SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir John Fielding"/1) | (@(roleclean,performerclean) "Sir John Fielding")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 13049 matches on Author, 6676 matches on Performance Comments, 1794 matches on Event Comments, 676 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit the Author. Afterpiece: Never perform'd before. [By Henry Fielding.

Performances

Mainpiece Title: The Tragedy Of Tragedies

Related Works
Related Work: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great Author(s): Henry Fielding

Afterpiece Title: The Welch Opera

Performance Comment: Edition of 1731 lists: Squire ap Shinken-Furnival; Master Owen-Davenport; Parson Puzzletext-Reynolds; Robin-Mullart; John-Hallam; William-Jones; Thomas-Dove; Madam ap Shinken-Mrs Jones; Molly-Miss Price; Goody Scratch-Mrs Clark; Sweetissa-Mrs Nokes; Susan-Mrs Mullart; Margery-Mrs Lacy; Betty-Mrs Furnival.
Cast
Role: John Actor: Hallam
Related Works
Related Work: The Welch Opera Author(s): Henry Fielding
Event Comment: By Desire of many persons of Distinction, and by Permission of the Noblemen and Gentlemen of the Catch Club. Director-Dr Arne. Afterpiece: Taken from Miss Lucy in Town. Written by Henry Fielding. Songs-Dr Arne

Performances

Mainpiece Title: Catches And Glees

Afterpiece Title: The Country Madcap in London

Performance Comment: Lord Bilkum-Dodd; Lowborn-Fawcett; Mordecai-Messink; Old Goodman-Hartry; Cantileno-a Gentleman; Ballad-Philips; John-Booth; Tawdry-Miss Platt; Traplass-Mrs Dorman; Country Madcap-Miss Radley.
Cast
Role: John Actor: Booth
Related Works
Related Work: Miss Lucy in Town Author(s): Henry Fielding
Event Comment: Benefit for Mrs Martyr. 3rd piece [1st time: F 2, by Edmund John Eyre. Text (Shrewsbury: P. Sandford, 1791) correctly assigns Prolix to Wilson. Prologue by John Wolcot (see text)]. Morning Chronicle, 29 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent Garden. Receipts: #318 4s. (153.3; 2.5; tickets: 162.16)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Midas

Performance Comment: The Principal Characters (positively for that night only) will be revers'd. Apollo-Mrs Martyr; Sileno-Davies; Damaetus-Rock; Pan-Cubitt; Jupiter-Williamson; Midas-Wilson; Daphne-Mr Munden; Mysis-Mr Johnstone; Nysa-Mr Blanchard.
Cast
Role: Mysis Actor: Mr Johnstone

Afterpiece Title: The Dreamer Awake or The Pugilist Matched

Performance Comment: Prolix-Bernard [recte Wilson]; Sir David Drowsy-Munden; Bob Sparwell-Bernard; Lexicon-Marshall; Ormond-Macready; John-Rock; Standfast-Blanchard; Lady Drowsy-Mrs Webb; Jenny-Miss Stuart; Emma-Miss Chapman; New Prologue-Bernard (see text).
Cast
Role: Sir David Drowsy Actor: Munden
Role: John Actor: Rock
Related Works
Related Work: The Dreamer Awake; or, The Pugilist Matched Author(s): Edmund John Eyre

Song: End I 1st piece: Say Bonny Lass: Highland Lad-Mrs Martyr, Highland Lassie- Mrs Mountain; End I 3rd piece: The Musical Courtship-Incledon, Mrs Martyr

Event Comment: By Desire. Mainpiece: Written by Shakespear

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: Sir John Cockle at Court

Cast
Role: Sir John Cockle Actor: Miller
Role: Sir Timothy Flash Actor: Beard

Dance: I: Saraband, Minuet-the Elder Miss Scott; II: Grand Ballet-Muilment, Mrs Walter

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Milward; Aboan-Quin; Blandford-Mills; Driver-Johnson; Daniel-Cibber; Imoinda-Mrs Giffard; Widow Lackit-Mrs Grace; Charlot-Mrs Pritchard; Stanmore-Winstone; Governor-Turbutt; Jack Stanmore-Ray; Hotman-Hill; Lucy-Miss Tollett.
Cast
Role: Driver Actor: Johnson
Related Works
Related Work: Oroonoko Author(s): John Hawkesworth

Afterpiece Title: Sir John Cockle at Court

Cast
Role: Sir John Cockle Actor: Miller
Role: Sir Timothy Flash Actor: Beard

Music: V: Preamble on the Kettle Drums-Master Ferg; with two new Minuets for Trumpets and other Instruments-

