SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Earl of Middleton"/1) | (@(roleclean,performerclean) "The Earl of Middleton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 270 matches on Performance Comments, 249 matches on Performance Title, 113 matches on Event Comments, 67 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Tragedy, never before acted, by Dr T. Franklin. Published at 1s. 6d. [See A Letter from the Rope Dancing Monkey in the Hay-Market to the acting Monkey of Drury Lane on the Earl of Warwick (London, 1767) which damns the play as a flat and insipid plagiarism from de la Harpe's tragedy Le Conte de Warwick, Paris, 1764. Especially severe on Colman's Prologue and Garrick's Epilogue.] Rec'd stopages #4 11s. 6d.; Paid salary list #440 4s. (Treasurer's Book). Receipts: #165 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Parts-Holland, Powell, Bensley, Packer, Fawcett, Strange, Fox, Mrs Palmer, Miss Plym, Mrs Yates; With a Prologue and Epilogue. Warwick-Holland; King Edward-Powell; Earl of Pembroke-Bensley; Earl of Suffolk-Packer; Margaret of Anjou-Mrs Yates; Lady Eliz. Gray-Mrs Palmer; Lady Clifford-Miss Plym; Officers, Messenger-Fawcett, Strange, Fox (Genest, V, 119); Prologue-Colman, Bensley; Epilogue-Garrick, Mrs Yates (Winston MS 9).
Cast
Role: Earl of Pembroke Actor: Bensley
Role: Earl of Suffolk Actor: Packer

Afterpiece Title: Polly Honeycombe

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder
Event Comment: Mainpiece: Not acted these 4 years [acted 6 Feb. 1776]. Receipts: #216 6s. (191.2.0; 21.2.6; 4.1.6)

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Earl of Warwick-Smith; Earl of Suffolk-Packer; Earl of Pembroke-Aickin; Earl of Buckingham-Fawcett; King Edward-Palmer; Lady Elizabeth Gray-Mrs Baddeley; Lady Clifford-Mrs Johnston; Margaret of Anjou-Mrs Yates.
Cast
Role: Earl of Warwick Actor: Smith
Role: Earl of Suffolk Actor: Packer
Role: Earl of Pembroke Actor: Aickin
Role: Earl of Buckingham Actor: Fawcett

Afterpiece Title: The Camp

Related Works
Related Work: First Faults Author(s): Maria Theresa De Camp
Event Comment: This comic opera of two acts [Padlock] was written by Mr Bickerstaffe and is a very compleat, pretty piece,--the music very striking.--Mrs Dorman was hissed at first, but the piece went off very well, and much applauded (Hopkins Diary). New Scenes, Dresses, Music and other Decorations. Doors opened at half past 4. Play to begin exactly at 6 o'clock. [A three column retelling of the plot of the padlock appeared in Lloyd's Evening Post, for Oct. 5-7.

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Earl of Warwick-Holland; King Edward-Reddish; Earl of Suffolk-Packer; Earl of Pembroke-Aickin; Lady Eliz Gray-Mrs W. Barry; Lady Clifford-Mrs Reddish; Margaret of Anjou-Mrs Hopkins.
Cast
Role: Earl of Warwick Actor: Holland
Role: Earl of Suffolk Actor: Packer
Role: Earl of Pembroke Actor: Aickin

Afterpiece Title: The Padlock

Event Comment: Mainpiece: Not acted these 8 years [acted 23 Oct. 1778]. Receipts: #232 17s. 6d. (206/18/0; 25/9/6; 0/5/0; ticket not come in: 0/5/0)

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Earl of Warwick-Smith; Earl of Pembroke-Aickin; Earl of Suffolk-Packer; Buckingham-Fawcett; Officer-Wilson; Messenger-Phillimore; King Edward-Palmer; Lady Elizabeth Grey-Miss Kemble; Lady Clifford-Miss Tidwsell; Margaret of Anjou-Mrs Siddons .
Cast
Role: Earl of Warwick Actor: Smith
Role: Earl of Pembroke Actor: Aickin
Role: Earl of Suffolk Actor: Packer

