SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Hay market"/1) | (@(roleclean,performerclean) "Theatre Royal Hay market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3568 matches on Event Comments, 889 matches on Performance Title, 542 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By the Company of Comedians from the Hay-Market at the Great Theatrical Booth in Bird-Cage Alley

Performances

Mainpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Eliza Haywood

Afterpiece Title: Harlequin's Contrivance; or, The Plague of a Wanton Wife

Song: Mrs Nokes

Event Comment: DDaily Journal, 9 Oct.: There are Grand Preparations making at the Opera-House in the Hay-Market by New Cloaths, Scenes, &c. And, Senesino being arrived, they will begin to perform as soon as the Court comes to St. James's

Performances

Event Comment: Benefit Caporale, First Violoncello in the Opera at the Hay-Market. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Several Solos on the Violoncello by Caporale

Event Comment: At the particular Desire of several Persons of Distinction. By the Lilliputian Company of Comedians. At the Tennis-Court, in James-street, in the Hay-Market. 7 P.M. Boxes 3s. Pit 2s. Gallery 1s. N.B. The Company will continue to Play every Monday, Wednesday, and Friday, during the Summer Season. Daily Advertiser, 29 April: I went to see them; upon my entrance I was surpris'd at the Spaciousness and Decencies of the Place; when the Curtain was drawn up, I found the Scenes not inferior to any I had seen, the Stage copious, the Decorations regular, the Actors perfect both in Words and Performance

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Devil to Pay

Event Comment: DDaily Advertiser, 8 March: We hear that the Great Mogul has acceeded to the Treaty of the Hay-Market, which causes various Speculations. Our best Advices assure us, that the Town will be entertain'd there Tomorrow, by a Gentleman who never wrote for the Stage, with a new Performance call'd a Rehearsal of Kings: which will be immediately succeeded by a Dramatick Piece call'd The Historical Register, for the Year 1736, written by the Author of Pasquin. We hear this has given great Alarm to all the Pantomimical Houses in London, Southwark, Rag Fair, &c

Performances

Event Comment: DDaily Advertiser, 10 March: Last Night the Representation of the Rehearsal of Kings was disappointed by some Persons taking clandestinely Possession of the Hay-Market Playhouse, who were about Eight o'Clock committed to Bridewell for the same. On this Account several hundred Persons were turn'd away. We are assur'd that the Publick may depend on the aforesaid Play's being acted, as writ, Tomorrow

Performances

Event Comment: Mainpiece: a new Farce of Two Acts. [Author not known. Apparently not printed.]Afterpiece: (by a Company of Singers just imported) A new Musical Burlesque of two Acts, in a Grand Oratorio. [By Henry Carey.] The Musical Connoisseurs are desir'd do take Notice, that the Company keeps up strictly to the Italian Taste, the Notes being full of Grandeur and Harmony, and the Words full of low Nonsense; and as a further Indication of his Attachment, it is so contriv'd, that two powerful Parties are already form'd to support the two beautiful Rivals, Mauxalinda and Margeria; but which of them will carry their Point, Time alone must determine. It will be deem'd a lasting Obligation to any Chronologer, in what University soever presiding, if he will communicate the precise Century Moore of Moore-Hall liv'd in, so that the Hero may be dress'd in Character; but if the Recherche should prove too laborious, it is resolv'd he shall come as near the Figure of the Divine Farinello as possible. N.B. The Dragon was intended to have charm'd the City at Stationer's Hall; but from a Punctilio very common to Singers, he insisted on exerting his Musical Faculty at the Hay-Market. Admission: 5s., 3s., 2s. 7 p.m

Performances

Mainpiece Title: The Lordly Husband

Afterpiece Title: The Dragon of Wantley

Event Comment: LLondon Daily Post and General Advertiser, 26 July: Hay-Market, July 25, 1738. Wheras the Operas for the ensuing Season at the King's-Theatre...cannot be carried on as was intended, by Reason of the Subscription not being full, and that I could not agree with the Singers, tho' I offer'd One Thousand Guineas to One of them, I therefore think myself oblig'd to declard, that I give up this Undertaking for next Year....J. J. Heidegger

Performances

Event Comment: DDaily Advertiser, 29 Dec.: Mr Handel has hir'd the Opera-House in the Hay-Market for the Season, and intends to entertain the Town twice every Week with Oratorios

Performances

Event Comment: A New Opera. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Hay-Market, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Person to be admitted behind the Scenes. The Gallery to be open'd at Four o'clock, Pit and Boxes at Five. To begin at Six o'clock. [Customary notice will not be included again. A pasticcio; music by Hasse, Lampugnani, Brivio, and Rinaldo da Capua; librettist--Apostolo Zeno. See Burney, History of Music, IV, 447.

