SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir John Holmes"/1) | (@(roleclean,performerclean) "Sir John Holmes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11245 matches on Author, 6644 matches on Performance Comments, 1689 matches on Event Comments, 677 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [Advertised as performed but once, but see 18 Jan. Sheridan in Preface to Edition of 1775 (2nd) refers to withdrawing the piece to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of hasty correction." He blames his inexperience and want of judgment in theatrical effects, the extreme length of the play act by act, and haste in writing. From the Westminster Magazine Feb., which outlined the plot in five columns: The present state of the Rivals is widely different from that in which we found it on the first night's representation. Sir Lucius O'Trigger being re-touched, has now the appearance of a character; and his assigning Beverley's reflection on his country as the grounds for his desire to quarrel with him, is a reasonable pretence, and wipes off the former stigma undeservedly thrown on the sister Kingdom. An alteration of a principal incident gave a very favorable turn to the fable and the whole piece: that where young Acres now delivers his challenge to his friend Absolute, begging him to carry it to his Rival Beverly, not knowing the two characters composed but one man; its being at first given to Sir Lucius, the person who indited it, was highly inconsistent...we should be induced from many evident traits of literary genius to pronounce the Rivals a good comedy."

Performances

Mainpiece Title: The Rivals

Performance Comment: (With Alterations.) As17750117, but Sir Lucius-Clinch instead of Lee.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant
Related Work: The Rival Ladies Author(s): John Dryden
Related Work: The Rival Kings; or, The Loves of Oroondates and Statira Author(s): John Banks
Related Work: The Modern Wife; or, The Virgin Her Own Rival Author(s): John Stevens

Afterpiece Title: Thomasand Sally

Dance: End Epilogue: The Frolick, as17741214

Event Comment: At the Desire of several Persons of Quality. Written by Sir George Etheridge

Performances

Mainpiece Title: She Wou'd If She Cou'd

Performance Comment: As17061205, but Sir Joslin-Bullock; Ariana-Mrs Porter.
Cast
Role: Sir Joslin Actor: Bullock
Role: Sir Oliver Actor: Norris
Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege
Event Comment: Benefit Mrs Mills. Mainpiece: Written by Sir George Etheridge

Performances

Mainpiece Title: The Man Of Mode

Performance Comment: As17380321 but Sir Fopling-_; Busy-_.
Cast
Role: Sir Fopling Actor: Cibber
Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Dance: II: Flanderkins-Master Ferg, Miss Wright; IV: Ballet-Haughton, Mrs Walter; IV: Punch-Master Ferg; V: La Pieraite-Livier, Miss Thompson

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Mainpiece: Written by Sir George Etheridge

Performances

Mainpiece Title: The Man Of Mode

Performance Comment: As17390203, but Sir Fopling-Cibber Sr; Lady Woodvill-Mrs Bennet.
Cast
Role: Sir Fopling Actor: Cibber Sr
Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: The Harlot's Progress

Dance: Muilment

Event Comment: As 27 Nov. 1738. Mainpiece: by Sir George Etheridge

Performances

Mainpiece Title: The Man Of Mode

Performance Comment: As17390206, but Sir Fopling-Cibber Jr; Old Bellair-Turbutt; Lady Woodvill-Mrs Cross; Orangewoman-_.
Cast
Role: Sir Fopling Actor: Cibber Jr
Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Robin Goodfellow

Dance: Muilment

Event Comment: The King's Company. Downes (Roscius Anglicanus, p. 16) refers to Hart's acting Don John. Wilson (All the King's Ladies, p. 170) lists Rebecca Marshall as possibly play1ng First Constantia. The Works of Beaumont and Fletcher (1711), p. ix: Mr Hart played the Part of Don John to the highest Satisfaction of the Audience, the Play had a great run, and ever since has been follow'd as one of the best Entertainments of the Stage. Pepys, Diary: And took them [Mrs Pepys and Betty Michell] against my vowes, but I will make good my forfeit, to the King's house, to show them a play, The Chances. A good play I find it, and the actors most good in it; and pretty to hear Knipp sing in the play very properly, All night I weepe; and sung it admirably. The whole play pleases me well; and most of all, the sight of many fine ladies--among others, my Lady Castlemayne and Mrs Middleton

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Hart?; First Constantia-Rebecca Marshall?.
Cast
Role: Don John Actor: Hart?
Related Works
Related Work: The Chances Author(s): John Fletcher
Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Performance Comment: Edition of 1699: Prologue-; Rinaldo-Betterton; Ubaldo-Thurman; Carlo-Scudamore; Armida-Mrs Barry; Urania-Mrs Boman; Phenissa-Mrs Lee; Epilogue-; The Musical Entertainment ...All Compos'd by Mr John Eccles, and Writ by Mr Dennis-.
Related Works
Related Work: Rinaldo and Armida Author(s): John Dennis
Event Comment: [By John Vanbrugh. Date of premiere unknown. Published 10 Feb.

