss DeCamp; Jenny Diver-Mrs Edward; Mrs Coaxer-Mrs Jones; Mrs Vixen-Mrs Benson; Mrs Slammekin-Mrs Cuyler; Sukey Tawdry-Mrs Hale; Molly Brazen-Mrs Haskey; Polly-A Young Gentlewoman (1st appearance on any stage [Miss Griffiths]).Miss Griffiths]).

Afterpiece Title: Blue Devils

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: As17990726 but Ribbemont-Barrymore; Carpenters-_Davenport, Chippendale; Julia-Miss Campbell (from the $Theatre-Royal, Newcastle; 1st appearance in London); Citizens-_Chippendale.
Cast
Role: Theatre Actor: Royal, Newcastle

Afterpiece Title: The Castle of Sorrento

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17991007, but Romeo-C. J. Macartney (from the Theatre Royal, Edinburgh and Theatre Royal, York; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: A Divertisement

Dance: In afterpiece: Ballet-Blurton, Mrs Watts

Opera: Mainpiece: Solemn Dirge. As17991118

Event Comment: [For Henderson as King Richard see hay, 7 Aug. 1777.] Afterpiece: The Music composed by Dibdin. With New Scenes and Dresses. Books of the Songs, &c. to be had at the Theatre. [The text erroneously assigns: Gillian-$Mrs Wrighten; Floretta-$Miss Walpole, but see Public Advertiser, 8 Oct., which in a review, gives the correct assignment; see also 6 Oct. 1778.] Receipts: #260 7s. (241.14; 17.17; 0.16)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Henderson (1st time [at this theatre]); Richmond-Palmer; Buckingham (1st time)-Farren; Tressel-Davies; Lord Stanley-Chaplin; Norfolk-Hurst; Catesby-Packer; Prince Edward-Miss Field; Duke of York-Master Pulley; Lord Mayor-Griffiths; Ratcliffe-Wright; Lieutenant-R. Palmer; King Henry-Aickin; Lady Anne-Mrs Robinson (1st appearance in that character); Dutchess of York-Mrs Johnston; Queen-Mrs Hopkins.

Afterpiece Title: The Quaker

Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Performances

Mainpiece Title: The Female Chevalier

Performance Comment: Principal Characters by Palmer, Aickin, Baddeley, R. Palmer, Massey, Davis, Kenny, Silvester, Parsons, Miss Sherry, Mrs Love, Miss Walton, Mrs Greville. Cast from London Chronicle, 20 May: Sir Harry Freelove-Palmer; Ned Winworth-Aickin; Servants-Baddeley, Massey, Davis, Kenny, Silvester; Young Upstart-R. Palmer; Mr Stockwell-Parsons; Mrs Upstart-Miss Sherry; Landlady-Mrs Love; Mademoiselle-Miss Walton; Belinda-Mrs Greville; The occasional Prologue on Opening the Theatre, with Alterations,-Palmer.

Afterpiece Title: Piety in Pattens

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

Event Comment: Afterpiece [1st time; PAST 2, by Richard Josceline Goodenough, altered from his unacted play The Cottagers]: The Overture and Music composed by Baumgarten. [Baumgarten used this overture again in Robin Hood (see cg, 17 Apr. 1784).] Books of the Pastoral to be had at the Theatre. [Wordsworth is identified in the playbill of 22 Dec. Mrs Webb was from the Hay.] Public Advertiser, 24 Nov. 1779: This Day is published William And Nanny (1s.). Receipts: #122 15s. (116.15.6; 5.19.6)

Performances

Mainpiece Title: The Duke Of Milan

Afterpiece Title: William And Nanny

Performance Comment: [Principal Characters by A Young Gentleman (1st appearance on any stage Wordsworth]), Wilson, Moody, Mrs Webb (1st appearance at this theatre), Mrs Pitt, Miss Brown. [Cast from text (J. Kearby, 1779) William-A Young Gentleman; Hearty-Wilson; Murtagh Mulrooney-Moody; Dame Hearty-Mrs Webb; Old Woman-Mrs Pitt; Nanny-Miss Brown.
Event Comment: [Lee Lewes's 1st recorded appearance as Falstaff was at Manchester, 19 Dec. 1777. Miss Farren's 1st appearance as Mrs Ford was at the HAY, 24 Aug. 1781.] Receipts: #277 2s. (273/15; 3/2; ticket not come in: 0/5)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Mr Ford-Smith; Sir Hugh Evans-Parsons; Dr Caius-Baddeley; Mr Page-Packer; Host of the Garter-Moody; Justice Shallow-Waldron; Fenton-Phillimore; Simple-Burton; Bardolph-Wright; Pistol-Alfred; Nym-Wilson; Slender-Dodd; Falstaff-[Lee] Lewes (1st appearance in that character [in London]); Mrs Page-Miss Pope; Ann Page-Miss Wheeler; Mrs Quickly-Mrs Hopkins; Mrs Ford-Miss Farren(1st appearance in that character [at this theatre]) .at this theatre]) .

Afterpiece Title: Harlequin Junior

Event Comment: Benefit for the Author of the Farce [who is named in Kemble Mem., but not on the playbill. Kemble's 1st appearance as Leon was at Smock Alley Theatre, Dublin (Genest, VI, 295); Palmer's as the Copper Captain at hay, 15 July 1777]. Receipts: #133 15s. (94.17; 37.3; 1.15; tickets; none listed) (charge: #105)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Kemble (1st appearance in that character [in London]); Duke-Barrymore; Cacafogo-Moody; Don Juan-Packer; Sanchio-Phillimore; Alonzo-R. Palmer; Lorenzo-Lamash; Copper Captain-Palmer (1st appearance in that character [at this theatre]); Margaretta-Mrs Ward; Old Woman-Mr Baddeley; Maid-Mr Waldron; Altea-Miss Tidswell; Estifania-Miss Farren. [Edition of 1792 (William Jones) adds: Clara-$Miss Barnes.]

