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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir William Sydney Smith"/1) | (@(roleclean,performerclean) "Sir William Sydney Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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18557 results for: Keyword - Sir William Sydney Smith
We found 11558 matches on Author, 8373 matches on Performance Comments, 1638 matches on Event Comments, 743 matches on Performance Title, and 0 matches on Roles/Actors.

18376
01 October 1788 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Devil upon Two Sticks

Performance Comment: The Devil-Bannister; Sir T. Maxwell-Thompson; Invoice-Davies; Julep-Booth; Apozem-Wewitzer; Calomel-Rock [Public Advertiser: Cubitt]; Camphire-Stevens; Dr Last-Edwin; Mrs Margaret Maxwell-Mrs Webb; Harriet-Miss Tweedale.

Dance: End: A Divertissement-Byrn, Mrs Goodwin

18377
24 October 1789 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Sir John Vanburgh [sic], with Alterations [by John Philip Kemble]. [Afterpiece in place of Arthur and Emmeline, advertised on playbill of 22 Oct.] Receipts: #176 1s. (140.1.0; 31.9.6; 4.10.6)

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Doctor and the Apothecary

18378
31 October 1789 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Devil upon Two Sticks

Performance Comment: The Devil-Bannister; Sir T. Maxwell-Thompson; Invoice-Davies; Julep-Powel; Apozem-Blanchard; Calomel-Rock; Camphire-Evatt; Dr Last-Edwin; Mrs Margaret Maxwell-Mrs Webb; Harriet-Mrs Lewis.

18379
27 September 1792 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's The Clandestine Marriage

Performance Comment: Lord Ogleby-King; Sir J. Melvil-Whitfield; Sterling-Aickin; Lovewell-Barrymore; Canton-Baddeley; Brush-R. Palmer; Serjeant Flower-Packer; Mrs Heidelberg-Mrs Hopkins; Miss Sterling-Miss Pope; Fanny-Mrs Kemble; Betty-Miss Tidswell; Chambermaid-Miss Heard; Trusty-Mrs Booth.

Afterpiece Title: Comus

18380
06 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: L'allegro Ed Il Penseroso [, Part I Only]; Grand Selection 0

Related Works
Related Work: Henry the Fourth, Part I Author(s): William Shakespeare
Related Work: The Siege of Rhodes, Part I Author(s): Sir William Davenant
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): William Shakespeare
Related Work: The Misery of Civil War Author(s): William Shakespeare

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Performance Comment: The undaunted Britons-Dignum (Atterbury); Fairest Isles-Miss Leak, Chorus [King Arthur, by Purcell]; Gentle Airs-Harrison; accompanied on the violoncello-Mason [Athalia]; From rosy bowers-Miss Poole (Purcell); The praise of Bacchus, Bacchus ever fair and Young-Welsh [Alexander's Feast]; Concerto on the violin-Janiewicz; Dear is my little native vale-Mrs Harrison (Sir W. Parsons); The Maid of the Rock-Master Welsh [Dignum]; Together let us range the fields-Mr and Mrs Harrison (Solomon, by Boyce); God save Great George our King (with new accompaniments by Dr Arnold)-Full Chorus.

Song: In 1st piece: Sweet bird-Mrs Ferguson (her 1st performance); accompanied on the violin-Shaw; End 2nd piece: an Italian Scena-Mrs Ferguson

18381
12 November 1793 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: THE MAID OF THE OAKS

Performance Comment: Hurry-Quick; Dupely-Bernard; Oldworth-Thompson; Sir H. Groveby-Davies;-Old Groveby-Munden; Musical Characters-Cubitt, Miss Stuart, Mrs Follett//Maria (with the original song)-Mrs Mountain; Lady Bab Lardoon-Mrs Esten .

Dance: End of mainpiece The Drunken Swiss, as17931015; In Act I of afterpiece a Dance by Holland and Mlle St. Amand

18382
06 May 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: THE CITIZEN

Performance Comment: Old Philpot-Baddeley; Young Philpot-Bannister Jun.; Sir J . Wilding-Burton; Young Wilding-Benson; Beaufort-Bland; Dapper-Maddocks; Quildrive-Banks; Will-Lyons; Tom-Evans//Maria-Miss Farren; Corinna-Miss Tidswell .

18383
20 August 1794 @ Haymarket Theatre

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Performance Comment: As17940709 but omitted: Sir W. Wealthy .

