SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir George Hewitt"/1) | (@(roleclean,performerclean) "Sir George Hewitt")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6351 matches on Performance Comments, 5415 matches on Author, 1417 matches on Event Comments, 636 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Sir Harry Wildair

Related Works
Related Work: Sir Harry Wildair: Being the Sequel of the Trip to the Jubilee Author(s): George Farquhar

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Dance: As17181024

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Dance: As17181024

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Dance: As17181024

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Dance: As17181024

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Afterpiece Title: Amadis

Dance: Dupre, Mrs Bullock

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Afterpiece Title: Amadis

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Afterpiece Title: The Hypochondriac

Dance:

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Afterpiece Title: Hob's Wedding

Dance:

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Performances

Mainpiece Title: Sir Walter Raleigh

Related Works
Related Work: The Tragedy of Sir Walter Raleigh Author(s): George Sewell

Afterpiece Title: The Rape of Proserpine

Event Comment: Mainpiece: Not Acted these Thirty Years. All the Characters New Dress'd. Afterpiece: A New Dramatick Pantomime Entertainment. With New Cloaths, Scenes, Machines, and other Decorations. An Exact Representation of the Hermitage, as in the Royal Garden at Richmond. And Entire New Musick, compos'd by Mr Jones. [Author not known. Apparently not published.] Daily Advertiser, 2 Feb.: When one of the Changes [on 1 Feb.] by Chance miscarried, a second Attempt was generally desir'd, which, when executed, was so pleasing, a general Clap continu'd for more than the Space of a Minute

Performances

Mainpiece Title: Sir Harry Wildair

Related Works
Related Work: Sir Harry Wildair: Being the Sequel of the Trip to the Jubilee Author(s): George Farquhar

Afterpiece Title: Hymen's Triumph; or, Trick Upon Trick

Performances

Mainpiece Title: Sir Harry Wildair

Related Works
Related Work: Sir Harry Wildair: Being the Sequel of the Trip to the Jubilee Author(s): George Farquhar

Afterpiece Title: Hymen's Triumph

Performances

Mainpiece Title: Sir Harry Wildair

Related Works
Related Work: Sir Harry Wildair: Being the Sequel of the Trip to the Jubilee Author(s): George Farquhar

Afterpiece Title: Hymen's Triumph

Performances

Mainpiece Title: Sir Harry Wildair

Related Works
Related Work: Sir Harry Wildair: Being the Sequel of the Trip to the Jubilee Author(s): George Farquhar

Afterpiece Title: Hymen's Triumph

Event Comment: Mainpiece [1st time; MD 3, by George Colman ynger]: With new Musick, Scenery, Dresses, and Decorations. The Musick with a new Overture by Dr Arnold. The Scenery by Rooker. Books of the Songs, Chorusses, &c., to be had at the Theatre

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Performance Comment: Principal Characters-Edwin, Bannister, Aickin, Williamson, Baddeley, R. Palmer, Davies, Moss, Iliff, Gardner, Barrett, Burton, Chapman, Usher, Johnson, Milbourn, Painter, Ledger, Bannister Jun., Mrs Goodall, Mrs Kemble; Other Vocal Parts-Reeve, Chambers, Lyons, Abbott, Hobler, Mathews, Guishard, Vincent, Aylmer, Shaw, Linton, Dorion, Miss George, Mrs Iliff, Mrs Taylor, Mrs Plomer, Mrs Edwards, Miss Francis, Mrs Powell, Mrs Gaudry, Miss Cranford, Mrs Bannister. [Cast from text (Longman et al], 1808), and playbill of 15 June 1790: Gregory Gubbins-Edwin; +Robbers-Bannister, Davies, Chapman, Rees, Mathews, Chambers, Lyons, Abbott; +Barton-Aickin; +La Varenne-Williamson; +Corporal-Baddeley; +Fool-R. Palmer; +Drummer-Moss; +Nobleman-Iliff; +Marquis of Montague-Gardner; +Fifer-Barrett; +Male Villagers-Burton, Painter; +Soldiers-Usher, Milbourn, Ledger; +Duke of Somerset-Johnson; +Gondibert-Bannister Jun.; +Prince of Wales-Miss Gaudry [see17890813]; +Adeline-Mrs Goodall; +Margaret-Mrs Kemble; +Female Singing Villagers-Mrs Iliff, Mrs Bannister.
Related Works
Related Work: The Battle of Hexham; or, Days of Old Author(s): George Colman, the younger

Afterpiece Title: A Quarter of an Hour before Dinner

Event Comment: The United Company. This play was in rehearsal before the death of Charles II-see 6 Feb. 1684@5-and was staged shortly after the playhouse reopened. Luttrell's date of acquisition of the separately-printed Prologue and Epilogue is 9 May 1685 (in possession of Pickering and Chatto, Ltd., 1938), and the play may have been first given on that date or during the week preceding Saturday 9 May 1685. For Cibber's account of Mountfort as Sir Courtly, see Cibber, Apology, ed. Lowe, I, 129. The separately-printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 228-30. A separately-printed Three New Songs in Sir Courtley Nice (1685) contains three songs, with the music by Samuel Ackroyde and an unknown composer. In addition, two songs, As I grazed unaware and O be kind my dear be kind, both composed by R. King, are in The Theater of Music, Second Book, 1685. Downes (Roscius Anglicanus, pp. 40-41): The first new Comedy after King James came to the Crown, was Sir Courtly Nice, wrote by Mr Crown:...The Comedy being justly Acted, and the Characters in't new, Crown'd it with a general Applause: Sir Courtly was so nicely Perform'd, that not any succeeding, but Mr Cyber has Equall'd him. Note, Mr Griffin so Excell'd in Surly, Sir Edward Belfond, The Plain Dealer, none succeeding in the 2 former have Equall'd him, except his Predecessor Mr Hart in the latter. The Lover's Session; In Imitation of Sir John Suckling's Session of Poets (in Poems on Affairs of State, II [1703], 162): @Montrath was in Foppery conceiv'd another@Of Whitehall true Breed, Sir Nices Twin Brother:@None could tell, so alike all their Follies did seem,@Whether he acted Mumford, or Mumford him.

