SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Richard Ford"/1) | (@(roleclean,performerclean) "Sir Richard Ford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 6492 matches on Performance Comments, 3584 matches on Author, 1319 matches on Event Comments, 1164 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. Pepys, Diary: With my Lord Bruncker to the Duke's playhouse (telling my wife so at the 'Change, where I left her), and there saw Sir Martin Marr-all again, which I have now seen three times, and it hath been acted but four times, and still find it a very ingenious play, and full of variety

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's playhouse, and there saw a piece of Sir Martin Marall, with great delight, though I have seen it so often

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's House, and there went in for nothing into the pit, at the last act, to see Sir Martin Marr-all, and met my wife, who was there, and my brother, and W. Hewer and Willett, and carried them home, still being pleased with the humour of the play, almost above all that ever I saw

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: I after dinner to the Duke of York's playhouse, and there saw Sir Martin Mar-all; which I have seen so often, and yet am mightily pleased with it, and think it mighty witty, and the fullest of proper matter for mirth that ever was writ; and I do clearly see that they do improve in their acting of it. Here a mighty company of citizens, prentices, and others; and it makes me observe, that when I begun first to be able to bestow a play on myself, I do not remember that I saw so many by half of the ordinary prentices and mean people in the pit at 2s. 6d. a-piece as now; I going for several years no higher than the 12d. and then the 18d. places, though I strained hard to go in them when I did: so much the vanity and prodigality of the age is to be observed in this particular

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's playhouse, and there saw Sir Martin Marr-all, which, the more I see, the more I like

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house to a play, and saw Sir Martin Marr-all, where the house is full; and though I have seen it, I think, ten times, yet the pleasure I have is yet as great as ever, and is undoubtedly the best comedy ever was wrote

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: Sir Martin Marall. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. The Loyal Protestant, 20 May 1682: May 18. Yesterday his Excellency the Morocco Embassador was entertain'd at His Royal Highness's Theatre with a Play, called, Sir Timothy Treat all. [See also True Protestant Mercury, 17-20 May 1682; Luttrell, A Brief Relation, I, 187; Wilson, More Theatre Notes from the Newdigate Newsletters," p. 59.

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

Event Comment: Written by Mr Crown, Author of Sir Courtly Nice

Performances

Mainpiece Title: The Country Wit; Or, Sir Mannerly Shallow

Dance: Thurmond Jr, Topham, Mrs Tenoe, Miss Smith

Event Comment: Benefit for Varney (Housekeeper). Mainpiece: Written by Shakespear. Sir Hugh-Clough; Rugby-$Marr; Bardolph-$Johnson (Public Advertiser). Receipts: #210 ($Cross)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Falstaff-Berry; Ford-Havard; Sir Hugh-Yates; Shallow-Taswell; Page-Winstone; Dr Caius-Blakes; Slender-Woodward; Host of Garter-W. Vaughan; Bardolph-Clough; Pistol-Ackman; Nym-Allen; Simple-H. Vaughan; Fenton-Scrase; Robin-Simson; Mrs Page-Mrs Mills; Ann Page-Miss Minors; Mrs Quickly-Mrs James; Mrs Ford-Mrs Pritchard.
Cast
Role: Ford Actor: Havard
Role: Sir Hugh Actor: Yates
Role: Mrs Ford Actor: Mrs Pritchard.

Afterpiece Title: The Chaplet

Dance: II: Hornpipe-a child five years old; V: Scots Dance-Harvey, Mrs Preston; Rural Dance-Harvey, Mrs Preston

Song: III: Lass of the Mill-Vernon

Event Comment: [The playbill assigns Mrs Page to Mrs Wilson, and Mrs Ford to Miss Younge, but on the Kemble playbill both these names are deleted. Mrs Whitfield's name is written above Mrs Wilson's, but the name of Miss Younge's substitute has been cut by the binder; she was almost certainly Mrs Mattocks (see 25 Jan. 1782).] Receipts: #155 1s. (149/18; 5/3)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Mr Ford-Wroughton; Sir Hugh Evans-Edwin; Doctor Caius-Whitfield; Mr Page-Hull; Host of the Garter-Booth; Fenton-Robson; Justice Shallow-Wilson; Simple-Joules; Bardolph-Baker; Pistol-Cushing; Slender-Quick; FalstafF-Henderson; Mrs Page-Mrs Whitfield; Ann Page-Miss Morris; Mrs Quickly-Mrs Pitt; Mrs Ford-Mrs Mattocks .
Cast
Role: Mr Ford Actor: Wroughton
Role: Sir Hugh Evans Actor: Edwin
Role: Mrs Ford Actor: Mrs Mattocks