Afterpiece Title: THE GAMESTER

Afterpiece Title: BRITAIN'S GLORY; or, A Trip to Portsmouth

18384
17 September 1794 @ Haymarket Theatre

Performances

Mainpiece Title: The Sultan; Or, A Peep Into The Seraglio

Afterpiece Title: A BOLD STROKE FOR A WIFE

Performance Comment: Colonel Feignwell-Bannister Jun.; Perriwinkle-Parsons; Obadiah Prim-Suett; Sir P. Moddove-Baddeley; Tradelove -Aickin; Simon Pure-Bland; Freeman-Caulfield; Sackbut-Benson; Aminadab-Waldron Jun.; Servant-Lyons; Stock-brokers-Burton, Jones, Usher, Cooke// Mrs Prim-Mrs Hopkins; Betty-Mrs Hale; Lady-Mrs Cuyler; Anne Lovely-Mrs Gibbs .

Afterpiece Title: THE PURSE

Cast
Role: Sir Walter Manny Actor: Usher
Role: William Actor: Bannister Jun.
Related Works
Related Work: The Purse; or, Benevolent Tar Author(s): William Reeve

Song: In the course of the Evening Dibdin's Lucky Escape; or, the Ploughboy's Return from Sea, in character, by Mrs Harlowe

18385
27 September 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband; Or, The Journey To London

Performance Comment: Lord Townly-Kemble; Mr Manly-Bensley; Sir F. Wrongheard-Hollingsworth; Squire Richard-Suett; John Moody-Moody; Count Basset-Dodd; James-Evans; Poundage-Waldron; Constable-Maddocks; Lady Townly-Mrs Goodall; Lady Grace-Miss Collins; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Gibbs (1st appearance on this stage); Mrs Motherly-Mrs Booth; Myrtilla-Miss Heard.

Afterpiece Title: Lodoiska

18386
31 December 1796 @ Covent Garden

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Archer-Lewis; Aimwell-Pope; Father Foigard-Waddy; Boniface-Davenport; Sullen-Powel; Gibbet-Townsend; Sir C. Freeman-Claremont; Scrub-Quick; Cherry-Mrs Martyr; Dorinda-Miss Mansel; Mrs Sullen-Mrs Pope.

Afterpiece Title: Harlequin and Oberon

Related Works
Related Work: Harlequin and Oberon; or, The Chace to Gretna Author(s): William Reeve

18387
02 January 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Kemble; Sir W. Cecil-Aickin; Lord Herries-Barrymore; Davison-Packer; Earl of Shrewsbury-Holland; Beton-Whitfield; Queen Mary-Mrs Siddons; Queen Elizabeth-Mrs Powell; Lady Douglas-Miss Miller; Lady Scrope-Miss Tidswell.

Afterpiece Title: Robinson Crusoe

18388
24 August 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: As17970714 but La Gloire-Wathen; Harcourt-_; Sir Walter Manny-_; Serjeant-_.

Afterpiece Title: The Irish Tar; or, Which is the Girl

Related Works
Related Work: The Country Girl Author(s): William Wycherley

Afterpiece Title: The Agreeable Surprise

Cast
Role: Sir Matthew Medley Actor: Davenport
Role: Sir Felix Friendly Actor: Suett

Song: 1st piece: Vocal Parts, as17970623 but _Caulfield Jun., _Walker, _Willoughby, Mrs _Butler, Mrs _Masters, Mrs _Norton, Miss _Menage, Mrs _Wall, Mrs _Benson, Miss _Leserve

18389
28 December 1797 @ Covent Garden

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Archer-Lewis; Aimwell-Whitfield; Father Foigard-Johnstone; Boniface-Davenport; Sullen-Powel; Gibbet-Townsend; Sir C. Freeman-Claremont; Scrub-Quick; Cherry-Mrs Martyr; Dorinda-Miss Mansel; Mrs Sullen-Mrs Abington.

Afterpiece Title: Harlequin and Quixotte

Cast
Role: Principal Vocal Characters Actor: Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna
Related Works
Related Work: Harlequin and Quixotte; or, The Magic Arm Author(s): William Reeve

18390
22 March 1798 @ Covent Garden

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: As17971228, but Aimwell-Pope; Sir C. Freeman-Clarke; added: Lady Bountiful-Mrs Platt; Gipsey-Mrs Gilbert.