Performances

Mainpiece Title: The False Friend

Performance Comment: Edition of 1702 lists: Don Felix-Griffin; Don Pedro-Wilks; Don Guzman-Mills; Don John-Cibber; Lopez-Penkithman; Galindo-Bullock; Leonora-Mrs Rogers; Isabella-Mrs Kent; Jacinta-Mrs Oldfield; Prologue-Griffin; Epilogue-Mrs Oldfield.
Cast
Role: Don John Actor: Cibber
Related Works
Related Work: The False Friend Author(s): John Vanbrugh
Event Comment: Benefit for Cautherly. Don John Mr Cautherly-la, la! (Hopkins Diary). Mainpiece: With Alterations. Not acted these 14 years. [See 13 April 1758.] Receipts: #159 18s. 6d. Charges: #62 13s. 6d. Profits to Cautherley: #97 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Cautherly; Antonio-Parsons; Don Frederick-Brereton; Duke-Packer; Petruchio-Inchbald; Peter-W. Palmer; Antony-Wheeler; Francisco-Wright; Surgeon-Wrighten; Shopkeeper-Jacobs; Boy-Mas. Cape; Gentlemen to Duke-Follet, Lings; Gentlemen to Petruchio-Fawcett, Griffith; Kinswoman-Miss Platt; Servant-Mrs Smith; First Constantia-Miss Younge; Second Constantia-Mrs Abington; Mother-Mrs Dorman; Landlady-Mrs Bradshaw.
Cast
Role: Don John Actor: Cautherly
Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: A Trip to Scotland

Dance: After Interlude: The Sailors Revels, as17711008

Monologue: End: Linco's Travels. As 24 March

Event Comment: Benefit for Palmer. Mainpiece: Never performed here [so stated on playbill of 18 Aug.]. Public Advertiser, 13 Aug.: Tickets to be had of Palmer at his house in Bow-street, Bloomsbury. [Henderson's 1st appearance as Don John was at Bath, 23 Oct. 1773.

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Henderson (1st appearance in that character [in London]); Petruchio-Aickin; Duke-Fearon; Peter-Blissett; Anthony-Massey; Francisco-Jackson; Surgeon-Griffiths; Antonio-Parsons; Don Frederick-Davies; 1st Constantia-Mrs Hunter; Landlady-Mrs Love; Nurse-Mrs W. Palmer; Kinswoman-Miss Hale; Mother-Miss Platt; 2nd Constantia-Miss Barsanti.
Cast
Role: Don John Actor: Henderson
Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: The Lyar

Performance Comment: Young Wilding-Palmer; Old Wilding-Fearon; Sir J. Elliot-R. Palmer; Papillion-Parsons; Miss Godfrey-Miss Platt; Kitty-Mrs Poussin; Miss Grantham-Mrs Davies.

Dance: End Monologue: a Dance-

Entertainment: MonologueEnd: The Picture of a Playhouse or Bucks have at Ye All-Palmer

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece: With a Grand Procession. [Both the dance and the procession were included in all subsequent performances, except on 23 Apr. 1778. For Henderson as Don John see hay, 19 Aug. 1777.] Receipts: #153 11s. 6d. (125.19.0; 18.0.6; 9.12.0)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John (1st time [at this theatre])-Henderson; Frederick-Brereton; Duke-Packer; Petruchio-Aickin; Antonio-Parsons; Peter-Burton; Antony-Waldron; Francisco-Wright; Surgeon-Wrighten; First Constantia-Miss Hopkins (1st appearance in that character); Mother-Mrs Hopkins; Landlady-Mrs Bradshaw; Nurse-Mrs Love; Second Constantia-Mrs Abington.
Cast
Role: Don John Actor: Henderson
Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: A ChristmasTale

