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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Sirmen"/1) | (@(roleclean,performerclean) "Signora Sirmen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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599 results for: Keyword - Signora Sirmen
We found 318 matches on Performance Comments, 203 matches on Performance Title, 126 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1
23 March 1772 @ Haymarket Theatre

Event Comment: Benefit for Signora Sirmen

Performances

Mainpiece Title: A Concert

Music: Concerto on Oboe-Fischer; Concerto on Violincello-Cirri; Concerto on French Horn-Ponta; Concerto on German Flute-Tacet; Solo-Sga Sirmen

2
21 August 1758 @ Mary-le-Bone Gardens

Event Comment: Benefit for Signora Seratina and Reinhold. Tickets 3s. 6d

Performances

Mainpiece Title: La Serva Padrona

Song: Signora Seratina, Miss Granville, Reinhold, Kear

Music: Solo concerto on hautboy-Pirkins; Organ Concerto-Reinhold; Violin solo-Soderini

3
11 March 1772 @ Covent Garden

Event Comment: Oratorio By Particular Desire. Charges: #35 (Account Book). Theatrical Review: His [Duport's] execution is truly masterly, his tone very brilliant, and his taste pleasingly delicate and chaste. What he performs on this instrument is wonderful, when the genius of it is considered. As this celebrated Lady [Sga Sirmen] has been in England some time, her abilities are pretty generally known. Her tone and style of playing is very pleasing, and her execution truly chaste, without any of those unnecessary and extravagant liberties, which the generality of solo players on the Violin too frequently give in to

Performances

Mainpiece Title: Judas Macchabeus

Music: End Part I: Solo on Violincello-Mr Duport; End Part II: Concerto on Violin, as17720306-Sga Sirmen

4
09 February 1741 @ Drury Lane Theatre

Event Comment: Benefit Signora Fausan. Tickets at her Lodgings, Mr Cheek's Apothecary, Bow Street

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Devil to Pay

Dance: LLes Sabotiers-Fausan, Signora Fausan; Les Egyptiens (new)-Fausan, Signora Fausan, Muilment; L'Hydropique Amoreux (new)-Fausan, Signora Fausan

5
14 February 1741 @ Covent Garden

Event Comment: By His Majesty's Command. Benefit Signora Barberini. Written by the late Mr Farquhar. The Stage will be formed into Boxes. Receipts: money #174 6s.; seals #65 15s. (Account Book); #270 (Rylands MS.)

Performances

Mainpiece Title: The Recruiting Officer

Dance: A new Tambourine-Desnoyer, Signora Barberini; Les Savoyards (new)-Villeneuve, Signora Barberini; By particular Desire, Louvre, Minuet-Denoyer, Signora Barberini; Glover

6
30 March 1756 @ King's Theatre

Event Comment: Benefit for Signora Banti

Performances

Mainpiece Title: Ricimero

Dance: End I: New Dance-Signora Banti, Lucas (first time of appearing on this Stage); II: Dancing-Signora Banti, Poitier Jun; III: Minuet-Signora Banti, Bugiani

7
25 April 1713 @ Queen's Theatre

Event Comment: Benefit Signora Margaretta. [She received #76 5s. 8d. See Deutsch, p. 58.

Performances

Mainpiece Title: Dorinda (acts I And Ii)

Music: An Entertainment of the choicest Songs out of several Operas-; Also a Piece (never perform'd before)-Signior Cavaliero Valeriano; The Songs out of the Opera will be as follows Convezzo luinghiero, Pria che la doglia-Signora Pilotti; Del fallo ful camin, Ti stringo o miodiletto-Signor Valentini; E vano ognipensiero, To Beauty devoted, Love wou'd invade me-Signora Margaretta; Di se senti, Nume Alata-Mrs Barbier; Solo pieta vi chiedo-; Di luci adourno-Mrs Manina; concluding with the Chorus of Clotilda-; a new piece-Signior Cavaliero Valeriano

8
29 April 1714 @ Hickford's Room

Event Comment: Benefit Signora Stradiotti, who has never yet perform'd in Publick since her Arrival here in England. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; With several extraordinary new Songs-Signora Stradiotti; End Consort: she will perform alone a Solo for the Harpsichord-Signora Stradiotti

9
27 March 1760 @ Haymarket Theatre

Event Comment: Benefit for Signora Provenzale. Pit and boxes together at Half a Guinea. Gallery 5s. The Music by Jomelli. N.B. As Miss Asolin cannot dance this day having sprained her ankle, Mr Gallini will be so humane as to perform with Miss Provenzale that she may not be disappointed of her benefit

Performances

Mainpiece Title: L'isola Disabitata; Or, The Desert Island

Performance Comment: Vocal Parts-Signora Angiola Calori, Signora Cassandra Frederick, Fernando Tenducci, Gaetano Quilici.
Cast
Role: Vocal Parts Actor: Signora Angiola Calori, Signora Cassandra Frederick, Fernando Tenducci, Gaetano Quilici.