Dance: II: Polonese-Haughton, Mrs Walter; III: Flanderkins-Master Ferg, Miss Wright

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Sir Charles-Mills; Foppington-Macklin; Morelove-Wright; Lady Betty-Mrs Giffard; Lady Easy-Mrs Butler; Lady Graveairs-Mrs Roberts; Edging-Mrs Clive.
Cast
Role: Sir Charles Actor: Mills

Afterpiece Title: Sir John Cockle at Court

Cast
Role: Sir John Actor: Miller

Dance: I: A new Serious Dance-Muilment; II: Polonese-Haughton, Mrs Walter; III: Pastoral-Muilment; IV: La Pieraite-Livier, Mrs Thompson; V: Turkish Dance-Muilment

Event Comment: By Authority. By the Hurlothrumbo Company of Comedians. Mainpiece: An Operatical Comedy of Three Acts. Written by Lord Flame [Samuel Johnson of Chesire]. Afterpiece: a Farce of Two Acts. [Presumably by Johnson also.] Box 4s. Pit 2s. 6d. Gallery 1s. 6d. 7 p.m

Performances

Mainpiece Title: A Fool Made Wise

Afterpiece Title: Sir John Falstaff in Masquerade

Performances

Mainpiece Title: A Fool Made Wise

Afterpiece Title: Sir John Falstaff in Masquerade

Performances

Mainpiece Title: A Fool Made Wise

Afterpiece Title: Sir John Falstaff in Masquerade

Performances

Mainpiece Title: Pamela

Afterpiece Title: Sir John Cockle at Court

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow Or Sir Noisy Parrat

Performance Comment: Edition of 1693: The Prologue by Sir Charles Sydly-; Epilogue-Mrs Lassells.
Cast
Role: Sir Charles Sydly Actor:
Event Comment: Benefit Delane. Mainpiece: As written by Shakespear. Tickets deliver'd for Monday the 9th will be taken. Tickets to be had of Delane at his lodgings at the Unicorn in New Exchange Row in the Strand. Places of Hobson at the stage door. There is now in rehearsal at the Theatre Royal [dl] and speedily will be acted, a new Petit Piece in imitation of that species of writing on the French Theatre call'd The Suspicious Husband Criticiz'd; or the Plague of Envy (General Advertiser). [A Folger edition of 1750 entitled Chorus for Shakespear's Tragedy of King John lists songs by Sullivan, Mrs Lampe, Mrs Storer, and Mrs Mozeen; the play had no other performance at a London theatre in the interim between 1747 and 1750.

Performances

Mainpiece Title: King John

Performance Comment: King John-Delane; Bastard-Sparks; King of France-Giffard; Dauphin-Blakes; Pandulph-Macklin; Prince Arthur-Miss Macklin; Constance-Mrs Giffard; Hubert-Berry; Salisbury-Mills; Pembroke-Mozeen; Essex-Ray; Austria-Winstone; Prince Henry-Miss Cole; Chatillion-Bransby; Citizen of Angiers-Bridges; Faulconbridge-Simpson; English Herald-Usher; French Herald-Marr; Queen Elinor-Mrs Bennet; Blanche-Miss Minors; Lady Faulconbridge-Miss Pitt.
Cast
Role: King John Actor: Delane

Afterpiece Title: The Dragon of Wantley

Dance: As17470314

Event Comment: The Characters in the Mainpiece New Dress'd. Neville MS Diary: At 6, went into the Pit...House not very full. King John was performed with new Dresses and Decorations. Powell and Smith are good in York and the Bastard, and Mrs Bellamy in Constance....The entertainment was the procession of the Coronation, with the ceremony of the Champion. Every truly free soul, on seeing a representation of such extravagant pageantry, must abhor that form of Government, of the superfluous trappings of which it is but a small specimen. Receipts: #91s. (Account Book)

Performances

Mainpiece Title: King John

Performance Comment: King John-Powell; Pembroke-Davis; Prince Henry-Lewes; Essex-Gardner; Salisbury-Perry; Bastard-Smith; Faulconbridge-Weller; Austria-Morris; Hubert-Bensley, 1st time; King of France-Clarke; Dauphin-Dyer; Chatillon-Hull; Governor of Angiers-Wignell; Pandulph-Gibson; Queen Elinor-Mrs Vincent; Prince Arthur-Miss Ford; Lady Blanch-Mrs DuBellamy; Lady Faulconbridge-Mrs Ferguson; Constance-Mrs Bellamy.
Cast
Role: King John Actor: Powell