Performances

Mainpiece Title: Gianguir

Dance: Barbara Campanini (Horace Walpole's Correspondence with Sir Horace Mann, I, 191)

Event Comment: Today, will be reviv'd an Opera. The Musick compos'd by Mr Handel. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no Person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. 6 p.m. Note. The Subscribers to the Opera are desir'd to send for their Silver Tickets to the Opera-Office in the Hay-Market. [This customary notice will not be included further. According to Loewenberg, Annals of Opera, I, 102, this is the new opera Rossane, Lampugnani's first composition, at the house for which he was the new resident composer. Musicologists have not arrived at the identity of this piece, Burney and Loewenburg attributing it to Lampugnani, Schoelcher and Deutsch to Handel. See Deutsch, Handel, p. 572, where he reviews the evidence.

Performances

Mainpiece Title: Roxana; Or, Alexander In India

Event Comment: To Macklin the Player: The Laity as well as Priests of all Religons are the same. Macklin, Thou mayst remember when thou wert learning the part of Shylock in the Merchant of Venice, thou camest daily to the Change, and artfully dids't introduce thyself into my company, till thou hads't stolen my Face, my Looks, and not content with the Index, thou did'st turn over the volume of my Mind, as it if thy Author had been wanting in the manner of his character, and dids't show me on the stage to the Disgrace of my Tribe, for which we wish thee not in Abraham's Bosom, thou may'st be sure. Now if thou hast a mind to compromise the Affair, and serve thyself at thy Benefit time, publicly delcare what Place thou did'st frequent, and what set of Christians thou did'st herd with, before thou playd'st the part of Iago in the Moor of Venice; Comply and our Rancor to thee will be turn'd into Love and Service. s@Zorobabel. PS I will call to thee tonight at thy Synagogue in the Hay-market, about the sixth Hour, as you players reckon, for intelligence.-Daily Advertiser

Performances

Mainpiece Title: Othello

Event Comment: Benefit for the Fund established for the Support of Decay'd Musicians or their Families. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day at the Office in the Hay-Market, at Half a Guinea each. Gallery 5s. Gallery opened at Four o'clock, Pit and Boxes at Five. To begin exactly at Six. N.B.: Tickets delivered to Subscribers to this Charity will admit one Person to any part of the House

Performances

Mainpiece Title: Entertainment Of Music

Event Comment: Benefit for a Widow Gentlewoman under great Misfortunes (Cross). Tickets to be had of Mr Harrache, Jeweller, at the Golden Ball and Pearl, in Pall Mall; Mrs Brooksry@Milliner, at the Lace Lappet in Pall Mall; or Mr Ridler, Hosier, at the Crown in Suffolk St., near the Hay-Market, and at the stage Door. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Devil to Pay

Dance: PPantomime Dance-children, as17551203

Event Comment: Benefit for Mrs Clive. Mainpiece: Written by Colley Cibber. [The Old Maid for 8 May 1756 reviewed this performance of Lethe, or possibly the one with the same cast on 30 April. The reviewer was 'particularly diverted with Mrs Clive's Italian Song, in which this truly humorous actress parodys the Air of the Opera, and takes off the action, of the present favorite female at the Hay-Market, with such exquisite ridicule, that the most zealous partisans of both, I think, must have applauded the comic genius of Mrs Clive, however they might be displeased with this application of it." The reviewer is lukewarm in praise of the "New Character"..."What is there new in a Lord's having Gout, loving a bottle, pretending to taste, or being follow'd by a flatterer?"] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Lethe