Dance: New Grand Dances-Signora Provenzale, Signora Asselin, who will dance in men's clothes

Music: Concerto on the Violin-Sg Candoni

10
02 April 1705 @ York Buildings

Event Comment: Benefit Signora Celotti. At the Desire of several Persons of Quality. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; the vocal part-Signora Juliana Celotti; the instrumental part-twenty of the most eminent masters in London

11
25 March 1713 @ Hickford's Room

Event Comment: Benefit Signora Lodi and Corbett. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; with the Echo Flute-Paisible; accompanied on the Harpsichord-Babel Jr; Vocal music-Signora Lodi

12
27 March 1718 @ York Buildings

Event Comment: Benefit Signora Mons. At 7 p.m. By Subscription

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; The Vocal-Signora Mons

13
29 April 1720 @ King's Theatre

Event Comment: At the Desire of several Persons of Quality. Written by the famous Molliere. Daily Courant, 2 May: Monsieur deGrimbergue, Director of the French Comedians, hereby gives Notice, that he is extreamly sorry he could not give on Friday last all the Entertainment he had promised in his Publick Bills, by reason that Signora Violenta unluckily fell sick that very day; and Mons Dangeville refused to Dance, being puft up by the Applause he had the good Fortune to meet with; fancying he hath a Right to do so whenever he pleases

Performances

Mainpiece Title: Le Bourgeois Gentilhomme

Entertainment: The Great Turkish Ceremony-; Dancing-Danjeville; Tumbling-; particularly a lame tumbler (who never performed before in England); The Flourishing of the Colors-Signora Violenta

14
05 July 1721 @ King's Theatre

Event Comment: Benefit Signora Durastanti. At 7 p.m. Admission as 14 June

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; Particularly, Two new Cantatas by Mr Hendel and Sig Sandoni-; Four Songs, Six Duettos by the famous Signor Stefan-Signora Durastanti, Signor Senesino

15
16 March 1727 @ King's Theatre

Event Comment: [Benefit +Harlequin and Signora Constantini. By His Majesty's Command

Performances

Mainpiece Title: il Proteo Novello: Viz, The New Proteus

Entertainment: The Comical Scene of the Stuttering Master of Musick-Brighella

Dance: End I: +Hornpipe-Cornet, Mrs Anderson; II: Peasant's Dance-Welman, Mrs Anderson; III: The Character of Signora Cattina Venetiana-; IV: Niais and Niaise-; Foolish Man and Woman-; V: Twelve Grotesque Character, viz. Punchanello, Dame Ragonde, Pierrots, Harlequins, Scaramouches, Peasants, Mad Men and Women-

16
18 June 1757 @ King's Theatre

Event Comment: Benefit for the Marine Society, the whole Profits of which are generously given by Signora Mingotti and deGiardini, towards clothing men and boys at Sea

Performances

Mainpiece Title: Rosmira

Song: New song-Signora Mingotti

17
26 July 1759 @ Mary-le-Bone Gardens

Event Comment: Benefit Signora Saratina. A new tragicomical Burletta, Musick composed by Pergolesi. Scenes and Cloaths entirely new. Tickets at Mr Oswald's Music Shop. 2s. 6d

Performances

Mainpiece Title: La Strattaggemma; Or, The Stratagem

Song: Before the Burletta: Singing-; several songs, a duetto-Signora Saratina, Reinhold

18
10 March 1760 @ King's Theatre

Event Comment: Benefit for Signora Asselin

Performances

Mainpiece Title: Arminio

Dance: II: Signora Asselin (a New Dance of her own composing), Miss Polly (a child of seven years and a Scholar of Sga Asselin), who appeared in the Opera of Farnace will also dance

19
31 January 1758 @ King's Theatre

Performances

Mainpiece Title: Solimano

Performance Comment: Larpent MS lists: Solimano-Pazzaglia; Selim-Potenza; Narsea-Signora Mattei; Osmino-Signora Galori; Emira-Signora Frasi; Resteno-Signora Rosa; Maestra de Balli-Lescot.
Cast
Role: Narsea Actor: Signora Mattei
Role: Osmino Actor: Signora Galori
Role: Emira Actor: Signora Frasi
Role: Resteno Actor: Signora Rosa

Dance: Signora Forti, Signora Bonomi, Grimaldi, Signora Lescot

20
16 December 1760 @ King's Theatre

Event Comment: A new serious Opera [a pasticcio]. Music by different Masters. To begin at 6 p.m. on account of the Prologue. [Note: The 1760 Libretto at Library of Congress designates the "Musical Prologue sung by Signora Mattei" on 22 Nov. The prologue consists of recitative and a brief air of two quatrains.

