SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Duke of New Castle"/1) | (@(roleclean,performerclean) "The Duke of New Castle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4081 matches on Event Comments, 3338 matches on Performance Title, 2721 matches on Performance Comments, 403 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews. Prologue by Frederick Pilon. Epilogue by Edward Topham (see text)]: With Music High and Low Dutch [ascribed to Dr Arnold]. New Dresses and Decorations. The new Scenes painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 30 July 1781: This Day is published The Baron....(price not listed)

Performances

Mainpiece Title: The Baron Kinkvervankotsdorsprakengatchdern

Performance Comment: . Principal Characters by Palmer, Digges, Wood, Baddeley, Wewitzer, Staunton, R. Palmer, Wilson, Edwin, Mrs Webb, Mrs Edwin, Miss Harper. Cast from text (T. Cadell, 1781): Hogrestan-Palmer; Baron-Digges; Franzel-Wood; German Doctor-Baddeley; Dagran-Wewitzer; Serjeant-Staunton; Rubrick-R. Palmer; Mynheer Van Boterham-Wilson; Pangloss-Edwin; Mefrow Van Boterham-Mrs Webb; Grootrump-Mrs Edwin; Cecil-Miss Harper; A new Prologue-Palmer; An Epilogue-Mrs Wilson.
Cast
Role: A new Prologue Actor: Palmer

Afterpiece Title: The Apprentice

Dance: As17810612

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .

Afterpiece Title: The Deaf Lover

Event Comment: A revived Serious Opera; the Music by the most eminent Composers [Bertoni, Gugliclmi, Giordani, Rauzzini, Gretry, &c], under the direction of Bertoni. With entire new scenes painted by Novosielski. New Dresses and Decorations both for the Opera and Dances. The Doors to be opened at 6:00. To begin exactly at 7:00 [see 18 June 1782]. By Command of Their Majesties no Persons to be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. To prevent inconvenience in getting to their carriages, the Nobility and Gentry are requested to order their servants to set down and take up with their horses' heads towards Pall-Mali. The Subscribers to the Opera are intreated to send their instructions to Jewell and Johnson at the Office in Union-court before the opening of the Theatre, when the final arrangement of the Boxes will take place, and those which are not retained will then be disposed of. Subscriptions to be paid on delivery of the tickets. Books of the Opera, with an account of the Pantomime Dance, to be had at the Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I a Pastoral Dance (composed by Simonet) by Henry, Bournonville, Raymond, Sga Crespi, Mlle Dumont; End of Act II A Divertisement Dance (composed by Noverre) by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Henry. Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.]

Performance Comment: Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.] hathi. hathi.
Event Comment: Afterpiece [1st time; c 3, altered from the same, probably by the author, Richard Bentley]: Written in the manner of the Italian Comedy. With new Scenes and Dresses. [Author of Prologue unknown.] "It was originally produced at Drury Lane in the summer of 1761 [27 July] . . . and has now been new dished up, and seasoned to the day" (European Magazine, ibid). J. P. Collier states that "it is not a revival of the former piece" (MacMillan, Larpent Catalogue, p. 98). It was not, strictly speaking, a "revival", but, rather, a revision, as a collation of Larpent MS 586 (the present version, which is unpublished) with MS 199 (Bentley's 1761 version) makes clear. In 1761 Bentley introduced "the speaking Harlequin after the manner of the Italians . . . Mr Harris some years after gave it a second chance on the stage" (Cumberland, Memoirs, I, 212-14). Receipts: #215 19s. (213/5/6; 2/13/6)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Henderson; Theodore-Levis; Fabian-Thompson; Officers-Fearon, J. Wilson; Raymond-Wroughton; Adelaide-Miss Satchell; Jaqueline-Miss Platt; Countess-Miss Younge .
Cast
Role: Theodore Actor: Levis