Afterpiece Title: The Coronation

Related Works
Related Work: The Relation of His Majesties Entertainment Passing Through the City of London, to His Coronation: With a Description of the Triumphal Arches, and Solemnity Author(s): John Ogilby
Related Work: Neptune's Address to His Most Sacred Majesty Charles the Seond: King of England, Scotland, rance and Ireland &c. Congratulating His Happy Coronation Celebrated the 22th Day of Aprill, 1661 Author(s): John Tatham
Event Comment: By Command of Their Majesties. [Kemble's 1st appearance as King John was at the Smock Alley Theatre, Dublin, 18 Apr. 1782; Mrs Siddons's 1st appearance as Constance was at Bath on, by coincidence, the same day.] Receipts: #300 9s. (289/8/0; 10/3/6; 0/5/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble (1st appearance in that character [in London]); Hubert-Bensley; Salisbury-Staunton; Pembroke-Williames; Essex-Chaplin; The Bastard-Smith; King Philip-Aickin; Dauphin-Barrymore; Prince Arthur-Miss Field; Pandulph-Packer; Chatilion-Farren; Austria-Wrighten; Citizen-Fawcett; Queen Elinor-Mrs Hopkins; Lady Blanch-Miss Palmer; Lady Faulconbridge-Mrs Hedges; Constance-Mrs Siddons (1st appearance in that character [in London]) .in London]) .
Cast
Role: King John Actor: Kemble

Afterpiece Title: The Deaf Lover

Cast
Role: John Actor: Burton
Event Comment: [In mainpiece "English Herald [omitted from playbill] Trueman; Cooke Ill." In afterpiece the playbill retains Aumer as Hephestion, but "Hephestion C. Kemble, Aumer at the Opera House. Miss Redhead, Miss Leak absent, Ill" (Powell).] Powell, 13 Mar.: King John rehearsed at 10; Edwy and Elgiva at 12; Jack of Newbury read at 2; 14 Mar.: Jack of Newbury rehearsed at 11. Receipts: #255 3s. (204.14.0; 48.8.6; 2.0.6)

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble; Prince Henry-Bland; Arthur-Master Welsh; Pembroke-Dignum; Essex-Caulfield; Salisbury-Whitfield; Hubert-Bensley; Fauconbridge-Palmer; R. Faulconbridge-Waldron; English Herald-Trueman; King Philip-Aickin; Lewis-Barrymore; Austria-Phillimore; Cardinal Pandulpho-Packer; Elinor-Mrs Hopkins; Constance-Mrs Siddons; Blanch-Miss Collins.
Cast
Role: King John Actor: Kemble

Afterpiece Title: Alexander the Great

Related Works
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: The Court of Alexander Author(s): John A. Fisher
Related Work: Alexander the Great Author(s): John Philip Kemble
Event Comment: At the particular Desire of several Persons of Quality and Distinction, and Eminent Merchants of the City of London

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The What Dye Call It

Performance Comment: Kitty-Miss Raftor; Dorcas-Mrs Roberts; Sir Roger-Cibber Jr; Sir Humphrey-Berry; Statute-Shepard; Filbert-Stoppelaer; Peascod-Oates; Nettle-Charke; Steward-Fielding; Constable-Wetherilt; Aunt-Mrs Wetherilt; Countrymen, Ghosts, Soldiers-Wright, Excell, Burnet, Gray, Wetherilt, Peploe.
Cast
Role: Sir Roger Actor: Cibber Jr
Role: Sir Humphrey Actor: Berry
Role: Steward Actor: Fielding
Related Works
Related Work: The What D'Ye Call It Author(s): John Gay

Music: TThe Cuckow-Charke, others

Song: Miss Raftor

Performances

Mainpiece Title: Wit Without Money

Related Works
Related Work: Wit Without Money Author(s): John Fletcher

Afterpiece Title: The What Dye Call It

Performance Comment: Kitty-Miss Raftor; Dorcas-Mrs Shireburn; Sir Roger-Cibber Jr; Humphrey-Berry; Statute-Shepard; Filbert-Stoppelaer; Peascod-Oates; Nettle-Charke; Steward-Fielding; Constable-Wetherilt; Aunt-Mrs Wetherilt.
Cast
Role: Sir Roger Actor: Cibber Jr
Role: Steward Actor: Fielding
Related Works
Related Work: The What D'Ye Call It Author(s): John Gay

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The What Dye Call It

Performance Comment: Kitty-Miss Raftor; Roger-Griffin; Sir Humphrey-Shepard; Statute-Berry; Thomas-Stoppelaer; Jonas-Oates; Peter-Charke; Steward-Fielding; Dorcas-Mrs Mullart; Joyce-Miss Brett; Aunt-Miss Shireburn.
Cast
Role: Sir Humphrey Actor: Shepard
Role: Steward Actor: Fielding
Related Works
Related Work: The What D'Ye Call It Author(s): John Gay

Dance: DDutchwoman-Miss Robinson; English Maggot-Houghton, Mrs Walter

Event Comment: At the particular Desire of several Persons of Quality. [The Prologue is printed in Daily Journal, 12 Aug.

