SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir John Fleet"/1) | (@(roleclean,performerclean) "Sir John Fleet")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11245 matches on Author, 6648 matches on Performance Comments, 1747 matches on Event Comments, 678 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: SSt. James's Evening Post, 2 June, quoted in Grub St. Journal, 7 June: Sir, As Mr Cibber has had various ill-natured reflections cast upon him, for selling his share of the patent for Drury-Lane house, and for not making it over to his son; it will be a piece of justice to inform the publick, that the reason which he gave for such a conduct was, that he chose to convert it into ready money, that he might make a proportionable division of what fortune he may happen to have among all his children. Craftsman, 2 June: We have likewise received undoubted Intelligence from [dl], that a considerable Body of malcontent Players, under the Command of that puissant Captain, Mr The@@lus C@@r, have lately enter'd into a mutinous Association against their Masters, the Patentees, and still continue in a State of Hostility; which hath prevented any Plays being acted there this Week

Performances

Mainpiece Title: Griselda

Event Comment: As 15 Oct. Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Funeral

Dance: IV: Friendly Lasses by Miss Wherrit and Miss Sandham. V: The Amorous Couple by D'Vallois and Mrs D'Vallois

Event Comment: Mainpiece: Written by the late Sir Richard Steele. With an entire new Sett of Scenes, particularly a view of Stocks-Market. Afterpiece: A new Farcical Ballad Opera. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Funeral

Afterpiece Title: King and no King; or, The Polish Squabble

Related Works
Related Work: A King and No King Author(s): John Fletcher
Related Work: King and No King Author(s): John Fletcher

Dance: IV: A new Scots Dance by Miss Wherrit. V: Two Pierrots by D'Vallois and J. Delagarde

Event Comment: Benefit Johnson. Mainpiece: Written by the late Sir Richard Steele. Afterpiece: Taken from the French of Moliere

Performances

Mainpiece Title: The Funeral

Performance Comment: Sable-Johnson; Trusty-Mills; Lady Brumpton-Mrs Horton; Brumpton-Milward; Hardy-W. Mills; Campley-A. Hallam; Cabinet-Berry; Trim-Miller; Puzzle-Shepard; Torn-Oates; Lady Sharlot-Mrs Butler; Lady Harriet-Miss Holliday; Mademoiselle-Mrs Shireburn; Tattleaid-Mrs Grace; Kate-Harper .
Cast
Role: Sable Actor: Johnson

Afterpiece Title: The Mock Doctor

Dance: I: Dutchman and his Wife by Le Brun and Mrs Walter. III: Two Pierrots by Poitier and Nivelon. IV: Polish Dance, as17340318 but Miss Mann added. V: Revellers

Song: II: By Miss Arne

Event Comment: Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Funeral

Cast
Role: Sable Actor: Johnson

Afterpiece Title: Cupid and Psyche

Event Comment: Mainpiece: Written by Sir J. Vanbrugh. Receipts: #53 17s

Performances

Mainpiece Title: Oroonoko

Cast
Role: Driver Actor: Johnson
Related Works
Related Work: Oroonoko Author(s): John Hawkesworth

Afterpiece Title: The Fall of Phaeton

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: The Fond Husband; Or, The Plotting Sisters

Performance Comment: Pergrine-Penkethman; Rashly-Giffard; Emilia-Mrs Haughton; Maria-Mrs Roberts; Ranger-Richardson; Old Fumble-Norris; Sneak-Woodward; Sir R. Petulant-Lyon; Spatterdash-Hamilton; Mrs Snare-Mrs M. Giffard; Governess-Mrs Wetherilt; Betty-Miss Tollet; Cordelia-Mrs Penkethman; the first time of her appearing on any stage. Likewise (by Desire) an Epilogue-Penkethman, riding on an Ass.