Afterpiece Title: The Double Disguise

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Earl of Warwick-Smith; Earl of Pembroke-Aickin; Earl of Suffolk-Packer; Buckingham-Fawcett; Officer-Wilson; Messenger-Phillimore; King Edward-Palmer; Lady Eliz. Grey-Miss Kemble; Lady Clifford-Miss Tidswell; Margaret of Anjou-Mrs Siddons .
Cast
Role: Earl of Warwick Actor: Smith
Role: Earl of Pembroke Actor: Aickin
Role: Earl of Suffolk Actor: Packer

Afterpiece Title: High Life below Stairs

Dance: In afterpiece a Mock Minuet by Palmer and Miss Pope

Event Comment: Benefit for Macready and Hull. 1st piece: Not acted these 14 years, and compressed into 3 Acts. Receipts: #313 16s. (81.19; 3.9; tickets: 228.8, of which Macready sold 139.15, and Hull 88.13)

Performances

Mainpiece Title: The Earl Of Warwick And Margaret Of Anjou

Performance Comment: Earl of Warwick-Holman (1st appearance in that character); Earl of Suffolk-Hull; Earl of Pembroke-Richardson; Officer-Thompson; King Edward-Macready; Lady Elizabeth Grey (1st time)-Miss Mansel; Lady Clifford (1st time)-Mrs Townsend; Margaret of Anjou-Mrs Pope.
Cast
Role: Earl of Warwick Actor: Holman
Role: Earl of Suffolk Actor: Hull
Role: Earl of Pembroke Actor: Richardson

Afterpiece Title: The Lie of the Day

Cast
Role: The Banditti Actor:
Role: The Hotel Actor:
Role: The Hazard Club Actor:
Role: The Building Scene and Falling Scaffold Actor:
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: the Mandarine Actor: the Inside-the Magic Candles-
Role: the Inside Actor: the Magic Candles-
Role: the Magic Candles Actor:
Role: Harlequin from the Tea Urn Actor: , invented by Messink and Martinelli.
Role: The Dog Kennel and Pigeon House Actor: invented by Rich.
Role: Actor: The Jew-the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Jew Actor: the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Quaker Actor: the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Sailor Actor: the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Inside of the Bagnio Actor: the Change to the Prison-the Punishment of Vice-
Role: the Change to the Prison Actor: the Punishment of Vice-
Role: the Punishment of Vice Actor:
Role: An exact Representation of the Telegraphe Actor: , in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.
Role: with the Fleet prepared for Sea Actor: The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet
Role: The arrival of an Express from the Admiralty by th Actor: the Sailing of the Fleet
Role: The Kitchen Scene Actor: by Messink.
Role: The Wash@House Scene Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich.
Role: The Statuary Yard Actor: invented by Messink-the formation of the Stone Figure invented by Delpini.
Role: Messink Actor: the formation of the Stone Figure invented by Delpini.
Role: and the Piece concludes with a Finale Actor:

Afterpiece Title: Sprigs of Laurel

Song: In Course Evening: The Waiter-Fawcett; Master Thedy Shemus O'Shaughnessey O'Finnegin Delaney's History of Himself-Johnstone; Mad Bess (in character)-Mrs Clendining; The Sportman's snug little Cot, Admiral Benbow-Incledon

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Earl-Cushing; Queen Elizabeth-Mrs Bambridge; Burleigh-Paget; Southampton-Lee; Sir Walter Raleigh-Furnival; Lieutenant-Blakey; Countess of Nottingham-Mrs Cushing; Countess of Rutland-Mrs Hallam.
Cast
Role: Earl Actor: Cushing

