SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Society of Free British Fisheries"/1) | (@(roleclean,performerclean) "Society of Free British Fisheries")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 418 matches on Event Comments, 207 matches on Performance Title, 73 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At the desire of several Perons of Quality will be perform'd that great and celebrated Scene in Julius Caesar at the table between Brutus and Cassius , Written by the Immortal Shakespeare. And altho' Mr Penkethman is at an extraordinary Charge in providing these Entertainments, to oblige his Friends he lets them in at Common Prices [as 7 Aug.]. Note, The Subscribers' Tickets have free Admittance

Performances

Mainpiece Title: Julius Caesar (one Scene)

Afterpiece Title: Sir Courtly Nice

Entertainment: Rope/Dancing after the French, Italian, and Bohemian Manner-; also a Stiff Rope, Vaulting the Slack Rope beyond Imagination-little Girl of 4 Years of Age

Event Comment: Benefit Mrs Sapsford. The Subscribers have free Admittance. Admission as 7 Aug. At 5:00 p.m

Performances

Mainpiece Title: The Relapse

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: As17290127, but with the Free-Mason's Prologue-; Epilogue-.

Afterpiece Title: The What D'ye Call It

Music: Between Acts: Select Pieces-

Dance: Roger, Essex, Boval, Mrs Mills, Miss Robinson

Performances

Mainpiece Title: Love For Love

Performance Comment: As17300418 but Angelica-Mrs Thurmond; Prue-Mrs Cibber; By Desire, an Entire new Prologue, Free Masons Epilogue-.
Cast
Role: Free Masons Epilogue Actor: .

Dance: Essex, Lally, Thurmond, Roger, Haughton, Rainton, Mrs Delorme, Miss Robinson

Event Comment: Benefit Wm. Mills and Mrs Mills. For the Entertainment of the Grand Master, and the Ancient and Honourable Fraternity of Free and Accepted Masons. Mainpiece: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Jovial Crew

Song: Afterpiece: A Song proper-

Event Comment: For the Entertainment of the Free Masons Ladies. Receipts: #123 19s. 6d Rich's Register: Benefit John Rich

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit Mrs Dunstone. The Songs at the Request of several of the . . . Free and Accepted Masons

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Mock Doctor

Song: I: The Elder 'Prentice's Song. II: on, on, my dear Brethren. IV: Let Masonry be now my Theme. V: The Agreement of the Gods, by Brother Montgomery

Event Comment: Benefit W. Bodle, a Brother [who has been ill for two years]. At the particular Desire of several Free and Accepted Masons. Written by Mr Farquhar. 4s., 2s. 6d., 1s. 6d. 6 P.M

Performances

Mainpiece Title: Love And A Bottle

Dance: I: Running Footman and V: Scot's Dance by Brother Shawford

Event Comment: Benefit Little [Gallery Boxkeeper, DL], who hopes to have the Honour of his Brethren the Free Masons

Performances

Mainpiece Title: The Stratagem

Music: A Preamble on the Kettle Drums by Job Baker

Event Comment: LLondon Daily Post and General Advertiser, 17 March: This is to inform the Publick, that the new Tragi-Comedy, intitled The Free-Thinker; or, The Fox uncas'd, which was last Summer rehearsed and was to have been play'd at [lif], but by Mr Rich's letting that House to Mr Giffard, for that Season, was prevented, will be acted on the 14th of April next [at yb], by Mr Hallam's Company of Comedians. The Play is writ much in the same Stile and Manner of George Barnwell....The Author hopes that the Generous and Judicious will encourage the Performance, tho' the Company of Players are not dropt down from the Clouds, nor does the Play libel the Government. [No further announcement of the performance has been noted before 28 April.

Performances

Event Comment: LLondon Daily Post and General Advertiser, 28 April: This is to inform the Publick, That the new Tragi-Comedy, entitled, The Free Thinker, or the Fox Uncased, which was to have been play'd on this Day, is oblig'd to be again deferr'd till Friday Se'nnight, being the 6th of May, when it will certainly be play'd [in yb], Pen. Aubin. [See also 14 April.

Performances

Event Comment: Benefit Berry. For the Entertainment of the Grand Master, and the rest of the Brethren...of Free and Accepted Masons. By Desire, two Rows of the Pit will be rail'd into the Boxes for Masons only, who are desir'd to attend the Grand Master at the Shakespear's Head, Covent-Garden, exactly at Five o'clock, in order to proceed to the Play. Tickets to be had of Berry, in Crown-Court, Russell Street

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Virgin Unmask'd

Song: The Songs in Masonry, as usual: Brother Berry, Brother OatesI: Come let us prepare-Brother Berry, Brother Oates; III: On on my dear Brethren-Brother Berry, Brother Oates; V: Let Masonry be now my Theme-Brother Berry, Brother Oates

Dance: II: English Maggot-Villeneuve, Mrs Walter; IV: Wooden Shoe Dance-Livier, Villeneuve

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: By Command of their Royal Highnesses Prince George and the Lady Augusta. Benefit Desnoyer. Receipts: money #116 15s. 6d.; seals #105 17s. (Account Book); #230 (Rylands MS.). [According to the Account Book, Desnoyer received a Free Benefit, i.e., no deduction for the nightly charges.