Afterpiece Title: Hymen's Triumph

Cast
Role: Dr Fleet Actor: Wetherilt
Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden

Performances

Mainpiece Title: The Tempest

Cast
Role: Caliban Actor: Johnson
Related Works
Related Work: The Tempest Author(s): Sir William DavenantJohn Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William DavenantJohn Dryden

Afterpiece Title: Harlequin Restor'd

Cast
Role: John Trot Actor: Hough

Dance: In II: Dance of Winds-Muilment, Thurmond; In IV: Comic Dance of Fantastical Spirits (in Grostesque Characters)-Thurmond, Villeneuve, Levier, Pelling; In V: Waterman's Dance-Harper; with a Grand ballet of Sailors-Mlle Roland

Related Works
Related Work: Harlequin Doctor Faustus Author(s): John Thurmond
Related Work: Harlequin Sheppard Author(s): John Thurmond
Related Work: A Duke and No Duke Author(s): John Thurmond
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): John Thurmond
Related Work: The Miser; or, Wagner and Abericock Author(s): John Thurmond
Related Work: The Dumb Farce Author(s): John Thurmond
Related Work: Apollo and Daphne; or, Harlequin's Metamorphosis Author(s): John Thurmond
Related Work: Harlequin's Triumph Author(s): John Thurmond
Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden

Performances

Mainpiece Title: The Tempest

Cast
Role: Caliban Actor: Johnson
Related Works
Related Work: The Tempest Author(s): Sir William DavenantJohn Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William DavenantJohn Dryden

Afterpiece Title: Harlequin Restor'd

Cast
Role: John Trot Actor: Hough

Dance: As17370411

Event Comment: EEgmont, Diary, II, 390: To the Haymarket Playhouse, where a farce was acted called Eurydice First Hiss'd?, an allegory on the loss of the Excise Bill. The whole was a satire on Sir Robert Walpole, and I observed that when any strong passages fell, the Prince, who was there, clapped, especially when in favour of liberty. [The Princess of Wales was also present.

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Alter'd from Shakespear by Sir W. Davenant, Mr Dryden. Afterpiece: Written by the Author of the Toy Shop

Performances

Mainpiece Title: The Tempest

Cast
Role: Caliban Actor: Johnson
Related Works
Related Work: The Tempest Author(s): Sir William DavenantJohn Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William DavenantJohn Dryden

Afterpiece Title: The King and the Miller of Mansfield

Dance: As17370411

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Performance Comment: The Characters are, Sir Hardheart Pelf, an Usurer, and Justice of the Peace-; Counsellor Pleadwell, a Man of Honour-; in love with Charlotte, the Miser's Daughter-; Counsellor Neverplead, of Brick-Court in the Temple, an Original-; Fustian turn'd Auctioneer, preparatory to a Presbyterian Parson-; Mr Jamaica, an honest Merchant, sent as a Vagrant to the House of Correction-; Mr Quidnunc, a very deep-headed Man-; a Pack of fashionable Ladies and Beaux-; Famine, the Usurer's Servant-; George, Counsellor Neverplead's chief Clerk-.
Related Works
Related Work: London's Glory Represented by Time, Truth, and Fame Author(s): John Tatham
Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: Mainpiece: Written by the late Sir Richard Steele. At Common Prices

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Afterpiece Title: The Toy Shop

Dance: I: Comic Ballet-Villeneuve, Miss Oates; III: La Badinage de Provence-Poitier, Mlle Roland; V: Scotch Dance-Glover, Mlle Anne Roland

Event Comment: Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: Perseus and Andromeda: With the Rape of Colombine; or, The Flying Lovers Author(s): John Weaver

Dance: As17391226

Ballet: GGrand Dance in Momus. As17391204, but Country Lasses-Mrs _Rogers, Miss Dancy

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Pembroke-Walker; Lord Guilford Dudley-Giffard; Northumberland-Nelson; Suffolk-Crofts; Sussex-Linnet; Gardiner-Paget; Sir J. Gates-Marr; Dutchess of Suffolk-Mrs Steel; Lady Jane Gray-Mrs Giffard.

Afterpiece Title: The Virgin Unmask'd

Dance: III: A new dance-Master Matthews; V: Drunken Peasant-Chettle

Performances

Mainpiece Title: The Stratagem

Performance Comment: Aimwell-Gentleman who never appear'd on any Stage before; Archer-Giffard; Scrub-Yates; Sullen-Paget; Sir Chas. Freeman-Blakes; Foigard-Julian; Gibbet-Vaughan; Hounslow-Marr; Bagshot-Clough; Lady Bountiful-Mrs Bishop; Dorinda-Mrs E. Giffard; Cherry-Miss Hippisley; Gypsey-Mrs Dunstall; Countrywoman-Crofts; Mrs Sullen-Mrs Giffard.