Afterpiece Title: The Debauchees

Cast
Role: Father Martin Actor: Paget

Song: Brett

Dance: As17451028

Event Comment: Benefit for Smith. [See note for 6 March.] Part of Pit laid into Boxes. Ladies send servants by half past 4 o'clock, and those who have taken places in the Pit requested to come early to prevent Confusion in getting to their seats. Tickets deliver'd for Lady Jane Grey will be taken. Charges #65 10s. Profit to Smith #84 6s. 6d., plus #172 15s. from tickets (Box 640; Pit 85). Paid Blanchville Clark as per certificate from Sir John Fielding 10s. (Account Book). Receipts: #149 16s. 6d

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Earl of Warwick-Smith; King Edward-Bensley; Pembroke-Perry; Buckingham-Wignel; Officer-Thompson; Messenger-R. Smith; Suffolk-Gardner; Lady Eliz Grey-Mrs Mattocks; Lady Clifford-Miss Pearce; Margaret of Anjou-Mrs Yates; The Original Epilogue by Garrick-Mrs Yates.

Dance: End: The Irish Lilt, as17721028

Event Comment: Benefit for Palmer. Mainpiece: Not acted these 3 years. [See 21 Nov. 1769.] Paid half year's land and window tax for St Martin's to Lady Day last #38 4s. 4d. (Treasurer's Book). Receipts: #157 6s. 6d. Charges: #67 19s. 6d. Profits to J. Palmer: #89 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Earl of Essex-Barry; Southampton-Palmer; Queen-Mrs Hopkins; Rutland-Mrs Barry; Nottingham-Mrs Egerton; Burleigh-Packer; Raleigh-Hurst; Lieutenant-Ackman.
Cast
Role: Earl of Essex Actor: Barry

Afterpiece Title: Harlequin's Invasion

Dance: IV: A Comic Dance, as17730325

Entertainment: End: Bucks have at ye all-Palmer

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Earl of Warwick-Smith; Suffolk-Packer; Pembroke-J. Aickin; King Edward-Palmer, first time; Lady Elizabeth Gray-Mrs Baddeley; Lady Clifford-Miss Platt; Margaret of Anjou-Mrs Yates; Buckingham-Fawcett; Messenger-Griffiths.
Cast
Role: Earl of Warwick Actor: Smith

Afterpiece Title: A Peep behind the Curtain

Dance: End Act I: Grand Provencalle Dance, as17750202

Entertainment: End Act V: By Desire, Hippisley's Drunken Man-Weston

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Widow. Tickets delivered for the 25th will be admitted. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Earl of Southampton-Adcock; Lord Burleigh-Martin; Sir Walter Raleigh-Maffet; Essex-Wilkinson; Queen Elizabeth-Mrs Sidney; Countess of Nottingham-Mrs Sincock; Rutland-A Young Lady (1st appearance on any stage [unidentified]).unidentified]).
Cast
Role: Earl of Southampton Actor: Adcock

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Wilkinson; Maria-The Lady who performs Rutland.

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

Performance Comment: End: Collins's Ode on the Passions-Wilkinson.
Event Comment: Benefit for Middleton. Morning Herald, 10 May: Tickets to be had of Middleton, No. 20, Great Russell-street, Covent-Garden. Receipts: #287 12s. (144.18.6; 2.15.0; tickets: 139.18.6)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17950921, but Romeo-Middleton (1st appearance in that character these 3 years).
Cast
Role: Romeo Actor: Middleton
Role: Apothecary Actor: Rees

Afterpiece Title: Netley Abbey

Performance Comment: As17950916, but M'Scrape (for that night only)-Middleton (1st appearance in that character).
Cast
Role: M'Scrape Actor: Middleton
Role: Neville Actor: Middleton
Role: Catherine Actor: Mrs Martyr.