Afterpiece Title: The Wishes

Performance Comment: Characters by Lee Lewes, Edwin, Booth, Whitfield, Wewitzer, Fearon, Mahon, Stevens, Thompson, Bates; Mrs Wilson, Mrs Webb, Miss Morris, Mrs Whitfield, Miss Platt, Mrs Poussin, Miss Stuart, Mrs Davenett, Mrs Mattocks. [Cast from London Chronicle, 4 Oct., and European Magazine, Oct. 1782, p. 308: Harlequin-Lee Lewes; Pierrot-Edwin; Pantaloon-Booth; Mezzetin-Whitfield; Distress-Wewitzer; Members of the Conversazione-Fearon, Mahon; Taylor-Stevens; Invoice-Thompson; Gardener-Bates; Lord Furious-W. Bates; Mr Wrath-L'Estrange; Martinette-Mrs Wilson; Virtue-Mrs Webb; Manto-Miss Morris; Pleasure-Mrs Whitfield; Lady Pindar-Miss Piatt; Lady Avontree-Mrs Poussin; Miss Yewtree-Mrs Davenett; Colombine-Mrs Mattocks. Miss Stuart is unassigned. Larpent MS 586 has unassigned parts as above, and adds: Parte-per-pale, Portico, Four Somebodies, Chorus, Servants; Jenny, Maid.] New Prologue [spoken by Lee Lewes (European Magazine, Oct. 1782, p. 308)] . Jenny, Maid.] New Prologue [spoken by Lee Lewes (European Magazine, Oct. 1782, p. 308)] .
Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe; text (1st authorized) published in Cumberland's British Theatre, xxxvii. Prologue and Epilogue by George Colman, the elder (Colman, Prose, iii, 244, 246, which give names of speakers)]: With new Scenes and Dresses. "It had four new scenes to decorate it, and those extremely well painted. In one of them a portrait of Captain Ambush is exhibited, which presented a very happy likeness of Williamson, by Alefounder" (Universal Magazine, Aug. 1783, p. 76)

Performances

Mainpiece Title: The Young Quaker

Performance Comment: Principal Characters by Palmer, Edwin, Riley, Gaudrey, Bannister Jun., Williamson, Wewitzer, Barrett, Ledger, Wilson, Parsons; Mrs Webb, Miss Morris, Mrs Lloyd, Mrs Love, Miss Hale, Miss Frodsham. [Cast from European Magazine, Aug. 1783, p. 148; Larpent MS 627; playbill of 19 July 1785: Young Sadboy-Palmer; Clod-Edwin; Lounge-Riley; Twig-Gaudrey; Spatterdash-Bannister Jun.; Capt. Ambush-Williamson; Shadrach-Wewitzer; Waiter-Barrett; Coachman-Ledger; Old Sadboy-Wilson; Chronicle-Parsons; Goliah-Miss Painter; Lady Rounceval-Mrs Webb; Araminta-Miss Morris; Pink-Mrs Lloyd; Mrs Mellefleur-Mrs Love; Judith-Miss Hale; Dinah Primrose-Miss Frodsham.] New Prologue [spoken by Palmer] and Epilogue [spoken by Miss Frodsham. These were spoken, presumably as here assigned, at all subsequent performances] . New Prologue [spoken by Palmer] and Epilogue [spoken by Miss Frodsham. These were spoken, presumably as here assigned, at all subsequent performances] .

Afterpiece Title: Medea and Jason

Event Comment: [In mainpiece the playbill assigns Lord Lumbcrcourt to Wilson, but "Lee Lewes was the substitute for Wilson, and far indeed better than the man he appeared for" (Public Advertiser, 31 Jan.).] Afterpiece [1st time; P 2, by John O'KeerFe]: The Music composed by Shield. The Scenery designed by Richards and Carver, and executed by them, Hodgins, and others. The 1st Part of this Pantomime is an Alteration of the Last New One [Friar Bacon (see 23 Dec. 1783)], and the 2nd Part entirely new and never before exhibited. Nothing under Full Price will be taken. "If Macklin once loses the Catch Word he is gone irretrievably." At the end of the 3rd act, at half price, some apprentices coming into the pit talked so loudly that "Macklin stopped; he lost himself. ... He came to the Side of the Stage, and stooping down to the Talkers, said, 'Gentlemen, I must beg you to be silent; my Hearing and Recollection are not so perfect as they were; I cannot proceed for your Talking'" (Public Advertiser, 5 Feb.). Receipts: #286 14s. (282/15; 3/19)

Performances

Mainpiece Title: The Man Of The World

Performance Comment: Sir Pertinax Macsycophant-Macklin; Lord Lumbercourt-Lee Lewes [of DL]; Sydney-Aickin; Melville-Clarke; Counsellor Plausible-Wewitzer; Serjeant Eitherside-Booth; Egerton-Lewis; Constantia-Mrs Kemble; Betty Hint-Mrs Wilson; Lady Rodolpha Lumbercourt-Miss Younge .
Cast
Role: Serjeant Eitherside Actor: Booth