Dance: In afterpiece: a Dance of Evil Spirits-

Event Comment: Afterpiece [1st time; MF 2]: Written by the Author of Tony Lumpkin in Town [John O'Keeffe. Text (1st authorized) published in Cumberland's British Theatre, Vol. XXXI]. The Music and Overture composed by Dr Arnold [with airs adapted from Philidor and Guglielmi (Public Advertiser, 17 Aug.)]. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The English Merchant

Cast
Role: Sir William Douglas Actor: Bensley

Afterpiece Title: The Son-in-Law

Performance Comment: The Characters by Parsons, Edwin, Wood, Baddeley, Lamash, Jackson, Stevens, Kenny, Bannister, Mrs Lefevre, Miss Harper. Cast from Public Advertiser, 17 Aug.: Cranky-Parsons; Bowkitt-Edwin; Bouquet-Wood; Vinegar-Baddeley; Idle-Lamash; Orator Mum-Jackson; John-Stevens; Signor Arionelli-Bannister; Dolce-Mrs Lefevre; Cecilia-Miss Harper; Kenny. Kenny.
Cast
Role: John Actor: Stevens
Related Works
Related Work: The Son-in-Law Author(s): John O'Keeffe

Dance: As17790610

Event Comment: Afterpiece [1st time: F 2, by John O'Keeffe]. Receipts: #248 3s. 6d. (247.16.0; 0.7.6)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques; or, The Merry Mourners

Performance Comment: Characters-Quick, Wilson, Munden, Thompson, Powel, Miss Chapman, Mrs Harlowe, Mrs Rock, Mrs Cross, Mrs Mattocks. [Cast from O'Keeffe's Dramatic Works, Vol. I (T. Woodfall, 1798), which is "shamefully incorrect" (see Genest, VII, 29), and Gazetteer, 15 Mar.: Cockletop-Quick; Napkin-Wilson [in text: Cubitt]; Frank-Munden; Thomas-Thompson; Heaty-Powel [in text: Wilson]; Joey-Blanchard (see17910315 John-Blurton; Mrs Camomile-Miss Chapman; Belinda-Mrs Harlowe; Flounce-Mrs Rock; Nan-Mrs Cross [in text: Mrs Wells]; Mrs Cockletop-Mrs Mattocks; Betty-Miss Brangin.
Cast
Role: see17910315 John Actor: Blurton
Related Works
Related Work: Modern Antiques; or, The Merry Mourners Author(s): John O'Keeffe
Event Comment: Benefit for Quick. 1st piece [1st time; PREL I, altered anonymously from the anonymous Bickerstaff's Unburied Dead]. 3rd piece [1st time; INT 1, by John Cartwright Cross]. Oracle, 11 Mar.: Tickets to be had of Quick, No. 98, High Holborn. Receipts: #424 (207.2; 5.8; tickets: 211.10)

Performances

Mainpiece Title: Live Lumber; Or, Unburied Dead

Afterpiece Title: The Lie of the Day

Related Works
Related Work: The Lie of the Day; or, A Party at Hampton Court Author(s): John O'Keeffe

Afterpiece Title: The Way to Get Un-Married

Performance Comment: Characters by Knight, Townsend, Davenport; Miss Mansel, Mrs Martyr (with a new incidental song). Cast from Cross's Parnassian Bagatelles (Bellamy, 1796): Luckless-Knight; John-Townsend; Irritable-Davenport; Tradesmen-Holland, Abbot; Glazier-Wilde; Shoemaker-Blurton; Sweep-Simmons; Amelia-Miss Mansel; Gymp-Mrs Martyr.
Cast
Role: John Actor: Townsend
Related Works
Related Work: The Way to Get Un-Married Author(s): John Cartwright Cross

Afterpiece Title: Hartford Bridge

Cast
Role: Sir Gregory Forrester Actor: Quick

Dance: End of 3rd piece: The Lucky Escape, as17951008

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17971004, but Sir Francis Gripe-Quick; Miranda-Miss Betterton.

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .
Related Works
Related Work: Joan of Arc; or, The Maid of Orleans Author(s): John Cartwright Cross
Event Comment: This play is in Herbert, Dramatic Records p. 118: Cornelia a New Play, sir W. Bartleys. The date in Herbert is 1 June, a Sunday in 1662, with another play in the same group falling on Sunday. Nevertheless, the verse comment (see below) written, apparently, before the summer of 1662 points toward 2 June 1662 rather than 1 June 1663. Edward Browne also lists it as one of the plays he attended. The play was not printed. BM Add. Mss. 34217, in Hotson, Commonwealth and Restoration Stage, p. 246: @For Cornelia they all doe say@There was abundance of witt in the play@Indeed t'had soe much t' was the worse for 't@For t' was to witty for the vulgar sort@And they who'd have poetts their Benefactors@Say witt without mony's naught for the Actors.