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Dance: SSerious Dance to Favourite Tunes from the Opera of Lothario-Desnoyer; The Matelots-Mechel, Mlle Mechel; Italian Peasants-Desnoyer, Signora Barberini; By Command, The Comic Dance of the Old Woman-with Pierot in the Basket; Louvre, Minuet-Desnoyer, Signora Barberini

Event Comment: Benefit Delane. Mainpiece: Written by the late Sir Richard Steele. Receipts: money #78 12s.; seals #81 10s. (Account Book); #162 (Rylands MS.). [According to the Account Book, Delane received a Free Benefit.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Wooden Shoe Dance-Mechel; III: Kilkenny-Glover, Mlle Roland; V: Italian Peasants-Desnoyer, Signora Barberini

Song: In II: Roberts

Event Comment: Benefit Mrs Horton. Tickets at Mrs Horton's, at the Angel, in Bedford Street. Receipts: money #78; seals #81 17s. (Account Book); #160 (Rylands MS.). [Mrs Horton received a Free Benefit.

Performances

Mainpiece Title: Abra Mule; Or, Love And Empire

Afterpiece Title: The King and the Miller of Mansfield

Dance: LLouvre-Signora Barberini; French Peasant-Mechel; Comic Ballet-Villeneuve, Miss Oates

Event Comment: For the Entertainment of the Grand Master, Grand Officers, Brothers, and Sisters of the Community of Modern Free Masons. Benefit Walker

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Contrivances

Entertainment: AA Song in Honour of Modern Masonry (in the Character of Robin Hood)-Mrs Jones; The Punch's Song-Hemskirk, Miss Jones; Scots Dance-Mrs Bullock

Music: The whole to conclude with the celebrated Water@Musick by Handel-; accompanied with Kettle@Drums-; Trumpets-; French@Horns-; the Preamble-Nelson

Event Comment: By particular Desire. Benefit Ryan. Receipts: money #59 0s. 6d.; seals #100 6s. (Account Book); #150 (Rylands MS.) [Ryan received a Free Benefit. See also an Exchange of letters in the London Daily Post and General Advertiser, 9 and 10 March, concerning the alleged indecency of Blunt's undressing before the audience.

Performances

Mainpiece Title: The Rover; Or, The Banished Cavaliers

Afterpiece Title: The King and the Miller of Mansfield

Dance: WWooden Shoe Dance-Mechel; Comic Ballet-Villeneuve, Miss Oates; Tyrolean-Desnoyer, Haughton, Signora Barberini

Event Comment: During the summer of 1741, at the New Wells, London Spaw, Clerkenwell, the proprietor presented daily programs of pantomime, singing, and dancing. In midsummer, however, he added a single play to his program but did not list the cast. The sequence of plays included: July 9-16: Flora; or, Hob in the Well. July 17-25: Damon and Phillida. July 27-August 10: The Honest Yorkshireman. August 11-17: The Mock Doctor. August 24-September 7: The Generous Free-Mason; or, The Constant Lady; With the Comical Humours of Squire Noodle and his Man Doodle

Performances

Event Comment: Benefit Cunningham. At the Desire of the Hon. Bell Ara Moleck, and the worshipful Fraternity of Free-Masons. A Concert, etc. [customary notice]. Prices 3s., 2s., 1s. Although there was such ill Decorum the last time the Beggar's Opera was exhibited there, particular care will be taken to have it now in the most regular manner

Performances

Mainpiece Title: The Beggar's Opera

Music: Preamble on the Kettle@Drums-Baker

Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Jovial Crew

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Event Comment: By Command of Prince of Wales and Princess of Wales. A Free Benefit for Mrs Cibber. [Receipts: #117 15s. 6d. plus #149 5s. from tickets, a clear profit to Mrs Cibber of #267 0s. 6d.], Paid Servandoni on acct. #21. [Notice of 23 March about amphitheatre repeated.] Tickets deliver'd out for the 19th will be taken

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Miss in Her Teens

Dance: As17461231

Event Comment: Benefit Mrs Horton. Receipts: #55 8s. plus #51 16s. from tickets. [The Account Book does not indicate this as a Free Benefit, nor does it specify charges.] Paid Garrick on Acct. #105

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Miss in Her Teens

Dance: As17461231

Event Comment: By Command of Prince and Princess of Wales. A Free Benefit for Quin. Receipts: #88 13s., plus #136 15s. from tickets. [Garrick had written Quin he was too ill to play in the mainpiece but would act in his farce. Notice of 23 March about Amphitheatre repeated.] Tickets deliver'd out for 9 March will be taken. To prevent mistakes none will be admitted into the Boxes but by tickets deliver'd by Quin, and at the Office in the Box Lobby.--General Advertiser. If any Gentlemen or Ladies shall be displeased with the alteration in the Performance of the Play [i.e., Garrick's absence] the money shall be return'd.--Theatrical Clippings, Folger Library

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Miss in Her Teens

Dance: As17461231

Event Comment: Benefit Mr and Mrs Havard. Receipts: #70 2s., plus #79 18s., a total of #150 Without the Stage. Paid Linen draper #50. [There is no mention of charges nor of a free Benefit.] [Residence] at Hanover St., Longacre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Miss in Her Teens

Dance: As17461231