Afterpiece Title: Harlequin Rambler; or, The Convent in an Uproar

Performance Comment: Harlequin-Chalmers; Sea Captain-Bannister; Friar Bacon-Davies; Father-Fearon; Friar Bungy-Darley; Clown-Stevens; Sportsmen-Mahon, Booth; Hunchback Barber-Edwin; Abbess-Mrs Templeton; Mother-Mrs White; Waiting Woman-Mlle Semini; Columbine-Mlle Bithmere. Musical and Other Characters by Johnstone, Thompson, Doyle, Rayner, Jones, Helme, Bates, Ledger, Painter; Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Martyr. The Lilliputians, Blefuscudians and Brobdignagians by New Performers . Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Martyr. The Lilliputians, Blefuscudians and Brobdignagians by New Performers .
Event Comment: Mainpiece [1st time; co 3, by George Colman, the younger. Prologue by George Colman, the elder (Colman, Prose, III, 252)]: The new Airs, and a New Overture by Dr Arnold. Books of the Songs to be had at the Theatre. [One of the songs, beginning "Adzooks, old Crusty," sung by Edwin, is set to the tune of Yankee Doodle, and in the musical score (Harrison, 1784) it is so entitled. This is believed to be the first time this song, as it is now sung, appeared in print.]

Performances

Mainpiece Title: Two To One

Performance Comment: Principal Characters by Palmer, Bannister, Wilson, Bannister Jun., Barrett, Swords, Baddeley, Davies, Edwin; Miss George, Mrs Bannister. [Cast from text (T. Cadell, 1784): Young Townly-Palmer; Captain Dupely-Bannister; Dupely-Wilson; Beaufort-Bannister Jun.; Postboy-Barrett; Waiter-Swords; Sir ThomasTownly-Baddeley; Crape-Davies; Dicky Ditto-Edwin; Servant-Ledger; Tippet-Miss George; Charlotte-Mrs Bannister.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances, except on 25 Aug.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances, except on 25 Aug.] hathi.
Related Works
Related Work: Poor Old Haymarket; or, Two Sides of the Gutter!!! Author(s): George Colman, the younger
Related Work: Two to One Author(s): George Colman, the younger

Afterpiece Title: The Tobacconist

Event Comment: 3rd piece [1st time; P 2 (?), by John Cartwright Cross. MS of Songs only: Larpent MS 1203]: Partly New and Partly Selected. The Overture and Music by Reeve. The Scenery partly new & the rest completely repaired by Phillips, Lupino, Hollogan, Blackmore, &c. The Machinery by Cresswell, Sloper, Goostree, Goostree Jun., &c. Receipts: #195 9s. (193.2; 2.7)

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Orphan

Cast
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: warned from the Grotto of the Goddess Pleasure by Actor: they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Cast
Role: Father to Columbine Actor: Hawtin
Role: The other Pantomime Characters Actor: Goostree Jun., Parsloe, Coombs, Noble
Role: Harlequin's Father Actor: Street
Role: Harlequin's Mother Actor: Mrs Henley
Role: Other Vocal Characters Actor: Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray
Role: The Pantomime commences with a Sea View Actor: the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor
Role: whom they conceive lost at Sea Actor: a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor
Role: Laugh or Sleep those living objects it is employed Actor: Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: he has to contend with her Power Actor: the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: brings to his View his beloved Columbine Actor: from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: The wind blew fresh and fair Actor: Townsend
Role: Rustic rejoicings Actor: Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley
Role: In the spring when the meadows Actor: Miss Sims, Miss Wheatley
Role: Milk pail change to Milk Actor: maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees
Role: in which a Variety of New Imitations Actor: Rees
Role: Harlequin and Columbine in jeopardy Actor: make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining
Role: Come buy my earthenware Actor: Mrs Clendining
Role: Bottle changes to Tarantula Actor: the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr
Role: Hither haste the young and gay Actor: Mrs Martyr changes the Scene to The Bower of Constancy
Role: and the Piece concludes with an appropriate Finale Actor: .
Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: As17990423, but Fitzharding-Johnson (from the Park? Theatre, New York; 1st appearance on this stage); Samson (1st time)-Townsend; Helen (for that night only)-Mrs Johnson; Chorus of Robbers-_; Chorus of Servants-_.
Related Works
Related Work: The Iron Chest Author(s): George Colman, the younger

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17990316but Catherine (for that night only)-Mrs Johnson.

