SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Spanish"/1) | (@(roleclean,performerclean) "Spanish")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 647 matches on Roles/Actors, 628 matches on Performance Title, 71 matches on Event Comments, 64 matches on Performance Comments, and 0 matches on Author.

Performances

Mainpiece Title: Medley

Performance Comment: Gomez, Lorenzo, Elvira in The Spanish Fryar, Sauney, Petruchio, Peg in Sauney the Scot, Fondlewife, Belmour, Laetitia in The Old Batchelor, Woodcock, Hillaria, Squib in The Yeoman of Kent, Roger, Aesop, Sir Toby, the Philosophers in Love's Contrivance, Prologue, Epilogue-Tony Aston.

Entertainment: Comical Songs-; The Drunken Man-

Performances

Mainpiece Title: Medley

Performance Comment: Lorenzo, Gomez, Elvira in The Spanish Fryar, Sauny, Petruchio, Peg in The Taming of the Shrew, Belmour, Fondlewife, Laetitia in The Old Batchelor, Woodcock, Hillaria, Squib in The Yeoman of Kent, Roger, Aesop, Sir Toby, Philosophers in Love's Contrivances, Prologue, Epilogue-Tony Aston.

Song: Comical Songs-

Event Comment: At the particular Desire of several Persons of Quality. Alter'd from Shakespear by the late Mr Betterton. [In Daily Post, 8 Sept., The Spanish Fryar had been announced for this day.

Performances

Mainpiece Title: The Second Part Of King Henry Iv: With The Humours Of Sir John Falstaffe And Justice Shallow

Performances

Mainpiece Title: All For Love

Afterpiece Title: Perseus and Andromeda: With The Devil Upon Two Sticks

Performance Comment: Don Cleophas Leandro (Spanish Gallant)-Cibber Jr; Scaramouch (a Magician)-Thurmond; Asmodeo (Devil upon Two Sticks)-Miss Brett; Pierot (Servant to the Magician)-Roger; Harlequin (Servant to Cleophas)-Surel; Donna Clara (in love with Cleophas)-Mrs Walter.
Event Comment: Mainpiece: Written by the late Mr Addison. Note, Mr Giffard thinks it proper to inform the Gentleman who sent to him to have the Spanish Fryar play'd for next Monday, that he had not recollected a Pre-engagement of that Day to several Persons of Quality, but if the Gentleman will be pleas'd to let Mr Giffard know where he may wait on him, he wou'd be very much oblig'd to him to fix any other Day he thinks fit

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Father Girard the Sorcerer

Event Comment: At the particular Desire of several Ladies of Distinction. N.B. Mr Giffard hopes the Gentleman who bespoke the Spanish Fryar, for Tomorrow, will not take it ill, that Hamlet is to be perform'd; because the Ladies, whom he mention'd, have since sent to him for that Play-but he shall be very glad to oblige him any other day

Performances

Mainpiece Title: The Old Batchelor

Dance: As17321115

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Sir John Vanbrugh. [Count de Montijo, the Spanish Ambassador, present.

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Country Revels

Event Comment: By particular Desire of several Persons of Distinction. Set to Musick after the Italian Manner. [The Conde de Montijo, the Spanish Ambassador, present.

Performances

Mainpiece Title: Opera Of Operas

Dance: Jones

Performances

Mainpiece Title: Tony Aston's Medley

Performance Comment: Gomez and Elvira (Spanish Fryar); Humours of Scrub (Stratagem); Humours of Teague (Committee); Humours of Hob (Country Wake); Fondlewife and Laetitia (old Batchelor); Ben and Prue (Love for Jjjve); Jerry Blackacre (Plain Dealer); Vellum and Abigail (Drummer). And the Drunken Man .
Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: By Command of His Royal Highness the Duke. Egmont, Diary, III, 83: I went with my wife to the play entitled 'Sir Walter Raleigh,' revived by the comedians on occasion of the now differences with Spain. They choose one to represent Count Gundemar, who in all things is like Mr Giraldini, the Spanish minister at our Court lately recalled, and whenever any severe things were said which bore a resemblance to our ministry's transactions, or our backwardness to resent the insults of Spain, the audience clapped all over the house

Performances

Mainpiece Title: Sir Walter Raleigh

Afterpiece Title: The Virgin Unmask'd

Dance: V: Tambourine-Mlle Chateauneuf

Event Comment: By Command of His Royal Highness the Prince of Wales. For the Benefit of the Brave and Unfortunate Capt John Peddie, of the Prince of Orange, who, after defending his Ship, and saving her by the most Gallant Behaviour, against a Spanish Privateer, had the Misfortune to lose her, and all he had on Board, in the late Storm. Mainpiece: Written by the late Mr Addison. Pit and Boxes 5s. Galleries 2s. and 1s. Receipts: money #52 1s.; tickets #295 (Account Book); #350 (Rylands MS.)