Dance: In I: Grand Masquerade-; with the Minuet de la Cour and Allemande, as17950921

Song: End IV: Elegy-; Solemn Dirge-; Vocal Parts, as17950921, but Miss _Stuart, Miss _Kirton; After entertainment: Black@ey'd Susan-Incledon; My Mother had a Maid called Barbara, as17960314but _Bowden; Old Towler-Incledon

Entertainment: End: Monsieur Tonson, as17960426; After which Recitation and Music, as performed last Season with universal Applause at Freemason's Hall, in which Errors of the Press-Holman; Dryden's Ode of Alexander's Feast-Middleton; The Story of the Dog (written by Whitehead)-Pope

Event Comment: The United Company. The date of the first performance is not known, but it followed The Gordian Knot Unty'd, which is mentioned in the Prologue. Edward III was advertised in the London Gazette, No. 2629, 19-22 Jan. 1690@1, and entered in the Term Catalogues, February 1690@1. The authorship is uncertain. The title page bears no author's name, but the Dedication is signed by Will. Mountfort. In addition, on 10 Oct. 1691 Mountfort received a grant of #10 when Edward III was played before the Queen (L. C. 5@150, p. 306, in Nicoll, Restoration Drama, p. 357). On tne other hand, the Gentleman's Journal, October 1692, stated that it was written by the author of Henry the Second, which has been attributed to John Bancroft. See Nicoll, Restoration Drama, pp. 388-89, for a summation of the evidence on this problem. Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 319, thinks that this is a revision of Robert Davenport's The Politic Queen

Performances

Mainpiece Title: King Edward The Third; With The Fall Of Mortimer, Earl Of March

Performance Comment: [The author is not certain, but possibly the play was written by John Bancroft and William Mountfort.] Edition of 1691: Prologue-Mr Powell; Epilogue-Mrs Bracegirdle; King Edward the Third-Powell; Mortimer Earl of March-Williams; Lord Mountacute-Mountfort; Sir Tho. Delamore-Kynaston; Sir Robert Holland-Hodgson; Tarleton, Bishop of Hereford-Lee; Serjeant Eitherside-Nokes; Turrington-Bridges; Nevill-Freeman; Sly-Bright; Secret-Trafuse; Earl of Leicester-Bowman; Earl of Exeter-Sandford; Isabella-Mrs Barry; Maria-Mrs Bracegirdle.

Performances

Mainpiece Title: The Earl Of Warwick; Or, The British Exile

Performance Comment: Edition of 1719 lists: Earl Douglas-Cory; Lord Douglas-Walker; Earl of Bedford-Williams; Earl of Warwick-Mills; Bernard-Thurmond; Eliza-Mrs Thurmond; Maria-Mrs Baker; Prologue-Mills; Epilogue-Mrs Thurmond.
Cast
Role: Earl Douglas Actor: Cory
Role: Earl of Bedford Actor: Williams
Role: Earl of Warwick Actor: Mills
Event Comment: W. S. Clark (Works of Orrery, 1, 40-41) believes that this is Thomas Middleton's play, not one by Orrery. Henry Savile to George Savile: I am come newly from my Lord of Orrery's new play called The Widow, whose character you will receive from better hands. I will only say that one part of it is the humour of a man that has great need to go to the close stool, where there are such indecent postures as would never be suffered upon any stage but ours, which has quite turn'd the stomach of so squeamish a man as I am, that am used to see nothing upon a theatre that might not appear in the ruelle of a fine lady (Savile Correspondence, ed. W. D. Cooper, Camden Society, LXXI [1858], 4)

Performances

Mainpiece Title: The Widow

Related Works
Related Work: The Widow Author(s): Thomas Middleton
Related Work: The Counterfeit Bridegroom; or, The Defeated Widow Author(s): Thomas Middleton
Related Work: The Puritan; or, Widow of Watling Street Author(s): Thomas Middleton
Event Comment: The Duke's Company. The date of the first production is not known, and it may have been acted before this season; hence, it is entered also in the preliminary list in the season of 1676-77. As the play was licensed for printing on 4 Oct. 1677, September 1677 is probably the latest time at which it could have been produced. The play is an alteration of Thomas Middleton's No Wit, No Help, Like a Woman's. It has been attributed to both Mrs Aphra Behn and Thomas Betterton