Afterpiece Title: Oscar and Malvina

Cast
Role: Male Bards Actor: Linton, Street, Sawyer, Smith
Related Works
Related Work: Oscar and Malvina; or, The Hall of Fingal Author(s): William Shield

18391
28 January 1799 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for the large Infant Orphan Family of a Man of Fashion [Sir Richard Perrott]. The mother of these helpless, unprotected infants, in contemplating the benevolence of a humane Public, throws herself with implicit confidence on the commiserating patronage of those who are ever ready to afford it for the relief of suffering innocence. Tickets to be had of Lady Perrott, No. 28, Spring-street, Portman-square [and see 18 Sept. 1797]

Performances

Mainpiece Title: The Provok'd Husband

18392
06 April 1799 @ King's Theatre

Event Comment: Mme Allegranti continuing so seriously indisposed, as in opinion of Sir George Baker, to render her immediate appearance [in Il Matrimonio Segreto, advertised in Morning Chronicle, 5 Apr.] extremely dangerous [see 9 Apr.]

Performances

Mainpiece Title: La Frascatana

Dance: As17990330

18393
29 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Strangers at Home

Performance Comment: Aldobrand-Suett; Regnalto-Caulfield; Octavio-Dignum; Montano-Trueman; Fabio-Chippendale; Firelock (with a new Song composed by Florion [recte Florio], and O Bring me Wine, composed by Shield)-Sedgwick; Lawrence-Bannister Jun.; Viola-Miss B. Menage; Laura-Miss Leak; Alice-Miss DeCamp; Rosa (with When First I began, Sir, to Ogle the Ladies)-Mrs Jordan.

Dance: In: a favorite Pas Seul-Sga Bossi DelCaro

18394
29 October 1659 @ The City, London

Event Comment: The Lord Mayor's Show. By John Tatham. The author mentions as his assistants: Andrew Dakers and William Lightfoot, painters; Thomas Whiting, joyner; and Richard Clear, carver

Performances

Mainpiece Title: London's Tryumph

18395
05 November 1660 @ The Red Bull Theatre

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

18396
29 November 1661 @ Theatre in Vere Street

Event Comment: The King's Company. This play appears on Herbert's List, following the entry for 26 Oct. 1661. (See William VanLennep, "Thomas Killigrew prepares his Plays for Production," J. Q. Adams Memorial Studies (Washington, D. C., 1948, p. 803.) Pepys, Diary: W. Pen and I to the Theatre, but it was so full that we could hardly get any room, so he went up to one of the boxes, and I into the 18d. places, and there saw Love at first sight, a play of Mr Killigrew's and the first time that it hath been acted since before the troubles, and great expectation there was, but I found the play to be a poor thing, and so I perceive every body else do. BM Add. Mss. 34217, fol. 31b, in Hotson Commonwealth and Restoration Stage, p. 246: @First then to speake of his Majestys Theatre@Where one would imagine Playes should be better@Love att the first sight did lead the dance@But att second sight it had the mischance@To be so dash'd out of Countenance as@It never after durst shew itts face@All though its bashfullnesse as tis thought@Be far from being the Authors ffault.

Performances

Mainpiece Title: The Princess; Or, Love At First Sight

Related Works
Related Work: The Injured Princess; or, The Fatal Wager Author(s): William Shakespeare
Related Work: The Princess of Parma Author(s): Henry Smith
Related Work: Cymbeline Author(s): William Shakespeare

18397
22 January 1662 @ The Red Bull Theatre

Event Comment: This play was seen at the red bull by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). Seaton speculates that the play may be: (1) Rowley's A Shoemaker a Gentleman; (2) a droll made out of the Christopher Sly prologue of The Taming of the Shrew; (3) Tourneur's lost The Nobleman or Great Man. William VanLennep ("The new-made Nobleman," Times Literary Supplement, 20 June 1936, p. 523) thinks that it may be Beaumont and Fletcher's Noble Gentleman. Nicoll (Restoration Drama, pp. 309-10) believes that this was Jolly's Company acting at the red bull

Performances

Mainpiece Title: The New Made Nobleman

18398
30 May 1664 @ The Red Bull Theatre

Event Comment: A facsimile of a bill announcing A Trial of Skill at this playhouse, 30 May 1664, is in Rariora, ed. John Eliot Hodgkin (London, n.d.), III, 53-54. See also William VanLennep, The Death of the Red Bull, Theatre Notebook, XVI (1962), 133-34

Performances

18399
November 1664 @ The (first) Drury Lane Theatre

Event Comment: [No notice of production exists. See William VanLennep, "Thomas Killigrew Prepares His Plays for Production," Joseph Quincy Adams; Memorial Studies, p. 805

Performances

Mainpiece Title: Comment

18400
25 October 1666 @ no theater listed

Event Comment: Pepys, Diary: [Mrs Knipp] told us they begin at both houses to act on Monday [29] next. But I fear, after all this sorrow, their pains will be but little. Mrs Williams says, the Duke's house will now be much the better of the two, because of their women; which I am glad to hear

Performances