Afterpiece Title: The Son-in-Law

Dance: As17811101

Event Comment: [Lee Lewes's 1st recorded appearance as Falstaff was at Manchester, 19 Dec. 1777. Miss Farren's 1st appearance as Mrs Ford was at the HAY, 24 Aug. 1781.] Receipts: #277 2s. (273/15; 3/2; ticket not come in: 0/5)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Mr Ford-Smith; Sir Hugh Evans-Parsons; Dr Caius-Baddeley; Mr Page-Packer; Host of the Garter-Moody; Justice Shallow-Waldron; Fenton-Phillimore; Simple-Burton; Bardolph-Wright; Pistol-Alfred; Nym-Wilson; Slender-Dodd; Falstaff-[Lee] Lewes (1st appearance in that character [in London]); Mrs Page-Miss Pope; Ann Page-Miss Wheeler; Mrs Quickly-Mrs Hopkins; Mrs Ford-Miss Farren(1st appearance in that character [at this theatre]) .at this theatre]) .
Cast
Role: Mr Ford Actor: Smith
Role: Sir Hugh Evans Actor: Parsons
Role: Mrs Ford Actor: Miss Farren

Afterpiece Title: Harlequin Junior

Cast
Role: Spirit Actor: Miss Cranford
Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Performance Comment: Principal Characters by King, Moody, Palmer, Parsons, Bannister, Baddeley, Wrighten, Carpenter, Griffiths, Wright, Burton, R. Palmer, Dodd, Mrs Bradshaw, Mrs Love, Miss Platt, Miss Stageldoir, Mrs Wrighten. [Cast from text (T. Becket. 1776): Sprightly-King; Phelim-Moody; Catcall-Palmer; Sir Dulcimer Dunder-Parsons; Sailor-Bannister; Mezzetin-Baddeley; Furrow-Wrighten; Dripping-Griffiths; Musician-Wright; Frank Furrow-Burton; Lad-R. Palmer; Crotchet-Dodd; Mrs Dripping-Mrs Bradshaw; Mrs Furrow-Mrs Love; Doxy-Miss Platt; Miss Dripping-Miss Stageldoir; Miss Quaver-Mrs Wrighten; unassigned-Carpenter; Prologue[, not listed on playbill,-King [; it was presumably, spoken at all subsequent performances].; it was presumably, spoken at all subsequent performances].
Cast
Role: Sir Dulcimer Dunder Actor: Parsons

Afterpiece Title: Twelfth Night

Performance Comment: Malvolio-Yates (1st appearance in that character these 1O years); Sir Andrew Ague@Cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Jefferson; Sebastian-Davies; Fabian-Lamash; Antonio-Wrighten; Captain-Wright; Officer-Carpenter; Priest-Griffiths; Valentine-Norris; Curio-Everard; Clown-Vernon; with the original Epilogue song-Vernon; Olivia (with a song)-Mrs Baddeley; Maria-Mrs Hopkins; Viola-Miss Younge.
Cast
Role: Sir Andrew Ague@Cheek Actor: Dodd
Role: Sir Toby Belch Actor: Palmer

Afterpiece Title: Miss in her Teens

Event Comment: Benefit Ford and Mrs Forrester. [For a discussion of the production of plays, see Prompter, 6 May.]

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Townly-Ryan; Manly-Bridgwater; Sir Francis-Hippisley; Basset-Chapman; Lady Grace-Mrs Buchanan; Lady Wronghead-Mrs Mullart; Myrtle-Mrs Forester; Lady Townly-Mrs Horton .
Cast
Role: Sir Francis Actor: Hippisley

Afterpiece Title: The Toy Shop

Music: Handel's Overture to Ariadne

Dance: The Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Harlequin by Miss Norsa Jr. Scot's Dance, as17350311