Performances

Mainpiece Title: Cato

Afterpiece Title: Nancy

Dance: CComic Ballet-Villeneuve, Miss Oates; Wooden Shoe-Mechel

Event Comment: By the late Mr Addison. Benefit Capt Norton, late Commander of the Crawley Pink, who was taken the 18th of Sept. last, after a Gallant Engagement of Five Hours with Twelve Spanish privateers

Performances

Mainpiece Title: Cato

Dance: II, V: As17431003

Event Comment: The farce never acted before [by James Ralph]. Two acts taken from The Spanish Curate, by Beaumont and Fletcher. Macklin's Reply to Garrick's Answer published

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lawyer's Feast

Song: II: Song-Morland (his 1st appearance)

Dance: V: Italian Masquerade, as17431126

Event Comment: The Play of the Spanish Fryar is deferr'd on account of the Indisposition of a Principal Performer. Receipts: #93 13s. 6d

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: Merlin

Event Comment: At Mr Phillips's Booth, Bowling Green, Southwark. A concert, etc. An Extraordinary Band of Musick. Pit 1s, 6d., Gallery 1s., Upper Gallery 6d. To begin each day at 12 o'clock noon. Mainpiece: An excellent Droll. [Possibly made from Dryden's Spanish Fryar.

Performances

Mainpiece Title: No Fool Like The Old One; Or, The Lucky Discovery

Afterpiece Title: Harlequin Statue, with Escape into Quart Bottle

Song: Phillips, Master Phillips, Miss Featherstone

Dance: Phillips, Master Phillips, Miss Featherstone

Event Comment: SSg and Sga Sabatini have prepared a New Dance in Comic characters, call'd Pandours, which will be performed at Drury Lane tomorrow. The Comedy call'd the Chances will be performed at the same theatre this week. The characters will all be New-Dress'd after the old Italian and Spanish manner. Receipts: #150 (Cross)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Queen Mab

Song: IV: The Original Song, O' Gentle Sleep (New Set)-Beard

Event Comment: The play revived. The Characters to be Dress'd after the Old Italian and Spanish Manner. Receipts: #190 (Cross)

Performances

Mainpiece Title: The Chances

Dance: SShepherd's Holiday, as17541008

Event Comment: We are well informed that Mr Shuter intends to entertain the Town, at his Great Tiled Booth on the Bowling Green, Southwark, during the Time of the Fair, which begins on Thursday next, with a New Entertainment of Wit and Humour. Many wagers are depending among the Theatrical Geniuses upon the Merit and Execution of this Piece: and the Odds are it is the best that ever appeared in this Way. The knowing Ones say, those who take the Odds will be fairly taken in: for Mr Shuter will start in fine Order, to win this Plate, in such a handsome manner as shall give entire Satisfaction to all the Spectators. A sufficient number of Theatrical Racers are already entered, and two remarkable Spanish Courcers will enter at the Post, so that excellent Sport may be depended upon (Public Advertiser)

Performances

Mainpiece Title: Advertisement

Event Comment: TThe Brothers and The Spanish Lady oblig'd to be deferr'd on account of the Indisposition of some of the performers. Receipts: #117 2s. 6d

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Event Comment: Benefit for Lewis. Mainpiece: Not acted these 7 years. 3rd piece [1st time; F 3, author unknown. Not in Larpent MS; not published]: Taken from Dryden's Spanish Fryar. Public Advertiser, 20 Mar.: Tickets to be had of Lewis, Bow-street, Covent Garden. Receipts: #246 18s. (164.3; tickets: 82.15) (charge: #66 10s.)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: True-Blue

Afterpiece Title: The Jealous Husband

Dance: As17761223

Event Comment: Mainpiece: The Characters dressed in Spanish Habits. [Henderson's 1st recorded appearance as Leon was at Bath, 4 Feb. 1777.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Waterman

Dance: As17770707

Event Comment: Parsons not being sufficiently recovered The Spanish Barber and The Tailors [both announced on playbill of 7 June] are deferred till Friday. Afterpiece: A Modern Operatical, Sentimental, Crying Comedy

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Piety in Pattens

Dance: End II: Tambourine Dance, as17790602 End: a new dance, The Country Wake-Master and Miss Byrn