SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sweet"/1) | (@(roleclean,performerclean) "Sweet")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 145 matches on Performance Comments, 128 matches on Roles/Actors, 85 matches on Performance Title, 26 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Mossop; Elder Brother-Holland; 1st Spirit-Davies; Lady-Mrs Cibber; Euphrosyne-Mrs Clive; 2d Spirit-Master Simson; Younger Brother-Packer; Sabrina (and song, Sweet Echo)-Miss Young; Bacchanals-Beard, Champnes; Nymph-Miss Eliz. Young; The Dances-Giorgi, Sga Lucchi, Noverre, Dupuy, Miss Valcour.

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Fleetwood 1st time; Lady-Mrs Cibber; Spirit-Mrs Vernon; 1st Bacchanal-a Gentleman his 1st on the stage; Euphrosyne-a Gentlewoman her 1st on the stage; Elder Brother-Holland; Younger Brother-Packer; 1st Spirit-Davies; 2d Spirit-Master Simson; 2d Bacchanal-Champnes; Sabrina-Miss Young; (with song of) Sweet Echo-Miss Young; Nymph-Miss Eliz. Young; The dances-Giorgi, Miss Baker.
Cast
Role: Sweet Echo Actor: Miss Young

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Smith; Elder Brother-Clarke; Younger Brother-Dyer; 1st Spirit-Hull; 2nd Spirit (with song in character)-Mattocks; The Lady-Mrs Ward; Bacchanals-Beard, Lowe, Baker; Bacchants-Miss Brent, Mrs Lampe, Miss Young; Chorusses-Legg, Courtney; Whitaker, Roberts, Ryley, Courts, Miss Davis, Miss Sledge, Miss Allen; Euphrosyne-Mrs Lampe; Sabrina, the Pastoral Nymph, and Song of Sweet Echo-Miss Brent; The Dances incident to the Masque-Poitier Jr, Mlle Capdeville, Granier, Leppie, Desse, Rochford, Dumai, Gosly, Terriot, Mrs Granier, Mrs Jansolin, Mrs Viviez, Mrs Leppie, Mrs Terriot, Miss Terriot.

Performances

Mainpiece Title: A Concert

Performance Comment: In which will be introduced the Original Orations for (this night only) by Mrs Midnight. With a New Dish of Sweet Cream. Prologue-Mrs Midnight; The Echo of Anacreon-Gaudry; Scots Songs-Lauder; A Concerto-La Spoonatissiana; Singing-young Gentlewoman; Mock Italian Air-Sga Mimicottiaccompanied by Mynheer Broomsticado; Concerto on Violincello-Clogget; Advice to the Criticswith a specimen of ancient and modern acting-Mrs Midnight.

Afterpiece Title: Britannia's Triumph

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Smith; Elder Brother-Clarke; Younger Brother-Dyer; 1st Spirit-Ross; 2nd Spirit-Mattocks; Lady-Mrs Ward; Bacchanals-Beard, Baker; Bacchants-Miss Brent, Mrs Vernon; Chorusses-Legg, Whitaker, Roberts, Ryley, Dibdin, Courts, Mrs Lampe, Miss Young, Miss Davis, Miss Sledge; Euphrosyne-Mrs Vernon; Sabrina, the Pastoral Nymph, and the song of Sweet Echo-Miss Brent.

Dance: The Dances incident to the masque-Poitier Jr, Mlle Capdeville, Granier, Leppie, Desse, Rochford, Dumai, Gosley, Hussey, Balthazar, Mrs Granier, Mrs Jansolin, Mrs Mariane, Mrs Crawford, Mrs Welch, Miss Daw

Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Smith; First Spirit-Ross; Elder Brother-Clarke; Younger Brother-White; Second Spirit-R. Smith; The Lady-Mrs Ward; Bacchanals-Beard, Mattocks; Bacchants-Miss Brent, Miss Miller; Third Spirit-Miss Polly Young; Euphrosyne-Miss Miller, first time; Sabrina, the Pastoral Nymph, and the Song of Sweet Echo-Miss Brent; The Chorusses-Legg, Baker, Roberts, Dibdin, Fawcett, Mrs Lampe, Mrs Jones, Miss Davis; The Dances-M. Duquesney, Sga Manesiere, Miss Wilford, George, Granier. With the usual Decorations and Machinery (playbill).