Song: As17350422

Event Comment: The Duke's Company. The date of the first performance is not known; an entry in L. C. 5@145, p. 120, lists it for 1 March, but leaves the year in question. See also Nicoll, Restoration Drama, p. 349. Because the Prologue upbraids the audience for deserting Dorset Garden to see The Female Prelate at Drury Lane (beginning 31 May 1680) and because the Epilogue refers to railing at the Penny Post, a service inaugurated on 1 April 1680, a performance in mid-June 1680 seems the likely first production. If so, the L. C. entry for 1 March probably represents a revival for 1 March 1680@1. A song, Bonny lass gin thou wert mine, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681. For Leigh as Sir Jolly and Nokes as Sir Davy, see Cibber, Apology, ed. Lowe, I, 147-48. Downes (Roscius Anglicanus, p. 36): These two Comedies [The Soulder's Fortune and D'Urfey's The Fond Husband] took extraordinary well, and being perfectly Acted; got the Company great Reputation and Profit

Performances

Mainpiece Title: The Souldiers Fortune

Performance Comment: Edition of 1681: Beaugard-Betterton; Courtine-Smith; Sir Davy Dunce-Nokes; Sir Jolly Jumble-Leigh; Fourbin-Jevon; Bloody Bones-Richards; Vermin-A Boy; Lady Dunce-Mrs Barry; Sylvia-Mrs Price; Prologue by the Lord Falkland-; Epilogue-.
Cast
Role: Sir Davy Dunce Actor: Nokes
Role: Sir Jolly Jumble Actor: Leigh
Role: Bloody Bones Actor: Richards
Event Comment: Afterpiece [1st time; B 3, by Richard Brinsley Sheridan. Prologue by the Hon. Richard Fitzpatrick (Public Advertiser, 3 Aug. 1781)]: With a Procession. [This was included in all subsequent performances. For the Sea Fight see 20 Nov.] With New Scenes, Dresses and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season, except on 1 May 1780]. "The House was so crowded that there were many disturbances, one so great that Smith when he had nearly finished 'To be or not to be' was obliged to leave the Stage, and when the noise subsided, to return and begin the soliloquy again... As The Critic took up two hours and a half in performance, it must of necessity be considerably shortened" (Morning Chronicle, 1 Nov.). "The scene of the battle with the Armadav [was] executed in the most masterly manner. The Motion of the sea, the engaging of the ships, and the destruction occasioned by the fire-ships were happily contrived and accurately represented" (London Chronicle, 1 Nov.). Account-Book, 9 Nov.: Paid R. B. Sheridan on Acct. of Critic #320. Receipts: #241 19s. 6d. (222.11.0; 19.3.6; 0.5.0)

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): Sir William Davenant

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley; Mrs Hopkins. Principal Tragedians by Moody, Farren, Aickin, Waldron, Lamash, Burton, Chaplin, Holcroft, Hurst, Wright, Wrighten, Grimaldi, Bannister Jun, Mrs Bradshaw, Mrs Davenett, Miss Pope; [Cast from text (T. Becket, 1781): Puff-King; Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Interpreter-Baddeley; Signor Pasticcio Ritornello-Delpini; Under Prompter-Philimore; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Field, Miss Abrams; [Tragedians: Lord Burleigh-Moody; Earl of Leicester-Farren; Sir Christopher Hatton-Waldron; Son-Lamash; Sir Walter Raleigh-Burton; Beefeater-Wright; Governor of Tilbury Fort-Wrighten; Don Ferolo Whiskerandos-Bannister Jun.; Master of the Horse-Kenny; Justice-Packer; Constable-Fawcett; Thames-Gaudry; Confidante-Mrs Bradshaw; Justice's Lady-Mrs Davenett [in text: Mrs Johnston]; Tilburina-Miss Pope; Nieces-Miss Collett, Miss Kirby; unassigned-Aickin, Chaplin, Holcroft, Hurst, Grimaldi; Prologue-King. [This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: King Henry the Fourth [Part I]

Performance Comment: King Henry-Williamson; Prince of Wales-Palmer Jun. (1st appearance on the stage); Lancaster-Bland; Worcester-Aickin; Northumberland-Chapman; Hotspur-Bensley; Douglas-Evatt; Sir Richard Vernon-Davies; Westmoreland-Usher; Sir Walter Blunt-Iliff; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill-Ledger; Peto-Farley; Bardolph-Rock; Carriers-Wewitzer, Burton; Francis-Barrett; Lady Percy-Mrs Cuyler; Hostess-Mrs Webb; New Occasional Prologue-Palmer.
Cast
Role: Sir Richard Vernon Actor: Davies
Role: Sir Walter Blunt Actor: Iliff
Role: Sir John Falstaff Actor: Palmer