Afterpiece Title: Tell Truth and Shame the Devil

Performance Comment: Principal Characters-H. Johnston, Murray, Johnson, Mrs Litchfield. [Probable cast: Tom Holton-H. Johnston; +Whitely-Murray; +Semblance-Johnson (see the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords">George C. D. Odell, Annals of the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords, New York, 1797) lists the American cast.]

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Event Comment: The King's Company. It is difficult to assign a date to this burlesque, but it is obviously a satiric thrust at Elkanah Settle's The Empress of Morocco, which had been acted on 3 July 1673, and on Macbeth, which had been most recently acted (probably) on 9 Aug. 1673. As the title page of Duffett's burlesque does not name a theatre, it is not known whether it was acted before the King's Company left Lincoln's Inn Fields for the new theatre in Drury Lane. But the fact that Settle's Empress of Morocco was acted again at Dorset Garden on 6 Dec. 1673 makes December 1673 a likely month (or the King's Company to play its burlesque, although it may have been given in the late summer or early autumn, as many lesser actors are in the cast

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: . Edition of 1674: Prologue-Ghost of Labas, Morena; Muly Labas-Coysh; Muly Hamet-Kew [Cue?]; Grimalhaz-Watson; Hamet Alhaz-Powel; Abdrahaman-Bird; Abdelcador-Carlton; Messenger-Kempton; Eunch-Venner; Laula-Griffin; Mariamne-Goodman; Morena-Harris; Epilogue [being a new Fancy after the old, and most surprising way of Macbeth, perform'd with new and costly Machines...invented and managed by Henry Wright.-Hecate, Three Witches; Hecate-Powel; 1 Witch-Harris; 2 Witch-Adams; 3 Witch-Lyddal; Thunder-Goodman; Lightning-Kew; An Epilogue [an additional one]-.
Event Comment: With the Addition of a New Scene

Performances

Mainpiece Title: The Beau's Duel; Or, A Soldier For The Ladies

Performance Comment: A new Prologue-; Epilogue-.
Cast
Role: A new Prologue Actor:

Song: Whimsical Song-Pack

Event Comment: Benefit Powell. Note, That the Tickets given out for Tuesday in last Whitson-Week at the New Theatre in Lincoln's-Inn-Fields, for the Benefit of Mr Powell, will be taken for this Play at the Theatre Royal

Performances

Mainpiece Title: Volpone

Performance Comment: Volpone-Powell; Mosca-Wilks; With a New Prologue to the Town-.

Song:

Dance: To be expressed in the Bills

Event Comment: [By Colley Cibber.] Never Acted before. By Subscription. The Boxes to be open'd to the Pit, and none to be admitted but by the Subscribers' Tickets. [In the preface to The Double Gallant Cibber states that in Marriage a la Mode he joined "the Comical Episodes of the Maiden Queen, and Marriage alamode...the Alteration cost me but six days trouble; and not calling it a new Play, we found the Town very favourable to it."

Performances

Mainpiece Title: Marriage A La Mode; Or, The Comical Lovers

Performance Comment: Palamede-Wilks; Celadon-Cibber; Rhodophil-Booth; Melantha-Mrs Bracegirdle; Florimel-Mrs Oldfield; Doralice-Mrs Porter; With a new Prologue-.
Cast
Role: With a new Prologue Actor: .
Event Comment: Afterpiece: [By John Vanbrugh.] Never Acted before. Mainpiece: With all the Original Scenes, Machines, and Decorations. To which will be added several new ones, particularly the intire front prospect of Blenheim Castlev. And another Piece alluding to the late glorious Successes of her Majesty's Arms, &c

Performances

Mainpiece Title: The British Enchanters

Afterpiece Title: The Cuckold in Conceit

Performance Comment: A new Prologue-; Epilogue-.
Cast
Role: A new Prologue Actor:
Event Comment: Receipts: #44 4s. 6d. The Season being so far advanc'd that the Cloaths, Scenes, and Decorations proper to the New Tragedy, call'd, The Fair Captive, cannot be got ready as soon as was intended, we are oblig'd for some time to defer it. N.B. The Tickets deliver'd out for the Benefit of the Author of the Tragedy, will be taken at this Play

Performances

Mainpiece Title: The Fair Quaker Of Deal

Performance Comment: See17150207, but Fair Quaker-Mrs Rogers' Daughter; With a New Prologue-.
Cast
Role: With a New Prologue Actor: .