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Mattocks. [The Jester's Magazine, or Monthly Merry Maker included the following verses by "Bumpkin" from the Upper Gallery, "On Seeing Midas"]: @To Midas invited@And greatly delighted,@They all sung and acted so clever;@That in Rapture I cry'd, a,@To the folk on each side, a,@Burlettas and sing-song forever!@For tho' Justice Midas@Turns out but a Try'd Ass,@In preferring horse Pan to Apollo@The Airs are so pretty,@And so sweet the Duetti,@They beat all your Operas hollow.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Midas

Dance: IV: Rural Love, as17651115

Event Comment: Paid Wilford for 10 nights Renters Money #100 (Account Book). [Duly noted in Account Book as third night for the comedy, but no indication of any fee to the author on this occasion. The following verse tribute to Miss Wilford appeared this day in the Public Advertiser: @"Strike the loud Harp and raise the tuneful Song;@On all your wings, Wind, bear her Fame along!@Her eyes are rolling suns, which dart a ray,@Bright as the splendor of a Summer Day;@Her arms are as the foam of Ocean white,@Like waves her Breasts heave slowly to the sight.@Her breath is sweeter than the vernal gale,@Which Zephyr wafts o'er Tempe's flowry vale;@Her cheaks are painted only by that hand@Which scatters roses through the blooming land;@And every ringlet of her glossy hair@Is trusted to some Love's peculiar care.@Her speech the songs of other Nymphs excels,@And on her lips persuasion blushing dwells;@Her smiles are as the streaming pow'rs of Light,@Which cheer and gild the rugged Front of Night.@To the quick Pipe and Tabor's lively sounds,@High as the Hind or Mountain Roe, she bounds;@And if to solemn Notes the cadence flow,@Stately she moves, majestically slow.@Deaf the prais'd ear-yet Modesty must own@The Female Archer by these Marks is known."@ Miss Wilford was the Female Archer.] Receipts: #151 13s. 6d.(Account Book)

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: The Fairy Favour

Dance: End: The Gallant Peasants, as17670113

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Smith; 1st Spirit-Ross; Elder Brother-Clarke; Younger Brother-Perry; 2nd Spirit-R. Smith; The Lady-Mrs Bellamy; Bacchanals-Beard, Mattocks, Dibdin; Bacchants-Mrs Pinto, Mrs Baker; 3rd Spirit-DuBellamy; Euphrosyne-Miss Poitier; Sabrina, The Pastoral Nymph, and the Song of Sweet Echo-Mrs Pinto; Chorusses-Legg, Baker, Riley, Mrs Lampe, Mrs Jones; The Dances-Fishar, Sga Manesiere, Miss Wilford, Miss Valois.

Afterpiece Title: The Apprentice

Event Comment: Benefit for Mrs Arne. Afterpiece: By Desire. House Charges #68 16s. 6d. [Profits to Mrs Arne #150 18s. 6d.] Tickets deliver'd for The Beggar's Opera will be admitted. Dido oblig'd to be defer'd a few days. Paid 1 year's Watch for St Martin's #10 2s.; Reynolds Oil bill #46 4s.; Carpue (silk dyer) #7 9s. 6d.; Jennings (glover) #13 12s.; Vernon on note #21; Chorus 1 night #2 5s. 6d.; Hautboy 5s.; Salary list #294 2s. 8d. [Treasurer's Book). Receipts: #219 14s. (Treasurer's Book). At 4 dined at the Chop House in St Clements. At 5 went to Drury Lane to see the Tempest for the benefit of Mrs Arne the prettiest performer at the house...She has a sweet little voice...A grand Dance of Fantastic Spirits in different shapes. At the end of the play a Double Hornpipe by Mr Walker and Miss Tatley. We had the entertainment of Daphne and Amintor with dancing by Sg and Sga George, Sg Tessoni, Miss King, &c. Having a seat in the third row of the Pit, was much pleased as all the principal characters were well played and the scenery is very fine. Had I been later in going, I should not have got in (Neville MS Diary)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Daphne and Amintor

Dance: End: A Double Hornpipe-Walker, Miss Tetley

Event Comment: Mainpiece: A New Comedy of 3 Acts [by George Colman] never performed. [In the Shakespearean Pageant, with figures from seventeen of his plays, the chief effectiveness lay with the Musicians who ushered in each group with appropriate music: Martial Music-The Roman Characters of Coriolanus and Julius Caesar; Soft Music-Antony and Cleopatra; Grand Music, Old English Characters-King John, Richard III, Henry VIII: Magical Music, "above, about, underneath" for Prospero; Macbeth's Music; Fairy Music-Oberon and Titania; Solemn Music for Tragic Muse accompanied by Othello, Hamlet, the Ghost, Mad Ophelia and Lear with Cordelia; Dead March in Saul-Juliet's Bier with attendants; Allegro for the Comic Muse-Falstaff, Touchstone, Launcelot, Malvolio; Andante-Florizel and Perdita, Portia Antonio and Bassanio; Flourish-for Car drawn by the muses carrying Shakespeare's Bust; Final Song by Mrs Mattocks, "Sweetest Bard that Ever Sung, Nature's glory, Fancy's Child--." The Prelude is, in print, entirely favorable to Garrick's effort at Stratford. But it could be rendered in a mercilessly ironical manner if the three participating actors so chose. Mainpiece reviewed in the Freeholder's Magazine, Oct.] Receipts: #224 10s

Performances

Mainpiece Title: Man And Wife; Or, The Shakespeare Jubilee

Afterpiece Title: Damon and Phillida

Entertainment: End II: Pageant exhibiting the characters of Shakespeare-; End III: Representation of the Amphitheatre at Stratford Upon Avon-; with a Masquerade-

Performances

Mainpiece Title: The Gamester

Entertainment: I: An Overture-; A favourite Song from Pharnaces, Swift Wing'd Vengeance Nerve my Arm-A. Smith (set by Bates); A Favourite Scots air (words and Music by A. Smith)-Miss Dowson; An Overture-Abel; A Celebrated song from Anacreon (set by Starling Goodwin)-A. Smith; II: Soldier Tir'd-Miss Dowson; A New Song-Barnshaw; An Overture from Otho- (Handel); Sweet Echo-a young Gentleman from Italy; Trumpet Concerto-Mas. Green, pupil of Jones; A Celebrated song British Wives-A. Smith; Concerto on Violin-Smart; After the Gamester: Russel's Triumph-A. Smith; in the character of a mid-shipman with a Hornpipe-Rawlins (from the opera house in the Haymarket) in the character of a Sailor

Performance Comment: Smith (set by Bates); A Favourite Scots air (words and Music by A. Smith)-Miss Dowson; An Overture-Abel; A Celebrated song from Anacreon (set by Starling Goodwin)-A. Smith; II: Soldier Tir'd-Miss Dowson; A New Song-Barnshaw; An Overture from Otho- (Handel); Sweet Echo-a young Gentleman from Italy; Trumpet Concerto-Mas. Green, pupil of Jones; A Celebrated song British Wives-A. Smith; Concerto on Violin-Smart; After the Gamester: Russel's Triumph-A. Smith; in the character of a mid-shipman with a Hornpipe-Rawlins (from the opera house in the Haymarket) in the character of a Sailor.
Event Comment: Mrs Smith made her first Appearance in Sylvia a pretty Innocent looking figure a Sweet Voice & very proper for the Character She had vast Applause & very deservedly. (Hopkins Diary). [Macmillan note from Kemble differs slightly in wording.] Receipts: #125 2s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: High Life below Stairs

Event Comment: Mainpiece: A New English Burletta, never performed, by the Author of Midas [Kane O'Hara], in three parts. Books of the Burletta to be had at the Theatre. Receipts: #229 14s. [The mainpiece had been censored by Licenser 5 April 1772 (Larpent MS 330) but had been passed later. The MS indicates stage directions "Curtain rising discovers a splendid Pavilion in the Clouds, Juno, Pallas and Venus at card table." Reviewed in the Westminster Magazine. Rev. Charles Jenner wrote the following "Ode to Miss Catley in the character of Juno." (Harvard Library original MSS No. 65 [1930].)] @Hail vulgar Goddess of the foul mouth'd race!@If modest Bard may hail without offence)@In whose majestic, blush-disdaining face@The steady hand of Fate wrote Impudence;@Hail to thy dauntless front, and aspect bold;@Thrice hail, magnificent, immortal scold!@ @Thee, Goddess, from the upper gallery's height@With heedful look the jealous fish-wife eyes,@Tho early train'd to urge the mouthing flight,@She hears thy bellowing powers with surprize.@Returns instructed to the realms that bore her,@Adopts thy tones and carries all before her.@ @Proceed then, Catley, in thy great career@And nightly let our maidens hear and see@The sweetest voice disgust the listning ear@The fairest face assume deformity!@So shalt thou arm them with their best defense,@And teach them Modesty by Impudence.

Performances

Mainpiece Title: The Golden Pippin

Afterpiece Title: The Commissary

Dance: I: A New Pantomime Dance call'd The Venetian Gardner-Mas. Blurton, Miss Capon. [See17650925]; II: [A New Dance-Aldridge, Miss Capon; End: [A New Grand Ballet, call'd Rural Amusements-Fishar, Sga Manesiere. [See17720424.