Performances

Mainpiece Title: Cornelia

Performance Comment: . [By Sir William Bartley?] .
Related Works
Related Work: Cornelia Author(s): Sir William Berkeley
Event Comment: The Duke's Company. This play is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. A song in this play, Thus all our Lives, with music by John Banister, is in Choice Songs and Ayres, 1673. Downes (Roscius Anglicanus, p. 31): [Concerning several plays] All which Expir'd the third Day, save the Royal Shepherdess, which liv'd Six. Pepys, Diary: To the Duke of York's house, and there before one, but the house infinite full, where, by and by, the King and Court come, it being a new play, or an old one new vamped, by Shadwell, called The Royal Shepherdesse!; but the silliest for words and design, and evepything, that ever I saw in my whole life, there being nothing in the world pleasing in it, but a good martial dance of pikemen, where Harris and another do handle their pikes in a dance to admiration; but never less satisfied with a play in my life

Performances

Mainpiece Title: The Royal Shepherdess

Performance Comment: [Adapted by ThomasShadwell from John Fountain, The Rewards of Virtue.] Edition of 1669: Prologue-; Epilogue-.
Related Works
Related Work: The Royal Shepherdess Author(s): John Fountain
Event Comment: At Cushing's Booth, facing the King's Head, Smithfield. The tragedy contains the barbarous contrivances of King John against his nephew Prince Arthur; his method of persuading Hubert to undertake the cruel murder of that youth; the sufferings of Arthur in his confinement, where Hubert attempts to put out eyes with a red-hot iron, til moved to compassion by the tender entreating of the young prince, he quits his horrid purpose. The manner of Arthur's leaping from the battlements of the tower where he was imprisoned, when by attempting to escape his severe treatment he loses his life. The terrors that attended the villainous Uncle King John, and at length his dreadful death, who is poisoned in the midst of all his glory, and in terrible anguish and distraction, pays his nephew's blood with the price of his own. The comic contains the exquisite drolleries of Sir Lubberly and his man, their whimsical journey from Cumberland, and no less whimsical exploits in London; the odd reception they met with from their three faithful friends, Tom Rash the Porter, Jeffrey Holdfast the Constable, and Moll Tatter the Beggar Woman, the one getting a wife, the other a bastard

Performances

Mainpiece Title: The Life And Death Of King John

Performance Comment: King John-Redman; Hubert-Simpson; Bastard-Pinner; Chatillion-Walker; Pembroke-Johnson; Pandulph-White; Prince Arthur-Miss Yates; Constance-Mrs Cushing.
Cast
Role: King John Actor: Redman
Role: Pembroke Actor: Johnson

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains and His Man Blunderbuss

Performance Comment: Sir Thomas Rash-Malone; Ramble-Singleton; Merry-Jenkins; Tom Rash-Beckham; Jeffery Holdfast-Middleton; Moll-Mrs Beckham; Blunderbuss-Costollo; Sir Luberrly-Cushing (from the Theatre Royal in Covent Garden); Christina-Mrs Peters; Pert-Mrs Simon.
Cast
Role: Sir Thomas Rash Actor: Malone
Role: Sir Luberrly Actor: Cushing

Performances

Mainpiece Title: The Rambling Justice; Or, The Jealous Husbands; With The Humours Of Sir John Twiford

Performance Comment: Edition of 1678: Prologue-Flora; Sir Arthur Twilight-Powell; Sir Generall Amorous-Wilshire; Contentious Surly-Disney; Sir Geoffrey Jolt-Perrin; John Twiford-Powre; Spywell-Mr Q [Cue]; Bramble-Coysh; Eudoria-Mrs Farlee; Petulant Easy-Mrs Merchant; Emilia-Mrs Bates; Flora-Mrs Cook; Epilogue-Sir Arthur.
Related Works
Related Work: The Rambling Justice; or, The Jealous Husbands: With the Humours of Sir John Twiford Author(s): John Leanerd