Dance: As17150512

Event Comment: Not Acted these Sixteen Years. And all the Original Musick. The Habits, Scenes, Machines, Dances, and all other Decorations proper to the Play, being entirely New. Boxes 6s. Pit 5s. Gallery 2s 6d. Upper Gallery 1s. 6d. And whereas there are a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand on the Stage, (where they could not be without Danger) it is therefore hoped no Person will take it ill that they must be deny'd Entrance on the Stage. Receipts: #198 18s. 6d

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performance Comment: With a New Prologue-.
Cast
Role: With a New Prologue Actor: .
Event Comment: Not Acted these Seven Years. All the Habits being intirely New. [The Prologue was printed in Weekly Journal or British Gazetteer, 24 Nov.

Performances

Mainpiece Title: Tamerlane

Performance Comment: Bajazet-Mills (Chetwood, General History of the Stage, p. 214); With a New Prologue by the Author of the Play-.
Event Comment: Not acted these Twenty Years. Written by Shakespear, and since revis'd with several Alterations. The whole Play being new dress'd. N.B. The Play will begin exactly at Six a-Clock. Weekly Journal or Saturday's Post, 5 Oct., reports a rumor that J. J. Heidegger has sent to France to recruit a set of comedians to act French plays at the king's

Performances

Mainpiece Title: Cimbeline; Or, The Fatal Wager

Performance Comment: A new Prologue-Keene.
Cast
Role: A new Prologue Actor: Keene.

Dance: Thurmond Jr, Cook, Mrs Bullock, Mrs Schoolding, Miss Smith

Event Comment: At Mr Pinkethman's New Theatre at Richmond. The First Time of Acting. At 6 p.m

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: Parts-Pinkethman, Bullock Sr, Norris, Leigh, Miller, Spiller; A new Prologue-Pinkethman.
Cast
Role: A new Prologue Actor: Pinkethman.

Afterpiece Title: The Stage Coach

Song:

Dance:

Event Comment: Mainpiece: At the Desire of several Persons of Quality. Benefit the Author. With the Addition of some new Scenes (never acted before)

Performances

Mainpiece Title: Love In A Vail

Performance Comment: See17180617 but A new Character-Norris.

Afterpiece Title: The Stage Coach

Performance Comment: As17180513; And the Epilogue-Miss Lindar.

Song:

Dance:

Event Comment: Benefit Ryan. Afterpiece: A new Dramatick Entertainment of Grotesque Characters

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Ryan being the first Time of his performing it; With a new Prologue-.
Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: Harlequin Turned House Breaker

Song: Mrs Fletcher

Dance: As17200120

Event Comment: By the Company of French Comedians. Pit and Boxes together by Tickets only at 5s. Gallery 2s. At 6 p.m. [This is the opening night of the New Theatre in the Haymarket.

Performances

Mainpiece Title: La Fille A La Mode; Ou, Le Badeaut De Paris

Performance Comment: With a new Prologue-.
Cast
Role: With a new Prologue Actor: .

Dance:

Event Comment: Benefit a Gentleman in Misfortunes. Written by Aaron Hill, Esq. All the Characters being entirely new Dress'd. N.B. The putting off the Play so long was occasion'd by the Indisposition of one of the principal Performers, and the Tickets deliver'd out for 4th, the 11th, and the 17th Instant will be taken this Day

Performances

Mainpiece Title: Elfrid; Or, The Fair Inconstant

Performance Comment: A new Epilogue-.
Cast
Role: A new Epilogue Actor: .
Event Comment: At the particular Desire of several Persons of Quality. First Piece: Intermix'd with several new Songs in the Character of Rovewell and Arethusa

Performances

Mainpiece Title: The Contrivances

Performance Comment: See17290805, but With a new Prologue-.
Cast
Role: With a new Prologue Actor: .

Afterpiece Title: Phebe

Afterpiece Title: The Country Wedding and Skimmington

Dance: VVenetian Dance between a Gondolier and Courtezan-Master Lally, Miss Brett; Sultana-Miss Robinson Jr; Country Dance-the Characters in the Opera

Event Comment: By Authority. At 6 P.M. Boxes 3s. Pit 2s. Gallery 1s. [The opening night of the new theatre in Goodman's Fields. The Prologue and Epilogue were printed in Weekly Journal or British Gazetteer, 8 Nov.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Giffard; from the Theatre Royal in Dublin: Balance-W. Giffard; Worthy-Smith; Brazen-Collet; Kite-W. Williams; Bullock-R. Williams; Melinda-Mrs Purden; Sylvia-Mrs Thomas; Rose-Mrs Mountfort; Lucy-Mrs Haughton; With a New Prologue-; Epilogue address'd to the Town-.

Dance: