SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir James Edwards"/1) | (@(roleclean,performerclean) "Sir James Edwards")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7090 matches on Performance Comments, 4613 matches on Author, 1437 matches on Event Comments, 555 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Fifth Performance of the Mainpiece. The Music by Mr Linley of Bath. Afterpiece: By Particular Desire. Paid James Abbott for Flowers etc. for the Garland Dance #5 11d. and paid Mrs Winter for flowers etc. for the same #2 13s. 4d. (Account Book). [See 14 Dec.] Receipts: #211 2s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Oxonian in Town

Dance: End of Opera: The Dutch Milkmaid, as17671114

Event Comment: Being desir'd by many Persons of Quality, for ONE NIGHT ONLY, and By Permission of the Noblemen and Gentlemen of the Catch-Club, at the Thatch'd House in St Jame's St., will be perform'd the Favourite Catches and Glees which were exhibited Last Summer at Ranelagh-House, With TWO DESIR'D ALTERATIONS. After the 2nd Act, a Concerto on the Violin, by Barthelemon. A Considerable number of the Best Vocal and Instrumental Performers are engag'd on this occasion. Books for the Performance to be had at the theatre. Great care will be taken to keep the Theatre Cool. Ladies and Gentlemen send servants before the opening of the doors, which will be at Half-past 4. No persons can possibly be admitted behind the scenes. To Begin at exactly Seven o'clock. Tickets to be had and places to be taken (ONLY) of Mr Johnston at the stage Door (playbill)

Performances

Mainpiece Title: Catches And Glees

Event Comment: Mainpiece: Not acted in two years.[See 27 April 1768.] Afterpiece: Altered from Richard Brome's Jovial Crew by James Love. [Dance.

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Ladies' Frolick

Dance: End: A Comic Dance-two children, scholars of Daigville

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Afterpiece Title: The Intriguing Chambermaid

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Cast
Role: Sir Callaghan Actor: Shuter
Role: Sir Archy Actor: Macklin.

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: Sunday 30 Jan-Saturday last died James Love, Comedian, Master of Edinburg Theatre, late of Drury Lane. Was educated at Westminster School and went from there to Cambridge (Winston MS 10). Rec'd stopages #19 19s. 6d.; Paid salary list #529 2s.; Mr King's extra salary #3. Receipts: #183 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Genii

Event Comment: Benefit for Macklin. Public Advertiser, 8 Mar.: Tickets to be had of Macklin, James-street, Covent Garden. Receipts: #273 16s. (charge: #64 10s.). [Of this amount #177 17s. was "Money," i.e. tickets sold at the door. The remainder, #95 19s., was "Tickets," disposed of by Macklin: 305 in the boxes, 104 in the pit, 41 in the gallery.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End III: Pastoral Dance, as17761123; End IV: Mirth and Jollity, as17761015

Event Comment: Boxes 10s. 6d. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorio to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The Account-Book notes that the director of the oratorios this season was James Hook.

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Sacred Canons

Music: End Part I: concerto on the German flute-Florio; End of Part III: concerto on the piano forte-Miss Weichsel; concerto on the hautboy-LeBrun; concerto on the violin-Master Weichsel

Event Comment: Benefit for Dimond. Tickets to be had of Dimond, No. 3, Upper James-street, Golden-square

Performances

Mainpiece Title: The Jealous Wife

Cast
Role: Sir Harry Beagle Actor: Palmer

Afterpiece Title: Tony Lumpkin in Town

Dance: As17790618

Entertainment: Monologue End: Bucks have at ye all-Master Hitchcock

Event Comment: Afterpiece [1st time; MF 1, by James Cobb; music by Samuel Arnold. Larpent MS 530; not published]: Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Wedding Night

Related Works
Related Work: The Wedding Night Author(s): James Cobb
Event Comment: [3rd piece 1st acted at dl, 5 Apr. 1779, as The Contract; or, The Female Captain. Prologue by James Cobb (Public Advertiser, 19 Sept. 1780).] Tickets delivered by Kenny and Painter will be admitted

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Fryar

Afterpiece Title: The Female Captain

Related Works
Related Work: The Contract; or, The Female Captain Author(s): James Cobb
Event Comment: [MS annotation on playbill in Harvard Theatre Collection: "Mrs Cargill run away this day with Colman Jun. James? Winston?." And see 11 Sept.

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Taylors

Performance Comment: Francisco (with an occasional Prologue in the character of Harlequin)-Pressley; Abrahamides-Cross; the other Characters by Marks, Bailey, Singer, Thomas, Sparrows, Middleton, Stephens, Jones, Browne, Goodman, James, Barnet, Newton, Hunt, Jackson, Hurst, Bulls, Crowther; Tailors' Ladies-Mrs Burden, Miss Nash, Miss Jameson, Miss Hemet .

Dance: End of mainpiece a Hornpipe (over 12 eggs blindfold) by Middleton

Song: End of Act III of mainpiece a favourite song by Mrs Coxe; End of Act IV a favourite song by Miss Hemet

Monologue: 1782 11 25 After the Hornpipe John Bull, Half Seas Over (a new Scene) by Ryder

Event Comment: Mainpiece: Not acted these 6 years [acted 18 Sept. 1778. Miss Scrase (see 19 Sept.) had become Mrs James Bates on 23 Sept.]. Receipts: #195 13s. 6d. (193/3/6; 2/10/0)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Afterpiece Title: The Flitch of Bacon

Dance: End of mainpiece Damon and Musidora by Harris and Miss Besford

Event Comment: Afterpiece [1st time in London; F 2, by John Philip Kemble, 1st acted at Manchester, 25 Mar. 1778, as The Female Officer. MS: Larpent 723; not published; synopsis of plot in Public Advertiser, 20 Feb. Prologue by James Cobb (European Magazine, Feb. 1786, p. 129)]. Receipts: #222 8s. 6d. (192/0/0; 29/6/0; 0/7/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Projects

Dance: End of Act I of mainpiece The Lucky Return, as17860105

Song: In Act V of mainpiece a song by Mrs Forster

Event Comment: [Cambray was the stage name of James Fennell; he was from the Edinburgh theatre (and see 16 Oct. 1789). Ryder's 1st appearance as Iago was at the Smock Alley Theatre, Dublin, 14 Jan. 1767.] "Ryder wore his villainy on his sleeve, and evinced nothing of the insidiousness ordinarily expressed by other representatives of the part" (Public Advertiser, 13 Oct.). Receipts: #196 7s. (195.16; 0.11)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Romp

Event Comment: By Command of Their Majesties. The Heiress [advertised on playbill of 31 Jan.] is deferred till Monday next. [Afterpiece in place of Selima and Azor, advertised on playbill of 31 Jan. Prologue by James Cobb.] Receipts: #238 6s. 6d. (219.17.0; 18.7.0; 0.2.6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Humourist

Cast
Role: Sir Anthony Halfwit Actor: Suett
Related Works
Related Work: The Humourist; or, Who's Who? Author(s): James Cobb

Dance: End III: As17870920; End IV: a Scotch dance, The Lucky Return-Mills, Miss Blanchet, Miss J. Stageldoir

Event Comment: Benefit for Marchesi. A new Serious Opera [composed by Cimarosa; 1st performed at Vicenza, 1784]. Under the direction of Mazzinghi. Tickets to be had of Marchesi, No. 37, Upper James-street, Golden-square. There will be no Opera on Saturday on account of Whitsun Eve. Receipts not listed

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Les Offrandes a l'Amour, as17880417; End Singing: L'Amour et Psiche-[see17880129]

Song: End Opera: Marchesi will return thanks to the Audience in a piece of Music of his own composing, piece of Music-Marchesi

Event Comment: Benefit for Kelly. Afterpiece [1st time, MF 2, by Prince Hoare]: The Music chiefly composed by Storace; the Rest selected from Pleyel, Harington, Giordani, Gluck, &c. [text adds Gretry]. Account-Book, 16 Dec. 1790: Paid P. Hoare for the Copyright of No Song No Supper #63. Gazetteer, 2 Apr.: Tickets to be had of Kelly, No. 27, James-street, Covent-garden. Receipts: #273 5s. (125.19; 38.18, 2.2; tickets: 106.6) (charge: #109 19s. 4d.)

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Lucy Actor: Mrs Edwards

Afterpiece Title: No Song No Supper

Dance: III: Hornpipe-Bourk

Event Comment: Benefit for Whitfield. Afterpiece [1st time; F 2] Translated from the French [La Nuit aux Aventures; on, Les Deux Morts Vivants, by Antoine Jean Bourlin, dit Dumaniant] by Mrs Inchbald, the Author of I'll Tell You What, Such Things Are, A Simple Story, &c. [Larpent MS 900; not published. In 1797 altered by J. C. Cross as An Escape into Prison. "In January 1788 Mrs Inchbald was translating an unnamed French play, acted three years later as The Hue and Cry" (James Boaden, Memoirs of Mrs Inchbald, 1833, I, 255-56). "Mrs Inchbald is now adapting La Nuit aux Aventures, by Dumaniant" (World, 26 Jan. 1788). In the text of Dumaniant's play the dramatis personae is the same as that in the Larpent MS. Author of Prologue unknown.] Morning Chronicle, 30 Apr.: Tickets to be had of Whitfield, No. 19, Great Piazza, Covent-Garden. Receipts: #263 13s. (68.19.0; 31.7.6; 3.13.6; tickets: 159.13.0) (charge: #116 4s. 4d.)

Performances

Mainpiece Title: Love For Love

Cast
Role: Sir Sampson Legend Actor: Moody

Afterpiece Title: The Hue and Cry

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Event Comment: "The Pageant had some additional embellishments. The horses had complete dresses in the style of chivalry. The unhorsing of St. James was dexterously performed. He fell so as to give the impression of reality to every heart. The rearing and plunging of the black horse was admirable. He is the best disciplined animal we ever saw" (Morning Chronicle, 3 Jan.). Account-Book: Paid Barratt, Wax Chandler #178 2s. 3d. Receipts: #401 9s. (362.8; 38.14; 0.7)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Humourist

Cast
Role: Sir Anthony Halfwit Actor: Suett
Related Works
Related Work: The Humourist; or, Who's Who? Author(s): James Cobb
Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Larpent MS 961; not published; synopsis of plot in Universal Magazine, Nov. 1792, p. 393]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Music composed principally by Storace, with a few Pieces selected from Anfossi, Bianchi and [La Bella Pescatrice, by] Guglielmi. Books of the Songs to be had at the Theatre. The Doors to be opened at 5:15. To begin at 6:15 [see 15 Apr. 1793]. "The dialogue of operas now a days is thought of little consequence, and in this instance, the author has certainly strictly adhered to that opinion; however, by the aid of Painter, Composer, Taylor and Performers [The Pirates] will certainly long continue to attract admiration" (Thespian Magazine, Jan. 1793, p. 169). Receipts: #359 10s. 6d. (336.6.6; 23.0.0; 0.4.0)

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: Katharine and Petruchio

Dance: The Dances (composed by D'Egville)-Hamoir, D'Egville, Master D'Egville, Miss Prevot, Miss Menage, Miss Phillips, the Miss D'Egvilles. [These were danced, as here assigned, in all subsequent performances until 8 Apr. 1793.

Related Works
Related Work: Alexander the Great; or, The Conquest of Persia Author(s): James D'Egville
Event Comment: The Proprietor of this Theatre having informed us that a report has been recently circulated, highly injurious to this Building; we, in consequence of his request, beg leave to asure the Public that such report is unfounded. John Johnson, Mary-le-bone; James Paine, Northend, Hammersmith; Thomas Hardwicke, Rathbone Place; Robert Brettingham, Berkley-Square. Architects

Performances

Mainpiece Title: I Giuochi D'agrigento

Dance: As17930216

Event Comment: Benefit for Mrs Twistleton. Mainpiece: Masquerade as 7 Oct. 1793. Morning Chronicle, 9 Apr.: Tickets to be had of Mrs Twistleton, No. 2, James-street, Adelphi. Receipts: #262 10s. 6d. (167/13/0; 4/7/0; tickets: 90/10/6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: PATRICK IN PRUSSIA [i

Dance: As17931022

Song: As17931007, but added: Townsend, Richardson//Miss Hopkins, Miss Kirton; omitted: Williamson, Gray, Mrs Watts, Mrs Davenett, Mrs Masters

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James Arnold