SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "T C"/1) | (@(roleclean,performerclean) "T C")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2824 matches on Roles/Actors, 1326 matches on Event Comments, 797 matches on Performance Comments, 110 matches on Performance Title, and 12 matches on Author.

Performances

Mainpiece Title: King Henry V; With Conquest Of The French At Agincourt

Afterpiece Title: The Coronation

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and the Miller

Dance: II: Hornpipe-Master Cape (Scholar to Walker); IV: Hearts of Oak, as17620421

Song: III: If o'er the Cruel Tyrant Love, as17620513

Entertainment: New Sketch of his own picture drawn from the life by way of Epilogue-Mr Tomlinson, his second time of attempting to speak on the Stage

Performances

Mainpiece Title: Trial Scenes Of The Cock Lane Ghost

Afterpiece Title: Tars of Old England

Performance Comment: followed by the most celebrated Procession that ever was processioned by any Processioners, containing Roast Beef, Sou-Maigre, English Sailors, and French Frog-Eaters.

Entertainment: Exhortation of the Little Lilliputian Squire Hum, a child of five years old. TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady

Performances

Mainpiece Title: The Orators

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: The Orators

Entertainment: A Prologue, Singing, a Dutch Story, Hippisley's Drunken Man-, with alterations and additions

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spring

Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: Two Gentlemen Of Verona

Afterpiece Title: Fortunatus

Entertainment: s 15 Dec. 1762.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Beggar's Wedding

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: IV: The Dutch Dance, as17630217

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Beggar's Wedding

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Musical Lady

Dance: I: Dutch Dance, as17620921, but Sga _Giorgi, Miss Baker; II: By Desire a +Hornpipe-Miss Dawson; III: A New Scotch Dance-Aldridge, Miss Baker; IV: The Italian Gardeners-Grimaldi, Miss Baker

Performances

Mainpiece Title: Zara

Performance Comment: As17621127, but Chatilion-Castle.

Afterpiece Title: The Devil to Pay

Dance: II: A Comic Dance call'd the Old Fool, or the Farmer Trick'd-Vincent, Miss Rogers; IV: Dutch Dance, as17630425 V: By Desire, a Louvre and Minuet-Noverre, Miss Rogers; By Particular Desire a Hornpipe-Vincent

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Miller of Mansfield

Dance: II: The Jealous Woodcutter, as17621023

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Cheats of Scapin

Dance: I: Hornpipe-Miss Daw; End: The Dutch Skippers, as17630101

Event Comment: To the Printer of the Public Advertiser, Mr Woodfall: Why don't you constantly, every day, print a list of the Mistakes which the guessing Messieurs Ledger and Gazatteer make in their account of the playbills? Woodward, says the Gazetteer, is to play Harlequin, and Miles the Clown this evening [Friday 14 Oct.] in Harlequin Sorcerer; Tenducci and Brent the Shepherd and Shepherdess. The Ledger informs me that Woodward will play Lissardo in the Wonder, when you say Dyer; and that Mrs Younger is to play Inis, when you advertise Mrs Green will play that character. I dare say, Mr Garrick very shortly will make his appearance in the Gazetteer or Ledger. Your Humble Servant, &c. [Garrick was in France at this time.

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Afterpiece Title: Thomasand Sally

Dance: TThe Knife Grinders (perform'd but once), as17631012

Performances

Mainpiece Title: Love In A Village

Dance: II: The Sicilian Peasants, as17631005

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Rites of Hecate; or, Harlequin from the Moon

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Rites of Hecate

Event Comment: Benefit for Powell. Ladies send Servants by 3 o'clock (playbill). Othello (for first time) Mr Powell. This Night there was the greatest over flow ever known. the Crowd was so great it prevented the Ladies from coming into the Boxes till near Seven o clock at half past Six begun the play. As the Ladies were not come into the Boxes, being prevented by passage being Stopt up by the Crowd the Gentlemen Cry'd out. off off &c. Mr King & Mr Havard remaind on the Stage some time but the Noise increasing. Mr King address'd the Audience & told them it would be equally agreeable to the performers to stay half an hour longer, upon which there was a great Clap & the Curtain was drop'd & a quarter before Seven begun the play again. N.B. The Farce was hiss'd all thro'(Hopkins). This night one of the greatest overflows that ever was known. The crowd was so great it preventdd the ladies from coming to their places in the boxes till near seven o'clock-At half past six the play began, and in the first scene they cried Off, off.' Mr King and Mr Havard remained on the Stage some time; but the noise increasing, Mr King went forward and said, It would be equally agreeable to the performers to stay half an hour longer, before they began-upon which there was a great clap, and the curtain was dropped; and in about a Quarter of an hour began the play again (Hopkins Diary-MacMillan). Receipts: #268 11s. (MacMillan). charges. #64 9s. [Profit to Powell: #204 2s.

Performances

Mainpiece Title: Othello

Afterpiece Title: Thomasand Sally

Dance: The Irish Lilt, as17630922

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Old Maid

Performance Comment: As17630921, but Cape-Lewis.

Dance: III: A Hornpipe-Miss Pitt; End: The Dutch Skippers, as17640509

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Fairy Tale

Dance: End: The Cow@Keepers, as17640504