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Comus

Performance Comment: Comus-Mattocks; Spirit-Hull; Brothers-Thompson, Harris; Lady-Miss Miller; Sabrina, and the Pastoral Nymph-Miss Twist; Bacchanals, Bacchants-Reinhold, DuBellamy, Baker, Mrs Baker; Euphrosyne-Miss Catley; Sweet Echo-Miss Catley; With Dances-incident to the piece.
Cast
Role: Sweet Echo Actor: Miss Catley

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Comus

Performance Comment: As17731016, but Lady-Miss Mattocks; Song of Sweet Echo-Mrs Mattocks; Sabrina, Pastoral Nymph-Mrs Baker; Euphrosyne (for that night only)-Miss Catley; Brothers-_.

Song: End I: The Soldier Tir'd of War's Alarms-Miss Catley

Ballet: End: The Wapping Landlady. As17740415 but Orange Woman-Miss Stede[; with Sixfold Hornpipe as17740415

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Comus

Performance Comment: Comus-Mattocks; Spirit-Whitefield; Brothers-Thompson, Harris; The Lady with the Song Sweet Echo-Mrs Mattocks; Pastoral Nymph-Miss Brown; Bacchanals, Bacchants-Reinhold, DuBellamy, Baker, Mrs Baker; Euphrosyne, Sabrina-Miss Catley.

Dance: III: The Vintage Festival, as17741007

Event Comment: [See Epilogue to the Rival Candidates at dl 1 Feb. 1775, wherein Weston comments on his Dog Dragon, "But should his master's sing-song melt your soul @ He'll be as soft as-Signior Rossignol: @ Will with harmonious howlings swell each note, @ And bark sweet music,--only from his throat."

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Druids

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Comus

Performance Comment: Comus-Cautherly; Euphrosyne-Mrs Barree, first appearance this stage; Spirit-Davies; Brothers-Lamash, Wheeler; Lady (With Song, Sweet Echo)-Mrs Baddeley; Bacchanals-Vernon, Bannister, Fawcett, Kear, Legg, Carpenter, Blanchard, Master Blanchard; Bacchants-Mrs Davies, Mrs Love; Pastoral Nymph, Sabrina-Mrs Scott; In Act II, a Dance- incident to the piece.

Dance: I: The Grand Provencalle Dance, as17750202

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Comus

Dance: I: a Masquerade Scene-incident to the Play; a Minuet-Dumay, Mrs Jackson

Song: End IV: Funeral Procession of Juliet, with the Solemn Dirge-Mattocks, Reinhold, Baker, Fox, Miss Dayes, Miss Valois, Mrs Willems; [The Masquerade, Minuet, and Dirge, as here assigned, are the same in all subsequent performances.] In afterpiece: Sweet Echo-Leoni, Miss Catley. [This was sung, as here assigned, in all subsequent performances.

Performance Comment: ] In afterpiece: Sweet Echo-Leoni, Miss Catley. [This was sung, as here assigned, in all subsequent performances.]This was sung, as here assigned, in all subsequent performances.]
Cast
Role: Sweet Echo Actor: Leoni, Miss Catley.

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: Comus

Performance Comment: Comus-Webster; 1st Spirit-Aickin; Brothers-Farren, Lamash; Principal Bacchanals-Bannister, Gaudry; 2nd Spirit (with the song of Sweet Echo)-Tenducci; The Lady-Mrs Robinson; Principal Bacchants-Mrs Wrighten, Mrs Colles, Miss Collett; Euphrosyne-Miss Walpole; Sabrina-Miss Field; Pastoral Nymph-Mrs Baddeley.

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Comus

Performance Comment: Comus-Mattocks; Spirit-L'Estrange; Bacchanal-Reinhold; The Lady-Mrs Jackson; Bacchants-Mrs Morton, Miss Ambrose; Sabrina, Pastoral Nymph-Miss Brown; Euphrosyne (with Sweet Echo, assisted by Leoni)-Mrs Kennedy.

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Comus

Song: Between the acts: Tally ho!-Mrs Wrighten; In afterpiece: Sweet Echo-Mrs Wrighten; accompanied-Parke

Performance Comment: -Mrs Wrighten; In afterpiece: Sweet Echo-Mrs Wrighten; accompanied-Parke.
Cast
Role: Sweet Echo Actor: Mrs Wrighten

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Comus

Song: End IV: Tally ho!, as17790413; In afterpiece: Sweet Echo, as17790413

Performance Comment: , as17790413; In afterpiece: Sweet Echo, as17790413.
Cast
Role: Sweet Echo Actor: Mrs Wrighten