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Performance Comment: Edition of 1685: Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 40): Sir Courtly-Mountfort; Hothead-Underhill; Testimony-Gillo; Lord Beaugard-Kynaston; Surly-Griffin; Sir NicholasCallico-Anthony Leigh; Leonora-Mrs Barry.
Event Comment: The United Company. The date of the first performance is not known, and the play is one of a large group commonly assigned to September-December 1690. As the Prologue implies an autumn production, it has been placed at late September, although the premiere may have been October. It was advertised in the London Gazette, 18-22 Dec. 1690, and entered in the Term Catalogues, Feb. 1690@1. The music was composed by Henry Purcell. See Purcell, Works, Purcell Society, XXI (Dramatic Music, III, 1917), xii-xiv. Dedication: So visibly promoting my Interest on those days chiefly (the Third and the Sixth) when I had the tenderest relation to the welfare of my Play [i.e. Southerne had two benefits]. Langbaine (English Dramatick Poets, 1691, Appendix): This Play was acted with extraordinary Applause, the Part of Sir Anthony Love being most Masterly play'd by Mr Montfort: and certainly, who ever reads it, will find it fraught with true Wit and Humour. Gentleman's Journal, January 1691@2: [The Wives' Excuse, newly performed] was written by Mr Southern, who made that call'd Sir Anthony Love, which you and all the Town have lik'd so well

Performances

Mainpiece Title: Sir Anthony Love; Or, The Rambling Lady

Performance Comment: Edition of 1691: Sir Anthony Love-Mrs Mountford; Valentine-Mountford; Ilford-Williams; Sir Gentle Golding-Bowen; An Abbe-Antho. Leigh; Count Canaile-Hodgson; Count Verole-Sandford; Palmer-Powel Jr; Waitwell-Bright; Traffique-Kirkham; Cortaut-Mich. Lee; Servant to Sir Gentle-Cibber; Servant to Ilford-Tho. Kent; Floriante-Mrs Butler; Charlote-Mrs Bracegirdle; Volante-Mrs Knight; Prologue-Mrs Bracegirdle; Epilogue-Mrs Butler.
Event Comment: Mainpiece [1st time, i.e. as an alteration of Richard Savage's play; T 5, by William Woodfall. Prologue by Richard Brinsley Sheridan. Epilogue by Richard Cumberland (see text)]: with New Scenes and Dresses. Public Advertiser, 13 Feb. 1777: Sir Thomas Overbury (the Publication of which was unavoidably postponed) will be ready this Morning, at Ten o'Clock (1s. 6d.). Receipts: #212 4s. 6d. (210.7.6; 1.17.0)

Performances

Mainpiece Title: Sir Thomas Overbury

Performance Comment: Principal Characters by Lewis, Wroughton. Hull, Whitefield, Thompson, Mrs Jackson, Miss Leeson, Mrs Hartley. [Cast from text (Francis Newbery, 1777): Sir ThomasOverbury-Lewis; Earl of Somerset-Wroughton; Earl of Northampton-Hull; Sir Gervas Elvis-Whitfield; Officer-Thompson; Servant-Stevens; Countess of Somerset-Mrs Jackson; Cleora-Miss Leeson; Isabella-Mrs Hartley; Prologue-Hull; Epilogue-Mrs Hartley. [These were spoken. as here assigned, at the first 9 performances only (see17770503).]These were spoken. as here assigned, at the first 9 performances only (see17770503).]
Cast
Role: Sir ThomasOverbury Actor: Lewis
Role: Sir Gervas Elvis Actor: Whitfield

Afterpiece Title: High Life below Stairs

Cast
Role: Sir Harry's Servant Actor: Booth

Dance: As17761015

Event Comment: The King's Company. The date of the first performance is not known, but its listing in the Term Catalogues, November 1681, suggests late October as a likely latest date for its premiere. If Mithridates was acted in mid-October at the opening of Drury Lane, Sir Barnaby Whigg may well be the first new play offered by the King's Company in the autumn. A Song in Act I, Blow Boreas Blow, with music apparently by Henry Purcell, is in A Third Collection of New Songs...Words by Mr D'Urfey, 1685, and in Dramatic Works of Henry Purcell, Purcell Society, III (1917), xiv-xv

Performances

Mainpiece Title: Sir Barnaby Whigg; Or, No Wit Like A Womans

Performance Comment: Edition of 1681: Prologue-; Wilding-Clark; Townly-Goodman; Sir Wal. Wiseacre-Jermaine; Capt. Porpuss-Griffin; Sir Barn. Whigg-Powell; Benedick-Perin; Swift-Cosh; Gratiana-Mrs Corbet; Livia-Mrs Cook; Millicent-Mrs Moyle; Winifred-Mrs Percival; Epilogue-a New Actress.