Dance: End II: Triple Hornpipe, as17910617

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: King Henry-Bensley; Prince of Wales-Wroughton; Duke of Lancester-Bland; Earl of Worcester-Aickin; Earl of Northumberland-Packer; Hotspur-Kemble; Earl Douglas-Caulfield; Sir Richard Vernon-assigned to Barrymore, but see below; Earl of Westmoreland-Fawcett; Sir Walter Blunt-Whitfield; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill-Cooke; Peto-Benson; Bardolph-Alfred; Francis-Bannister Jun.; Carriers-Moody, Burton; Sheriff-Maddocks; Traveller-Lyons; Messenger-Banks; Lady Percy-Mrs Powell; Mrs Quickly-Mrs Hopkins.

Afterpiece Title: The Devil to Pay

Event Comment: "Falstaff is rather more satirical than facetious...This idea of the part, King adopted; and he gave the text with such correctness and force, that so far from lessening his reputation by attempting so arduous a character, he has in reality afforded new proof of his critical taste and versatility of genius" (Morning Herald, 7 Aug.)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: King Henry the Fourth [Part I]

Performance Comment: King Henry-Aickin; Prince of Wales-Williamson; Lancaster-Miss DeCamp; Worcester-Davies; Northumberland-Johnson; Hotspur-Bensley; Douglas-Evatt; Sir Richard Vernon-Bland; Westmoreland-Usher; Sir Walter Blunt-Cleveland; Sir John Falstaff-King (1st appearance in that character); Poins-R. Palmer; Gadshill-Ledger; Peto-Farley; Bardolph-Cubitt; Carriers-Wewitzer, Parsons; Francis-Barrett; Lady Percy-Mrs Cuyler; Hostess-Mrs Webb.
Cast
Role: Sir Richard Vernon Actor: Bland
Role: Sir Walter Blunt Actor: Cleveland
Role: Sir John Falstaff Actor: King
Event Comment: Afterpiece [1st time; M. ENT 2, by Richard Brinsley Sheridan (also attributed to Richard Tickell). Prologue by Richard Tickell (London Chronicle, 23 Oct.). Text 1st published probably by T. Lowndes, 1795]: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [near Maidstone, Kent, where a military encampment had been in existence for several months], from a View taken by DeLoutherbourg and executed under his direction. [This was included in all subsequent performances.] With a New Overture and other Music [by Thomas Linley Sen.]. New Scenery, Dresses and Decorations. Account-Book, 16 Oct.: Paid Supernumeraries & Soldiers for Camp #35 5s. 6d. Receipts: #266 0s. 6d. (258.16.0; 6.18.0; 0.6.6)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Camp

Performance Comment: Principal Characters by Webster, Moody, Parsons, Bannister, Baddeley, Carpenter, Wrighten, Burton, Fawcett, Dodd; Mrs Robinson, Mrs Cuyler, Miss Farren, Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby, Mrs Wrighten, Miss Walpole. Prologue-Palmer; [This was spoken, as here assigned, at the first 46 performances, except on 9, 10, 17, 18 Nov. (see17790209).] [Cast from Morning Chronicle, 16 Oct.: Corporal [later called William]-Webster; O'Daub-Moody; Gage-Parsons; Serjeant-Bannister; Mons Bluard-Baddeley; Recruits-Carpenter, Fawcett, Holcroft, Chaplin; Countrymen-Wrighten, Burton, Waldron; Sir Charles Plume [later called Sir Harry Bouquet]-Dodd; Commander@in@Chief at the Camp-Farren; Officers of Regiments-R. Palmer, Lamash, Kenny; Lady Plume-Mrs Robinson; Lady Gorget-Mrs Cuyler; Lady Sash-Miss Farren; Countrywomen-Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby; Nell-Mrs Wrighten; Nancy-Miss Walpole.
Event Comment: Benefit for Palmer [whose 1st recorded appearance as King Richard was at Canterbury, 8 Mar. 1780]. Morning Herald, 26 Aug.: Tickets to be had of Palmer, No. 39, Great Pultney-street, Golden-square

