*p1775 01 28 cg The Rivals. (With Alterations.) ^As17750117^, but Sir Lucius-Clinch instead of $Lee=.*a1775 01 28 cg Thom^as^and Sally. ^As17740919^.*d1775 01 28 cg End <i>Epilogue</i>: <i>The Frolick</i>, ^as17741214^.*c1775 01 28 cg [Advertised as performed but once, but see 18 Jan. $Sheridan= in Preface to Edition of 1775 (2nd) refers to withdrawing the piece to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of hasty correction." He blames his inexperience and want of judgment in theatrical effects, the extreme length of the play act by act, and haste in writing. From the <i>Westminster Magazine</i> Feb., which outlined the plot in five columns: The present state of the Rivals is widely different from that in which we found it on the first night's representation. <i>Sir Lucius O'Trigger</i>r being re-touched, has now the appearance of a character; and his assigning <i>Beverley</i>r's reflection on his country as the grounds for his desire to quarrel with him, is a reasonable pretence, and wipes off the former stigma undeservedly thrown on the sister Kingdom. An alteration of a principal incident gave a very favorable turn to the fable and the whole piece: that where young <i>Acres</i>r now delivers his challenge to his friend <i>Absolute</i>r, begging him to carry it to his Rival Beverly, not knowing the two characters composed but one man; its being at first given to Sir Lucius, the person who indited it, was highly inconsistent...we should be induced from many evident traits of literary genius to pronounce the <i>Rivals</i> a good comedy."]