Performances

Mainpiece Title: Arianna E Teseo

Performance Comment: Minos-Gaetano Quilici; Ariadne-Signora Colomba Mattei; Theseus-Filipo Elisi; Tauris-Pietro Sorbelloni; Laodice-Signora Angiola Calori; Alcestes-Signora Teresa Eberardi; Director-Giocchino Cocchi; New Musical Prologue before the Opera begins-Signora Mattei--1760 Libretto; Director of Dancers-Gherardi; Dancers-Gherardi, Mlle Asselin, Polly Capitani, Tariot (Larpent MS).
Cast
Role: Ariadne Actor: Signora Colomba Mattei
Role: Laodice Actor: Signora Angiola Calori
Role: Alcestes Actor: Signora Teresa Eberardi
Role: New Musical Prologue before the Opera begin Actor: Signora Mattei--1760 Libretto

21
04 November 1732 @ King's Theatre

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

Performance Comment: Edition of 1732 lists: Catone-Senesino; Marzia-Signora Strada; Emilia-Signora Celeste Gismondi; Arbace-Signora Bertolli; Cesare-Montagnana.
Cast
Role: Marzia Actor: Signora Strada
Role: Emilia Actor: Signora Celeste Gismondi
Role: Arbace Actor: Signora Bertolli

22
29 April 1760 @ Hickford's Room

Event Comment: Benefit for Signora Laura Rosa...having sustainedthe loss of her Salary by the late Failure at the Opera House. At Hickford's Room, Brewer St

Performances

Mainpiece Title: L'isola Dissabitata

Performance Comment: Parts-Signora Calori, Miss Frederick, Signora Laura Rosa, Tenducci, Quilici.
Cast
Role: Parts Actor: Signora Calori, Miss Frederick, Signora Laura Rosa, Tenducci, Quilici.

Music: First Violin-Sg Cardoni

23
22 November 1760 @ King's Theatre

Event Comment: Libretto by Goldoni; Music by Galuppi. A new comic Opera. To begin at 6:30 p.m. Pit and Boxes Half a Guinea. Gallery 5s. By His Majesty's Command No Persons admitted behind the Scenes [Repeated. The 1760 Libretto of Arianne e Teseo calls for Prologue to be sung by Signora Mattei on this night.

Performances

Mainpiece Title: Il Mondo Nella Luna

Performance Comment: Ernesto-Peter Sorbelloni; Sir Credulous-Carlo Paganini; Lisetta-Signora Angiola Paganini; Cecco-Christiano Tedeschini; Flaminia-Signora Angiola Calori; Ecclypticus-Gaetano Quilici; Clarice-Signora Teresa Eberardi; Director-G. Cocchi Libretto, 1760.
Cast
Role: Lisetta Actor: Signora Angiola Paganini
Role: Flaminia Actor: Signora Angiola Calori
Role: Clarice Actor: Signora Teresa Eberardi

Dance: New DancesDirector of Dances-Gherardi; Dancers-Mlle Asselin, Gherardi, Miss Polly Capitani, Tariot

24
08 March 1748 @ King's Theatre

Event Comment: Benefit for Signora Galli. Composed by Handel. Signora Galli will sing the Part of Alexander, with all the original songs of Senesino. [As Senesino created this role in 1726, the piece performed tonight may be Handel's, not Lampugnani's; see kings, 15 Nov. 1743 and Deutsch, Handel, p. 647.

Performances

Mainpiece Title: Roxana

Performance Comment: Alexander-Signora Galli.
Cast
Role: Alexander Actor: Signora Galli.

25
31 May 1760 @ King's Theatre

Event Comment: The last Night of the Subscription. A New Opera. Music by Cocchi. N.B. The opera will be continued for a few nights more for the benefit of actors and actresses. [The opera next season to be under Signora Mattei.

Performances

Mainpiece Title: Erginda Regina Di Livadia

Performance Comment: edition of 1760 listed: Erginda-Colomba Mattei; Ormonte-Emanuele Cornacchini; Vasorre-Gaetano Quilici; Tanette-Magalli [MS notation in Folger Library copy]; Ismena-Signora Angiola Calori; Creonte-Signora Laura Rosa; Logide-Miss Polly Capitani[, eight years old., eight years old.
Cast
Role: Ismena Actor: Signora Angiola Calori
Role: Creonte Actor: Signora Laura Rosa

Dance: Gallini, Mlle Asselin, Maranesi, Sga Provenzale