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Performance Comment: Given in a regular representation of several of his most favourite and capital Scenes. With Scenery and Dresses suited to the Characters and their situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify in the strongest colours of our immortal Bard, Cruelty, Vanity, Ambition, Rusticity, Tyranny-; [Act I. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Palmer; Anthonio-Aickin; Bassanio-C. Kemble; Gratiano-R. Palmer; Portia-Mrs Kemble; [Act II. Vanity, in the First Part of Henry IV [parts of II. iv]. Sir John Falstaff-Fawcett; Prince of Wales-Palmer Jun.; Francis (for that night only)-Bannister Jun.; [Act III. Ambition, in King Henry the Eighth [parts of III. ii]. Cardinal Wolsey (1st time)-Palmer; King Henry-R. Palmer; [Act IV. Rusticity, in As You Like it [III. iii]. Touchstone-Bannister Jun.; Audrey-Mrs Harlowe; [Act V. Tyranny, in King Richard the Third [parts of I. ii; II. ii; and V]. King Richard (1st time)-Palmer; King Henry-Aickin; Richmond (1st time)-Palmer Jun.; Lady Anne-Miss Logan.
Cast
Role: Sir John Falstaff Actor: Fawcett
Role: King Richard Actor: Palmer

Afterpiece Title: The Hodge Podge; or, A Receipt to make a Benefit

Afterpiece Title: The Son-in-Law

Cast
Role: Sir Rowland Actor: C. Kemble
Role: Lord Alford Actor: Davies

Song: In 2nd piece: Mad Bess (in character)-Miss Leak; a Welch Song (in character)-Mrs Bland; The Waiter-Fawcett

Entertainment: In 2nd piece: Imitations-Caulfield

Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Edition of 1728 lists: Lord Townly-Wilks; Lady Townly-Mrs Oldfield; Lady Grace-Mrs Porter; Manly-Mills; Sir Francis Wronghead-Cibber; Lady Wronghead-Mrs Thurmond; Squire Richard-Young Wetherilt; Jenny-Mrs Cibber; John Moody-Miller; Count Basset-Bridgwater; Mrs Motherly-Mrs Moore; Myrtilla-Mrs Grace; Mrs Trusty-Mrs Mills; Prologue-Wilks; Epilogue-Mrs Oldfield.

Performances

Mainpiece Title: King Henry The Fourth, Part I

Performance Comment: As17280910, but Glendower-Cibber; Douglass-Williams; Sir Walter-Wm. Mills; Sir Richard-Bridgwater; Poins-Watson.
Cast
Role: Sir Walter Actor: Wm. Mills
Role: Sir Richard Actor: Bridgwater
Related Works
Related Work: The Siege of Rhodes, Part I Author(s): Sir William Davenant
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant

Afterpiece Title: Harlequin Happy

Performances

Mainpiece Title: King Henry The Fourth, Part I

Performance Comment: King Henry-Johnson; Prince-Ryan; Hotspur-Delane; Falstaff-Stephens; Worcester-Roberts; Northumberland-Mullart; Westmoreland-Arthur; Sir Richard-Hallam; Douglas-Hale; Sir Walter-Salway; Francis-Hippisley; Poyns-A. Ryan; Peto-Anderson; Bardolph-Littleton; Gadshill-Bencraft; Kate-Mrs Ware; Hostess-Mrs Martin; Carriers-Mullart, James.
Cast
Role: Sir Richard Actor: Hallam
Role: Sir Walter Actor: Salway
Related Works
Related Work: The Siege of Rhodes, Part I Author(s): Sir William Davenant
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Minor

Performance Comment: Mrs Cole, Smirk, Shift, Squintum-Foote; Baron-Costollo; Loader-Tindal; Sir George-Davis; Transfer-Parsons; Sir Richard-Gardner; Dick-Johnson; Lucy-Miss Reynolds.
Cast
Role: Sir George Actor: Davis
Role: Sir Richard Actor: Gardner

Afterpiece Title: Miss in Her Teens

Dance: I: The Dutchman, as17650719 End: The English Sailor at Marseilles-Mas. Clinton, Miss Street; New Hornpipe-Mas. Clinton