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: Torrismond-Fielding; Colonel-Clarke; Fryar-Giffard; Gomez-Reynolds; Bertran-Williams; Raymond-Pearce; Alphonso-Withers; Elvira-Mrs Jell; Teresa-Mrs Man; Queen-Mrs Buchanan; With a New Prologue address'd to the Town-Mrs Killbee.
Cast
Role: Torrismond Actor: Fielding
Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden

Song: Mrs Hill; End I: Si Caro Si-; II: Deppo Lombre-; III: Dialogue between Macheath and Polly-; IV: Alla Fama-

Performances

Mainpiece Title: King Henry The Ivth Part Ii

Afterpiece Title: The Strolers

Performance Comment: Buskin-Cibber Jr; Betty Kimbow-Harper; Carbine-Bridgwater; Spangle-Corey; Truncheon-Fielding; Jeremy-Oates; Fidelia-Mrs Shireburn; Mrs Buskin-Mrs Willis; Justice Bindover-Griffin; Macahone-Miller.
Cast
Role: Truncheon Actor: Fielding
Related Works
Related Work: The Strolers Author(s): John Breval
Related Work: The Play is the Plot Author(s): John Breval

Dance: Miss Brett; Gondolier and Courtezan-Master Lally, Miss Brett

Event Comment: Benefit Watson, Fielding

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17311106, but Sir Charles-Fielding.
Cast
Role: Sir Charles Actor: Fielding.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Dance: TTambourine-Miss Robinson; The Masques-Essex, Thurmond, Houghton, Tench, Mrs Walter, Miss Williams, Miss D'Lorme; Myrtillo-Mrs Booth, Lally

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: As17330102, but Duke-Fielding; Juan-Oates; Sanchio-Ridout; Alonzo-Mullart; Altea-Mrs Grace; Clara-Mrs Butler.
Cast
Role: Duke Actor: Fielding
Related Works
Related Work: Rule a Wife and Have a Wife Author(s): John Fletcher

Afterpiece Title: The Judgment of Paris

Related Works
Related Work: The Judgment of Paris; or, The Triumph of Beauty Author(s): John Weaver
Event Comment: Benefit for Mrs Abegg, Miss Fielding, Miss Lee. Tickets deliver'd out by Dumai, Dufour, Jarvis, Mrs Crawford, Hitchcock, Miss Brooks, and Miss Davis will be taken. [For tickets see below.] Paid Mr Day for fireworks used in the Rape from 1 March 1759 to 4 April 1761, 56 nights at 3s. per night #8 8s. (Account Book). @Name Box Pit Gallery Value 1!2 Value@Jarvis 11 72 54 #18 19s. #9 9s. 6d.@Dumay 7 40 16 #16 9s. 7d. #4 13s. 6d.@Dufour 14 37 17 #10 15s. #5 7s. 6d.@Mrs Abegg 51 206 77 #51 7s. #25 13s. 6d.@Miss Lee 6 59 67 #17 1s. #8 10s. 6d.@Miss Fielding 41 2 5 #11 1s. #5 10s. 6d.@Miss Brooks 4 34 16 #7 14s. #3 17s.@Mrs Crawford 14 17 28 #8 17s. #4 8s. 6d.@Miss Davis 32 30 33 #15 16s. #7 15s.@Mrs Hitchcock 40 71 18 #22 9s. Gratis@Total 220 568 331 #173 6s. #75 8s. 6d.@ Receipts: #30 18s. plus #75 8s. 6d. the half value of tickets (Account Book)

Performances

Mainpiece Title: The Spanish Fryar

Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden

Afterpiece Title: The Chaplet

Dance: HHornpipe-Mrs Crawford; The Waggoners, as17610228

Event Comment: Receipts: #20 16s. 6d. Weekly Journal or Saturday's Post, 4 Feb.: Last Wednesday Night Mr Berkly, Cornwallis, Fielding, and another, being at...Lincolns-Inn Fields...they made a Disturbance there, with an intent (as 'tis said) to take off one of the Actresses; but being disarm'd, and committed to the Roundhouse, they are under Prosecution for a Riot

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Dance: Dupre, Newhouse, Cook, Sandham

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: Thomasand Sally