Afterpiece Title: The Doctor and the Apothecary

Event Comment: Benefit for Bannister. [Mrs Wells had 1st acted Macheath at the hay, 14 Sept. 1781; Bannister had acted Polly at the same theatre, 16 Sept. 1785.] Gazetteer, 3 Apr.: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. "There is now a most vehement rage of innovation in language, government, religion, and everything else...On the British stage, with infinite applause, young and beautiful actresses perform sometimes the Parts of highwaymen; and some singing actors squall in an affected voice resembling, and intended to imitate, that of women; the most humourous dramatic pieces are frittered away into songs; and I should not be surprised to hear that henceforth Miranda and Juliet are to be personated by grim-visaged grenadiers seven feet high, and Falstaff by a slender miss just entered her teens" (Universal Magazine, Mar. 1795, p. 171). Receipts: #285 14s. (162.4.6; 5.9.6; tickets: 118.0.0)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17891024, but Captain Macheath-Mrs Wells (1st time at this theatre); Lucy-Mr Johnstone (1st appearance in that character); Polly-Mr Bannister (1st time these six years); Ben Budge-_.

Afterpiece Title: The Flitch of Bacon

Dance: As17891024

Song: In course of Evening: The Wolf-Bannister

Event Comment: Benefit for Mr Norton Amber, formerly a Patentee, & Banker, now Pit Doorkeeper (Cross), late of the Strand (Winston MS 7). Tickets to be had at Mr Pierce's at the Castle Tavern, Corner of Henrietta Street, in Bedford Street, Covent Garden; Mr Frye's a Hosier, the Corner of James Street, Long Acre; King Street Coffee House, near Guild Hall; Batson's Coffee House, Cornhill; and at the Theatre. Places will be taken at the Stage Door of the theatre. This Day publish'd, Young Scarron, at 2s. 6d. sew'd, 3s. bound. Dedicated to the managers of both theatres. "The Stage reproves the follies of the age. For once we'll laugh at Follies of the Stage." Anon. Printed for T. Tyre, near Gray's Inn Holborn and W. Reeve in Fleet St. (General Advertiser). A comical and satirical account of summer strolling players: "When the time draws near that the Theatres Royal disband their troops, or rather grant their furloses till the next Campaign, each private Man becomes an Officer; and they who for nine months before submitted to Monarchical Government, now form themselves into several republicks for the remaining three. Then each Hero takes the path of his own ambition...The various whimsical disputes that arise from this kind of Emulation, are, in part the subject of the following sheets" (173 pp. Written by Thomas Mozeen, Biographia Dramatica). Receipts: #220 (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Lethe

Dance: HHornpipe-Matthews, the Little Swiss; With Entertainments as will be express'd in the Great Bills

Song: I: Song-Beard

Event Comment: DDaily Journal, 8 Aug.: On Wednesday last in the Evening her Majesty, the Prince of Wales, his Royal Highness the Duke, the Princess Royal, and the Princesses Amelia and Carolina, were entertained in the Gardens at Richmond by the Comedians of the Theatre Royal in Lincoln's-Inn-Fields

Performances

Mainpiece Title: Unknown

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. This evening their Royal Highnesses the Prince and Princess of Wales and the young Princes will be at the Theatre Royal in Covent Garden to see the tragedy of the Fair Penitent (General Advertiser)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Damon and Phillida

Event Comment: Doors open at 6. Play to Begin exactly at 7. Books of the Interlude to be had at the theatre. Paid for a license for The Royal Garland #1 1s. (Account Book). Receipts: #173 17s. 6d. (Account Book)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule-DuBellamy; Jobson-Dunstall; Lady Loverule-Mrs Pitt; Nell-Mrs Green. *u§´cg IInterlude: The Royal Garland. As17681010.
Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by Ben. Johnson. Afterpiece: A new Serenata, Compos'd on the present Joyous Occasion of the Royal Nuptials. The Words by Mr Tho. Phillips. The Musick by Mr Arne

Performances

Mainpiece Title: The Silent Woman

Performance Comment: As at HAY, 22 Dec. 173 3 .

Afterpiece Title: Love and Glory

Music: Select Pieces between the Acts

Event Comment: By Command of His Royal Highness [Prince present.]

Performances

Mainpiece Title: The Tender Husband

Performance Comment: As at HAY, 8 Nov. 1733, but Mrs Clerimont-Mrs Horton .

Afterpiece Title: Cupid and Psyche

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Event Comment: Benefit Delane. Mainpiece: As written by Shakespear. Tickets deliver'd for Monday the 9th will be taken. Tickets to be had of Delane at his lodgings at the Unicorn in New Exchange Row in the Strand. Places of Hobson at the stage door. There is now in rehearsal at the Theatre Royal [dl] and speedily will be acted, a new Petit Piece in imitation of that species of writing on the French Theatre call'd The Suspicious Husband Criticiz'd; or the Plague of Envy (General Advertiser). [A Folger edition of 1750 entitled Chorus for Shakespear's Tragedy of King John lists songs by Sullivan, Mrs Lampe, Mrs Storer, and Mrs Mozeen; the play had no other performance at a London theatre in the interim between 1747 and 1750.

Performances

Mainpiece Title: King John

Afterpiece Title: The Dragon of Wantley

Dance: As17470314