Performances

Mainpiece Title: The Counterfeit Bridegroom; Or, The Defeated Widow

Related Works
Related Work: The Counterfeit Bridegroom; or, The Defeated Widow Author(s): Thomas Middleton
Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Edition of 1682: The Earl of Essex-Clarke; Earl of Southampton-Gryffin; Burleigh-Major Mohun; Sir Walter Rawleigh-Disney; Queen Elizabeth-Mrs Quyn; Countess of Rutland-Mrs Cook; Countess of Nottingham-Mrs Corbett; Prologue-Major Mohun the first Four Dayes; Prologue to the King and Queen at their coming to the House, and Written on Purpose by Mr Dryden-; Epilogue by Mr Dryden-; Prologue Intended to be spoken, by the Author-.
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Related Works
Related Work: The History of Henry the Fifth Author(s): Roger Boyle, Earl of Orrery

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: King Edward-Reddish, 1st time; Earl of Warwick-Holland; Pembroke-Aickin; Suffolk-Packer; Messenger-Strange; Officer-Fox; Lady Eliza Gray-Mrs Palmer; Lady Clifford-Mrs Reddish; Margaret of Anjou-Mrs Hopkins, 1st time.
Cast
Role: Earl of Warwick Actor: Holland

Afterpiece Title: A Peep behind the Curtain

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Messenger-Everard; Officer-Norris; Earl of Warwick-Smith; Suffolk-Packer; Pembroke-Aickin; Buckingham-Fawcett; King Edward-Palmer; Lady Elizabeth Gray-Miss P. Hopkins, first time; Lady Clifford-Miss Platt; Margaret of Anjou-Mrs Yates; Original Epilogue-Mrs Yates, By Particular Desire.
Cast
Role: Earl of Warwick Actor: Smith

Afterpiece Title: Bon Ton

Performance Comment: As17751101, but Davy-Parsons (playbill); but Waldron in The Public Advertiser. but Waldron in The Public Advertiser.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Yates, and her Infant Children. [Mr and Mrs Litchfield, with Mrs Litchfield as Little Pickle, are identified in Morning Chronicle, 10 Feb. Address by Thomas Roberts (European Magazine. Feb. 1797, p. 121).] Tickets to be had of Mrs Yates, No. 26, Great Pultney-street, Golden-square; and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: King Edward (for that night only)-A Gentleman [Litchfield]; Earl of Warwick-Faulkner (who performed Orestes at Drury-Lane Theatre [on 21 Dec. 1796]); Lady Eliz. Gray (for that night only)-A Lady [Mrs Litchfield]; Margaret of Anjou-Mrs Yates.

Afterpiece Title: The Spoil'd Child

Entertainment: MonologueEnd: Address (written for the Occasion)-Mrs Yates

Event Comment: Gibson, ed., Blundell's Diary, p. 143: This being Bartholemew Fair I went to Smithfield and saw a Fars acted which was called Argulus and Parthenia and a Poppy Play called Earl of Essex

Performances

Mainpiece Title: Argulus And Parthenia

Afterpiece Title: The Earl of Essex

Event Comment: Benefit Mrs Porter. By Their Royal Highnesses' Command. [Theodosius advertized, but Booth's illness deferred it. Daily Courant lists The Man of Mode, but Rich's Register lists The Earl of Essex.

Performances

Mainpiece Title: The Man Of Mode or The Earl Of Essex

Event Comment: Mainpiece: Not acted these 8 years. [On playbill of 10 Feb.: On Monday...Jones's Tragedy of The Earl of Essex.] Receipts: #205 13s. (201.1; 4.12)

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favorite

Afterpiece Title: Robinson Crusoe

Dance: As17810131

Event Comment: The Duke's Company. The play apparently was never printed. Downes, Roscius Anglicanus, p. 26: Made out of Spanish, by the Earl of Bristol. Pepys, Diary: Went to a play, only a piece of it, which was at the Duke's house, Worse and Worse; just the same manner of play, and writ, I believe, by the same man as The Adventures of Five Hours; very pleasant it was, and I begin to admire Harris more than ever

Performances

Mainpiece Title: Worse And Worse

Related Works
Related Work: Worse and Worse Author(s): George Digby, Earl of Bristol