Performances

Mainpiece Title: King Henry Iv, Part I, With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Quin; King-Sparks 1st appearance that stage; Wales-Ryan; Prince John-Miss Hippisley; Westmoreland-Holtham; Northumberland-Paget; Sir Walter Blunt-Ridout; Douglas-Anderson; Vernon-Gibson; Worcester-Dance; Carriers-Arthur, Dunstall; Francis-Collins; Gadshill-Bencraft; Bardolph-Marten; Peto-Stoppelaer; Sheriff-Oates; Traveller-Smith; Hostess-Mrs Bambridge; Lady Piercy-Mrs Woffington; Hotspur-Delane who has not appeared that stage these 7 years.
Cast
Role: Prince John Actor: Miss Hippisley
Role: Sir Walter Blunt Actor: Ridout
Related Works
Related Work: The Siege of Rhodes, Part I Author(s): Sir William Davenant
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne

Performances

Mainpiece Title: The First Part Of King Henry Iv, With The Humours Of Sir John Falstaff

Performance Comment: Falstaff (for that night only)-Mrs Webb; Hotspur-A Gentleman (1st appearance on any stage [unidentified]); King-Bensley; Westmorland-Usher; Sir Walter Blunt-Riley; Prince John-Master Farley; Worcester-Gardner; Poins-R. Palmer; Vernon-Davies; Bardolph-Wewitzer; Francis-Barrett; Carriers-Parsons, Burton; Prince of Wales-Palmer; Hostess-Mrs Love; Lady Percy-Mrs Cuyler .
Cast
Role: Sir Walter Blunt Actor: Riley
Role: Prince John Actor: Master Farley

Afterpiece Title: Gretna Green

Related Works
Related Work: Gretna Green Author(s): John O'Keeffe

Performances

Mainpiece Title: The First Part Of King Henry Iv; With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Henderson (1st appearance in that character [in London]); Hotspur-Aickin; King-Younger; Westmorland-Egan; Sir W. Blunt-T. Davis; Sir Richard Vernon-Davies; Worcester-Fearon; Poins-R. Palmer; Bardolph-Massey; Peto-Kenny; Gadshill-Besford; Francis-Edwin; Carriers-Jackson, Blissett; Prince of Wales-Palmer; Hostess-Mrs Love; Lady Percy-Mrs Colles.
Cast
Role: Sir Richard Vernon Actor: Davies

Afterpiece Title: The Portrait

Event Comment: Benefit W. Giffard. At the Particular Desire of several Gentlemen and Ladies

Performances

Mainpiece Title: The Merry Wives Of Windsor; Or, The Humours Of Sir John Falstaff

Performance Comment: Falstaff-W. Giffard; Ford-Giffard; Sir Hugh-Penkethman; Shallow-Collet; Page-Huddy; Caius-Bardin; Fenton-Lacy; Host-R. Williams; Pistol-Pearce; Bardolfe-Machen; Slender-Bullock; Mrs Ford-Mrs Giffard; Mrs Page-Mrs Haughton; Ann Page-Mrs Mountfort; Mrs Quickly-Mrs Kirk.
Cast
Role: Sir Hugh Actor: Penkethman
Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis

Song: Miss Thornowets

Dance: SShepherd's Holiday, Two Pierrots, Turkish Dance-

Performances

Mainpiece Title: The Merry Wives Of Windsor; With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Quin; Ford-Ryan; Mrs Ford-Mrs Horton; Shallow-Chapman; Slender-Woodward; Page-Cashell; Fenton-Gibson; Caius-Stoppelaer; Host of Garter-Rosco; Pistol-James; Simple-Bencraft; Bardolph-Harrington; Mrs Page-Mrs Bellamy; Ann Page-Mrs Vincent; Mrs Quickly-Mrs James; Robin-Miss Morrison; Sir Hugh-Hippisley.
Cast
Role: Sir Hugh Actor: Hippisley.
Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis

Afterpiece Title: The Virgin Unmask'd

Dance: As17421026

Performances

Mainpiece Title: The Merry Wives Of Windsor; With Humours Of Sir John Falstaff

Performance Comment: Falstaff-Quin; Ford-Ryan; Shallow-Chapman; Sir Hugh-Hippisley; Page-Cashell; Slender-Woodward; Host-Rosco; Dr Caius-Stoppelaer; Pistol-James; Simple-Bencraft; Bardolph-Marten; Fenton-Gibson; Mrs Page-Mrs Hale; Ann Page-Mrs Vincent; Mrs Quickly-Mrs Mullart; Mrs Ford-Mrs Pritchard.
Cast
Role: Sir Hugh Actor: Hippisley
Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis

Afterpiece Title: The Royal Chace; or, Merlin's Cave