Dance: IV: New Sailor's Dance, as17560217

Event Comment: Tragedy, never before acted, by Dr T. Franklin. Published at 1s. 6d. [See A Letter from the Rope Dancing Monkey in the Hay-Market to the acting Monkey of Drury Lane on the Earl of Warwick (London, 1767) which damns the play as a flat and insipid plagiarism from de la Harpe's tragedy Le Conte de Warwick, Paris, 1764. Especially severe on Colman's Prologue and Garrick's Epilogue.] Rec'd stopages #4 11s. 6d.; Paid salary list #440 4s. (Treasurer's Book). Receipts: #165 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Polly Honeycombe

Event Comment: Mainpiece: Not acted these two years. [See 31 Dec. 1768.] Afterpiece: A Musical Entertainment [by Isaac Bickerstaffe] never acted there. [Letter from Henry Woodward, Clement's Inn, says he fulfilled his seven years engagement and is now going to Scotland with Foote and next to the Hay Market. No direct application was made to re-engage him at Covent Garden or he was ready to meet it (Winston MS 10)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Padlock

Dance: End: A Comic Dance, as17701017

Event Comment: Benefit for Trebbi. Public Advertiser, 15 Mar.: Tickets to be had of Trebbi, at Stephenson's, Hay-market

Performances

Mainpiece Title: La Schiava

Dance: As17770313throughout.

Event Comment: Benefit for Sga Sestini. A new Comic Opera [usually entitled L'Isola di Alcina]; the Music by Gazzaniga. Public Advertiser, 27 Mar.: Tickets to be had of Sga Sestini, No. 8, Great Suffolk-street, Hay-market

Performances

Mainpiece Title: Alcina

Dance: As17770313

Song: With the Alterations of two new songs-Sga Sestini; a favourite one-Sga Sestini

Event Comment: Benefit for Mlle Baccelli. Public Advertiser, 1 May: Tickets to be had of Mlle Baccelli, at Micheli's, Hay-market

Performances

Mainpiece Title: La Fraschetana

Dance: End I: New Serious Ballet, as17770412; End II: Les Amans Heureux, as17770104; End Opera: Serious Ballet, as17770225Chaconne-_, Pas de deux-_

Event Comment: Benefit for Green and Ansell, box-keepers. Public Advertiser, 7 May: Tickets to be had of Green, the corner of Norris-street, Hay-market; of Ansell, Davies-street, Berkley-square. Receipts: #329 17s. (48.15; tickets: 281.2) (charge: #105)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: As17770515

Event Comment: Benefit for Roncaglia. Tickets to be had of Roncaglia at Fleureau's, No. 2, Hay-market

Performances

Mainpiece Title: Creso

Dance: As17780203 throughout

Song: II: a new song by Sacchini-Roncaglia; accompanied on the violin-Cramer

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets delivered for The Lady's Last Stake will be taken. Tickets sold at the doors will not be admitted. Public Advertiser, 16 May: Tickets to be had of Green, the corner of Norris-street, Hay-market; of Ansell, Davies-street, Berkley-square. Receipts: #290 14s. 6d. (40.19.6; tickets: 249.15.0) (charge: #105)

Performances

Mainpiece Title: Love Finds The Way

Afterpiece Title: The Commissary

Ballet: The Sailors' Revels at Portsmouth. As17780515

Event Comment: Benefit for Delpini and Sga Crespi. Morning Chronicle, 22 Apr.: Tickets to be had of Delpini, No. 1, Hay-Market [Sga Crespi not listed]. Afterpiece: With Storming of Fort Omoa, as 12 Jan. Receipts: #163 11s. (42.4.0; 15.10.6; 0.12.6; tickets: 105.4.0) (charge: #89 17s.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Fortunatus

Dance: End I: a new Comic Pantomime Dance, The Savoyards-Delpini, Sga Crespi, Henry, Miss Armstrong; End IV: Minuet, Allemande-Delpini, Sga Crespi

Event Comment: Benefit for Roncaglia. Opera: The Music composed by Gretry. Tickets to be had of Roncaglia, No. 2, Hay-market

Performances

Mainpiece Title: Zemira And Azor

Dance: End I: The Pert Country Maid, as17810113; End II: The Fortunate Escape, as17801216; End Opera: Les Amans Surpris, as17801216