Afterpiece Title: The Virgin Unmasked

Dance: As17410928

Song: As17410928

Event Comment: WWalpole to H. Mann 5 Nov.: Vanneschi and Rolli allowes 300 guineas...Montevolli and Visconti to have a thousand guineas apiece; Amorevoli 850; the Muscovite 600.-Horace Walpole's Correspondence with Sir Horace Mann, I, 191

Performances

Mainpiece Title: Alexander In Persia

Event Comment: HH. Walpole to H. Mann, 24 Dec.: House full on Saturdays, never on Tuesday.-From Walpole's Correspondence with Sir Horace Mann, I, 282

Performances

Mainpiece Title: Penelope

Related Works
Related Work: Penelope Author(s): John Mottley

Dance: Bettina

Event Comment: Mainpiece: By Particular desire. Afterpiece: Never Acted Before. [The Farce by Fielding is a sequel to The Virgin Unmasked.] Forbidden soon by the Lord Chamberlain. It being supposed that a particular man of quality was pointed at in one of the characters. The prohibition short of duration (Genest, III, 652). See A Letter to a Noble Lord to whom it alone belongs, occasioned by a representation at Drury Lane of a Farce call'd Miss Lucy in Town (1742), [a 20 page pamphlet criticizing the Lord Chamberlain for allowing this farce. Author gives a scene by scene account emphasizing the bawdry and discounting the pious conclusion. He concludes with remarks on theatrical dancing]: As to Dances, I think your province of prohibition does not extend; so the Public cannot owe their gratitude to you for several. I appeal to those who have been on the coast of Malabar and the banks of the Ganges whether we have not had some that have exceeded on posture, or anything of that kind so common amongst the polite Indians of Indostan. Afterpiece: Mrs Clive mimics the Muscovita admirably, and Beard Amorevoli intolerably (H. Walpole to H. Mann, 26 May).-Horace Walpole Correspondence with Sir Horace Mann, I, 435. Receipts: #70

Performances

Mainpiece Title: Othello

Afterpiece Title: Miss Lucy in Town

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

Event Comment: WWalpole to H. Mann 14 April: To be performed by three good voices and forty bad ones, from Oxford, Canterbury, and the farces.-Horace Walpole's Correspondence with Sir Horace Mann, II, 231. An Entertainment of Vocal and Instrumental Musick, consisting of various Motetts, Chorus's, Concerto's & to be divided into three parts, after the manner of an Oratorio. The whole to conclude with the celebrated Piece of Vocal Musick from Rome. [Usual prices.

Performances

Mainpiece Title: Concert

Event Comment: WWalpole to Horace Mann, 14 Aug.: We were thirty subscribers, at two hundred pounds each, which was to last four years, and no other demands ever to be made. Instead of that we have been made to pay 56 pounds over and above the subscription in one winter.--Horace Walpole's Correspondence with Sir Horace Mann, II, 293-94

Performances

Event Comment: FFawkes and Pinchbeck's Great Theatrical Booth, facing the Hospital Gate, West Smithfield. Taken from Shakespear. [Possibly a puppet show.] The occasion is the Retaking the English Standard belonging to Sir Robert Rich's Regiment of Horse by George Darraugh

Performances

Mainpiece Title: Ephesian Duke; Or, Blunder Upon Blunder, Yet All's Right At Last

Afterpiece Title: The Battle of Dettingen

Dance: WWooden@Shoe Dance-LaPierre, never performed by any but himself; Le Paisans Leger-LaPierre, Mlle Mariette

Song: Blogg, Miss Atherton; The Whole to conclude with a Song made upon that Occasion, set to Musick, and-Mr Blogg

Event Comment: Notices of performances on this date had appeared since 8 Sept., as at common prices and written by the late Sir Richard Steele, yet under the unsettled circumstances Fleetwood may not have assembled the players necessary for the production. Macklin, Garrick, Mills, Pritchard, Havard, Berry, Leigh, Blakes, Woodburn, Mrs Clive, Mrs Pritchard, and Mrs Mills had withdrawn and were attempting to form a company for acting at the New Haymarket. See Drury Lane Management in the Introduction

Performances

Mainpiece Title: The Conscious Lovers